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Soprano voice, Piano
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Georg Friedrich Händel: Nine Amen And Halleluja Movements: Soprano: Vocal Album
Soprano voice, Piano
Barenreiter
Nine Amen and Halleluja Movements-Between 1728 and 1747 Handel composed these ni...
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Nine Amen and Halleluja Movements-Between 1728 and 1747 Handel composed these nine two-part movements for soprano and instrumental bass. Though speculation exists the occasion for which the pieces were composed as well as the exact date of their composition remain unknown.The soprano sings short liturgical phrases such as ?Amen? ?Allelujah? ?Alleluja amen? or ?Amen alleluia?. The editor has supplied a text for the movement HWV 275 which until now has for reasons unknown been without text. The Amen and Hallelujah movements are in easy keys (using up to one sharp or two flats) and the modulations rarely move to harmonically distant tonal areas. Handel figured the bassline very detailed which playsmostly an accompanying supportive role imitating the voice in a few places. The vocal part is distinguished by the repetition of motives by repeated notes but also by short or extended coloratura. Presumably these movements were intended for use in teaching.Today these short movements of between 25 and 76 bars lend themselves well to use in church services.Based on the Urtext of the ?Halle Handel Edition?Idiomatic realization of the continuo part
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Alan Bullard: When I Am Dead My Dearest: Soprano: Vocal Work
Soprano voice, Piano
[Vocal Score]
Spartan Press
Poem By Christina Rossett-This short song of dreamy sorrow and hope for voice an...
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Poem By Christina Rossett-This short song of dreamy sorrow and hope for voice and piano is a setting of words by Christina Rossetti. Its sustained and expressive vocal line supported by rich harmony make it a popular recital choice. The score contains versions in high and low keys making it suitable for all voices.
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John McCabe: Gladestry Quatrains: Soprano: Vocal Work
Soprano voice, Piano
[Sheet music]
Novello & Co Ltd.
This work was commissioned by the Presteigne Festival of Music and the Arts Ltd....
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This work was commissioned by the Presteigne Festival of Music and the Arts Ltd. with theaid of funds provided by the John S. Cohen Foundation and the PRS Foundation. The firstperformance was given by Rachel Nicholls and Paul Plummer at St. Andrew’s Church Presteigne on 29 August 2005.Composer's NoteGladestry Quatrains is a setting of 12 short poems by Jo Shapcott from her collection of the same title. It originated in a project for the 2003 Presteigne Festival called A Garland for Presteigne in which 10 composers associated with the Festival were asked to write a short song each celebrating the Welsh border country the choice of poetryranged widely and I chose two of Jo Shapcott’s evocative miniatures (still adding up to slightly less than the timing I had been requested to provide!). As I wrote them I started to make sketches for some more settings from the same collection and the Presteigne Festival of Music and the Arts very kindly commissioned this new larger song-cycle proper for their 2005 Festival. The original pair of poems form the third (Gwaithla Brook) and last (Cefn Hir) of the songs in which the eighth combines two poems Burl Hill and Newchurch. Throughout I have been aware of the sights and sounds of nature the character of the landscape and the sense of history and timelessness of this beautiful part of the world as reflected in Jo Shapcott’s poetry as well as (I hope) the wit and directness of her expression. The whole work though it has eleven songs still lasts only about 20 minutes the concision of the texts and the need to find musical equivalents to this was an important part of the concept of the piece.        John McCabe 2005
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Chansons de Verlaine (CASKEN JOHN)
Soprano voice, Piano
Schott
for soprano and piano. Par CASKEN JOHN. Chansons de Verlaine were completed in 2...
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for soprano and piano. Par CASKEN JOHN. Chansons de Verlaine were completed in 2006. The third song, Colloque sentimental, was written in 2003 for Alison Smart and Katharine Durran’s New French Song project. It was as a result of having written one short song to words by Verlaine that I subsequently decided to set two further poems to make a group of three. All three were also set by Debussy: L’ombre des arbres and Chevaux de bois appear in Ariettes Oubliées, while Colloque sentimental belongs to Debussy’s second set of Fêtes Galantes. The poems I have grouped together are linked by the idea of three different landscapes. In the first, Verlaine precedes the words of his own sad, pale landscape with words from Cyrano de Bergerac about a nightingale who fears himself about to fall into a river and drown. In the second poem the landscape has been occupied by a fairground where men, women and children watch as the hobby-horses go round and round before night falls and the church tolls a passing-bell. The third poem takes us into an old park where two ghosts recall their past. The one wonders if the other remembers the happy days of their past lives, but the other doesn’t want to remember, barely acknowledging the closeness they once shared, seeing only that ‘hope has fled, defeated, towards the dark sky.’ I am very grateful to Roger Nichols and Dominique Mols for their advice with the setting of the French texts and with the translations. John Casken Colloque sentimental was first performed by Alison Smart and Katherine Durran at the Purcell Room in London on 13 July 2004/ Répertoire / Soprano et Piano
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Judith Weir: Broken Branches: Chamber Ensemble: Instrumental Work
Soprano voice, Piano
[Sheet music]
Chester
Broken Branches is a short 3 minute song/meditation for soprano piano and doubl...
