| Alexander's Feast (Vocal Score) Soli, Mixted choir and accompaniment Soli, mixted choir and piano Novello & Co Ltd.
By George Frideric Handel ; Donald Burrows (Editor). For Soprano, Tenor, Bass, S...(+)
By George Frideric Handel ; Donald Burrows (Editor). For Soprano, Tenor, Bass, SATB Choir, Piano Accompaniment. Baroque. Sheet Music. 168 pages. Published by Novello and Co Ltd.
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| Let, Princess, let but one more ray (Lass, Furstin, lass noch einen Strahl) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 Lt, 2 violins, viola, ...(+)
SATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 Lt, 2 violins, viola, 2 violas da gamba, basso continuo SKU: CA.3119813 Funeral ode. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Trauerode. Cantatas. Single Part, Viola. Composed 1727. BWV 198. 12 pages. Duration 35 minutes. Carus Verlag #CV 31.198/13. Published by Carus Verlag (CA.3119813). ISBN 9790007210618. Text language: German/English. Composed in 1727 for a eulogy and funeral oration for Electress Christiane Eberhardine in the Leipzig University church, the music for the funeral ode is well-known today above all through reconstructions of Bach's St Mark Passion, in which large parts of this cantata were probably re-used, but of which only the text survives. With the funeral ode we have one of Bach's strongest and most fascinating vocal compositions. Although Gottsched's text is associated with a particular occasion, it is distinguished in its literary quality from many secular cantatas and it is entirely appropriate to perform this impressive cantata in concerts. Score and part available separately - see item CA.3119800. $6.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Let, Princess, let but one more ray (Lass, Furstin, lass noch einen Strahl) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 Lt, 2 violins, viola, ...(+)
SATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 Lt, 2 violins, viola, 2 violas da gamba, basso continuo SKU: CA.3119814 Funeral ode. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Trauerode. Cantatas. Single Part, Viola da gamba 1. Composed 1727. BWV 198. 12 pages. Duration 35 minutes. Carus Verlag #CV 31.198/14. Published by Carus Verlag (CA.3119814). ISBN 9790007210625. Text language: German/English. Composed in 1727 for a eulogy and funeral oration for Electress Christiane Eberhardine in the Leipzig University church, the music for the funeral ode is well-known today above all through reconstructions of Bach's St Mark Passion, in which large parts of this cantata were probably re-used, but of which only the text survives. With the funeral ode we have one of Bach's strongest and most fascinating vocal compositions. Although Gottsched's text is associated with a particular occasion, it is distinguished in its literary quality from many secular cantatas and it is entirely appropriate to perform this impressive cantata in concerts. Score and part available separately - see item CA.3119800. $6.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Let, Princess, let but one more ray (Lass, Furstin, lass noch einen Strahl) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 Lt, 2 violins, viola, ...(+)
SATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 Lt, 2 violins, viola, 2 violas da gamba, basso continuo SKU: CA.3119816 Funeral ode. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Trauerode. Cantatas. Single Part, basso continuo. Composed 1727. BWV 198. 20 pages. Duration 35 minutes. Carus Verlag #CV 31.198/16. Published by Carus Verlag (CA.3119816). ISBN 9790007210649. Text language: German/English. Composed in 1727 for a eulogy and funeral oration for Electress Christiane Eberhardine in the Leipzig University church, the music for the funeral ode is well-known today above all through reconstructions of Bach's St Mark Passion, in which large parts of this cantata were probably re-used, but of which only the text survives. With the funeral ode we have one of Bach's strongest and most fascinating vocal compositions. Although Gottsched's text is associated with a particular occasion, it is distinguished in its literary quality from many secular cantatas and it is entirely appropriate to perform this impressive cantata in concerts. Score and part available separately - see item CA.3119800. $6.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Let, Princess, let but one more ray (Lass, Furstin, lass noch einen Strahl) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 lutes, 2 violins, viol...(+)
SATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 lutes, 2 violins, viola, 2 violas da gamba, basso continuo SKU: CA.3119849 Funeral ode. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Trauerode. Cantatas. Single Part, Organ. Composed 1727. BWV 198. 24 pages. Duration 35 minutes. Carus Verlag #CV 31.198/49. Published by Carus Verlag (CA.3119849). ISBN 9790007210656. Language: German/English. Composed in 1727 for a eulogy and funeral oration for Electress Christiane Eberhardine in the Leipzig University church, the music for the funeral ode is well-known today above all through reconstructions of Bach's St Mark Passion, in which large parts of this cantata were probably re-used, but of which only the text survives. With the funeral ode we have one of Bach's strongest and most fascinating vocal compositions. Although Gottsched's text is associated with a particular occasion, it is distinguished in its literary quality from many secular cantatas and it is entirely appropriate to perform this impressive cantata in concerts. Score and part available separately - see item CA.3119800. $25.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Let, Princess, let but one more ray (Lass, Furstin, lass noch einen Strahl) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 Lt, 2 violins, viola, ...(+)
SATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 Lt, 2 violins, viola, 2 violas da gamba, basso continuo SKU: CA.3119809 Funeral ode. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. This edition: urtext. 1x 31.198/21 flute 1, 1x 31.198/22 flute 2, 1x 31.198/23 oboe 1, 1x 31.198/24 oboe 2, 2x 31.198/41 lute 1+2. Stuttgart Urtext Edition: Bach vocal. Trauerode. Cantatas. Set of Orchestra Parts. Composed 1727. BWV 198. Duration 35 minutes. Carus Verlag #CV 31.198/09. Published by Carus Verlag (CA.3119809). ISBN 9790007210588. Text language: German/English. Composed in 1727 for a eulogy and funeral oration for Electress Christiane Eberhardine in the Leipzig University church, the music for the funeral ode is well-known today above all through reconstructions of Bach's St Mark Passion, in which large parts of this cantata were probably re-used, but of which only the text survives. With the funeral ode we have one of Bach's strongest and most fascinating vocal compositions. Although Gottsched's text is associated with a particular occasion, it is distinguished in its literary quality from many secular cantatas and it is entirely appropriate to perform this impressive cantata in concerts. Score and parts available separately - see item CA.3119800. $30.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Let, Princess, let but one more ray (Lass, Furstin, lass noch einen Strahl) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 Lt, 2 violins, viola, ...(+)
SATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 Lt, 2 violins, viola, 2 violas da gamba, basso continuo SKU: CA.3119812 Funeral ode. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Trauerode. Cantatas. Single Part, Violin 2. Composed 1727. BWV 198. 12 pages. Duration 35 minutes. Carus Verlag #CV 31.198/12. Published by Carus Verlag (CA.3119812). ISBN 9790007210601. Text language: German/English. Composed in 1727 for a eulogy and funeral oration for Electress Christiane Eberhardine in the Leipzig University church, the music for the funeral ode is well-known today above all through reconstructions of Bach's St Mark Passion, in which large parts of this cantata were probably re-used, but of which only the text survives. With the funeral ode we have one of Bach's strongest and most fascinating vocal compositions. Although Gottsched's text is associated with a particular occasion, it is distinguished in its literary quality from many secular cantatas and it is entirely appropriate to perform this impressive cantata in concerts. Score and part available separately - see item CA.3119800. $6.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Let, Princess, let but one more ray (Lass, Furstin, lass noch einen Strahl) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 Lt, 2 violins, viola, ...(+)
SATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 Lt, 2 violins, viola, 2 violas da gamba, basso continuo SKU: CA.3119815 Funeral ode. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Trauerode. Cantatas. Single Part, Viola da gamba 2. Composed 1727. BWV 198. 12 pages. Duration 35 minutes. Carus Verlag #CV 31.198/15. Published by Carus Verlag (CA.3119815). ISBN 9790007210632. Text language: German/English. Composed in 1727 for a eulogy and funeral oration for Electress Christiane Eberhardine in the Leipzig University church, the music for the funeral ode is well-known today above all through reconstructions of Bach's St Mark Passion, in which large parts of this cantata were probably re-used, but of which only the text survives. With the funeral ode we have one of Bach's strongest and most fascinating vocal compositions. Although Gottsched's text is associated with a particular occasion, it is distinguished in its literary quality from many secular cantatas and it is entirely appropriate to perform this impressive cantata in concerts. Score and part available separately - see item CA.3119800. $6.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Let, Princess, let but one more ray (Lass, Furstin, lass noch einen Strahl) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 Lt, 2 violins, viola, ...(+)
SATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 Lt, 2 violins, viola, 2 violas da gamba, basso continuo SKU: CA.3119811 Funeral ode. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Trauerode. Cantatas. Single Part, Violin 1. Composed 1727. BWV 198. 12 pages. Duration 35 minutes. Carus Verlag #CV 31.198/11. Published by Carus Verlag (CA.3119811). ISBN 9790007210595. Text language: German/English. Composed in 1727 for a eulogy and funeral oration for Electress Christiane Eberhardine in the Leipzig University church, the music for the funeral ode is well-known today above all through reconstructions of Bach's St Mark Passion, in which large parts of this cantata were probably re-used, but of which only the text survives. With the funeral ode we have one of Bach's strongest and most fascinating vocal compositions. Although Gottsched's text is associated with a particular occasion, it is distinguished in its literary quality from many secular cantatas and it is entirely appropriate to perform this impressive cantata in concerts. Score and part available separately - see item CA.3119800. $6.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Let, Princess, let but one more ray Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra [Vocal Score] Carus Verlag
Funeral ode. Composed by Johann Sebastian Bach (1685-1750). Edited by Uwe...(+)
Funeral ode. Composed by Johann Sebastian Bach (1685-1750). Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Cantatas. Vocal score. Composed 1727. 56 pages. Duration 35 minutes. Carus Verlag #CV 31.198/03. Published by Carus Verlag (CA.3119803).
$17.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Hail! Bright Cecilia. Ode on St. Cecilia's Day 1692 Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra - Intermediate Carus Verlag
Soli SAATBB, Coro SATB (auch SSAATB), 2 Bfl, 2 Ob, 2 Tr, Timp, 2 Vl, Va, Bc - Gr...(+)
Soli SAATBB, Coro SATB (auch SSAATB), 2 Bfl, 2 Ob, 2 Tr, Timp, 2 Vl, Va, Bc - Grade 3 SKU: CA.1025000 Composed by Henry Purcell. Edited by Julia Rosemeyer. Carus digital: Extra digital products. Full Score. Composed 1692. Z 328. Duration 55 minutes. Carus Verlag #1025000. Published by Carus Verlag (CA.1025000). ISBN 9790007251826. Key: D major. English. â??Hail! bright Cecilia, hail to thee. Great patroness of us and harmony!â? â?? this exclamation opens the final chorus of Henry Purcellâ??s eponymous Ode to St. Cecilia from 1692. A paean to the power of music, the work is one of the undoubted masterpieces of English choral odes of that time. A resolution of the Musical Society of London in 1683 launched the great tradition of annual celebrations for St. Ceciliaâ??s Day (November 22), featuring a church service followed by performances of specially composed music. Over the years, Purcell wrote several odes for the occasion, of which this example from 1692 is one of the most popular. Four decades later, Handel would also contribute to the celebrations with his Alexanderâ??s Feast, HWV 75 (Carus 55.075), and his Ode for St. Ceciliaâ??s Day, HWV 76 (Carus 55.076).Purcellâ??s magnificent music, which features a huge range of tonal color and form, offers delightful parts for a variety of solo, ensemble, and choral settings. With its richly expressive palette, the Ode to St. Cecilia is an extremely rewarding work by the â??Orpheus Britannicusâ?, as Purcell was admiringly called by contemporaries.- Festive, rousing ode to music- Highlight of the choral ode genre in the 17th century $78.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Let, Princess, let but one more ray (Lass, Furstin, lass noch einen Strahl) Soli, Mixted choir and accompaniment Carus Verlag
Funeral ode. Composed by Johann Sebastian Bach (1685-1750). Edited by Uwe...(+)
Funeral ode. Composed by Johann Sebastian Bach (1685-1750). Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Trauerode. Cantatas. Orchestral Parts. Composed 1727. BWV 198. Duration 35 minutes. Carus Verlag #CV 31.198/19. Published by Carus Verlag (CA.3119819).
