Une collection de ballades sensuelles spécialement adaptés pour sax, de débutant à la norme intermédiaire. Accords de pleine consonance de Jack Long comprennent deux ensembles de symboles de corde au-dessus de mélodie la ligne de la mélodie, donc les guitaristes ou joueurs de clavier peuvent vous accompagner si vous jouez sax Eb ou Bb. Un complément idéal à votre bibliothèque de saxophone. / Saxophone / 96 pages / Partition

No.1 hits ranging from the Everly Brothers\' in 1958 to Bryan Adams\' record-breaking 16 weeks smash hit (Everything I Do) I Do It For You in 1991. / Saxophone

Imagine someone who has worked as an international saxophonist, an educator, a technician, a consultant, and as a designer, and you can imagine Peter Ponzol. For the first time, Peter offers details from his famous Saxophone Workshops. Learn about: ? Maintenance ? Reeds ? Mouthpieces ? Ligatures ? Sound ? Flexibility This exciting and informational pocket book will be a much needed addition to your musical library! Convenient pocket-sized book - 3.5 x 5.5 - perfect to toss in your gig bag! 64 pages. Peter has been around saxophones for decades, doing it all from manufacturing horns to reeds to mouthpieces. As well, he is a seasoned player. What he discusses in this book is coming from one of the sources-read carefully! - David Liebman, Sax artist/ author/ clinician. Read this review from Sax On The Web: The information in this book is right up SOTW?s alley, with answers regarding reeds, necks, mouthpieces, saxes, maintenance, and the like. I would assume that the number of redundant threads started could be reduced almost in half simply with a reading of this book and those owning it could refer back to it at their leisure, as needed. And there is enough info in this book which contradicts some of our SOTW urban legends to make an episode of MythBusters. If you catch the right posts at the right time, much of the info in this book is already posted here on SOTW. But you have to see it and if hunting for it, you have to find it. OTOH it?s all conveniently gathered and organized here in this primer - plus more. There are suggestions such as replacing the neck cork once or twice a year, which I would, if posting a response, say is not necessary. But here?s the difference. Many of us on the forum are experienced musicians but few have the experience and depth that Ponzol has. We can write with credibility - Ponzol writes with authority. And this is based on decades not only as a top-echelon player, but as a successful and innovative sax, neck and mpc designer. The book is a 61 page pocket reference booklet which, in addition to topics mentioned above, include thoughts on ligatures, sound and flexibility. It is based on items of interest asked by attendees at workshops he has given over the years, hence the title. He begins by pointing out that at these workshops one of the first things he does is look at the condition of attendees' equipment with the observation that at least 90% of them need some kind of work and adjustments. What follows in the book?s 61 pages are recommendations generated by this observation. Included are interesting comments such as: aging store-bought reeds by letting them sit for several years is fairly useless since the aging process stops once the bark has been cut away from the reed; not earth-shattering but interesting and certainly myth debunking. Again something that fits right in with many of the conversations on this forum. Interesting thoughts follow regarding the future of natural cane reeds, or how to select and get the most from your reeds - things I wouldn?t think of like sanding the heel of your reed. SOTWers might also get a kick out of, and relate to, the title of his section on mouthpieces, ?Now the Fun Begins?. There are also interesting side comments we don?t often hear like: in the 70s so many young players like Ponzol were trying to get Trane?s recorded sound by working on metal Links because that?s what they saw in photos and yet, Trane often recorded with hard rubber mpcs because, in Trane's opinion, it didn?t have as much spit in the sound for him. It?s interesting how some things come around back to you. There are two exercises I recommend to my students and have recommended on the forum regarding volume and embouchure control and flexibility. I?ve never heard anyone else recommend these exercises and yet here they are in Peter?s book. Then it hit me. The only other one I know who uses them is a former teacher of mine and I remembered that years ago he said he had had some lessons with Ponzol. So ?the circle is unbroken? LOL. I would highly recommend it for beginners and intermediates, as well as for more advanced players to recommend to their students. It has made me re-think even some of my most basic assumptions regarding equipment and maintenance, which has made the read well worth it. I wish every SOTW newbie would start out their Forum time with this booklet at their disposal.

