Funeral ode. Composed by Johann Sebastian Bach (1685-1750). Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Cantatas. Vocal score. Composed 1727. 56 pages. Duration 35 minutes. Carus Verlag #CV 31.198/03. Published by Carus Verlag (CA.3119803).

SATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 Lt, 2 violins, viola, 2 violas da gamba, basso continuo

SKU: CA.3119814

Funeral ode. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Trauerode. Cantatas. Single Part, Viola da gamba 1. Composed 1727. BWV 198. 12 pages. Duration 35 minutes. Carus Verlag #CV 31.198/14. Published by Carus Verlag (CA.3119814).

ISBN 9790007210625. Text language: German/English.

Composed in 1727 for a eulogy and funeral oration for Electress Christiane Eberhardine in the Leipzig University church, the music for the funeral ode is well-known today above all through reconstructions of Bach's St Mark Passion, in which large parts of this cantata were probably re-used, but of which only the text survives. With the funeral ode we have one of Bach's strongest and most fascinating vocal compositions. Although Gottsched's text is associated with a particular occasion, it is distinguished in its literary quality from many secular cantatas and it is entirely appropriate to perform this impressive cantata in concerts. Score and part available separately - see item CA.3119800.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 lutes, 2 violins, viola, 2 violas da gamba, basso continuo

SKU: CA.3119849

Funeral ode. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Trauerode. Cantatas. Single Part, Organ. Composed 1727. BWV 198. 24 pages. Duration 35 minutes. Carus Verlag #CV 31.198/49. Published by Carus Verlag (CA.3119849).

ISBN 9790007210656. Language: German/English.

Composed in 1727 for a eulogy and funeral oration for Electress Christiane Eberhardine in the Leipzig University church, the music for the funeral ode is well-known today above all through reconstructions of Bach's St Mark Passion, in which large parts of this cantata were probably re-used, but of which only the text survives. With the funeral ode we have one of Bach's strongest and most fascinating vocal compositions. Although Gottsched's text is associated with a particular occasion, it is distinguished in its literary quality from many secular cantatas and it is entirely appropriate to perform this impressive cantata in concerts. Score and part available separately - see item CA.3119800.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 Lt, 2 violins, viola, 2 violas da gamba, basso continuo

SKU: CA.3119815

Funeral ode. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Trauerode. Cantatas. Single Part, Viola da gamba 2. Composed 1727. BWV 198. 12 pages. Duration 35 minutes. Carus Verlag #CV 31.198/15. Published by Carus Verlag (CA.3119815).

ISBN 9790007210632. Text language: German/English.

Composed in 1727 for a eulogy and funeral oration for Electress Christiane Eberhardine in the Leipzig University church, the music for the funeral ode is well-known today above all through reconstructions of Bach's St Mark Passion, in which large parts of this cantata were probably re-used, but of which only the text survives. With the funeral ode we have one of Bach's strongest and most fascinating vocal compositions. Although Gottsched's text is associated with a particular occasion, it is distinguished in its literary quality from many secular cantatas and it is entirely appropriate to perform this impressive cantata in concerts. Score and part available separately - see item CA.3119800.

SATB vocal soli, SATB choir, 2 oboe d'amore, 2 oboe d'caccia, 2 violins, viola, cello piccolo, basso continuo - Level 3

SKU: CA.3118309

Cantata for the Sunday Exaudi. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. 1x 31.183/21 oboe d'amore 1, 1x 31.183/22 oboe d'amore 2, 1x 31.183/23 English horn 1, 1x 31.183/24 English horn 2. German title: Sie werden euch in den Bann tun 4. Sacred vocal music, Cantatas, Special days, Easter and Eastertide. Set of Orchestra Parts. Composed 1725. BWV 183. 12 pages. Duration 15 minutes. Carus Verlag #CV 31.183/09. Published by Carus Verlag (CA.3118309).

ISBN 9790007050399. Key: A minor. Language: German/English. Text: von Ziegler, Christiane Mariane. Text: Christiane Mariane von Ziegler.