$140.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The heavens are telling the Father's glory (Die Himmel erzahlen die Ehre Gottes) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra - Intermediate Carus Verlag
SATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, trumpet, 2 violins, v...(+)
SATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, trumpet, 2 violins, viola, basso continuo - Level 3 SKU: CA.3107609 Cantata for the 2nd Sunday afer Trinity / Reformation Day. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Arranged by Paul Horn. 1x 31.076/21 Oboe and Oboe d'amore, 1x 31.076/22 oboe 2, 1x 31.076/31 trumpet. German title: Die Himmel erzahlen die Ehre Gottes 5. Sacred vocal music, Cantatas, Psalms, German. Set of Orchestra Parts. Composed 1723. BWV 76. 24 pages. Duration 35 minutes. Carus Verlag #CV 31.076/09. Published by Carus Verlag (CA.3107609). ISBN 9790007044930. Key: C major / a minor. Language: German/English. The cantata Die Himmel erzahlen die Ehre Gottes (The heavens are telling of God in glory) BWV 76 by Johann Sebastian Bach was written for the 2nd Sunday after Trinity, which fell on 6 June 1723 in the year it was first performed. This ambitious two-part work was the second cantata which Bach wrote after taking up the position of Kantor of St. Thomas's in Leipzig. Bach's aim was evidently to demonstrate a particularly wide range of musical forms in both the arias and the recitatives in this cantata. The opening chorus is based on verses 2 and 4 of Psalm 19, with verse 4 structured as a choral fugue. Both parts of the cantata end with a chorale movement with different verses from the Lutheran hymn Es woll uns Gott genadig sein. The text refers loosely to the epistle reading from the 1st letter of St John, but deals more with general thoughts about the temptations of the Christian which can be overcome through love. Bach also performed the first part of the cantata later with minor revisions, but evidently no alterations to the text, on Reformation Day in Leipzig. Score and parts available separately - see item CA.3107600. $30.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The heavens are telling the Father's glory (Die Himmel erzahlen die Ehre Gottes) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra - Intermediate Carus Verlag
SATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, trumpet, 2 violins, v...(+)
SATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, trumpet, 2 violins, viola, basso continuo - Level 3 SKU: CA.3107611 Cantata for the 2nd Sunday afer Trinity / Reformation Day. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Arranged by Paul Horn. German title: Die Himmel erzahlen die Ehre Gottes. Sacred vocal music, Cantatas, Psalms, German. Single Part, Violin 1. Composed 1723. BWV 76. 12 pages. Duration 35 minutes. Carus Verlag #CV 31.076/11. Published by Carus Verlag (CA.3107611). ISBN 9790007044947. Key: C major / a minor. Language: German/English. The cantata Die Himmel erzahlen die Ehre Gottes (The heavens are telling of God in glory) BWV 76 by Johann Sebastian Bach was written for the 2nd Sunday after Trinity, which fell on 6 June 1723 in the year it was first performed. This ambitious two-part work was the second cantata which Bach wrote after taking up the position of Kantor of St. Thomas's in Leipzig. Bach's aim was evidently to demonstrate a particularly wide range of musical forms in both the arias and the recitatives in this cantata. The opening chorus is based on verses 2 and 4 of Psalm 19, with verse 4 structured as a choral fugue. Both parts of the cantata end with a chorale movement with different verses from the Lutheran hymn Es woll uns Gott genadig sein. The text refers loosely to the epistle reading from the 1st letter of St John, but deals more with general thoughts about the temptations of the Christian which can be overcome through love. Bach also performed the first part of the cantata later with minor revisions, but evidently no alterations to the text, on Reformation Day in Leipzig. Score and part available separately - see item CA.3107600. $7.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The heavens are telling the Father's glory (Die Himmel erzahlen die Ehre Gottes) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra - Intermediate Carus Verlag
SATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, trumpet, 2 violins, v...(+)
SATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, trumpet, 2 violins, viola, basso continuo - Level 3 SKU: CA.3107612 Cantata for the 2nd Sunday afer Trinity / Reformation Day. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Arranged by Paul Horn. German title: Die Himmel erzahlen die Ehre Gottes. Sacred vocal music, Cantatas, Psalms, German. Single Part, Violin 2. Composed 1723. BWV 76. 8 pages. Duration 35 minutes. Carus Verlag #CV 31.076/12. Published by Carus Verlag (CA.3107612). ISBN 9790007044954. Key: C major / a minor. Language: German/English. The cantata Die Himmel erzahlen die Ehre Gottes (The heavens are telling of God in glory) BWV 76 by Johann Sebastian Bach was written for the 2nd Sunday after Trinity, which fell on 6 June 1723 in the year it was first performed. This ambitious two-part work was the second cantata which Bach wrote after taking up the position of Kantor of St. Thomas's in Leipzig. Bach's aim was evidently to demonstrate a particularly wide range of musical forms in both the arias and the recitatives in this cantata. The opening chorus is based on verses 2 and 4 of Psalm 19, with verse 4 structured as a choral fugue. Both parts of the cantata end with a chorale movement with different verses from the Lutheran hymn Es woll uns Gott genadig sein. The text refers loosely to the epistle reading from the 1st letter of St John, but deals more with general thoughts about the temptations of the Christian which can be overcome through love. Bach also performed the first part of the cantata later with minor revisions, but evidently no alterations to the text, on Reformation Day in Leipzig. Score and part available separately - see item CA.3107600. $7.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The heavens are telling the Father's glory (Die Himmel erzahlen die Ehre Gottes) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra - Intermediate Carus Verlag
SATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, trumpet, 2 violins, v...(+)
SATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, trumpet, 2 violins, viola, basso continuo - Level 3 SKU: CA.3107613 Cantata for the 2nd Sunday afer Trinity / Reformation Day. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Arranged by Paul Horn. German title: Die Himmel erzahlen die Ehre Gottes. Sacred vocal music, Cantatas, Psalms, German. Single Part, Viola. Composed 1723. BWV 76. 8 pages. Duration 35 minutes. Carus Verlag #CV 31.076/13. Published by Carus Verlag (CA.3107613). ISBN 9790007044961. Key: C major / a minor. Language: German/English. The cantata Die Himmel erzahlen die Ehre Gottes (The heavens are telling of God in glory) BWV 76 by Johann Sebastian Bach was written for the 2nd Sunday after Trinity, which fell on 6 June 1723 in the year it was first performed. This ambitious two-part work was the second cantata which Bach wrote after taking up the position of Kantor of St. Thomas's in Leipzig. Bach's aim was evidently to demonstrate a particularly wide range of musical forms in both the arias and the recitatives in this cantata. The opening chorus is based on verses 2 and 4 of Psalm 19, with verse 4 structured as a choral fugue. Both parts of the cantata end with a chorale movement with different verses from the Lutheran hymn Es woll uns Gott genadig sein. The text refers loosely to the epistle reading from the 1st letter of St John, but deals more with general thoughts about the temptations of the Christian which can be overcome through love. Bach also performed the first part of the cantata later with minor revisions, but evidently no alterations to the text, on Reformation Day in Leipzig. Score and part available separately - see item CA.3107600. $7.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The heavens are telling the Father's glory (Die Himmel erzahlen die Ehre Gottes) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra - Intermediate Carus Verlag
SATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, trumpet, 2 violins, v...(+)
SATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, trumpet, 2 violins, viola, basso continuo - Level 3 SKU: CA.3107619 Cantata for the 2nd Sunday afer Trinity / Reformation Day. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Arranged by Paul Horn. German title: Die Himmel erzahlen die Ehre Gottes. Sacred vocal music, Cantatas, Psalms, German. Set of Orchestra Parts. Composed 1723. BWV 76. Duration 35 minutes. Carus Verlag #CV 31.076/19. Published by Carus Verlag (CA.3107619). ISBN 9790007134082. Key: C major / a minor. Language: German/English. The cantata Die Himmel erzahlen die Ehre Gottes (The heavens are telling of God in glory) BWV 76 by Johann Sebastian Bach was written for the 2nd Sunday after Trinity, which fell on 6 June 1723 in the year it was first performed. This ambitious two-part work was the second cantata which Bach wrote after taking up the position of Kantor of St. Thomas's in Leipzig. Bach's aim was evidently to demonstrate a particularly wide range of musical forms in both the arias and the recitatives in this cantata. The opening chorus is based on verses 2 and 4 of Psalm 19, with verse 4 structured as a choral fugue. Both parts of the cantata end with a chorale movement with different verses from the Lutheran hymn Es woll uns Gott genadig sein. The text refers loosely to the epistle reading from the 1st letter of St John, but deals more with general thoughts about the temptations of the Christian which can be overcome through love. Bach also performed the first part of the cantata later with minor revisions, but evidently no alterations to the text, on Reformation Day in Leipzig. Score and parts available separately - see item CA.3107600. $148.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The heavens are telling the Father's glory (Die Himmel erzahlen die Ehre Gottes) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra - Intermediate Carus Verlag
SATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, trumpet, 2 violins, v...(+)
SATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, trumpet, 2 violins, viola, basso continuo - Level 3 SKU: CA.3107605 Cantata for the 2nd Sunday afer Trinity / Reformation Day. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Arranged by Paul Horn. German title: Die Himmel erzahlen die Ehre Gottes. Sacred vocal music, Cantatas, Psalms, German. Choral Score. Composed 1723. BWV 76. 12 pages. Duration 35 minutes. Carus Verlag #CV 31.076/05. Published by Carus Verlag (CA.3107605). ISBN 9790007044916. Key: C major / a minor. Language: German/English. The cantata Die Himmel erzahlen die Ehre Gottes (The heavens are telling of God in glory) BWV 76 by Johann Sebastian Bach was written for the 2nd Sunday after Trinity, which fell on 6 June 1723 in the year it was first performed. This ambitious two-part work was the second cantata which Bach wrote after taking up the position of Kantor of St. Thomas's in Leipzig. Bach's aim was evidently to demonstrate a particularly wide range of musical forms in both the arias and the recitatives in this cantata. The opening chorus is based on verses 2 and 4 of Psalm 19, with verse 4 structured as a choral fugue. Both parts of the cantata end with a chorale movement with different verses from the Lutheran hymn Es woll uns Gott genadig sein. The text refers loosely to the epistle reading from the 1st letter of St John, but deals more with general thoughts about the temptations of the Christian which can be overcome through love. Bach also performed the first part of the cantata later with minor revisions, but evidently no alterations to the text, on Reformation Day in Leipzig. Score available separately - see item CA.3107600. $5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The heavens are telling the Father's glory (Die Himmel erzahlen die Ehre Gottes) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra - Intermediate Carus Verlag
Orchestra SATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, trumpet, 2 ...(+)
