SATB vocal soli, SATB choir, 2 flute, 2 bassoon, 3 oboe, 2 horn, 2 trumpet, timpani, 2 violin, viola, basso continuo

SKU: CA.5070513

Composed by Johann Adolf Hasse. Edited by Wolfgang Hochstein. Arranged by Paul Horn. This edition: Complete edition. Complete editions / Selected works: Johann Adolf Hasse. Selected Works. Missa In G (1783). Sacred vocal music, Masses, Latin. Single Part, Viola. 28 pages. Duration 63 minutes. Carus Verlag #CV 50.705/13. Published by Carus Verlag (CA.5070513).

ISBN 9790007224455. Language: Latin.

After Johann Adolf Hasse had ended his career as a composer for the opera stage and finally settled down in Venice, he wrote a number of sacred works. Since he had long been obligated to the Saxon Court, where he served as a composer for three decades until 1763, these works were originally intended for the Catholic Court Church in Dresden. The solemn-pathetic Missa in G minor (1783), with the inserted movement Ad te levavi, is Hasse's final work: a crowning conclusion to an oeuvre whose significance in music history has only recently begun to be recognized and has now received the fitting acknowledgement it deserves. Score and part available separately - see item CA.5070500.

SATB vocal soli, SATB choir, 2 flute, 2 bassoon, 3 oboe, 2 horn, 2 trumpet, timpani, 2 violin, viola, basso continuo

SKU: CA.5070512

Composed by Johann Adolf Hasse. Edited by Wolfgang Hochstein. Arranged by Paul Horn. This edition: Complete edition. Complete editions / Selected works: Johann Adolf Hasse. Selected Works. Missa In G (1783). Sacred vocal music, Masses, Latin. Single Part, Violin 2. 32 pages. Duration 63 minutes. Carus Verlag #CV 50.705/12. Published by Carus Verlag (CA.5070512).

ISBN 9790007224448. Language: Latin.

After Johann Adolf Hasse had ended his career as a composer for the opera stage and finally settled down in Venice, he wrote a number of sacred works. Since he had long been obligated to the Saxon Court, where he served as a composer for three decades until 1763, these works were originally intended for the Catholic Court Church in Dresden. The solemn-pathetic Missa in G minor (1783), with the inserted movement Ad te levavi, is Hasse's final work: a crowning conclusion to an oeuvre whose significance in music history has only recently begun to be recognized and has now received the fitting acknowledgement it deserves. Score and part available separately - see item CA.5070500.

SATB vocal soli, SATB choir, 2 flutes, 2 bassoons, 3 oboe, 2 horns, 2 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.5070509

Composed by Johann Adolf Hasse. Edited by Wolfgang Hochstein. Arranged by Paul Horn. 1x 50.705/21 flute 1, 1x 50.705/22 flute 2, 1x 50.705/23 oboe 1, 1x 50.705/24 oboe 2, 2x 50.705/25 bassoon 1, 1x 50.705/31 horn 1, 1x 50.705/32 horn 2, 1x 50.705/33 trumpet 1, 1x 50.705/34 trumpet 2, 1x 50.705/41 timpani. Complete editions / Selected works: Johann Adolf Hasse. Selected Works. Missa In G (1783). Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Duration 63 minutes. Carus Verlag #CV 50.705/09. Published by Carus Verlag (CA.5070509).

ISBN 9790007224424. Text language: Latin.

After Johann Adolf Hasse had ended his career as a composer for the opera stage and finally settled down in Venice, he wrote a number of sacred works. Since he had long been obligated to the Saxon Court, where he served as a composer for three decades until 1763, these works were originally intended for the Catholic Court Church in Dresden. The solemn-pathetic Missa in G minor (1783), with the inserted movement Ad te levavi, is Hasse's final work: a crowning conclusion to an oeuvre whose significance in music history has only recently begun to be recognized and has now received the fitting acknowledgement it deserves. Score and parts available separately - see item CA.5070500.

SATB vocal soli, SATB choir, 2 flute, 2 bassoon, 3 oboe, 2 horn, 2 trumpet, timpani, 2 violin, viola, basso continuo

SKU: CA.5070505

Composed by Johann Adolf Hasse. Edited by Wolfgang Hochstein. Arranged by Paul Horn. This edition: Complete edition. Complete editions / Selected works: Johann Adolf Hasse. Selected Works. Missa In G (1783). Sacred vocal music, Masses, Latin. Choral Score. Duration 63 minutes. Carus Verlag #CV 50.705/05. Published by Carus Verlag (CA.5070505).

