Dramma per musica in tre atti. Klavierauszug nach dem Urtext der Hallischen H0ndel-Ausgabe (italienisch/deutsch). By George Frideric Handel. Edited by Siegfried Flesch. Arranged by Kroupova, Olga;T!Pel, Michael. For soprano solo (3), mezzo-soprano solo, alto solo, tenor solo, bass solo, mixed choir-SSATB, piccolo, alto recorder (f,g) (2), oboe (2), bassoon, horn (2), Violin Solo, Cello Solo, strings, basso continuo. Piano Reduction/Vocal Score (paperbound). HWV 34. Duration 195'. Published by Baerenreiter-Ausgaben (German import). (BA4061 90)

Orchestra SATB vocal soli, SATB choir, 1-2 recorders f1, 2 oboes, trumpet, 2 violins, viola, basso continuo - Grade 4

SKU: CA.3910709

Psalm cantata. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. Arranged by Klaus Hofmann. This edition: urtext. 1x 39.107/21 recorder, 1x 39.107/22 oboe 1, 1x 39.107/23 oboe 2, 1x 39.107/31 trumpet. Stuttgart Urtext Edition: Telemann-Archiv. German title: Ich danke dem Herrn 4. Sacred vocal music, Cantatas, Psalms, German, Praise and thanks, Psalms. Set of Orchestra Parts. TVWV 7:14. 18 pages. Duration 25 minutes. Carus Verlag #CV 39.107/09. Published by Carus Verlag (CA.3910709).

ISBN 9790007055356. Key: F major. Language: German/English.

An impressive festive cantata with a solo trumpet part and three powerful choruses; a work in which Telemann proves himself a brilliant and imaginative architect of musical grand form. Score and parts available separately - see item CA.3910700.

ATB vocal soli, SATB choir, recorder, violin solo, violin, 2 viola, cello, basso continuo - Level 3

SKU: CA.3118212

Cantata for Palm Sunday or for the feast of the Annunciation. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Himmelskonig, Sei Willkommen A-Dur. Sacred vocal music, Cantatas, Lent and Passiontide, Holy Week, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Viola 1. Composed 1714. BWV 182. 8 pages. Duration 30 minutes. Carus Verlag #CV 31.182/12. Published by Carus Verlag (CA.3118212).

ISBN 9790007050290. Key: A major. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.

Version in A major (version in G major: Carus 31.182/50) The cantata Himmelskonig, sei willkommen BWV 182 holds a special place in Johann Sebastian Bach's biography. He had been employed as organist and chamber musician at the court of Weimar since 1708; on 2 March 1714, he was appointed concert master of the court, and his inauguration music for this occasion was Himmelskonig, sei willkommen. The cantata was first performed on Palm Sunday of that year, 25 March 1714. Bach performed this cantata several times - always revising and amending it - both in Weimar and in Leipzig. Of the altogether four versions, the first Leipzig version has been selected for the present new edition. Unlike the Weimar versions, it can be realized effectively using modern performance means. In his debut composition of 1714, the newly appointed concert master demonstrated his abilities: the eight movements contain a multitude of beautiful and rewarding challenges for choir and vocal soloists alike, and in addition there is the unusual attraction of a virtuoso solo part for the recorder. Score and part available separately - see item CA.3118200.

SATB vocal soli, SATB choir, recorder, oboe I/oboe d'amore, oboe II-III, bassoon, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3106964

Cantata for 12th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Basso continuo. Sacred vocal music, Cantatas, Trinity. Single Part, basso continuo. BWV BWV 69a. 12 pages. Duration 25 minutes. Carus Verlag #CV 31.069/64. Published by Carus Verlag (CA.3106964).

ISBN 9790007206727. Text language: German/English.

Bach's Cantata BWV 69a of 1723, which has remained largely unknown to the present day, is now available for the first time in a practical edition with this Carus publication. It has been unjustly neglected as it was overshadowed by the Cantata BWV 69 of the same name, a piece which Bach reworked to celebrate the inauguration of Leipzig Town Council in 1748. On that occasion Bach re-used the parts from 1723 for simplicity, and adapted them for the new use by means of cuts, alterations, and additions - something which certainly did not mean that he rejected the 1723 version. This version can readily be recovered from the parts of 1723, if we explore beyond the alterations of 1748. With its rich wind instruments and great opening chorus, the 1723 cantata is in no way inferior to the later festive music in terms of musical splendor. The text takes the Gospel reading about the healing of the deaf and dumb man as a reason for praise and thanks for God's good deeds. In contrast to the later version, in which God is thanked for the wisdom of the Leipzig authorities, the original version of 1723 is free of such contemporary references, and is suitable for use in worship and concerts in many different ways. Score and part available separately - see item CA.3106900.

