Technique - Style - Improvisation. Par O'NEILL JOHN. Since it was first published in 1992, The Jazz Method for Saxophone has guided thousands of beginners of all ages from producing their first note on the saxophone to the performance of full-blown jazz pieces, including pieces by contemporary composers. Based on the tried and tested format of the original method (with step-by-step guidance and a number of pieces specially written for this series), the revised edition is packed with updated content. It also comes complete with exciting new tunes, re-recorded audio tracks and over 2 hours of demo tracks available as free MP3 downloads. Now there is also a greater emphasis on the development of improvisational and listening skills. Thanks to additional suggestions for listening and reading as well as an appendix with all chord sequences for the 'live' accompaniment of the melodies, the 'Jazz Methods' are ideal for both pupils studying by themselves and for pupils learning with a teacher. '...a rare opportunity for a new player (or a more experienced one) to develop a really musical facility. A rare addition to the jazz improvising library.' (Lee Konitz, international jazz saxophone soloist) / Date parution : 2024-01-26/ Méthode / Saxophone

Par MARAIS MARIN / PROST NICOLAS. Marin Marais (1656-1728), prestigieux compositeur français de la période baroque jouait également la viole et la viole de gambe pour Louis XIV. Il écrivit près de 600 pièces pour son instrument, réparties en 5 livres, chacun comprenant, entre autres, une quarantaine de suites. Nicolas Prost propose une sélection de 24 pièces adaptées pour saxophone, qui pourront aisément être programmées pour le concert ou dans le cadre pédagogique, comme études mélodiques et virtuoses, à partir du 2e cycle. / Niveau : 2ème Cycle / Répertoire / Saxophone

Marin Marais (1656-1728), prestigieux compositeur français de la période baroque jouait également la viole et la viole de gambe pour Louis XIV. Il écrivit près de 600 pièces pour son instrument, réparties en 5 livres, chacun comprenant, entre autres, une quarantaine de suites. Nicolas Prost propose une sélection de 24 pièces adaptées pour saxophone, qui pourront aisément être programmées pour le concert ou dans le cadre pédagogique, comme études mélodiques et virtuoses, à partir du 2e cycle.

La maîtrise des gammes et des modèles de gammes est depuis longtemps établie comme le meilleur moyen d'améliorer les capacités techniques sur tous les instruments. Le Compendium de gammes complètes se concentre sur ce qui est le plus courant dans l'étude de la musique classique : les gammes majeures et mineures de base, ainsi que les gammes chromatiques, pentatoniques, entières et de blues. Les élèves apprendront la construction de ces échelles tout en pratiquant des motifs uniques, enrichissant leur technique. Les liaisons et les articulations spécifiques ont été omises des exercices afin qu'une multitude de modèles d'articulations et de liaisons différentes puissent être utilisées. Les exercices sont présentés de deux manières : par échelle et par tonalité. / Méthodes et pédagogie / Bois / Saxophone / CARL FISCHER

Metodo Progressivo Per Ragazzi. Par APARICIO JOSEP MARIA. collana Curci Young II, III corso. Tecniche preliminari : registri acuto e grave - legato e staccato - dinamiche - accento, sincope e controtempo - alterazioni - scale maggiori e minori - trasporto.Sviluppo di capacità ed attitudini musicali : suonare in gruppo - comporre evisare - lettura a prima vista e memorizzazione - primi approcci alla notazione contemporanea - suggerimenti per l'ascoltoTanti esercizi, brani musicali, giochi e attività per stimolare la creatività, la curiosità, la ricerca, l'ascolto, l'apprendimentcale dei ragazzi. / Méthode / Méthode / Saxophone

Une superbe collection de facile-à-play arrangements pour instruments solo mélodie de la ligne, complet avec les symboles de la corde de concert pitch. Comprend les \' Be\'Bop \' A-Lula \', \' Je crois \', \' Rocket Man \' et \' Woman \'. / Saxophone / 64 pages / Partition

