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CLASSICAL - BAROQUE - ROMANTIC
Soli, Mixted choir and accompaniment
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Antonín Dvo?ák: Rusalka Op.114 (Vocal Score): Mixed Choir: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Barenreiter
Performance material available for hire.With ?Rusalka? one of the best-loved an...
(+)
Performance material available for hire.With ?Rusalka? one of the best-loved and most frequently performed works in the Czech operatic repertoire Dvorak reached an exceptional level of lyrical depth and dramatic effectiveness. The opera portrays the fairy tale-like drama around the unhappy love of the nymph Rusalka for a human.So that she can love and be loved she has to renounce her watery kingdom. Through the magical powers of a witch she is transformed into a human at the price of losing her speech.The Prince soon grows tired of her silent cold beauty and his heart turns towards a foreign princess. The despairing Rusalkawants to return to her watery kingdom. The disappointed Prince once more feels attracted to Rusalka?s magic. He returns to her by the forest lake. Rusalka?s deathly kiss brings him the release he longs for.The vocal score by Karel Solc based on the Complete Edition is published for the first time with a German singing translation of the text by Eberhard Schmidt. One of the best-known Czech operas Vocal score by Karel Solc Newly underlaid with German singing translation by Eberhard Schmidt
36.00 GBP - Sold by Musicroom UK
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Hector Berlioz: Romeo et Juliette: Orchestra: Score
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Symphonie dramatique-Roméo et Juliette Op.17 Hol.73: Symphonie dramatiqueFor hi...
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Symphonie dramatique-Roméo et Juliette Op.17 Hol.73: Symphonie dramatiqueFor his third symphony ?Roméo et Juliette? (1839) Berlioz turned to his greatest literary passion Shakespeare drawing once again on his own most fervent experiences. Berlioz?s discovery of Shakespeare in 1827 had been overwhelming not only for the dramatic force of the poetry and drama but also because the leading actress of the company Harriet Smithson immediately won his heart. She later became his wife.He began to think seriously about composing some kind of musical ?Romeo and Juliet? but it was not realised until 1839. The symphony is scoredfor double chorus (to represent the two warring families) solo voices as secondary characters with the lovers themselves represented by the Orchestra.Urtext of the New Berlioz EditionFull score (BA5458) vocal score (BA5458-90) and study score (TP334) available for salePerformance material (BA5458-72) available for hire
378.00 GBP - Sold by Musicroom UK
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Henry Purcell: King Arthur: Opera: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Vocal Score]
Novello & Co Ltd.
King Arthur was the only one of Purcell's professionally produced operas to have...
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King Arthur was the only one of Purcell's professionally produced operas to have been designed as a semi-opera; the others were all adaptations of earlier plays. Dryden made a real attempt to integrate the music into the drama but since he ascribed to the dramatic conventions of the period which virtually confined music to allegorical or supernatural beings and thier worshippers or servants shepherds and similar characters the main action mostly occurs in the spoken sections and even the two singing characters Philidel and Grimbald speak more than they sing.
17.99 GBP - Sold by Musicroom UK
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Franz Liszt: Christus: Mixed Choir: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Barenreiter
Oratorio on passages from the Holy Bible and the Catholic liturgy. Franz Liszt&r...
(+)
Oratorio on passages from the Holy Bible and the Catholic liturgy. Franz Liszt’s “Christus” is an attempt to capture in music the life of Christ from his birth to his Passion and Resurrection thereby following in the tradition of Handel’s biblical oratorios. Despite the familiar subject matter Liszt was concerned less with depicting Jesus’s deeds than with producing an object of meditation. To this end he employed a full array of musical devices to create a work abounding in sharp contrasts: symphonic textures alongside simple hymns modal harmonies alongside bold chromaticism and varied combinations of voices and instrumentsalongside purely instrumental groupings. David Friddle’s new edition is the first to publish the original text of “Christus” on the basis of all available sources. His extensive introduction also sheds light on the performance practices of Liszt’s day. Our vocal score contains a German translation of the original Latin as a guide. - First Urtext edition of this work. - Straightforward easy-to-play piano reduction. - Duration: approx. 175 minutes. - Full score (BA7680) and vocal score (BA7680-90) for sale; performance material (BA7680-72) for hire.