SATB vocal soli, SATB choir, flute (recorder), 2 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3910911

Cantata for harvest festivals (Tempore Messis) and other festivals of thanksgiving. Composed by Georg Philipp Telemann. Edited by Jurgen Neubacher. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Nun danket alle Gott. Sacred vocal music, Cantatas, Praise and thanks. Single Part, Violin 1. TVWV 1:1166. 4 pages. Duration 15 minutes. Carus Verlag #CV 39.109/11. Published by Carus Verlag (CA.3910911).

ISBN 9790007215439. Language: German/English.

Telemann's cantata Now thank we all our God cannot be assigned to any of the composer's known annual cycles of cantatas. The given designation, Tempore Messis, which appears in the title in the sole surviving source, suggests it was composed on the occasion of a harvest thanksgiving festival, but the general nature of the text means that other occasions for performance such as New Year, Reformation Day, church or organ consecrations and weddings are conceivable. Musically, the work is distinguished by two spirited choral movements reinforced by trumpets which frame a duet for tenor and bass and an aria for alto and transverse flute. Score and part available separately - see item CA.3910900.

SATB vocal soli, SATB choir, flute (recorder), 2 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3910912

Cantata for harvest festivals (Tempore Messis) and other festivals of thanksgiving. Composed by Georg Philipp Telemann. Edited by Jurgen Neubacher. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Nun danket alle Gott. Sacred vocal music, Cantatas, Praise and thanks. Single Part, Violin 2. TVWV 1:1166. 4 pages. Duration 15 minutes. Carus Verlag #CV 39.109/12. Published by Carus Verlag (CA.3910912).

ISBN 9790007215446. Language: German/English.

Telemann's cantata Now thank we all our God cannot be assigned to any of the composer's known annual cycles of cantatas. The given designation, Tempore Messis, which appears in the title in the sole surviving source, suggests it was composed on the occasion of a harvest thanksgiving festival, but the general nature of the text means that other occasions for performance such as New Year, Reformation Day, church or organ consecrations and weddings are conceivable. Musically, the work is distinguished by two spirited choral movements reinforced by trumpets which frame a duet for tenor and bass and an aria for alto and transverse flute. Score and part available separately - see item CA.3910900.

SATB vocal soli, SATB choir, recorder f1, 2 oboes, 2 violins, viola, basso continuo

SKU: CA.3913009

Kantate zum 2. Pfingsttag. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. Arranged by Klaus Hofmann. This edition: urtext. 1x 39.130/21 recorder, 1x 39.130/22 oboe 1, 1x 39.130/23 oboe 2. Stuttgart Urtext Edition: Telemann-Archiv. German title: Daran ist erschienen die Liebe Gott. 3. Sacred vocal music, Cantatas, Whitsun. Set of Orchestra Parts. TVWV 1:165. 12 pages. Duration 20 minutes. Carus Verlag #CV 39.130/09. Published by Carus Verlag (CA.3913009).

ISBN 9790007215842. Language: German/English.

The Frankfurt cantata for Whitsun, 1717, offers the choir and the four soloists rewarding tasks, while in the opening chorus and in two of the three arias a virtuoso recorder player is employed. Score and parts available separately - see item CA.3913000.

SATB vocal soli, SATB choir, recorder, oboe I/oboe d'amore, oboe II-III, bassoon, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3106963

Cantata for 12th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, Cantatas, Trinity. Single Part, Viola. BWV BWV 69a. 8 pages. Duration 25 minutes. Carus Verlag #CV 31.069/63. Published by Carus Verlag (CA.3106963).

ISBN 9790007206710. Text language: German/English.

