Orchestra SATB vocal soli, SATB choir, flute, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, cello/contrabass, organ - Grade 3

SKU: CA.4060709

Pauken-Messe. Composed by Franz Joseph Haydn. Edited by Wolfgang Hochstein. This edition: urtext. 1x 40.607/21 flute, 1x 40.607/22 oboe 1, 1x 40.607/23 oboe 2, 1x 40.607/24 clarinet 1, 1x 40.607/25 clarinet 2, 1x 40.607/26 bassoon 1, 1x 40.607/27 bassoon 2, 1x 40.607/31 horn 1, 1x 40.607/32 horn 2, 1x 40.607/33 clarino 1, 1x 40.607/34 clarino 2, 1x 40. Stuttgart Urtext Edition: Joseph Haydn, Sacred vocal music. Haydn: Paukenmesse In C Xxii:9. Innovative practice aids, Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Composed 1796. Hob. XXII:9. 98 pages. Duration 40 minutes. Carus Verlag #CV 40.607/09. Published by Carus Verlag (CA.4060709).

ISBN 9790007073176. Key: C major. Language: Latin.

The Missa in tempore belli by Joseph Haydn is an interesting work in several respecst. Firstly this setting of the Mass provides pointers to the situation of Austrian church music as it had been affected by imperial decrees. Secondly the political situation, with the imminent invasion of Austria by Napoleon's troops, had reached a crisis point which is reflected in the description of this composition as a Mass in time of war. Last but not least, this work is the first of the group of six settings of the Latin Mass which, together with the oratorios The Creation and The Seasons, form the body of Haydn's last period vocal works, and which unquestionably belong among his supreme creative achievements. This work is now available in carus music, the choir app! Score and parts available separately - see item CA.4060700.

(Kommt, eilet und laufet). Composed by Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. For SATB vocal soli, SATB choir, 2 recorders f1, flute, oboe I / oboe d'amore, oboe II, bassoon, 3 trumpets, timpani, 2 violins, viola, basso continuo. D-Dur (D major). Stuttgart Urtext Edition. Score available separately - see item CA.3124900. Oratorios, Easter and Eastertide. Complete orchestral parts. Language: German/English. Composed 1725. BWV 249. Duration 40 minutes. Published by Carus Verlag

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 3 horns, 3 trumpets, timpani, 2 violins, viola, cello/contrabass - Grade 3

SKU: CA.3710511

Christmas oratorio. Composed by Gottfried August Homilius. Edited by Uwe Wolf. This edition: Complete edition. Gottfried August Homilius - Selected Works. Die Freude Der Hirten Ga 5. Innovative practice aids, Sacred vocal music, Oratorios, Christmas. Single Part, Violin 1. HoWV I.1. 16 pages. Duration 45 minutes. Carus Verlag #CV 37.105/11. Published by Carus Verlag (CA.3710511).

ISBN 9790007214340. Language: German. Text: Buschmann, Ernst August. Text: Ernst August Buschmann.

After the Passions-Cantate ,,Ein Lammlein geht und tragt die Schuld of 1775, the Christmas Oratorio is the second major vocal work by Homilius to appear in print during his lifetime. With an unusually large instrumental contingent, Homilius set the, at that time, much beloved pastoral theme of the shepherds in a most sophisticated manner. Each movement presents a clearly differentiated, atmospheric scene, distinct from all the other movements. This applies to the varied pastoral music, as well as to the representation of the mighty God by an angel, whose entrance is accompanied by trumpets and timpani. Score and part available separately - see item CA.3710500.

