SKU: TM.00825SET
Sol/pf.
SKU: TM.00825SC
SKU: TM.01244SET
Solo/pf. No score.
SKU: TM.15097SET
Quintet in Eb, Quintet in Bb, Quintet in Eb.
SKU: TM.07782SC
La Melodica Germanica No. 2. DTB VII/2.1/ Oboes or Flutes. Allegro assai, Andante, Menuetto-Trio, Prestissimo.
SKU: TM.07782SET
SKU: CA.3118307
ISBN 9790007050382. Key: A minor. Language: German/English. Text: von Ziegler, Christiane Mariane. Text: Christiane Mariane von Ziegler.
The cantata Sie werden euch in den Bann tun [They will banish you] BWV 183 for Exaudi Sunday is one of the cantatas composed on texts by the Leipzig poetess Christiane Mariane von Ziegler with which Bach concluded his second annual cycle of cantatas after he had abandoned the annual cycle of chorale cantatas at Easter 1725. The cantata opens with Jesus's words from the Sunday gospel reading in an accompagnato recitative for bass - representing the vox Christi - accompanied by four oboes which, together with the strings, are also deployed in the cantata's second accompagnato recitative. The first of the virtuoso arias is accompanied by violoncello piccolo, the second by two oboes da caccia together with the string ensemble. The cantata concludes with an unusually animated final chorale. Score available separately - see item CA.3118300.
SKU: CA.3124879
ISBN 9790007211585. Language: German/English.
With the edition of the Christmas Oratorio within the framework of the Stuttgart Bach Editions, Carus presents a scholarly edition for practical performance. The basis for this publication are Bach's autograph score and the original parts. The conducting score contains an appendix with a concise Critical Report which provides information about the sources and their readings; when necessary, the latter are discussed in more detail, especially with regard to how the editor arrived at solutions for questions of articulation which differ from those found in previous editions. The representative, clothbound volume is supplemented by a study score as well as a choral score, a vocal score and complete orchestral material. In the orchestral material short excerpts containing the conclusions of the secco recitatives are rendered with cue notes in separate vocal systems printed above the score where the instrumentalists pause, thus enabling them make their entrances in the movements which follow these recitatives. This work is also available in carus music, the choir app! Score and parts available separately - see item CA.3124800.
SKU: CA.3118300
ISBN 9790007050351. Key: A minor. Language: German/English. Text: von Ziegler, Christiane Mariane. Text: Christiane Mariane von Ziegler.
The cantata Sie werden euch in den Bann tun [They will banish you] BWV 183 for Exaudi Sunday is one of the cantatas composed on texts by the Leipzig poetess Christiane Mariane von Ziegler with which Bach concluded his second annual cycle of cantatas after he had abandoned the annual cycle of chorale cantatas at Easter 1725. The cantata opens with Jesus's words from the Sunday gospel reading in an accompagnato recitative for bass - representing the vox Christi - accompanied by four oboes which, together with the strings, are also deployed in the cantata's second accompagnato recitative. The first of the virtuoso arias is accompanied by violoncello piccolo, the second by two oboes da caccia together with the string ensemble. The cantata concludes with an unusually animated final chorale.
SKU: CA.3118314
ISBN 9790007050436. Key: A minor. Language: German/English. Text: von Ziegler, Christiane Mariane. Text: Christiane Mariane von Ziegler.
The cantata Sie werden euch in den Bann tun [They will banish you] BWV 183 for Exaudi Sunday is one of the cantatas composed on texts by the Leipzig poetess Christiane Mariane von Ziegler with which Bach concluded his second annual cycle of cantatas after he had abandoned the annual cycle of chorale cantatas at Easter 1725. The cantata opens with Jesus's words from the Sunday gospel reading in an accompagnato recitative for bass - representing the vox Christi - accompanied by four oboes which, together with the strings, are also deployed in the cantata's second accompagnato recitative. The first of the virtuoso arias is accompanied by violoncello piccolo, the second by two oboes da caccia together with the string ensemble. The cantata concludes with an unusually animated final chorale. Score and part available separately - see item CA.3118300.
