Découvrez la musique du célèbre artiste de jazz Joshua Redman avec ce livre de solos transcrits. Trent Kynaston a méticuleusement capturé sur papier toute la magie du premier jeune saxophoniste ténor de jazz d'aujourd'hui. Le livre comprend une biographie, une discographie et une analyse de chaque solo. Cette grande nouvelle folio donnera un aperçu du style de Joshua Redman, et est un ajout précieux à la bibliothèque de n'importe quel musicien de jazz. / Saxophone

Par SCHMITZ MANFRED. 12 Easy Pieces For Alto Or Tenor Saxophone And Piano / Niveau : Débutant à Intermédiaire / All Styles - Solos / Recueil / Saxophone

Imagine someone who has worked as an international saxophonist, an educator, a technician, a consultant, and as a designer, and you can imagine Peter Ponzol. For the first time, Peter offers details from his famous Saxophone Workshops. Learn about: ? Maintenance ? Reeds ? Mouthpieces ? Ligatures ? Sound ? Flexibility This exciting and informational pocket book will be a much needed addition to your musical library! Convenient pocket-sized book - 3.5 x 5.5 - perfect to toss in your gig bag! 64 pages. Peter has been around saxophones for decades, doing it all from manufacturing horns to reeds to mouthpieces. As well, he is a seasoned player. What he discusses in this book is coming from one of the sources-read carefully! - David Liebman, Sax artist/ author/ clinician. Read this review from Sax On The Web: The information in this book is right up SOTW?s alley, with answers regarding reeds, necks, mouthpieces, saxes, maintenance, and the like. I would assume that the number of redundant threads started could be reduced almost in half simply with a reading of this book and those owning it could refer back to it at their leisure, as needed. And there is enough info in this book which contradicts some of our SOTW urban legends to make an episode of MythBusters. If you catch the right posts at the right time, much of the info in this book is already posted here on SOTW. But you have to see it and if hunting for it, you have to find it. OTOH it?s all conveniently gathered and organized here in this primer - plus more. There are suggestions such as replacing the neck cork once or twice a year, which I would, if posting a response, say is not necessary. But here?s the difference. Many of us on the forum are experienced musicians but few have the experience and depth that Ponzol has. We can write with credibility - Ponzol writes with authority. And this is based on decades not only as a top-echelon player, but as a successful and innovative sax, neck and mpc designer. The book is a 61 page pocket reference booklet which, in addition to topics mentioned above, include thoughts on ligatures, sound and flexibility. It is based on items of interest asked by attendees at workshops he has given over the years, hence the title. He begins by pointing out that at these workshops one of the first things he does is look at the condition of attendees' equipment with the observation that at least 90% of them need some kind of work and adjustments. What follows in the book?s 61 pages are recommendations generated by this observation. Included are interesting comments such as: aging store-bought reeds by letting them sit for several years is fairly useless since the aging process stops once the bark has been cut away from the reed; not earth-shattering but interesting and certainly myth debunking. Again something that fits right in with many of the conversations on this forum. Interesting thoughts follow regarding the future of natural cane reeds, or how to select and get the most from your reeds - things I wouldn?t think of like sanding the heel of your reed. SOTWers might also get a kick out of, and relate to, the title of his section on mouthpieces, ?Now the Fun Begins?. There are also interesting side comments we don?t often hear like: in the 70s so many young players like Ponzol were trying to get Trane?s recorded sound by working on metal Links because that?s what they saw in photos and yet, Trane often recorded with hard rubber mpcs because, in Trane's opinion, it didn?t have as much spit in the sound for him. It?s interesting how some things come around back to you. There are two exercises I recommend to my students and have recommended on the forum regarding volume and embouchure control and flexibility. I?ve never heard anyone else recommend these exercises and yet here they are in Peter?s book. Then it hit me. The only other one I know who uses them is a former teacher of mine and I remembered that years ago he said he had had some lessons with Ponzol. So ?the circle is unbroken? LOL. I would highly recommend it for beginners and intermediates, as well as for more advanced players to recommend to their students. It has made me re-think even some of my most basic assumptions regarding equipment and maintenance, which has made the read well worth it. I wish every SOTW newbie would start out their Forum time with this booklet at their disposal.

Der zweite Schritt-The ability to sight-read well is a valuable asset to any musician yet sight-reading is often ignored. The Eyes and Ears series contains carefully graded sight-reading specimens with a duet part for the teacher providing support and the impetus to keep going! James Rae likens this method to playing tennis or chess where the most progress is made when playing with someone of a higher standard.With developing confidence and practice sight-reading rather than feared can become enjoyable and challenging.• New topics are gradually introduced with TOP TIPS along the way• Finally specimen tests are set as encountered in a typical examination including allsubjects covered

Grundstufe-The ability to sight-read well is a valuable asset to any musician yet sight-reading is often ignored. The Eyes and Ears series contains carefully graded sight-reading specimens with a duet part for the teacher providing support and the impetus to keep going! James Rae likens this method to playing tennis or chess where the most progress is made when playing with someone of a higher standard.With developing confidence and practice sight-reading rather than feared can become enjoyable and challenging.• New topics are gradually introduced with TOP TIPS along the way• Finally specimen tests are set as encountered in a typical examination including allsubjects covered

Louis Blémant (1864-1934) was known in his day as a prolific composer arranger conductor and performer. With 336 works to his name it is his 20 Melodic Studies for all Saxophones which enables Blémant to remain revered to this day. 20 Melodic Studies for all Saxophones is arranged in two volumes with the first containing ten significant exercises for the instrument. These studies focus on rhythm articulation dynamics range accidentals note values ornamentation intervals and performance directions among other musical aspects. For all aspiring saxophonists 20 MelodicStudies by Louis Blémant is not to be missed!