Orchestra SATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, trumpet, 2 violins, viola, basso continuo - Level 3 SKU: CA.3107607 Cantata for the 2nd Sunday afer Trinity / Reformation Day. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Arranged by Paul Horn. This edition: Paperbound. German title: Die Himmel erzahlen die Ehre Gottes. Sacred vocal music, Cantatas, Psalms, German. Study score. Composed 1723. BWV 76. 72 pages. Duration 35 minutes. Carus Verlag #CV 31.076/07. Published by Carus Verlag (CA.3107607). ISBN 9790007044923. Key: C major / a minor. Language: German/English. The cantata Die Himmel erzahlen die Ehre Gottes (The heavens are telling of God in glory) BWV 76 by Johann Sebastian Bach was written for the 2nd Sunday after Trinity, which fell on 6 June 1723 in the year it was first performed. This ambitious two-part work was the second cantata which Bach wrote after taking up the position of Kantor of St. Thomas's in Leipzig. Bach's aim was evidently to demonstrate a particularly wide range of musical forms in both the arias and the recitatives in this cantata. The opening chorus is based on verses 2 and 4 of Psalm 19, with verse 4 structured as a choral fugue. Both parts of the cantata end with a chorale movement with different verses from the Lutheran hymn Es woll uns Gott genadig sein. The text refers loosely to the epistle reading from the 1st letter of St John, but deals more with general thoughts about the temptations of the Christian which can be overcome through love. Bach also performed the first part of the cantata later with minor revisions, but evidently no alterations to the text, on Reformation Day in Leipzig. Score available separately - see item CA.3107600. $16.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Hail! Bright Cecilia. Ode on St. Cecilia's Day 1692 Soli, Mixted choir and accompaniment - Intermediate Carus Verlag
(Soli SAATBB, Coro SATB (auch SSAATB), 2 Bfl, 2 Ob, 2 Tr, Timp, 2 Vl, Va, Bc) - ...(+)
(Soli SAATBB, Coro SATB (auch SSAATB), 2 Bfl, 2 Ob, 2 Tr, Timp, 2 Vl, Va, Bc) - Grade 3 SKU: CA.1025014 Composed by Henry Purcell. Edited by Julia Rosemeyer. Single Part, basso continuo. Composed 1692. Z 328. Duration 55 minutes. Carus Verlag #1025014. Published by Carus Verlag (CA.1025014). ISBN 9790007329792. Key: D major. English. �Hail! bright Cecilia, hail to thee. Great patroness of us and harmony!� � this exclamation opens the final chorus of Henry Purcell�s eponymous Ode to St. Cecilia from 1692. A paean to the power of music, the work is one of the undoubted masterpieces of English choral odes of that time.
A resolution of the Musical Society of London in 1683 launched the great tradition of annual celebrations for St. Cecilia�s Day (November 22), featuring a church service followed by performances of specially composed music. Over the years, Purcell wrote several odes for the occasion, of which this example from 1692 is one of the most popular. Four decades later, Handel would also contribute to the celebrations with his Alexander�s Feast, HWV 75 (Carus 55.075), and his Ode for St. Cecilia�s Day, HWV 76 (Carus 55.076).
Purcell�s magnificent music, which features a huge range of tonal color and form, offers delightful parts for a variety of solo, ensemble, and choral settings. With its richly expressive palette, the Ode to St. Cecilia is an extremely rewarding work by the �Orpheus Britannicus�, as Purcell was admiringly called by contemporaries.
- Festive, rousing ode to music - Highlight of the choral ode genre in the 17th century . Score and part available separately - see item CA.1025000. $17.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Jubilate in E Soli, Mixted choir and accompaniment Oxford University Press
Composed by Samuel Sebastian Wesley (1810-1876). Edited by Peter Horton. Mixed V...(+)
Composed by Samuel Sebastian Wesley (1810-1876). Edited by Peter Horton. Mixed Voices. Church Music Society Publications. Sacred, Choral Leaflet. Vocal score. 20 pages. Duration 6.5'. Oxford University Press #9780193950290. Published by Oxford University Press (OU.9780193950290).