Orchestra SATB vocal soli, SATB choir, flute, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello, contrabass, organ - Grade 3

SKU: CA.4065909

Messe in As. Composed by Franz Schubert. Edited by Michael Heinemann. This edition: urtext. 1x 40.659/21 flute, 1x 40.659/22 oboe 1, 1x 40.659/23 oboe 2, 1x 40.659/24 clarinet 1, 1x 40.659/25 clarinet 2, 1x 40.659/26 bassoon 1, 1x 40.659/27 bassoon 2, 1x 40.659/31 horn 1, 1x 40.659/32 horn 2, 1x 40.659/33 trumpet 1, 1x 40.659/34 trumpet 2, 1x 40. Stuttgart Urtext Edition: Schubert. Messe In As Rev.2000. Innovative practice aids, Sacred vocal music, Masses, Latin. Set of Orchestra Parts. D 678. 144 pages. Duration 50 minutes. Carus Verlag #CV 40.659/09. Published by Carus Verlag (CA.4065909).

ISBN 9790007085445. Key: A flat major. Language: Latin.

Franz Schubert's Mass in A-flat major: A work that time and again occupied the composer anew, with which he, in his words, strived towards the highest in art - and perhaps only wished to receive a court appointment in Vienna. His efforts to present a new, individual mass led, at any rate, to unconventional solutions (and an unusual key), a renunciation of plain acclamation, a reduction of pathos in favor of an exceptionally elaborate composition, particularly the first part - a brilliant missa solemnis for the ceremonious organization of the court church service and, at the same time, the public presentation of an ambitious composer's artistic competence. Score and parts available separately - see item CA.4065900.

SATB vocal soli, SATB choir, 2 violins, cello/contrabass, organ, [3 trombones] - Level 2

SKU: CA.4062311

Missa pastoralis in G. Composed by Wolfgang Amadeus Mozart. Arranged by Willi Schulze. This edition: urtext. Stuttgart Urtext Edition: Mozart. Missa Pastoralis In G Kv 140 Rev.2001. Innovative practice aids, Sacred vocal music, Masses, Latin, Missa brevis in Latin. Single Part, Violin 1. Composed circa 1773. KV 140 (235d). 12 pages. Duration 17 minutes. Carus Verlag #CV 40.623/11. Published by Carus Verlag (CA.4062311).

ISBN 9790007084387. Key: G major. Language: Latin.

The G major mass of Mozart followed a very special type of mass pattern, namely, that of the Missa pastoralis. In Mozart's time it was a widespread type of mass, especially in Bohemia and Italy, in which melodies and rhythms like those familiar from pastoral Christmas music were frequently found. The themes in this type of mass are song-like and often make use of folksongs or references to well-known tunes. This work is now available in carus music, the choir app! Score and part available separately - see item CA.4062300.

SATB vocal soli, SATB choir, 4 (2) oboe, 2 bassoons, 3 trombones, basso continuo

SKU: CA.5425409

Composed by Michael Haydn. Edited by Armin Kircher. Arranged by Paul Horn. This edition: urtext. 2x 54.254/21 oboe 1, 2x 54.254/22 oboe 2, 2x 54.254/23 bassoon, 1x 54.254/31 trombone 1, 1x 54.254/32 trombone 2, 1x 54.254/33 trombone 3. Stuttgart Urtext Edition: Johann Michael Haydn. Missa Sti Hieronymi Mh 254. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Composed 1777. MH 254. 140 pages. Duration 40 minutes. Carus Verlag #CV 54.254/09. Published by Carus Verlag (CA.5425409).

ISBN 9790007226053. Language: Latin.

Just by reason of its scoring the Missa Sancti Hieronymi occupies a special place not only among the settings of the Mass by Haydn, but also in the repertoire of church music at the Royal Court of Salzburg. Other than the Hieronymus Mass and the Proprium motet Timete Dominum MH 256, which is connected with it, there are no additional surviving works in the Salzburg repertoire with this type of instrumentation. The unusual instrumentation, the contrapuntal style in the fugal sections, as well as the melodic invention and harmonic elaboration show that this Mass is a masterpiece. Score and parts available separately - see item CA.5425400.

Orchestra SATB vocal soli, SATB choir, flute, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello, contrabass, organ - Grade 3

SKU: CA.4065911

Messe in As. Composed by Franz Schubert. Edited by Michael Heinemann. This edition: urtext. Stuttgart Urtext Edition: Schubert. Messe In As Rev.2000. Innovative practice aids, Sacred vocal music, Masses, Latin. Single Part, Violin 1. D 678. 24 pages. Duration 50 minutes. Carus Verlag #CV 40.659/11. Published by Carus Verlag (CA.4065911).