28.00 GBP - Sold by Musicroom UK
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Ludwig van Beethoven: Symphony no. 9 in D minor op. 125: Mixed Choir: Score
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Barenreiter
With final chorus An die Freude (Ode to Joy)-With final chorus 'An die Freude' (...
(+)
With final chorus An die Freude (Ode to Joy)-With final chorus 'An die Freude' (Ode to Joy)Between 1996 and 2000 Bärenreiter published scholarly-critical editions of Beethoven's Nine Symphonies edited by the first class musicologist Jonathan Del Mar. The editorial process was a huge undertaking because of the complex source situation regarding Beethoven's Symphonies culminating in the Choral Symphony which came down to us in nearly 20 different sources. So it was not surprising that Bärenreiter's new Urtext edition caused a considerable stir in the music world. Since publication Del Mar's edition enjoys the unabashed praise of conductors performers and critics alike and has become the most widelyused publication of the Beethoven Symphonies which can be heard not only every day in concert halls but also on CD recordings by John Eliot Gardiner David Zinman Jos van Immerseel and Claudio Abbado.Full scores study scores and complete performance material to Beethoven?s Nine Symphonies are available for sale.Full score & performance material (BA9009) study score format 22.5 x 16.5cm (TP909) & vocal score (BA9009-90) available for sale
99.00 GBP - Sold by Musicroom UK
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Johann Sebastian Bach: Messe in h-Moll BWV 232: Mixed Choir: Part
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
In the international music world ?Bärenreiter Urtext? is synonymous with perfor...
(+)
In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research. For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as thesurviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye. This is the Organ part for J. S. Bach's Mass In B Minor.
39.50 GBP - Sold by Musicroom UK
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Johann Sebastian Bach: Magnificat In D BWV243: Mixed Choir: Score
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Barenreiter
The 2nd version with the 4 inserts from the E-flat major version (transposed int...
(+)
The 2nd version with the 4 inserts from the E-flat major version (transposed into D major).Barenreiter Urtext:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions thatpresent the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
26.50 GBP - Sold by Musicroom UK
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Johann Sebastian Bach: Cantata BWV 147 Herz Und Mund Und Tat Und Leben: Mixed
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Barenreiter
As one of the most popular and best-known cantatas this work has become an indis...
(+)
As one of the most popular and best-known cantatas this work has become an indispensable part of the repertoire. The last movement is most commonly known as Jesu Joy of Man's Desiring. Study score and performance material available for sale. Barenreiter Urtext: In the international music world “Bärenreiter Urtext” is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest inmusicological research. For Bärenreiter “Urtext” is more than just a label – it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer’s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
11.00 GBP - Sold by Musicroom UK
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Ludwig van Beethoven: Symphony no. 9 in D minor op. 125: Orchestra: Score
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Critical Reports]
Barenreiter
Critical Commentary-With final chorus 'An die Freude' (Ode to Joy)Between 1996 a...
(+)
Critical Commentary-With final chorus 'An die Freude' (Ode to Joy)Between 1996 and 2000 Bärenreiter published scholarly-critical editions of Beethoven's Nine Symphonies edited by the first class musicologist Jonathan Del Mar. The editorial process was a huge undertaking because of the complex source situation regarding Beethoven's Symphonies culminating in the Choral Symphony which came down to us in nearly 20 different sources. So it was not surprising that Bärenreiter's new Urtext edition caused a considerable stir in the music world. Since publication Del Mar's edition enjoys the unabashed praise of conductors performers and critics alike and has become the most widelyused publication of the Beethoven Symphonies which can be heard not only every day in concert halls but also on CD recordings by John Eliot Gardiner David Zinman Jos van Immerseel and Claudio Abbado.Full scores study scores and complete performance material to Beethoven?s Nine Symphonies are available for sale.Full score & performance material (BA9009) study score format 22.5 x 16.5cm (TP909) & vocal score (BA9009-90) available for saleDetailed Critical Commentary (English) documents all the sources and findings made by the editor.
