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Soli, Mixted choir and accompaniment
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Dvorák Anton - Requiem - Mixed Choir (par 10 Minimum)
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Peters
Instrumentation : SATB Soli.SATB Chorus - Orchestra (Lat.) Vocal Score ...
(+)
Instrumentation : SATB Soli.SATB Chorus - Orchestra (Lat.) Vocal Score Editor :Ponman Duration : 95'
20.00 EUR - Sold by Woodbrass
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Ascension Oratorio Bwv 11
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
Barenreiter
Bach composed his oratorio for the Feast of the Ascension in Leipzig in 1735. Th...
(+)
Bach composed his oratorio for the Feast of the Ascension in Leipzig in 1735. Though this work has the duration of a cantata, the choice of text places it among the oratorios. It combines the biblical account of the Ascension with chorales and free madrigal poems.As in other works which were composed during this same year (e.g. the 'Christmas Oratorio?), Bach reveals a special fondness for colourful orchestration, with two flutes, two oboes, three trumpets, timpani and strings, creating a splendid Baroque sound with a strikingly festive character.This edition is based on the thoroughly researched musical text from the 'New Bach Edition?.- Lavishly scored oratorio of a festive nature- Based on the 'New Bach Edition?- Bilingual foreword by Andreas Glöckner (Ger/Eng) / Voix
13.60 EUR - Sold by LMI-partitions
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Ascension Oratorio Bwv 16
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Bach composed his oratorio for the Feast of the Ascension in Leipzig in 1735. Th...
(+)
Bach composed his oratorio for the Feast of the Ascension in Leipzig in 1735. Though this work has the duration of a cantata, the choice of text places it among the oratorios. It combines the biblical account of the Ascension with chorales and free madrigal poems.As in other works which were composed during this same year (e.g. the 'Christmas Oratorio?), Bach reveals a special fondness for colourful orchestration, with two flutes, two oboes, three trumpets, timpani and strings, creating a splendid Baroque sound with a strikingly festive character.This edition is based on the thoroughly researched musical text from the 'New Bach Edition?.- Lavishly scored oratorio of a festive nature- Based on the 'New Bach Edition?- Bilingual foreword by Andreas Glöckner (Ger/Eng) / Alto
6.30 EUR - Sold by LMI-partitions
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Ascension Oratorio Bwv 17
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Bach composed his oratorio for the Feast of the Ascension in Leipzig in 1735. Th...
(+)
Bach composed his oratorio for the Feast of the Ascension in Leipzig in 1735. Though this work has the duration of a cantata, the choice of text places it among the oratorios. It combines the biblical account of the Ascension with chorales and free madrigal poems.As in other works which were composed during this same year (e.g. the 'Christmas Oratorio?), Bach reveals a special fondness for colourful orchestration, with two flutes, two oboes, three trumpets, timpani and strings, creating a splendid Baroque sound with a strikingly festive character.This edition is based on the thoroughly researched musical text from the 'New Bach Edition?.- Lavishly scored oratorio of a festive nature- Based on the 'New Bach Edition?- Bilingual foreword by Andreas Glöckner (Ger/Eng) / Contrebasse
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Ascension Oratorio Bwv 14
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Bach composed his oratorio for the Feast of the Ascension in Leipzig in 1735. Th...
(+)
Bach composed his oratorio for the Feast of the Ascension in Leipzig in 1735. Though this work has the duration of a cantata, the choice of text places it among the oratorios. It combines the biblical account of the Ascension with chorales and free madrigal poems.As in other works which were composed during this same year (e.g. the 'Christmas Oratorio?), Bach reveals a special fondness for colourful orchestration, with two flutes, two oboes, three trumpets, timpani and strings, creating a splendid Baroque sound with a strikingly festive character.This edition is based on the thoroughly researched musical text from the 'New Bach Edition?.- Lavishly scored oratorio of a festive nature- Based on the 'New Bach Edition?- Bilingual foreword by Andreas Glöckner (Ger/Eng) / Violon I
6.30 EUR - Sold by LMI-partitions
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Ascension Oratorio Bwv 12
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Bach composed his oratorio for the Feast of the Ascension in Leipzig in 1735. Th...