ISBN 9790007085452. Key: A flat major. Language: Latin.

Franz Schubert's Mass in A-flat major: A work that time and again occupied the composer anew, with which he, in his words, strived towards the highest in art - and perhaps only wished to receive a court appointment in Vienna. His efforts to present a new, individual mass led, at any rate, to unconventional solutions (and an unusual key), a renunciation of plain acclamation, a reduction of pathos in favor of an exceptionally elaborate composition, particularly the first part - a brilliant missa solemnis for the ceremonious organization of the court church service and, at the same time, the public presentation of an ambitious composer's artistic competence. Score and part available separately - see item CA.4065900.

SATB vocal soli, SATB choir, bassoon, clarino/trumpet, 2 violins, basso continuo - Level 4

SKU: CA.4068311

In Nativitate Domini in nocte. Composed by Jakub Jan Ryba. Edited by Karlheinz Ostermann. Arranged by Paul Horn. Missa Pastoralis In C Zugl.Orgelstimme. Sacred vocal music, Masses, Latin. Single Part, Violin 1. Composed 1808. 8 pages. Duration 16 minutes. Carus Verlag #CV 40.683/11. Published by Carus Verlag (CA.4068311).

ISBN 9790007220280. Key: C major. Language: Latin.

The Missa pastoralis in C, published here for the first time, dates from about 1808. It belongs to a cycle of sacred pieces, a ,,Cursus sacro-harmonicus, which Ryba planned as Ordinarium and Proprium settings for all the Sundays and feast days of the church year. The Missa pastoralis in C is a pastoral Mass for the matutinal service at Christmas. As in the Missa Pastoralis in B flat, in this Mass Ryba makes use of concertante instruments: trumpet and a bassoon, an instrument seldom employed solistically in a Mass, but which gives this work a unique character. Score and part available separately - see item CA.4068300.

SATB vocal soli, SATB choir, 2 violins, 2 trumpets, 2 trombones, timpani, basso continuo

SKU: CA.2770211

Pfingstsequenz. Composed by Antonio Caldara. Edited by Guido Erdmann. Arranged by Guido Erdmann. C-Dur (C major). Music from Vienna. German title: Veni Sancte Spiritus. Sacred vocal music, Motets, Whitsun. Single Part, Violin 1. Composed circa 1725. 2 pages. Duration 5 minutes. Carus Verlag #CV 27.702/11. Published by Carus Verlag (CA.2770211).

ISBN 9790007202637. Key: C major. Language: Latin. Text: Langton, Stephen.

Antonio Caldara, with about 3,400 works to his credit, ranks among the most prolific composers of the Baroque era and of music history in general. From 1716 Caldara was employed as the Vice-Music Director at the Court of Vienna, where he quickly developed into the primary and favorite composer of the musically knowledgeable Emperor Karl VI. Caldara's festive setting of the sequence for Whitsun, Veni Sancte Spiritus, which may have been composed around 1725, is now made available for the first time in print. The catchy and compact piece is suited for concert performance and is also excellently suited for the liturgical context of Whitsun: during the Mass, for example, as entrance or exit music or as music for the offertory. Through similar scoring requirements Caldara's setting of the sequence can also be used with many compositions of the Ordinary without any additional effort. For most church choirs the tutti sections with Caldara's favored homophonic, yet effective vocal writing represent a grateful task. Score and part available separately - see item CA.2770200.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, basso continuo

SKU: CA.3116411

Cantata for the 13th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 1. Sacred vocal music, Cantatas, Whitsun. Single Part, Violin 1. Composed 1725. BWV 164. 8 pages. Duration 17 minutes. Carus Verlag #CV 31.164/11. Published by Carus Verlag (CA.3116411).

ISBN 9790007209025. Text language: German/English.