Bach's Cantata BWV 69a of 1723, which has remained largely unknown to the present day, is now available for the first time in a practical edition with this Carus publication. It has been unjustly neglected as it was overshadowed by the Cantata BWV 69 of the same name, a piece which Bach reworked to celebrate the inauguration of Leipzig Town Council in 1748. On that occasion Bach re-used the parts from 1723 for simplicity, and adapted them for the new use by means of cuts, alterations, and additions - something which certainly did not mean that he rejected the 1723 version. This version can readily be recovered from the parts of 1723, if we explore beyond the alterations of 1748. With its rich wind instruments and great opening chorus, the 1723 cantata is in no way inferior to the later festive music in terms of musical splendor. The text takes the Gospel reading about the healing of the deaf and dumb man as a reason for praise and thanks for God's good deeds. In contrast to the later version, in which God is thanked for the wisdom of the Leipzig authorities, the original version of 1723 is free of such contemporary references, and is suitable for use in worship and concerts in many different ways. Score and part available separately - see item CA.3106900.

SATB vocal soli, SATB choir, recorder f1, 2 oboes, 2 violins, viola, basso continuo

SKU: CA.3913005

Kantate zum 2. Pfingsttag. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. Arranged by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Daran ist erschienen die Liebe Gottes. Sacred vocal music, Cantatas, Whitsun. Choral Score. TVWV 1:165. 4 pages. Duration 20 minutes. Carus Verlag #CV 39.130/05. Published by Carus Verlag (CA.3913005).

ISBN 9790007103620. Language: German/English.

The Frankfurt cantata for Whitsun, 1717, offers the choir and the four soloists rewarding tasks, while in the opening chorus and in two of the three arias a virtuoso recorder player is employed. Score available separately - see item CA.3913000.

Deutsches Magnificat. By Georg Philipp Telemann. Edited by Klaus Hofmann. Arranged by Klaus Hofmann. For Soli SATB, SATB Choir, 2 Oboes, 2 Recorders f1, 2 Violins, Viola, Basso continuo. TVWV 9:18. Full score available separately - see item CA.3912200. Magnificat; Stuttgart Urtext editions; Use during church year: Christmas. Part: Violin/Recorder/Oboe 2. Language: German/English. 8 pages. Duration 25 min. Published by Carus Verlag (German import).

Orchestra SATB vocal soli, SATB choir, 2 recorders, 2 oboes, 3 bassoons, 2 horns, 2 trumpets, timpani, 2 (3) violins, 2 violas, cello, basso continuo

SKU: CA.5507549

Ode. Version of the first performance and version of 1751. Composed by George Frideric Handel. Edited by Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Handel. Organ. Innovative practice aids, Sacred vocal music, Oratorios. Single Part, Organ. Composed 1736/1751. HWV 75. 60 pages. Duration 85 minutes. Carus Verlag #CV 55.075/49. Published by Carus Verlag (CA.5507549).

ISBN 9790007171315. Text language: German/English.

For the magnificent opening of the oratorio season at the beginning of 1736 Handel presented a composition which, like hardly any of his other oratorios, gave him the opportunity to display his musical artistry: John Dryden's ode Alexander's Feast or the Power of Music, published in 1696, demonstrates the power of music by the example of the ancient hero, Alexander the Great. From the impressive lament on the death of Darius, the King of Persia, to the boisterous Praise of Bacchus Handel avails himself of the entire breadth of the musical representation of the emotions and the possibilities for expression. In the text by Newburg Hamilton added at the end of work St. Cecilia elevates the events of the ancient heathen story, which Handel expressed in plastic, skillful polyphony. Later, this homage to the patron saint of church music, Handel also present the opportunity to perform the work on St. Cecilia's Day (22 November). For the first time the present new edition is based consistently on Handel's conducting score, which he used for his own performances of the oratorio, thus not only eliminating timeworn errors, but also offering clarity concerning the choruses, the arias and recitatives, actually performed in Handel's concerts, as well as their sequence of performance. The new Carus edition offers two performance versions: the version of the premiere in 1736, as well as a revised version from 1751. Furthermore, the inclusion of the Concerto for Harp HWV 294 (CV 55.294) is also possible; Handel composed this work especially for Alexander's Feast (as an illustration of Timotheus, the ancient poet who played the lyre). For this purpose the edition contains the appropriate alternatives for the sequence of the movements. Score and part available separately - see item CA.5507500.