ISBN 9790007162597. Language: Latin.

After Johann Adolf Hasse had ended his career as a composer for the opera stage and finally settled down in Venice, he wrote a number of sacred works. Since he had long been obligated to the Saxon Court, where he served as a composer for three decades until 1763, these works were originally intended for the Catholic Court Church in Dresden. The solemn-pathetic Missa in G minor (1783), with the inserted movement Ad te levavi, is Hasse's final work: a crowning conclusion to an oeuvre whose significance in music history has only recently begun to be recognized and has now received the fitting acknowledgement it deserves. Score available separately - see item CA.5070500.

SATB vocal soli, SATB choir, 2 flute, 2 bassoon, 3 oboe, 2 horn, 2 trumpet, timpani, 2 violin, viola, basso continuo

SKU: CA.5070503

Composed by Johann Adolf Hasse. Edited by Wolfgang Hochstein. Arranged by Paul Horn. This edition: Paperbound, Complete edition. Complete editions / Selected works: Johann Adolf Hasse. Selected Works. Missa In G (1783). Sacred vocal music, Masses, Latin. Vocal score. Duration 63 minutes. Carus Verlag #CV 50.705/03. Published by Carus Verlag (CA.5070503).

ISBN 9790007145194. Language: Latin.

After Johann Adolf Hasse had ended his career as a composer for the opera stage and finally settled down in Venice, he wrote a number of sacred works. Since he had long been obligated to the Saxon Court, where he served as a composer for three decades until 1763, these works were originally intended for the Catholic Court Church in Dresden. The solemn-pathetic Missa in G minor (1783), with the inserted movement Ad te levavi, is Hasse's final work: a crowning conclusion to an oeuvre whose significance in music history has only recently begun to be recognized and has now received the fitting acknowledgement it deserves. Score available separately - see item CA.5070500.

Orchestra (Soli SB, Coro SATB (teilw. geteilt/partly divisi), [Gde/congregation], Tr, Tsax, Pfte, Bass, Glsp, Vib, Drums, Perc, Timp) - Grade 3

SKU: CA.2718803

Composed by Bobbi Fischer. Vocal score. Duration 40 minutes. Carus Verlag #2718803. Published by Carus Verlag (CA.2718803).

ISBN 9790007250911. Language: LAT/EN/DT.

After Missa Latina and Magnificat, Te Deum is now the third major composition by musician and composer Karl Albrecht “Bobbi” Fischer published by Carus. Fischer’s musical roots lie in classical music, which he combines with jazz elements and Latin American rhythms.

All three styles appear in the Te Deum. In keeping with the proclamation “Te Deum laudamus” (We praise thee, O God), the work begins with the festive (Cuban) energy, propelled by timpani and trumpet; the choir can also be heard imitating fanfares. Later, a cappella choruses become a recurring element, in which phrases set as Gregorian chant are presented against an ever-changing chordal background. But the score also features elements of swing and rhythm and blues, frenetic choral outbursts of joy, as well as moments of mystic contemplation. Moreover, the instrumentalists are given ample opportunity for improvised solos. Interwoven into the otherwise Latin text is the well-known German chorale Großer Gott, wir loben dich. Here several verses can be sung with the congregation; alongside the original German text, the score features the English translation “Holy God, we praise thy name”.

- An exciting combination of classical choral music with elements of jazz and Latin American music

- The congregation can take part in the performance (chorale)

- Singers can choose between Latin/German or Latin/English

- Varied mix of styles

- An enrichment of our crossover program

SATB vocal soli, SATB choir, 2 violins, 2 trumpets, 2 trombones, timpani, basso continuo

SKU: CA.2770213

Pfingstsequenz. Composed by Antonio Caldara. Edited by Guido Erdmann. Arranged by Guido Erdmann. Music from Vienna. German title: Veni Sancte Spiritus. Sacred vocal music, Motets, Whitsun. Single Part, Cello. Composed circa 1725. 4 pages. Duration 5 minutes. Carus Verlag #CV 27.702/13. Published by Carus Verlag (CA.2770213).