SKU: CA.3104209
ISBN 9790007205836. Language: German/English.
Instead of an opening chorus Cantata BWV 42 begins with a magnificent Sinfonia in the style of the Brandenburg Concertos. It is possible that Bach took this movement from a concerto which he had composed earlier. The first aria, for alto with obbligato oboe and bassoon, could be derived from the middle movement of this concerto. The heroic bass aria, a statement of the certainty of faith, forms a weighty counterpart to the opening movement. Score and parts available separately - see item CA.3104200.
SKU: CA.3113309
ISBN 9790007207977. Language: German.
The cantata Ich freue mich in dir was first performed during Bach's second year as Thomaskantor, on the 3rd day of Christmas, and belongs to the so-called annual cycle of chorale cantatas. Here the focus of the composition is the hymn of the same name by Philipp Ziegler, in which the first and final strophes were adopted, word for word, in the first and sixth movements of the cantata. The soprano, which carries the chorale, is supported by the conrnett (Zink), which already at this time had become a seldom-used instrument. The joyful, lively choral movement with instrumental interludes directly follows the first aria, and begins with a marked, ascending motive at the word Getrost! (safely). The oboes d'amore which accompany the alto lend the movement a special color. In the second aria (for soprano), Bach again shows himself to be the master of text interpretation. The words Wie lieblich klingt es in den Ohren are emphasized in an exchange between open strings and sixteenth note figures. Score and parts available separately - see item CA.3113300.
SKU: CA.3118305
ISBN 9790007050375. Key: A minor. Language: German/English. Text: von Ziegler, Christiane Mariane. Text: Christiane Mariane von Ziegler.
SKU: CA.3117709
ISBN 9790007209803. Text language: German/English.
The cantata Ich ruf zu dir, Herr Jesu Christ begins with an expansive chorale arrangement, for which Bach reverted to a proven model: The four voices of the solo ensemble take over the chorale, in which the melody lies in the soprano. For stanzas 2-4 Bach chooses the aria form with a highly differentiated scoring from movement to movement, ranging from a continuo Aria (1st movement), up to an aria accompanied by the violin, with obbligato bassoon and continuo. A straightforward four-part chorale movement concludes the cantata. Score and parts available separately - see item CA.3117700.
SKU: CA.3118315
ISBN 9790007050443. Key: A minor. Language: German/English. Text: von Ziegler, Christiane Mariane. Text: Christiane Mariane von Ziegler.
SKU: CA.3118319
ISBN 9790007136956. Key: A minor. Language: German/English. Text: von Ziegler, Christiane Mariane. Text: Christiane Mariane von Ziegler.
The cantata Sie werden euch in den Bann tun [They will banish you] BWV 183 for Exaudi Sunday is one of the cantatas composed on texts by the Leipzig poetess Christiane Mariane von Ziegler with which Bach concluded his second annual cycle of cantatas after he had abandoned the annual cycle of chorale cantatas at Easter 1725. The cantata opens with Jesus's words from the Sunday gospel reading in an accompagnato recitative for bass - representing the vox Christi - accompanied by four oboes which, together with the strings, are also deployed in the cantata's second accompagnato recitative. The first of the virtuoso arias is accompanied by violoncello piccolo, the second by two oboes da caccia together with the string ensemble. The cantata concludes with an unusually animated final chorale. Score and parts available separately - see item CA.3118300.
SKU: CA.3102609
ISBN 9790007205256. Language: German/English.
Bach's cantata BWV 26 belongs to the Leipzig cycle of chorale cantatas, 1724/25, and it was first performed on 19 November 1724. The underlying 13-vers hymn by Michael Franck provided Bach and his unidentified librettist with an abundance of metaphors and comparisons which, from verse to verse and movement to movement, illustrate the fleeting and transitory nature of earthly life: an impressive musical-poetic exposition of potent baroque pictures of vanity.. Score and parts available separately - see item CA.3102600.
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