Written for 'Rondalla' (a band of street musicians) this soulful and lively piece evokes the scene of a busy Spanish market place with the music being heard over the jostling crowd. Composed by Joaquin Rodrigo in 1962 Estudiantina (Pasacalle Y Coplilla) is orchestrated for Bandurrias 1 & 2 (A Bandurria is a Spanish instrument of the Lute type) Lutes and Guitars and can be played by either four solo players or by a small ensemble of players.The score and parts are included.

La référence GB2113 A de l'éditeur Billaudot dont l'auteur célèbre est Ameller André, qui a pour titre PETITE SUITE MATERIEL 18 PARTIES, a été écrite et composée pour Orchestre et plus particulièrement pour Orchestre Junior. Cette partition musicale appartient à la catégorie Classique. / Orchestre Junior / Partition

La référence GB2113 1 de l'éditeur Billaudot dont l'auteur célèbre est Ameller André, qui a pour titre PETITE SUITE PARTITION, a été écrite et composée pour Orchestre et plus particulièrement pour Orchestre Junior. Cette partition musicale appartient à la catégorie Classique. / Orchestre Junior / Partition

This Drones Variations Ornaments sheet music is the full score for this innovative and dramatic piece by Nico Muhly. According to Muhly this piece is 'music in constant transformation' featuring steadily evolving melodies from a number of instruments punctuated with hugely original percussive parts with instructions to fill the Cymbal with chain coins and other metal objects in order to make it sound like glass shattering. It is this inspired composition that makes Drones Variations Ornaments the interesting and acclaimed piece that it is.With this piece Muhly has attempted torecreate the sound and motion of a machine through music. String chords begin the piece with a light and soothing opening before the 'machine' (made up of Winds Guitar Percussion and Piano) awakens.This truly unusual piece is a joy to listen to and perform and we are pleased to offer this full score to you.

Arrangement and Orchestration by Andrea Cappellari. Full score and 26 parts: 1) C Instr. (Flute Violin) / 1) Bb Instr. (Clarinet Soprano Sax. Trumpet) / 2) C Instr. (Flute Violin Oboe) / 2) Bb Instr. (Clarinet) / 3) C Instr. (Violin Viola) / 3) Bb Instr. (Clarinet Soprano Sax.) / 4) C Instr. (VViola) / 4) Bb Instr. (Clarinet Soprano Sax.) / 5) C Instr. (Violin Viola) / 5) Eb Instr. (Alto Sax.) / 6) C Instr. (Violin Viola) / 6) Eb Instr. (Alto Sax.) / 7) C Instr. (Violin Viola Oboe) / 7) Bb Instr. (Clarinet Soprano Sax. Trumpet) / 7nstr. (Alto Sax.) / 8) C Instruments(Violin Viola) / 8) Bb Instr. (Clarinet Soprano Sax. Trumpet) / 8) Eb Instr. (Alto Sax.) / Guitar/ Piano 1 / Piano 2 / Bass Cello Bassoon / Timpani / Maracas / Cymbals Bass drum / Snare drum / Four Hands Pialibitum. Performance possibile also without Piano.

Ensemble-Commissioned by the European Composers' Professional Development Programme and dedicated to Karien Kruger.Instrumentation:Flutes: Piccolo (sounds an octave higher than written); AltoFluteClarinets: Clarinet in Bb Bass Clarinet in BbPercussion: Vibraphone Glockenspiel (sounds two octaves higher than written) Quarter-tone Glockenspiel; Timpani; Cymbals; Kick Drum; Bass Drum;.Percussionist requires a bow and hard and soft malletsElectric GuitarBass GuitarPiano:Score is in C

In Circles - 16 Imaginary Dances for 18 Players (2010). Parts are available on hire: hire@ewh.dk Instr.: FluteOboeClarinet in BbBass ClarinetBassoonHorn2 Trumpets In BbTenor-Bassposaune2 PercussionistsPiano2 ViolinsViola2 CellosDouble Bass Programme note About five years ago the Ensemble Modern commissioned a composition giving me relatively free rein over instrumentation duration and completion date. I was very excited about the opportunity and eager to start work but first I had to finish asymphony and a cello concerto. However when I wanted to begin writing the piece for Frankfurt inspiration became silent and remained silent for the next three years apart from the two works for chamber orchestra: I experienced my first writer’s block. This was not my first commission but the first time that I was seriously worried about a piece and started thinking about the commissioning ensemble and its expectations. If anything I held the Ensemble Modern in too high esteem. The ensemble is notorious for being a group of all-rounders who have already seen and done everything. However it was simply time for me to challenge my self-belief as composer and to search out what kind of composer I really am. Whatever the true reason was I still didn’t get anything down on paper. Nothing would gel. In 2008 a stipend from a New York foundation led me to an Italian lavender-castle from the 15th century far away from everything else deep in Umbria. The deadline for my first opera moved dangerously closer but was barely started. The next commission for an orchestra was also waiting in addition to the piece for EM: only empty sheets.  When I came home six weeks later though I hadn’t finished anything the spell was broken. Behind the massive walls drafts had been created for what within the

Commissioned for the BBC.Piccolo/Alto FluteFlutes 1 & 2Alto Flute/Bass Flute2 OboesCor Anglais3 ClarinetsBass Clarinet2 BassoonsContrabassoon4 Horns4 Trumpets3 TrombonesPianoHarpAccordionMandolinStrings (16.14.12.10.8) 4 Percussion:IMarimbaCrotales (with bow) Small suspended cymbalAntique cymbalGlockenspielSmall triangleIISmall suspended cymbalMedium suspended cymbalVibraphone (with bow) Triangles (small and medium)IIIMedium suspended cymbalMaracasBoobamsVibraphoneSizzle cymbalLargetriangleIVBass DrumTam-tamWater gongs (small and large) Tubular bellsBurmese gongs (medium and large)

Kaleidoscope will save you time! Do you spend hours arranging music for odd assortments of instruments? Kaleidoscope is specially arranged to suit almost any instrumental combination and these varied ensembles are easy andenjoyable too. So much scope for virtually any combination of instruments!The series is successful with recorders guitars percussion and keyboard as well as with orchestral groupings. Whether there are five or fiftyplayers every Kaleidoscope title will work! Just make sure that melody and keyboard parts are included - all other parts are optional. Kaleidoscope is superb value for money - each set contains a score plus around 50 parts eachone carefully written to suit the needs of each instrument. For example easy string parts are in first position only whilst easy clarinet parts take care to avoid the break. There are more demanding parts too for experiencedplayers. To help you choose the right pieces for your players we have given the key of each Kaleidoscope in brackets. The complete performance option! These super-flexible arrangements of well-known titles are a must forevery school. Why not choose a theme for your concert and perform a selection of Kaleidoscope show titles and film themes or have an evening of classical favourites? In F/G. Edited by Nicholas Hare.