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Saxophone
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Fishman Greg - Hip Licks For Saxophone Vol.2 - + 4 Cd's
Saxophone
[Sheet music + CD]
-
Intermediate/advanced
This book is designed to help saxophonists develop fluency in the jazz language ...
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This book is designed to help saxophonists develop fluency in the jazz language by providing mainstream jazz vocabulary (swing/bop/post-bop) that nails the changes and lays great on the horn. Think of Hip Licks for Saxophone Volume 2 as a musical reference book, like a dictionary of great licks in all twelve keys, available when you need it. You can open the book to any page and just start playing. Hip Licks for Saxophone Volume 2 is an indispensable resource that shows you how a professional player would deal with many of the complex chord progressions found in popular standards and jazz compositions. Special Features of Hip Licks for Saxophone Volume 2 by Greg Fishman: • 120 Hip Licks – Each lick is unique and customized for each key, based on the best timbre, register and playability on the horn. • Idiomatic Construction – Alto and Tenor read the same written part, while the rhythm section is recorded in two different keys, ensuring that each lick lays perfectly on all saxophones. • Slow Tempo and Fast Tempo Play-Along CDs are included for both Alto and Tenor – 4 CDs included: 2 Alto CDs and 2 Tenor CDs, providing over four hours of play-along tracks. All licks at 208 BPM (and above) are recorded at both slow and fast tempos. • Hip Licks for Saxophone Volume 2 features great licks over the following chord progressions: • V7#11 chords [C7#11] x 12 keys • ii mi7 / V7 [C mi7 / F7 ] x 12 keys • ii mi7b5 / V7b9 [C mi7b5 / F7b9] x 12 keys • iv mi7 / bVII7 / I Maj7 ( 2 bar and 4 bar phrases) [F mi7 / Bb7 / C Maj7] x 12 keys • b vi mi7 / bII7 / I Maj7 [Ab mi7 / Db7 / C Maj7] x 12 keys • #iv mi7 / VII7 / I Maj7 [F#mi7 / B7 / CMaj7 x 12 keys • Turnaround Licks (4 beats per chord – 4 bar phrases [C Maj7 / A7b9 / Dmi7 / G7] x 12 keys • V7#9#5 / i mi [C7#9#5 / F mi ] x 12 keys • Turnaround Licks (2 beats per chord – 8 bar phrases] [C Maj7 Ami7 / Dmi7 G7 ] x 12 keys • Modular Design – The licks are self-contained, easily taken out of the book to be used in a wide variety of songs. • Interactive Call and Response Format, perfect for ear training and developing your musical memory. Each lick is played twice in a row on the Play-Along CDs, so you can hear the lick and then immediately play along. • Twelve Key Approach – Each CD track takes you through all twelve keys. • Rhythm-Section-Only Tracks let you experiment with your own variations on the licks and improvise over a wide variety of harmonic settings. These tracks are also excellent backgrounds for practicing all of your chords and scales. • Technique Builder – Use Hip Licks for Saxophone as part of your daily practice routine to dramatically increase your technical command of the saxophone. Hip Licks for Saxophone Volumes 1 & 2 were designed to work well together. The lick numbers in volume two start where volume one left off, beginning with lick number 169. This will help you easily keep track of your favorite licks, with no confusion from duplicate lick numbers. Using Volume 1 and 2 together will you have 288 hip licks, many of which can be mixed and matched, creating even more licks. 36 pages, 4 Play-Along CDs included
32.95 EUR - Sold by Woodbrass
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Ponzol Peter - Saxophone Workshop - Pocket Guide
Saxophone
Jamey Aebersold Jazz
Imagine someone who has worked as an international saxophonist, an educator, a t...