The Worlds greatest fake book is the world’s first great legal anthology of over 200 jazz compositions – created by and for Jazz Players. Everything considered essential to recreating a tune has been included with the composers approval. / Instrumental Music / Recueil / Saxophone

Cette série de superbes livres offre une richesse incroyable de grands airs dans un large éventail de styles, arrangé pour saxophones Eb et Bb. Comprend des symboles de la corde pour les deux instruments. Comprend ' Tuxedo Junction ', ' Prendre cinq ', 'Caravan' 'Humeur Indigo', ' Minnie The Moocher ', ' Round Midnight ', ' Solitude ' et beaucoup plus. / Saxophone / 48 pages / Partition

This second volume of easy duets offer a vast array of practice and performance material. The duets have been carefully composed and arranged to tie in with the Look Listen and Learn method books, although they can equally well be used separately. Titles in Book 2 includes: Party Animal, Cool Man, It’s Swingtime, The Chef of Kiev and many more. / Niveau : Facile à Intermédiaire / Méthode / Saxophone

Soixante-six des grands standards jazz record spécialement adaptés pour saxophone par Jack Long, complet avec les symboles de la corde de concert pitch. Touches faciles et varie en fonction de débutants à la norme intermédiaire. Comprend ' Ain't Misbehavin ', ' Come Fly With Me ', ' Tuxedo Junction ' et ' C'est une valse Raggy '. / Saxophone / 96 pages / Partition

The Beatles catalogue has, over the years, been transposed, transcribed and translated for just about every musical purpose imaginable. However, many have not been arranged for Saxophonists before. This book contains 72 Beatles favourites arranged for Saxophone, many for the first time. Included are songs from right across the band's highly varied career, and all are suitable for both B-flat and E-flat instruments. / Saxophone

The essential introduction to playing jazz. Par BENNETT NED. How To Play Jazz Saxophone is a fun and engaging introduction to jazz from composer and saxophonist Ned Bennett. Discover the exciting world of jazz, from its roots in ragtime to blues, bebop and beyond! Ideal for established beginners (approximately Grade 3 standard), this book teaches methods of improvisation, how to play in swing time, syncopated rhythms and jazz scales and modes. It also presents suggested listening ideas and melodic \'phrase banks\' based on typical jazz chords alongside plenty of great new pieces. Audio and piano accompaniments are available to download for both alto and tenor saxophone. / Niveau : Facile / Pédagogie / Etude / Saxophone

Longtemps connue comme l'un des plus grands improvisateurs dans l'histoire du jazz, m. Rollins non seulement a choisi les titres d'inclure dans ce livre, mais aussi personnellement supervise tous les aspects de sa production. Il comprend ses solos enregistrés ainsi que des transcriptions de la note-pour-note d'improvisations nouvelles écrites spécialement pour cette folio ! Comporte dix sélections en tout : / Saxophone / Partition

11 Famous Pieces For Alto Saxophone And Piano. Par WIEDOEFT RUDY. Remontons le temps jusqu'aux Années folles, la période mouvementée de l'entre-deux-guerres … C'était l'époque du charleston, du ragtime, de la coupe de cheveux au carré et de Coco Chanel - mais aussi celle du saxophoniste virtuose Rudy Wiedoeft (1893-1940). Cet ouvrage rassemble ses plus célèbres compositions pour saxophone alto et piano. Elles vous donneront un aperçu de la musique enjouée des années vingt et vous feront découvrir le talent hors pair de Wiedoeft. Rudy Wiedoeft - Spirit of the Saxophone : un hommage à un grand artiste. / Niveau : Avancé / Recueil / Saxophone Alto et Piano

Cette collection des plus beaux spirituals et gospels ne laisse rien à désirer. Toutes les mélodies sont définies dans des arrangements très faciles pour les débutants et peut être joué à plusieurs reprises, que ce soit à la maison, à l'école ou dans un ensemble. Les arrangements peuvent également être joué avec une partie supplémentaire seconde.Contenu: Down by the Riverside Glory Hallelujah,, Go down Moses, O jour heureux, Rock my soul, Il a le monde entier dans ses mains, Personne ne sait la peine que j'ai vu, Swing low, et beaucoup plus. / 1 Ou 2 Saxophone(s) En Mib

Par RAE JAMES. This album of Easy Studies for Saxophone is a 'user friendly' introduction to Jazz and Rock phrasing at an elementary level. The book is divided into two sections, Jazz and Rock. In the Jazz pieces, all quavers are to be played in swing time. In the Rock pieces they are as written, (straight). This book can be used as an ideal primer for the more advanced '20 Modern Studies' (UE18820) also in this series. / Niveau : Facile / Recueil / Saxophone