The cantata Sie werden euch in den Bann tun [They will banish you] BWV 183 for Exaudi Sunday is one of the cantatas composed on texts by the Leipzig poetess Christiane Mariane von Ziegler with which Bach concluded his second annual cycle of cantatas after he had abandoned the annual cycle of chorale cantatas at Easter 1725. The cantata opens with Jesus's words from the Sunday gospel reading in an accompagnato recitative for bass - representing the vox Christi - accompanied by four oboes which, together with the strings, are also deployed in the cantata's second accompagnato recitative. The first of the virtuoso arias is accompanied by violoncello piccolo, the second by two oboes da caccia together with the string ensemble. The cantata concludes with an unusually animated final chorale. Score and parts available separately - see item CA.3118300.

Composed by Jan Dismas Zelenka (1679-1745). Edited by Matthias Hutzel. Arranged by Wolfgang Horn. For SATB vocal soli, SATB choir, oboe, violin solo, 2 violins, viola, basso continuo, [2 trumpets, timpani]. D-Dur (D major). German title: Dixit in D 4. Latin Psalms, Epiphany, Psalms, Daily hours. Level 2. Set of instrumental parts (except strings). Language: Latin/English. Composed 1726. ZWV 68. 10 pages. Duration 14 minutes. Published by Carus Verlag

Soli SST(A)TB Voices, ST(A)TB Choir, 2 Fl, 2 Vl, 2 Va (Vl, Va), Vc/Tiorba/Org, Basso Continuo - Level 3

SKU: CA.2102913

Mitternachtsmesse zu Weihnachten. Composed by Marc-Antoine Charpentier. Edited by Hans Ryschawy. French Sacred Music. Viola 2. Sacred vocal music, Masses, Latin, Christmas. Single Part, Viola 2. H 9. 12 pages. Duration 25 minutes. Carus Verlag #CV 21.029/13. Published by Carus Verlag (CA.2102913).

ISBN 9790007198213. Text language: Latin.

Marc-Antoine Charpentier's Christmas mass, the Messe de Minuit, is throughly in the French tradition, celebrating the joyful news of the Birth of Christ with cheerful happiness. In this midnight mass, composed in 1694, ten traditional French Christmas hymns have been rearranged, lending the work a dance-like energy alongside charming tone coloring. In independent movements the relatively small instrumental ensemble consisting of two flutes, strings and organ plays a significant role in the musical events of this mass, alternating with various combinations of the vocal parts. Solo voices are only used together in small ensembles and, in accordance with the practices of the period, the boundaries between solo ensemble and choir are fluid, meaning that these solo passages can also be sung by members of the choir. Score and part available separately - see item CA.2102900.

Soli SST(A)TB Voices, ST(A)TB Choir, 2 Fl, 2 Vl, 2 Va (Vl, Va), Vc/Tiorba/Org, Basso Continuo - Level 3

SKU: CA.2102914

Mitternachtsmesse zu Weihnachten. Composed by Marc-Antoine Charpentier. Edited by Hans Ryschawy. French Sacred Music. Violoncello. Sacred vocal music, Masses, Latin, Christmas. Single Part, Cello. H 9. 20 pages. Duration 25 minutes. Carus Verlag #CV 21.029/14. Published by Carus Verlag (CA.2102914).

ISBN 9790007198220. Text language: Latin.

Marc-Antoine Charpentier's Christmas mass, the Messe de Minuit, is throughly in the French tradition, celebrating the joyful news of the Birth of Christ with cheerful happiness. In this midnight mass, composed in 1694, ten traditional French Christmas hymns have been rearranged, lending the work a dance-like energy alongside charming tone coloring. In independent movements the relatively small instrumental ensemble consisting of two flutes, strings and organ plays a significant role in the musical events of this mass, alternating with various combinations of the vocal parts. Solo voices are only used together in small ensembles and, in accordance with the practices of the period, the boundaries between solo ensemble and choir are fluid, meaning that these solo passages can also be sung by members of the choir. Score and part available separately - see item CA.2102900.