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Imagine someone who has worked as an international saxophonist, an educator, a technician, a consultant, and as a designer, and you can imagine Peter Ponzol. For the first time, Peter offers details from his famous Saxophone Workshops. Learn about: ? Maintenance ? Reeds ? Mouthpieces ? Ligatures ? Sound ? Flexibility This exciting and informational pocket book will be a much needed addition to your musical library! Convenient pocket-sized book - 3.5 x 5.5 - perfect to toss in your gig bag! 64 pages. Peter has been around saxophones for decades, doing it all from manufacturing horns to reeds to mouthpieces. As well, he is a seasoned player. What he discusses in this book is coming from one of the sources-read carefully! - David Liebman, Sax artist/ author/ clinician. Read this review from Sax On The Web: The information in this book is right up SOTW?s alley, with answers regarding reeds, necks, mouthpieces, saxes, maintenance, and the like. I would assume that the number of redundant threads started could be reduced almost in half simply with a reading of this book and those owning it could refer back to it at their leisure, as needed. And there is enough info in this book which contradicts some of our SOTW urban legends to make an episode of MythBusters. If you catch the right posts at the right time, much of the info in this book is already posted here on SOTW. But you have to see it and if hunting for it, you have to find it. OTOH it?s all conveniently gathered and organized here in this primer - plus more. There are suggestions such as replacing the neck cork once or twice a year, which I would, if posting a response, say is not necessary. But here?s the difference. Many of us on the forum are experienced musicians but few have the experience and depth that Ponzol has. We can write with credibility - Ponzol writes with authority. And this is based on decades not only as a top-echelon player, but as a successful and innovative sax, neck and mpc designer. The book is a 61 page pocket reference booklet which, in addition to topics mentioned above, include thoughts on ligatures, sound and flexibility. It is based on items of interest asked by attendees at workshops he has given over the years, hence the title. He begins by pointing out that at these workshops one of the first things he does is look at the condition of attendees' equipment with the observation that at least 90% of them need some kind of work and adjustments. What follows in the book?s 61 pages are recommendations generated by this observation. Included are interesting comments such as: aging store-bought reeds by letting them sit for several years is fairly useless since the aging process stops once the bark has been cut away from the reed; not earth-shattering but interesting and certainly myth debunking. Again something that fits right in with many of the conversations on this forum. Interesting thoughts follow regarding the future of natural cane reeds, or how to select and get the most from your reeds - things I wouldn?t think of like sanding the heel of your reed. SOTWers might also get a kick out of, and relate to, the title of his section on mouthpieces, ?Now the Fun Begins?. There are also interesting side comments we don?t often hear like: in the 70s so many young players like Ponzol were trying to get Trane?s recorded sound by working on metal Links because that?s what they saw in photos and yet, Trane often recorded with hard rubber mpcs because, in Trane's opinion, it didn?t have as much spit in the sound for him. It?s interesting how some things come around back to you. There are two exercises I recommend to my students and have recommended on the forum regarding volume and embouchure control and flexibility. I?ve never heard anyone else recommend these exercises and yet here they are in Peter?s book. Then it hit me. The only other one I know who uses them is a former teacher of mine and I remembered that years ago he said he had had some lessons with Ponzol. So ?the circle is unbroken? LOL. I would highly recommend it for beginners and intermediates, as well as for more advanced players to recommend to their students. It has made me re-think even some of my most basic assumptions regarding equipment and maintenance, which has made the read well worth it. I wish every SOTW newbie would start out their Forum time with this booklet at their disposal.
6.40 EUR - Sold by Woodbrass
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For Saxes Only: Saxophone: Instrumental Album
Saxophone
[Sheet music + CD]
Music Minus One
Music Minus One Tenor or Alto Saxophone-For Saxes Only is designed to give the j...
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Music Minus One Tenor or Alto Saxophone-For Saxes Only is designed to give the jazz saxophonist (or clarinet or trumpet player) an opportunity to play with a top-flight sax section. Due to the comparative scarcity of big bands today this is the one area in which young players sorely lack experience. While working with this album you will encounter the problems of sight-reading intonation phrasing vibrato unisons subtone and more. These are the same challenges one would face playing with legendary greats Ellington Basie or Goodman. If you haven't had the opportunity to work in a big band playing with this album should give you an idea of that special thrill one gets when the blend is perfect and everybody'sswinging together! Includes printed solo parts for E-flat and B-flat instruments and a compact disc featuring complete recordings (with alto sax as the solo instrument) and a second performance of the accompaniments only. Performed by Bob Wilber tenor sax Hilton Jefferson alto sax Accompaniment: The Bob Wilber All-Stars: Bob Wilber tenor sax Hilton Jefferson alto sax Jerome Richardson alto sax Seldon Powell tenor sax Danny Bank baritone sax Dick Wellstood piano George Duvivier bass Panama Francis drums
12.99 GBP - Sold by Musicroom UK
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Pam Wedgwood: Up-Grade! Alto Saxophone Grades 2-3: Alto Saxophone: Instrumental
Saxophone
[Sheet music]
-
Easy
Faber Music Limited
This book is perfect for those looking for something to bridge the gap between g...
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This book is perfect for those looking for something to bridge the gap between grades. Pam Wedgwood's inimitable style is guaranteed to breathe new life into your saxophone playing - the varied pieces in this bright collection range from toe-tapping jazzy numbers to more classical styles all designed to ease you gently on towards the next grade. This book is especially useful to students who have passed Grade 2 and would like a break before plunging into the syllabus for Grade 3. So lighten up and move on with Up-Grade!. ABRSM Alto and Baritone Saxophone examination grade 3.
8.50 GBP - Sold by Musicroom UK
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For Saxes Only: Saxophone: Instrumental Album
Saxophone
[Sheet music + CD]
Music Minus One
Alto Tenor Baritone Sax Trumpet or Clarinet-Performed by Bob Wilber tenor sa...
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Alto Tenor Baritone Sax Trumpet or Clarinet-Performed by Bob Wilber tenor sax; Hilton Jefferson alto sax For Saxes Only is designed to give the jazz saxophonist (or clarinet or trumpet player) an opportunity to play with a top-flight sax section. Due to the comparative scarcity of big bands today this is the one area in which young players sorely lack experience. The problems of sight-reading intonation phrasing vibrato unisons subtone etc. which the player will encounter in working with this album are the same one would face playing with Ellington Basie or Goodman. If you haven't had the opportunity to work in a big band playing with this album should give you an idea of that special thrill one gets when theblend is perfect and everybody's swinging together! Includes printed musical score for E-flat and B-flat instruments and a compact disc featuring complete recordings (with alto sax as the solo instrument) and a second performance of the accompaniments only.
15.99 GBP - Sold by Musicroom UK
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