A Spanish Liederbooklet is a short song cycle(of about eight minutes’ duration) for high soprano and piano written for Eileen Hulse in 1988. Eileen gave the first performance accompanied by Graham Johnson at the 1988 CheltenhamFestival. The texts are all Spanish Romances by anonymous authors from the 15th/16th centuries. The songs are sung in the original Spanish.

Sur Un Poème D'Arthur Rimbaud. Par PERRONE DAVIDE. Dans un style très épuré, le poème de Beaudelaire résonne, chanté par une voix féminine accompagnée d'un piano : un lied dans lequel les ' empruntes tonales ' lui confèrent un caractère suggestif, basé sur un rythme de barcarolle. / Niveau : Moyen à Avancé / Contemporain / Répertoire / Soprano et Piano

Edited with additional material from the Salzburg version“In Italy nowadays this term (motet) is applied to a Latin sacred solo cantata consisting of two arias and two recitatives concluding with an Hallelujah and sung during the Mass following the Credo generally by one of the best singers.” One composition matching this description is the solo motet Exsultate jubilate K. 165/158a which Mozart wrote in Milan early in 1773 following the highly successful performance of his opera Lucio Silla.In 1978 when the music manuscripts in Bavaria were being sorted and cataloged in a project sponsored by the Deutsche Forschungsgemeinschaft a set ofmanuscript parts for a previously unknown second version was discovered in the town parish church of St. Jakob in Wasserburg am Inn. The music and text of the concluding Alleluja movement were written out by the Salzburg court bassoonist and copyist Joseph Richard Estlinger (c. 1720–1791) who frequently worked for Mozart and his father.The vocal text of this Salzburg manuscript departs from that of the Milan version in the first aria and in the recitative. It was entered in a different hand. The Salzburg version of the text is clearly related to the feast of the Holy Trinity. There is much evidence that this version was sung for the first time in the Dreifaltigkeitskirche on 30 May 1779 (i. e. Trinity Sunday) by the Salzburg male soprano Francesco Ceccarelli during a service mentioned by Nannerl Mozart. On that day Leopold and Wolfgang Mozart together with Ceccarelli were invited to the church’s vicarage at midday. The additional text underlaying of the first aria enabled the solo motet to be employed for the Christmas service as well.- Urtext of the New Mozart Edition- Full score performance material (BA4897) and vocal score (BA4897-90) available for sale

Four Lieder based on poems by Christian Morgenstern. Par SCHREIER ANNO. / Répertoire / Soprano et Piano

Six Songs of Melmoth. Six Songs of Melmoth was commissioned by Oxford Lieder and is a musical matryoshka inspired by Melmoth the Wanderer by Charles Maturin and Melmoth by Sarah Perry. The text was written by Sophie Rashbrook.

Ces collections de 30 chansons chaque, sorti il y a plus de 50 ans ont été un pilier d'étude vocal classique. Il y a une liste de chanson différente pour chaque type de voix. Maintenant accompagnement CDs sont disponibles qui correspondant à chaque livre. Particularités de CD-ROM sont ajoutées sur le CD audio qui permettent le tempo sur les accompagnements être ajustés sans changer la pelouse, ou permettre also, transposition. / Soprano Et Piano

In diesem außergewöhnlichen Arrangement der berühmten Arie aus der Oper Die tote Stadt begleiten zwei Violinen, Viola, Violoncello und Klavier die Interpretin. Diese neue Ausgabe enthält zwei Fassungen der Arie - eine in Originaltonart B-Dur für Sopran und eine transponierte Version für Mezzosopran. Ihr träumerischer Ton voller Liebessehnsucht lässt vor dem Hörer eine versunkene schöne Welt auferstehen - die sanft aufschwingende Kantilenen berühren auch heute noch unmittelbar. / Soprano Et Piano

Fur Sopran - Stimme Und Klavier. Par NIEDER FABIO. Italian / Classique / Répertoire / Soprano et Piano