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Soprano voice, Piano
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
XYLOPHONE
ZITHER
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Wolfgang Amadeus Mozart: Exsultate jubilate K.165: Mixed Choir: Vocal Score
Soprano voice, Piano
Barenreiter
Edited with additional material from the Salzburg version“In Italy nowaday...
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Edited with additional material from the Salzburg version“In Italy nowadays this term (motet) is applied to a Latin sacred solo cantata consisting of two arias and two recitatives concluding with an Hallelujah and sung during the Mass following the Credo generally by one of the best singers.” One composition matching this description is the solo motet Exsultate jubilate K. 165/158a which Mozart wrote in Milan early in 1773 following the highly successful performance of his opera Lucio Silla.In 1978 when the music manuscripts in Bavaria were being sorted and cataloged in a project sponsored by the Deutsche Forschungsgemeinschaft a set ofmanuscript parts for a previously unknown second version was discovered in the town parish church of St. Jakob in Wasserburg am Inn. The music and text of the concluding Alleluja movement were written out by the Salzburg court bassoonist and copyist Joseph Richard Estlinger (c. 1720–1791) who frequently worked for Mozart and his father.The vocal text of this Salzburg manuscript departs from that of the Milan version in the first aria and in the recitative. It was entered in a different hand. The Salzburg version of the text is clearly related to the feast of the Holy Trinity. There is much evidence that this version was sung for the first time in the Dreifaltigkeitskirche on 30 May 1779 (i. e. Trinity Sunday) by the Salzburg male soprano Francesco Ceccarelli during a service mentioned by Nannerl Mozart. On that day Leopold and Wolfgang Mozart together with Ceccarelli were invited to the church’s vicarage at midday. The additional text underlaying of the first aria enabled the solo motet to be employed for the Christmas service as well.- Urtext of the New Mozart Edition- Full score performance material (BA4897) and vocal score (BA4897-90) available for sale
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Mozart, Wolfgang Amadeus : Concert Arias for High Soprano
Soprano voice, Piano
[Sheet music]
-
Intermediate
Barenreiter
These vocal scores (BA9181, BA9182, BA9183) of Mozart?s concert and insert arias...
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These vocal scores (BA9181, BA9182, BA9183) of Mozart?s concert and insert arias are based on the ?New Mozart Edition? (NMA). The first three volumes comprise all arias for soprano and orchestra. They are classified according to voice type (high soprano, soprano, low soprano and alto) and arranged chronologically within the volumes.
Unlike the NMA the musical text presented in these editions is free from practical references on performance aspects or suggestions on performance practice. Instead, each volume contains a accompanying brochure, with detailed explanations on the execution of appoggiaturas and other performance practice phenomena which are relevant to every aria. In addition, there is a choice of suggestions for the performance of cadenzas and lead-ins as well as a suggestion for the ornamentation of dal segno parts, which are often found in the early Mozart arias.
? Arrangement of arias according to voice type
? Underlaid text presented in the original language only
? All aria texts are translated into German and English and are printed seperately
? Idiomatic piano reductions to the individual arias
? Clear and legible layout of the musical text as all additional notes and suggestions on performance practice appear in the supplement published with each volume
? Performance material on hire to each aria
(Please refer to the relevant volume for further information)
/ [Grands Airs de Concert Pour Soprano] / Classique / Partition / Agrafé /
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Jean-Philippe Rameau: Airs D'Opéra: Soprano: Vocal Score
Soprano voice, Piano
Barenreiter
Operatic Arias - Vol. 2-J-P. Rameau's Dessus/Operatic Arias: Soprano Volume 2 ...
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Operatic Arias - Vol. 2-J-P. Rameau's Dessus/Operatic Arias: Soprano Volume 2 BA 9192. This volume contains the lyric Soprano parts for the main characters from the operas Les Indes galantes (Émile Zinna) / Io (Io) / Naïs (Naïs) / La Naissance d’Osiris (Pamille) / Les Paladins (Argie) / Les Surprises de l’amour (Adonis Parthénope) / Zaïs (Zélidie) / Zéphyre (Zéphyre) / Zoroastre (Ámélite). Detailed historical introduction (Fr/Eng) Idiomatic Piano reduction arrangements based on the OperaOmnia Rameau Each piece is introduced by a précis of the dramatic situation and an English translation of the Vocal text Co-edited by the Centre de musique baroque de Versailles and the Société Jean-Philippe Rameau Distributed exclusively by Bärenreiter
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Wolfgang Amadeus Mozart: Concert Arias for Soprano: Soprano: Score
Soprano voice, Piano
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Intermediate/advanced
Barenreiter
Concert Arias-Concert Arias For Soprano is a collection of 15 arias expertly co...
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Concert Arias-Concert Arias For Soprano is a collection of 15 arias expertly composed by Mozart. Concert Arias For Soprano is free from practical references on performance aspects or suggestions on performance practice. Instead the piece contains a comprehensive supplement with detailed explanations on the execution of appoggiaturas and other performance practice phenomena which are relevant to every aria. In addition there is a choice of suggestions for the performance of cadenzas and lead-ins as well as a suggestion for the ornamentation of dal segno parts which are often found in the early Mozartarias.
30.00 GBP - Sold by Musicroom UK
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