ISBN 9790007202651. Key: C major. Language: Latin. Text: Langton, Stephen. Text: Stephan Langton.

Antonio Caldara, with about 3,400 works to his credit, ranks among the most prolific composers of the Baroque era and of music history in general. From 1716 Caldara was employed as the Vice-Music Director at the Court of Vienna, where he quickly developed into the primary and favorite composer of the musically knowledgeable Emperor Karl VI. Caldara's festive setting of the sequence for Whitsun, Veni Sancte Spiritus, which may have been composed around 1725, is now made available for the first time in print. The catchy and compact piece is suited for concert performance and is also excellently suited for the liturgical context of Whitsun: during the Mass, for example, as entrance or exit music or as music for the offertory. Through similar scoring requirements Caldara's setting of the sequence can also be used with many compositions of the Ordinary without any additional effort. For most church choirs the tutti sections with Caldara's favored homophonic, yet effective vocal writing represent a grateful task. Score and part available separately - see item CA.2770200.

SATB vocal soli, SATB choir, 2 violins, 2 trumpets, 2 trombones, timpani, basso continuo

SKU: CA.2770211

Pfingstsequenz. Composed by Antonio Caldara. Edited by Guido Erdmann. Arranged by Guido Erdmann. C-Dur (C major). Music from Vienna. German title: Veni Sancte Spiritus. Sacred vocal music, Motets, Whitsun. Single Part, Violin 1. Composed circa 1725. 2 pages. Duration 5 minutes. Carus Verlag #CV 27.702/11. Published by Carus Verlag (CA.2770211).

ISBN 9790007202637. Key: C major. Language: Latin. Text: Langton, Stephen.

Antonio Caldara, with about 3,400 works to his credit, ranks among the most prolific composers of the Baroque era and of music history in general. From 1716 Caldara was employed as the Vice-Music Director at the Court of Vienna, where he quickly developed into the primary and favorite composer of the musically knowledgeable Emperor Karl VI. Caldara's festive setting of the sequence for Whitsun, Veni Sancte Spiritus, which may have been composed around 1725, is now made available for the first time in print. The catchy and compact piece is suited for concert performance and is also excellently suited for the liturgical context of Whitsun: during the Mass, for example, as entrance or exit music or as music for the offertory. Through similar scoring requirements Caldara's setting of the sequence can also be used with many compositions of the Ordinary without any additional effort. For most church choirs the tutti sections with Caldara's favored homophonic, yet effective vocal writing represent a grateful task. Score and part available separately - see item CA.2770200.

SATB vocal soli, SATB choir, 2 violins, 2 trumpets, 2 trombones, timpani, basso continuo

SKU: CA.2770212

Pfingstsequenz. Composed by Antonio Caldara. Edited by Guido Erdmann. Arranged by Guido Erdmann. Music from Vienna. German title: Veni Sancte Spiritus. Sacred vocal music, Motets, Whitsun. Single Part, Violin 2. Composed circa 1725. 2 pages. Duration 5 minutes. Carus Verlag #CV 27.702/12. Published by Carus Verlag (CA.2770212).

ISBN 9790007202644. Key: C major. Language: Latin. Text: Langton, Stephen. Text: Stephan Langton.

Antonio Caldara, with about 3,400 works to his credit, ranks among the most prolific composers of the Baroque era and of music history in general. From 1716 Caldara was employed as the Vice-Music Director at the Court of Vienna, where he quickly developed into the primary and favorite composer of the musically knowledgeable Emperor Karl VI. Caldara's festive setting of the sequence for Whitsun, Veni Sancte Spiritus, which may have been composed around 1725, is now made available for the first time in print. The catchy and compact piece is suited for concert performance and is also excellently suited for the liturgical context of Whitsun: during the Mass, for example, as entrance or exit music or as music for the offertory. Through similar scoring requirements Caldara's setting of the sequence can also be used with many compositions of the Ordinary without any additional effort. For most church choirs the tutti sections with Caldara's favored homophonic, yet effective vocal writing represent a grateful task. Score and part available separately - see item CA.2770200.