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| Osteroratorium Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra [Set of Parts] Carus Verlag
(Kommt, eilet und laufet). Composed by Johann Sebastian Bach (1685-1750). Edited...(+)
(Kommt, eilet und laufet). Composed by Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. For SATB vocal soli, SATB choir, 2 recorders f1, flute, oboe I / oboe d'amore, oboe II, bassoon, 3 trumpets, timpani, 2 violins, viola, basso continuo. D-Dur (D major). Stuttgart Urtext Edition. Score available separately - see item CA.3124900. Oratorios, Easter and Eastertide. Complete orchestral parts. Language: German/English. Composed 1725. BWV 249. Duration 40 minutes. Published by Carus Verlag
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| Messiah Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra [Vocal Score] Oxford University Press
By George Frideric Handel. Arranged by Bartlett. For Longer Choral Work: Vocal S...(+)
By George Frideric Handel. Arranged by Bartlett. For Longer Choral Work: Vocal Score. Published by Oxford University Press.
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| Field Mass H 279 / The Spectre's Bride H 214 I A Soli, Mixted choir and accompaniment Barenreiter
Soloists, Choir, Orchestra (Soli,Ch,Orch,Instr-Tast) SKU: BA.BA10573-01 C...(+)
Soloists, Choir, Orchestra (Soli,Ch,Orch,Instr-Tast) SKU: BA.BA10573-01 Composed by Bohuslav Martinu. Edited by Paul Wingfield. This edition: complete edition, urtext edition. Linen. The Bohuslav Martinu Complete Edition VI/2/2. Complete edition, Score, anthology. Baerenreiter Verlag #BA10573_01. Published by Baerenreiter Verlag (BA.BA10573-01). ISBN 9790260107922. 33.3 x 26.3 cm inches. Text Language: Czech. Preface: Wingfield, Paul. The present volume of the Bohuslav Martinu Complete Edition (BMCE) contains two vocal-instrumental works. TheField Mass(1939) with a text by Jiri Mucha incorporating bible and liturgy quotes was created in reaction to the outbreak of the Second World War and intended for outdoor performances. The cantataThe Spectre's Bridewith a text by Karel Jaromir Erben was composed in 1932 as part of the balletSpalicek(meaningchapbook); the composer later took out the cantata, making it into a stand-alone concert piece.
The autograph scores served as primary sources for both works. The edition of theField Mass(including its performance materials) also contains the original version of the ending with a quote from the Czech medieval hymnJezu Kriste, stedry kneze(Jesu Christ, bountiful priest) and a number of contemporary translations.
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$397.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| BOHEME, LA: Quando me'n vo soletta (Musetta's Waltz) Soli, Mixted choir and accompaniment Lucks Music Library
(2D1.2+1.2+1.2/4.0.0.0,ti mp,hp,str,SSTBBar soli) SKU: TM.02054SC Compose...(+)
(2D1.2+1.2+1.2/4.0.0.0,timp,hp,str,SSTBBar soli) SKU: TM.02054SC Composed by Giacomo Puccini. Score. Lucks Music Library #A2995. Published by Lucks Music Library (TM.02054SC). Key of E. Contains just Musetta's Waltz. Begins 6 measures before rehearsal #21 and ends 19 bars after rehearsal #23. See #14163 for entire Finale to Act II, which begins from Quando me'n vo soletta (rehearsal #21) through end of Act (including Intermezzo and exit from Cafe). Sung by Musette, Mimi, Alcindoro, Rodolfo, and Marcello. $10.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| BOHEME, LA: Quando me'n vo soletta (Musetta's Waltz) Soli, Mixted choir and accompaniment Lucks Music Library
(2D1.2+1.2+1.2/4.0.0.0,ti mp,hp,str,SSTBBar soli) SKU: TM.02054SET Compos...(+)
(2D1.2+1.2+1.2/4.0.0.0,timp,hp,str,SSTBBar soli) SKU: TM.02054SET Composed by Giacomo Puccini. Set Type: D. Set of parts. Lucks Music Library #A2995. Published by Lucks Music Library (TM.02054SET). Key of E. Contains just Musetta's Waltz. Begins 6 measures before rehearsal #21 and ends 19 bars after rehearsal #23. See #14163 for entire Finale to Act II, which begins from Quando me'n vo soletta (rehearsal #21) through end of Act (including Intermezzo and exit from Cafe). Sung by Musette, Mimi, Alcindoro, Rodolfo, and Marcello. $40.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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