Par SMITH MIKE. This funky arrangement may also be played with optional pre-recorded rhythm section. There are also custom, music minus one backing tracks available for each sax part, making this work accessible for the individual player./ Répertoire / 4 Saxophones [SATB]

Par CURTIS MIKE. Langue: Deutsch / Musique klezmer / Répertoire / 4 Saxophones SATB

Historical information about Händel's Water Music Suites is limited, but certainly these works were intended for two, possibly three, parties given by King George I on the Thames River, London, between 1715 and 1736. Händel and his orchestra played on a barge. Since then the some twenty-two separate original pieces have been organized into three Suites and nicknamed 'Water Music?, each having a separate key and likely corresponding to these river parties. This transcription of Water Music Suite II for saxophone quartet has two purposes: to make this music available to saxophonists for performance and education, and to provide in one volume the entire Suite II. The exception to the latter, because of the limits of endurance, is the exclusion of the short Adagio, a brief interlude between the fi rst two movements. Included though are the Allegro, Hornpipe, Minuet, Lentement, and Bourree. These works were originally meant for an outdoor performance, and one of the original intentions of the saxophone was to play in French military bands, also an open-air purpose. The original scoring of brass, woodwind, and string instruments (but no continuo) transcribe well for saxophones. Matching the ranges of instruments of the original to the saxophone quartet was a primary objective. In addition, this arrangement strives to disperse melodic material to all four saxophones so as to make the arrangement pleasing to all the members of the quartet while providing variety to an audience. Any dynamic, articulation, and tempo markings are to be taken only as suggestions so as to allow interpretation by the performers. The musical study and performance of all styles while using examples of composition and performance that represent excellence is necessary for saxophonists who wish to be well-rounded musicians. For the above reasons saxophonists are urged to listen to recordings of the original orchestration in order to learn and imitate proper interpretation of Baroque style. There are currently a number of excellent recordings of Handel's Suites on period instruments, such as (but not limited to) those by conductors John Eliot Gardiner, Christopher Hogwood, and the ensemble Tafelmusik. The Lewis-Clark State College Saxophone Quartet has for many years enjoyed performing Suite II for concerts, ceremonies and social settings, and I thank Advance Music for the opportunity to bring these great works to the profession. / 4 Saxophones (SATBar)

6 Original Pieces for Saxophone Quartet. In this suite we are immersed in the musical world of Otto M. Schwarz in all its variety. From light-hearted and tongue-in-cheek, through wild-romantic elements all the way to stylistic imitation and complex rhythmic passages, this work combines many different facets. In performance, this suite is sure to be an entertaining experience for musician and listener alike. The movements can be played sequentially or individually, as desired.

Par LIEBMAN DAVID. Trajectory explores all facets of the saxophone quartet sound in dense, choral-like harmonies as well as alternating voice combinations. Musical dialogues and improvisation open up a field for intense interactions. Available as a digital download from notafina.de./ Répertoire / 4 Saxophones

An adventurous and unusual work for Saxophone Quartet by John Harle. Composed fopr the Myrha Quartet the piece was first performed on BBC Radio 3 in 1980. The music follows a pitch centre progression moving gradually from low tohigh using chromatic clusters surrounding each pitch. Sporadic solo passages differing in character to the rest of the piece are used to punctuated the music with cadenza-like solos from each Saxophonist in turn making this anexciting and challenging work for all players involved. This title is the score.

With its simple, memorable melody and folk-song style, You Are My Sunshine is undoubtedly one of America?s most successful love songs of the 20th century. Its success in the 1940s massively boosted the popularity of the song?s original performers, Jimmie Davis and Charles Mitchell, so much so that it helped to springboard Davis? political career, culminating in his successful election as Governor of Louisiana in 1944. This arrangement for a quartet line-up is very playable and was arranged by Mike Sheppard. This piece effectively guarantees success at your next concert.

You Raise me Up has topped the charts all around the world. Its memorable Irish-style melody sticks with you like a real earworm! Here it is beautifully arranged by Bert Appermont.