SATB vocal soli, SATB choir, 2 violins, 2 trumpets, 2 trombones, timpani, basso continuo

SKU: CA.2770205

Pfingstsequenz. Composed by Antonio Caldara. Edited by Guido Erdmann. Arranged by Guido Erdmann. Music from Vienna. German title: Veni Sancte Spiritus. Sacred vocal music, Motets, Whitsun. Choral Score. Composed circa 1725. 4 pages. Duration 5 minutes. Carus Verlag #CV 27.702/05. Published by Carus Verlag (CA.2770205).

ISBN 9790007161668. Key: C major. Language: Latin. Text: Langton, Stephen. Text: Stephan Langton.

Antonio Caldara, with about 3,400 works to his credit, ranks among the most prolific composers of the Baroque era and of music history in general. From 1716 Caldara was employed as the Vice-Music Director at the Court of Vienna, where he quickly developed into the primary and favorite composer of the musically knowledgeable Emperor Karl VI. Caldara's festive setting of the sequence for Whitsun, Veni Sancte Spiritus, which may have been composed around 1725, is now made available for the first time in print. The catchy and compact piece is suited for concert performance and is also excellently suited for the liturgical context of Whitsun: during the Mass, for example, as entrance or exit music or as music for the offertory. Through similar scoring requirements Caldara's setting of the sequence can also be used with many compositions of the Ordinary without any additional effort. For most church choirs the tutti sections with Caldara's favored homophonic, yet effective vocal writing represent a grateful task. Score available separately - see item CA.2770200.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, basso continuo

SKU: CA.3119212

Church cantata. Composed by Johann Sebastian Bach. Edited by Christine Blanken. Arranged by Christine Blanken. Stuttgart Urtext Edition: Bach vocal. Violin 2. Sacred vocal music, Cantatas, Praise and thanks. Single Part, Violin 2. Composed ca. 1730. BWV 192. 8 pages. Duration 15 minutes. Carus Verlag #CV 31.192/12. Published by Carus Verlag (CA.3119212).

ISBN 9790007210250. Text language: German/English.

The cantata Nun danket alle Gott (Now thank we all our God) BWV 192 is based on the text of the well-known hymn. It is therefore one of a small number of chorale cantatas which contain no free poetic texts. Correspondingly, there are no recitatives either. It has only recently been assumed that this three-movement work was not intended for Leipzig, but was actually written in 1730 for Bach's prestigious position as Kapellmeister of Saxe-Weissenfels. The court of Duke Christian enjoyed the its sojourn in the newly-renovated castle of its secondary residence in Sangerhausen and, at Trinity, in the court church, celebrated the anniversary of its consecration with festive music. Bach evidently occasionally contributed to this. The work does not survive complete. Even in the 18th century a full score evidently no longer existed, just a set of parts, the tenor part of which is entirely missing. For the new edition the missing part has been reconstructed by Detlev Schulten (Leipzig). Score and part available separately - see item CA.3119200.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, basso continuo

SKU: CA.3119214

Church cantata. Composed by Johann Sebastian Bach. Edited by Christine Blanken. Arranged by Christine Blanken. Stuttgart Urtext Edition: Bach vocal. Basso continuo. Sacred vocal music, Cantatas, Praise and thanks. Single Part, basso continuo. Composed ca. 1730. BWV 192. 8 pages. Duration 15 minutes. Carus Verlag #CV 31.192/14. Published by Carus Verlag (CA.3119214).

ISBN 9790007210274. Text language: German/English.

The cantata Nun danket alle Gott (Now thank we all our God) BWV 192 is based on the text of the well-known hymn. It is therefore one of a small number of chorale cantatas which contain no free poetic texts. Correspondingly, there are no recitatives either. It has only recently been assumed that this three-movement work was not intended for Leipzig, but was actually written in 1730 for Bach's prestigious position as Kapellmeister of Saxe-Weissenfels. The court of Duke Christian enjoyed the its sojourn in the newly-renovated castle of its secondary residence in Sangerhausen and, at Trinity, in the court church, celebrated the anniversary of its consecration with festive music. Bach evidently occasionally contributed to this. The work does not survive complete. Even in the 18th century a full score evidently no longer existed, just a set of parts, the tenor part of which is entirely missing. For the new edition the missing part has been reconstructed by Detlev Schulten (Leipzig). Score and part available separately - see item CA.3119200.