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Broken Branches is a short 3 minute song/meditation for soprano piano and double bass. It was written for a concert in New York in 1993 which featured a whole programme of political songs; composers were left free tochoose their own subject matter. The conflict in the former Yugoslavia was then at one of its many furious peaks and Weir made a transcription from a recording of a sad choral song from Croatia called zaspo Janko podjablonem. Work for Soprano Piano and Double Bass.
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Kaija Saariaho: Quatre Instants: Soprano: Vocal Work
Soprano voice, Piano
[Sheet music]
Chester
A setting by Kaija Saariaho of texts by Amin Maalouf for solo Soprano with Piano...
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A setting by Kaija Saariaho of texts by Amin Maalouf for solo Soprano with Piano. A joint commission between the Thé tre De Ch telet Paris and the Barbican Centre London the piece was first performed in Paris April 2003. Thetext features four short writings Attente Douleur Parfum De L'Instant and Résonances with a complex Piano part that bubbles with effervescent textures and glissandi.
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Judith Weir: A Spanish Liederbooklet: Soprano: Instrumental Work
Soprano voice, Piano
[Sheet music]
Chester
A Spanish Liederbooklet is a short song cycle(of about eight minutes’ dur...
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A Spanish Liederbooklet is a short song cycle(of about eight minutes’ duration) for high soprano and piano written for Eileen Hulse in 1988. Eileen gave the first performance accompanied by Graham Johnson at the 1988 CheltenhamFestival. The texts are all Spanish Romances by anonymous authors from the 15th/16th centuries. The songs are sung in the original Spanish.
13.99 GBP - Sold by Musicroom UK
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Timothy Bowers: Last Words - Book 1: Soprano: Vocal Album
Soprano voice, Piano
Queen's Temple Publications
The last words of famous people whether real or invented exert a strange fasci...
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The last words of famous people whether real or invented exert a strange fascination. Breaking with the tradition that a song cycle is a setting of poetry Timothy Bowers has chosen the last words of fourteen famous (in one case infamous) characters from history and two comic/ironic epitaphs by Byron as his texts. Each collection provides a short (c 7’) concert work with settings ranging from fifteen seconds to five minutes duration.Book 1 is for Soprano and Piano. Two poets (Gertrude Stein and Emily Dickenson) followed by two martyrs - St Joan of Arc and Anne Boleyn.
6.50 GBP - Sold by Musicroom UK
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Judith Weir: Natural History: Soprano: Vocal Score
Soprano voice, Piano
[Sheet music]
Chester
POD-Natural History is a work by Judith Weir for Soprano and Orchestra. The wor...
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POD-Natural History is a work by Judith Weir for Soprano and Orchestra. The work sets four brief texts taken from Chuang Tzu a classical collection of Taoist writings from the 4th 3rd and 2ndcenturies BCE. All four texts are short parables about natural life as lived by different species human and animal. A full performance of this work lasts around 17 minutes. This is the Vocal Score.
17.99 GBP - Sold by Musicroom UK
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Wolfgang Amadeus Mozart: Great Mozart Arias For Soprano: Voice: Artist Songbook
Soprano voice, Piano
Dover Publications
This compilataion of thirty-six arias from Mozart's seven theatrical masterpiece...
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This compilataion of thirty-six arias from Mozart's seven theatrical masterpieces moves from the youthful exuberance of 'The abduction from the Seragli' to the complex enchanting moral allegory of 'The Magic Flute' complete shortly before the composer's death in 1791. Together with all of the great soprano arias from these works are classic pieces from 'Idomeneo' 'The Marriage of Figaro' 'Don Giovanni' 'Cosi fan tutte' and 'La Clemenza di Tito'.
20.30 GBP - Sold by Musicroom UK
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The exploding Head (JOST CHRISTIAN)
Soprano voice, Piano
Schott
fragment from Das Urteil (The Judgement) by Franz Kafka. Par JOST CHRISTIAN. Kaf...
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fragment from Das Urteil (The Judgement) by Franz Kafka. Par JOST CHRISTIAN. Kafka's œuvre is interspersed with moments of utter anxiety. Moments in which, induced by adrenalin, the blood pressure rises. Blood vessels which seem to constrict, pump enormous quantities of blood the pressure of which might make one believe that the head is going to explode. In The Judgment, an innocent opening story leads to one of the most unusual showdowns in world literature: The beloved father sentences his son to death by drowning; the son immediately obeys since his life, his existence almost explodes, becomes blurred, dissolves at the moment the judgment is pronounced. For me, the 'self' driving him – I imagine this as a high sound in the inner ear – could only be a soprano. This is why the actual 'fall' has turned out to be clear, almost friendly and why Georg only seems to want to breathe a soft and quiet 'Dear parents, I have always loved you' during the fall while no longer keeping the singing tone, shortly before death, almost casually, takes hold of him. Christian Jost/ Répertoire / Soprano et Piano
21.65 EUR - Sold by LMI-partitions
(Seller in french langage)
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