48.00 GBP - Sold by Musicroom UK
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Marc-Antoine Charpentier: In Nativitatem Domini Canticum: Mixed Choir: Vocal
Soli, Mixted choir and accompaniment
satb (soli), SATB (chorus), Keyboard
[Sheet music]
Barenreiter
Charpentier composed ?In Nativitatem Domini Canticum? during his period as maît...
(+)
Charpentier composed ?In Nativitatem Domini Canticum? during his period as maître de musique at the church of St Louis in Paris (around 1690). It is in the tradition of the oratorios of Carissimi and his contemporaries but is more easily described as a ?Grand Motet? or ?Histoire sacrée? a genre in which Charpentier excelled. The work was probably intended for performance during mass on Christmas Day and thus had a liturgical function as was customary during the period of Louis XIV in Paris.The text presents the Christmas story in three sections: the chorus of the faithful the actual story of the birth of Jesus and the adoration ofthe shepherds in the fields. The music reveals a subtle mixture of French and Italian styles with dramatic elements.For the first time this work prepared by the acknowledged Charpentier expert Joel Schwindt is presented in a scholarly-critical edition where all sources have been consulted.A detailed foreword and critical commentary provide detailed information which fulfil all the criteria of an Urtext edition.- First Urtext edition of this work.- An important addition to the repertoire for Christmas.- Straightforward clear Piano reduction.- Foreword (Ger/Eng) and critical commentary (Eng).- Full score performance material (BA7673) & Vocal score (BA7673-90) available for sale.
17.50 GBP - Sold by Musicroom UK
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Georg Friedrich Händel: Anthem For The Funeral Of Queen Caroline HWV 264: Mixed
Soli, Mixted choir and accompaniment
[Sheet music]
Barenreiter
When Queen Caroline the wife of King George II of England died on 20 November ...
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When Queen Caroline the wife of King George II of England died on 20 November 1737 Handel was commissioned to write an anthem for her funeral service. She was buried in King Henry VII?s Chapel Westminster Abbey on the evening of 17 December 1737 with Handel?s work performed after the funeral service.To emphasize the solemnity of the occasion he used a roughly 100-piece Orchestra and 80 Choristers. The piece is a so-called ?full anthem? consisting of an instrumental Introduction (?Symphony?) and thirteen interlinked choruses. The words were written by Edward Willes the Sub-Dean of Westminster at that time using passages from the King James Bible and theBook of Common Prayer albeit sometimes departing from the original wording.The absence of sections for solo voice has made this anthem a favourite among ambitious choruses and a highlight of any concert programme. Our edition contains the original unabridged version with English text. Martin Focke?s Piano reduction follows the Urtext of the Halle Handel Edition.Original unabridged version.Urtext from the Halle Handel Edition.Straightforward easy-to-play Piano reduction.Full score performance material (BA4267) and Vocal score (BA4267-90) based on the Urtext Halle Handel Edition available for sale.
49.00 GBP - Sold by Musicroom UK
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Johann Sebastian Bach: Gottes Zeit ist die allerbeste Zeit BWV 106: SATB
Soli, Mixted choir and accompaniment
satb (soli), SATB (chorus), Keyboard
[Sheet music]
Carus Verlag
Actus tragicus. Trauermusik-Actus tragicus is one of Johann Sebastian Bach's mos...
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Actus tragicus. Trauermusik-Actus tragicus is one of Johann Sebastian Bach's most well-known and cherished works and to this day it has enjoyed an undiminished popularity - 'a work of genius at which even only great masters seldom succeed' (Alfred Dürr). This new edition presents a practical critical edition which combines the latest findings of Bach research with the current state of performance practice.
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Siehe, Das Ist Gottes Lamm (II)
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Sheet music]
Carus Verlag
Kantate Zum Sonntag Estomihi. Par TELEMANN GEORG PHILIPP. Kubik, Reinhold (Arr.)...
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Kantate Zum Sonntag Estomihi. Par TELEMANN GEORG PHILIPP. Kubik, Reinhold (Arr.) - Pringsheim, Anthony (Trad.) - TVWV 1:1320/ Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Violons,
17.70 EUR - Sold by LMI-partitions
(Seller in french langage)
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