This six-movement cantata was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 1715 in his collection Evangelisches Andachts-Opffer. Here, Bach bases his work around the form of the Weimar cantatas which take their texts from Franck's printed collection (BWV 132, 152, 161-163, 165): movements 1-5 are performed by vocal soloists, whilst only the final chorus is given to the chorus. The key concepts of the text are Barmherzigkeit [compassion], Erbarmen [mercy] and wahre Christenliebe [true Christian love]; the chamber music arrangement of the cantata corresponds with this. The two arias for tenor and alto, and the duet for soprano and bass do not contain da capo sections, but repeat the entire text in a condensed form. The instruments do not contrast as a rule, but are treated as a string group (movements 1, 4), duetting (movement 3), and as full unison (movement 5). What is remarkable in all three movements is the thematic linking of the instrumental ritornello parts with the vocal parts through which Bach achieves a kind of unity of form. Score and part available separately - see item CA.3116400.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, basso continuo

SKU: CA.3116412

Cantata for the 13th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 2. Sacred vocal music, Cantatas, Whitsun. Single Part, Violin 2. Composed 1725. BWV 164. 8 pages. Duration 17 minutes. Carus Verlag #CV 31.164/12. Published by Carus Verlag (CA.3116412).

ISBN 9790007209032. Text language: German/English.

This six-movement cantata was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 1715 in his collection Evangelisches Andachts-Opffer. Here, Bach bases his work around the form of the Weimar cantatas which take their texts from Franck's printed collection (BWV 132, 152, 161-163, 165): movements 1-5 are performed by vocal soloists, whilst only the final chorus is given to the chorus. The key concepts of the text are Barmherzigkeit [compassion], Erbarmen [mercy] and wahre Christenliebe [true Christian love]; the chamber music arrangement of the cantata corresponds with this. The two arias for tenor and alto, and the duet for soprano and bass do not contain da capo sections, but repeat the entire text in a condensed form. The instruments do not contrast as a rule, but are treated as a string group (movements 1, 4), duetting (movement 3), and as full unison (movement 5). What is remarkable in all three movements is the thematic linking of the instrumental ritornello parts with the vocal parts through which Bach achieves a kind of unity of form. Score and part available separately - see item CA.3116400.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 violin, viola, basso continuo

SKU: CA.3710409

Passions-Cantate, nach der Poesie des Herrn Buschmann. Composed by Gottfried August Homilius. Edited by Uwe Wolf. This edition: Complete edition. 1x 37.104/21 flute 1, 1x 37.104/22 flute 2, 1x 37.104/23 oboe 1, 1x 37.104/24 oboe 2, 2x 37.104/25 2 bassoons. Gottfried August Homilius - Selected Works. Passionskantate I Ein Lammlein Ga 4. Sacred vocal music, Cantatas, Lent and Passiontide. Set of Orchestra Parts. HoWV I.2. 96 pages. Duration 95 minutes. Carus Verlag #CV 37.104/09. Published by Carus Verlag (CA.3710409).

ISBN 9790007214289. Language: German.

He was without argument our greatest church composer, wrote the lexicographer E. L. Gerber a few years after Homilius's death in 1785. As a result of the destruction of the Kreuzkirche during the Seven Years War, the longtime Kreuzkantor, a pupil of Bach, performed his professional musical duties primarily at the Frauenkirche in Dresden. The Passionskantate was well received and widely disseminated during the 18th and 19th centuries: Thanks to its popularity it was published in 1775 by Breitkopf as a full score - a rare honor, accorded to only one other Passion in the 18th century (Graun's Tod Jesu). The text describes the events of the Passion from a very personal point of view: The story focuses less on the actual events, then upon the feelings of the observers of these events. The subjective nature of the narrative is reflected in a very dramatically marked style of recitative, which presents a charming contrast to the expressive choral writing and the melodically accented arias. With the release of a new music editions and a SACD/CD the Passionskantate can now be rediscovered.. Score and parts available separately - see item CA.3710400.