SKU: BT.EMBZ14321
English-Hungarian.
Both of the works by the young composer (*1976) that appear in this volume are dedicated to the Budapest Saxophone Quartet. Motorway Junction, written in 1996, was the composer's first work in this genre, and it was followed by several transcriptions commissioned by the ensemble. In 1999, on the basis of the experience gained from these transcriptions he composed Alterego, which was likewise given its first performance by the BSQ.
SKU: FL.FX070759
Tangolla uses melodic and rhythmic styles specific to Tango. It embeds references to the Master Astor Piazzolla.
SKU: AP.1-ADV7623
UPC: 805095076233. English. Traditional.
Writing these arrangements, Frank Reinshagen has created little masterpieces, which broaden the rhythmical and harmonic context of the original tunes in an interesting manner without detracting from their archaic and melancholic character. These original tunes have been borrowed from the Irish, Scottish, and Gaelic musical tradition. These through-composed arrangements are rather easy to perform from the rhythmical and technical point of view. Yet, they are quite demanding in respect of the key they are written in, their intonation and, especially, their interpretation. Their different instrumentations are fully compatible with each other and, due to their overall structure, they are also suitable to be played with multi-scored parts. The original of The Sons of Liberty is of a more recent date and goes back to the time when the King of England forced the Irish farmers' sons to go to war in America against their own fellow countrymen who were striving for freedom there. The arrangement conveys the impression of a vigorous forward motion created by a recurring and changing riff. Although it is written in a somewhat more difficult key (E minor), it is not too exacting from the technical point of view.
SKU: BT.DHP-1084462-070
ISBN 9789043129053. 9x12 inches. English-German-French-Dutch.
The American composer George Gershwin (1898-1937) wrote the energetic song I Got Rhythm, with lyrics by his brother Ira Gershwin, in 1930 for the musical Girl Crazy. The story of Girl Crazy takes place in the theatre world of the 1930s. The Gaiety Theater in Deadrock, Nevada, is practically bankrupt, but the rich bankerĂąâŹâąs son Bobby Child turns things around. His passion for the theatre leads to the customary love vicissitudes and comical intricacies - and a new successful show.I Got Rhythm, now a jazz standard, has been performed over the years by numerous famous and not-so-famous artists. The chord scheme has become so well-known that it has been named rhythm changes, and is oftenused by jazz musicians. Der Jazz-Standard, aus dem das oft zitierte Akkordschema Rhythm Changes stammt, in einer flotten Bearbeitung fĂÂŒr Saxophonquartett: Altsaxophon 1 & 2, Tenorsaxophon und Baritonsaxophon. Questo arrangiamento vi permetter di chiudere in bellezza un vostro concerto con uno spumeggiante bis.
SKU: AP.1-ADV7409
UPC: 805095074093. English.
This is a journey through four styles of music: funk, jazz, klezmer, and tango. The jazz style is a breezy West-Coast jazz waltz and the klezmer music is an arrangement of Abraham Goldfaden's 1880 Jewish lullaby, Rozhinkes Mit Madlen (Raisins With Almonds). Titles: Funky * Jazz Waltz * Klez Rozhinkes mit Mandlen * Tango.
SKU: AP.1-ADV7638
UPC: 805095076387. English.
Frequently, one is in search of a suitable ensemble piece where each member can present himself with a playable solo part. Welcome to New Orleans offers you and your musicians this possibility. Using a fast swing rhythm, the author describes in this composition the modern and the old New Orleans and its colorful history. Due to its compatibility---available are editions for saxophone, clarinet, and brass quartet---this piece enables you to put together your own small New Orleans band, e.g. consisting of a clarinet, a trumpet, a tenor saxophone, and a trombone. That's almost like playing music in the good old times!
SKU: AP.1-ADV7617
UPC: 805095076172. English.
This jazz original takes a signature lick of Dexter Gordon's and works it into prominence within two contrasting movements. The first movement is lyrical and subtle, with a steady, patterned accompaniment created to facilitate ballad-tempo solos (written or improvised). The second movement uses offbeat rhythms to displace the beat. Titles: Blue * Boppin'.