A Resource for Developing Sound Improving Facility & Enhancing Musicianship-Many books in music education simply present the facts but Modern Saxophone Techniques actually teaches the developing player how to learn. Listening exploring writing original music and trial and error are some of the methods threaded throughout.The concepts presented in this book will keep players learning maturing and mastering the Saxophone in modern times and for many years to come. On the included online video author and virtuoso saxophonist Frank Catalano offers quick tips on many of the topics covered in the book. “In the Band” allows saxophonists to play along on six tunes and studies.Topics include: developing good rhythm air stream and embouchure fingering charts tonguing techniques modern harmony tips and more.

This 52-week, one-exercise-a-day workout program for developing, improving and maintaining saxophone technique includes access to demo audio tracks online for all 365 workout licks! Techniques covered include: scales · articulations · rhythms · range extension · arpeggios · ornaments · and stylings. Benefits of using this book include: facile technique · better intonation · increased style vocabulary · heightened rhythmic acuity · improved ensemble playing · and expanded range. / Méthodes et pédagogie / Bois / Saxophone / HAL LEONARD

This 52-week one-exercise-a-day workout program for developing improving and maintaining Saxophone technique includes access to demo audio tracks online for all 365 workout licks. Techniques covered include:   Scales Articulations Rhythms Range extension Arpeggios Ornaments Stylings   Benefits of using this book include:   Facile technique Better intonation Increased style vocabulary Heightened rhythmic acuity Improved ensemble playing Expanded range  

An outlined course of study designed to follow the elementary and intermediate levels of any instructional method the Rubank Advanced Methods are considered to be one of the gold standards of advanced instrumental study. The specially designed units provide a a complete pedagogy:Scales and Arpeggios All of the major and minor keys are covered in the complete two-book courseMelodic Interpretation Including 20+ contest level duets in each bookSolo Preparation Six contest level solos includedArticulation Studies Specialized for each instrumentExercises in Fingering (woodwinds) Flexibility (brass) and Sticking(percussion)Ornamentation All types are introducedGenerations of musicians have been taught with Rubank methods join the tradition!

Three Pieces Inspired By Douanier Rousseau s Paintings-The Japanese Saxophonist and composer Ryo Noda born in 1948 has placed his musical trajectory under the concept of East Meets West: a crossing of influences illustrated by Murasaki No Fuchi for Saxophone duo in which the shakuhachi can be substituted for one of the Saxophones (AL 25 893). How could he have not felt certain elective affinities between his creation and that of Douanier Rousseau (1844-1910) whose jungle landscapes are the expression of a dreamlike exoticism? Inspired by three of the naïf master's paintings Yume – The Dream for solo Saxophone lets the listener first succumb to the incantation ofThe Snake Charmer (1907): the threnody imitating the flute imbued with mysterious sensuality is echoed in the surrounding Nature just like the pale moonlight reflecting on the surface of the lake. In War (1894) the charred trees and crimson clouds surround the goddess Bellone whose cavalcade is evoked by the 'slap' technique and the devastation by the Saxophone's harsh portamenti. The Dream (1910) shows us this woman nude in the middle of the jungle the state of Nature before the Fall the incarnation of archaic innocence.

Commonly referred to as 'The Saxophone Bible ' this volume is the trusted training method for aspiring and serious musicians. From how to play your first note to mastering advanced concert pieces it offers exercises and advice for every stage of learning making it both an excellent guide for dedicated students and an indispensable tool for instructors. Paul DeVille's guide covers everything students need to learn to develop mastery of the Saxophone. He explains the components of the instrument itself how to make your own reeds tuning tone production fingering breath control and playing low and high ranges. Numerous exercises providereinforcement in playing scales intervals slurred and detached notes arpeggios cadenzas and other musical passages. In addition to several operatic melodies and duets for two Saxophones a dozen solos include works by Schubert Brahms Donizetti and other composers. No saxophonist's musical library is complete without this comprehensive guide now available in a sturdy and inexpensive edition. Reprint of the Carl Fisher New York edition.

Brand new for the Saxophone teacher. This volume includes a progressive sequence of materials for the Saxophone player with no 'lesson boundaries.'Students will determine their own rates of advancement. Instead of usingfamiliar tunes original well-thought out musical compositions by the author are included.The student must think through the melodies instead of relying on memory of standard tunes. Proper technical development is insuredfor the beginning saxophonist.

A Proven Method to Increase Technique and Become a Complete Saxophonist-Your warm-up time is a precious thing. It can get you off to a great day of practicing or it can set you back every time you pick up your instrument. Learning the correct way to warm up will benefit every part of your playingand send you on your way to mastering the saxophone! This book is the product of the last 10 years of building my warm-up routine and will teach you my proven method guaranteed to improve your playing by leaps and bounds.The exercises in this book are designed specifically for the range of the saxophone and address some of the most common problems that people who play this instrument run into. The main areas of study in this method are:1. Sound Concepts 2. Scales & Arpeggios 3. Working with a Metronome 4. How to Structure Your Time A good day starts off on the right foot and a good practice session starts off with a quality warm-up. Treat your warm-up timewith the care and precision that a brass player or drummer does and turn a repetitive routine into a new one which challenges you every day. Contained Inside: Sound Concepts • Articulation Patterns • Full RangeMajor and Harmonic Minor Scales • Full Range Major and Harmonic Minor Thirds • Full Range Major and Minor Arpeggios • Staggered Major and Minor Arpeggios • Major and Minor Seconds • Full Range ChromaticScale Exercises • Combining Keys with Both Scales and Arpeggios • Full Range Major and Harmonic Minor Fourths and Wider Intervals