(+)
Bach composed his oratorio for the Feast of the Ascension in Leipzig in 1735. Though this work has the duration of a cantata, the choice of text places it among the oratorios. It combines the biblical account of the Ascension with chorales and free madrigal poems.As in other works which were composed during this same year (e.g. the 'Christmas Oratorio?), Bach reveals a special fondness for colourful orchestration, with two flutes, two oboes, three trumpets, timpani and strings, creating a splendid Baroque sound with a strikingly festive character.This edition is based on the thoroughly researched musical text from the 'New Bach Edition?.- Lavishly scored oratorio of a festive nature- Based on the 'New Bach Edition?- Bilingual foreword by Andreas Glöckner (Ger/Eng) / Ensemble A Vent
22.70 EUR - Sold by LMI-partitions
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3 Uncharacteristic Pieces
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Bach composed his oratorio for the Feast of the Ascension in Leipzig in 1735. Th...
(+)
Bach composed his oratorio for the Feast of the Ascension in Leipzig in 1735. Though this work has the duration of a cantata, the choice of text places it among the oratorios. It combines the biblical account of the Ascension with chorales and free madrigal poems.As in other works which were composed during this same year (e.g. the 'Christmas Oratorio?), Bach reveals a special fondness for colourful orchestration, with two flutes, two oboes, three trumpets, timpani and strings, creating a splendid Baroque sound with a strikingly festive character.This edition is based on the thoroughly researched musical text from the 'New Bach Edition?.- Lavishly scored oratorio of a festive nature- Based on the 'New Bach Edition?- Bilingual foreword by Andreas Glöckner (Ger/Eng) / Orchestre
35.60 EUR - Sold by LMI-partitions
(Seller in french langage)
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Ascension Oratorio Bwv 13
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Bach composed his oratorio for the Feast of the Ascension in Leipzig in 1735. Th...
(+)
Bach composed his oratorio for the Feast of the Ascension in Leipzig in 1735. Though this work has the duration of a cantata, the choice of text places it among the oratorios. It combines the biblical account of the Ascension with chorales and free madrigal poems.As in other works which were composed during this same year (e.g. the 'Christmas Oratorio?), Bach reveals a special fondness for colourful orchestration, with two flutes, two oboes, three trumpets, timpani and strings, creating a splendid Baroque sound with a strikingly festive character.This edition is based on the thoroughly researched musical text from the 'New Bach Edition?.- Lavishly scored oratorio of a festive nature- Based on the 'New Bach Edition?- Bilingual foreword by Andreas Glöckner (Ger/Eng) / Orgue
18.90 EUR - Sold by LMI-partitions
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Dvorak Anton - Requiem Op.89 - Vocal Score
Soli, Mixted choir and accompaniment
Breitkopf & Härtel
Requiem op. 89 Urtext edited by Klaus Döge [solos,ch,orch] duration: 95' solos...
(+)
Requiem op. 89 Urtext edited by Klaus Döge [solos,ch,orch] duration: 95' solos: SATB ? choir: SATB ? 3(picc).3(cor ang).3(B-clar). 3(dbl bsn). ? 4.4.3.1. ? timp.perc? hp? org ? str Dvo?ák's Requiem is one of the Czech composer's great sacred works and one of the greatest Requiem settings in music history.
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Vaughan Williams Ralph - Serenade To Music - Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Oxford University Press
for vocal soloists or SATB choir and orchestra or reduced orchestra Also availab...
(+)
for vocal soloists or SATB choir and orchestra or reduced orchestra Also available for full orchestra only. This tender and much-loved work was composed in 1938 in honour of Sir Henry Wood. It was written for 16 soloists and orchestra but may also be sung by four soloists and chorus, or by mixed-voice chorus. This beautifully presented edition includes an introduction by Michael Kennedy. Forces or Category Vocal soloists/SATB
16.20 EUR - Sold by Woodbrass
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