Imagine someone who has worked as an international saxophonist, an educator, a technician, a consultant, and as a designer, and you can imagine Peter Ponzol. For the first time, Peter offers details from his famous Saxophone Workshops. Learn about: ? Maintenance ? Reeds ? Mouthpieces ? Ligatures ? Sound ? Flexibility This exciting and informational pocket book will be a much needed addition to your musical library! Convenient pocket-sized book - 3.5 x 5.5 - perfect to toss in your gig bag! 64 pages. Peter has been around saxophones for decades, doing it all from manufacturing horns to reeds to mouthpieces. As well, he is a seasoned player. What he discusses in this book is coming from one of the sources-read carefully! - David Liebman, Sax artist/ author/ clinician. Read this review from Sax On The Web: The information in this book is right up SOTW?s alley, with answers regarding reeds, necks, mouthpieces, saxes, maintenance, and the like. I would assume that the number of redundant threads started could be reduced almost in half simply with a reading of this book and those owning it could refer back to it at their leisure, as needed. And there is enough info in this book which contradicts some of our SOTW urban legends to make an episode of MythBusters. If you catch the right posts at the right time, much of the info in this book is already posted here on SOTW. But you have to see it and if hunting for it, you have to find it. OTOH it?s all conveniently gathered and organized here in this primer - plus more. There are suggestions such as replacing the neck cork once or twice a year, which I would, if posting a response, say is not necessary. But here?s the difference. Many of us on the forum are experienced musicians but few have the experience and depth that Ponzol has. We can write with credibility - Ponzol writes with authority. And this is based on decades not only as a top-echelon player, but as a successful and innovative sax, neck and mpc designer. The book is a 61 page pocket reference booklet which, in addition to topics mentioned above, include thoughts on ligatures, sound and flexibility. It is based on items of interest asked by attendees at workshops he has given over the years, hence the title. He begins by pointing out that at these workshops one of the first things he does is look at the condition of attendees' equipment with the observation that at least 90% of them need some kind of work and adjustments. What follows in the book?s 61 pages are recommendations generated by this observation. Included are interesting comments such as: aging store-bought reeds by letting them sit for several years is fairly useless since the aging process stops once the bark has been cut away from the reed; not earth-shattering but interesting and certainly myth debunking. Again something that fits right in with many of the conversations on this forum. Interesting thoughts follow regarding the future of natural cane reeds, or how to select and get the most from your reeds - things I wouldn?t think of like sanding the heel of your reed. SOTWers might also get a kick out of, and relate to, the title of his section on mouthpieces, ?Now the Fun Begins?. There are also interesting side comments we don?t often hear like: in the 70s so many young players like Ponzol were trying to get Trane?s recorded sound by working on metal Links because that?s what they saw in photos and yet, Trane often recorded with hard rubber mpcs because, in Trane's opinion, it didn?t have as much spit in the sound for him. It?s interesting how some things come around back to you. There are two exercises I recommend to my students and have recommended on the forum regarding volume and embouchure control and flexibility. I?ve never heard anyone else recommend these exercises and yet here they are in Peter?s book. Then it hit me. The only other one I know who uses them is a former teacher of mine and I remembered that years ago he said he had had some lessons with Ponzol. So ?the circle is unbroken? LOL. I would highly recommend it for beginners and intermediates, as well as for more advanced players to recommend to their students. It has made me re-think even some of my most basic assumptions regarding equipment and maintenance, which has made the read well worth it. I wish every SOTW newbie would start out their Forum time with this booklet at their disposal.

Mauricio Sotelo’s Muros de dolor...I (2005) speaks of the pain and sorrow of the soul. The strong and expressive character is achieved via a precisely calculated succession of “micro-intervals” and an expanded palette of “micro-qualities” of the tone. Mauricio Sotelo wrote Muros de dolor…I for saxophonist Marcus Weiss, who supported him significantly in the composition of the work with his knowledge of the saxophone’s capabilities and his experience as an interpreter. A fingering chart for eighth tones for tenor saxophone is contained in UE33034. / Partitions classique / Bois / Saxophone / UNIVERSAL EDITION

Ces Six études ont été écrites à l'origine pour hautbois, Elles s'inspirent de tableaux impressionnistes et mettent en relief la virtuosité de l'instrument, La proximité entre hautbois et saxophone (registre, expressivité) m'a inspiré cette adaptation qui, je l'espère, intéressera les instrumentistes pour la fantaisie et les couleurs qu'elles exigent, I - Hôtel des Roches noires à Trouville 00 :03 :15II - Potager et arbres en fleurs, Printemps, Pontoise 00 :03 :15III - Boulevard des Capucines 00 :01 :05IV - Sentier dans les bois 00 :02 :10V - Scène de plage - Ciel d'orage 00 :01 :10VI - La ballet espagnol 00 :03 :05 Collection Notes de Sax / Saxophone

Chansons populaires pour le débutant ou étudiant dans les touches ' faciles '. Comprend 'Karma Chameleon', 'All My Loving', ' Voile ' et ' Nellie l'éléphant '. Usage maison ou en classe. / Saxophone

Un cours décrit d'étude visant à suivre des niveaux primaire et intermédiaires de n'importe quelle méthode d'enseignement, les méthodes avancées de Rubank sont considérés comme l'une des normes d'or d'étude instrumental avancée. Les unités conçu spécialement pour fournissent une une pédagogie complete: - échelles et tous arpèges de la major et minor keys sont couvertes dans le cours de deux-livre complet - mélodique interprétation dont 20++ concours niveau duos dans chaque livre - Solo de préparation Six concours niveau solos inclus - de l'Articulation des études spécialisées pour chaque instrument - exercices de doigté (bois), la flexibilité (laiton) et la friction (percussions) - ornementation tous types sont introduits générations de musiciens ont été enseignées avec les méthodes de Rubank - Joignez-vous à la tradition ! / Saxophone

Après le grand succès d'amusement pour clarinettes du suivi est ici: plus de plaisir pour clarinettes. Tout comme plaisir pour Clarinettes ce livre est idéal pour ceux qui joue de la clarinette dans un orchestre ou prend des leçons de flûte. Les six attrayante, des morceaux modernes sont parfaits pour la clarinette et peut être utilisé avec beaucoup de souplesse. Ils sont adaptés pour tous ceux qui ont été l'apprentissage de la clarinette pendant deux à deux et une moitié d'années.Sur le CD, vous trouverez plusieurs versions de chaque morceau: d'abord, vous entendrez un enregistrement complet pour vous donner une idée du résultat final possible. Suit alors une version sans la clarinette d'abord, une version sans la clarinette secondes, l'autre sans la clarinette troisième, et enfin une version avec seulement l'accompagnement balancer. Bien sûr, cette dernière version est le plus amusant, car il permet à trois (ou plus) clarinettistes de jouer ensemble! / Saxophone / 24 pages / niveau : Facile - Elémentaire / Partition + Cd