SKU: HL.14008140
8.25x11.75x0.082 inches.
SKU: HL.48024663
ISBN 9783793142171. UPC: 888680951511. 9.0x12.0x2.92 inches.
Jacques Offenbach's more than 100 stage works are an endless treasure trove of vocal highlights with highly different musical moods and lyrical themes. To mark the 200th birthday of the great composer in 2019, which is at the same time the year of the 20th anniversary of the Offenbach Edition Keck OEK, the editor and Offenbach expert Jean-Christophe Keck has assembled a selection of arias. The four-part collection arranged according to voice category shows a rather unknown, romantic side of Offenbach. Apart from rediscovered works and first editions, however, the collection is not complete without some of his unrivalled hits. Among the characters figuring in the soprano volume are not only title figures like the Beautiful Helen, the Grand Duchess of Gerolstein or the Princess of Trébizonde but also figures from more serious operas: Armgard from Les Fées du Rhin or Elsbeth from Fantasio. The volume presents stage works, including excerpts from Barkouf, Les Bergers or Le Roi Carotte, that are accessible for performances only as of recently. Romantic Offenbach is aimed at fully trained and budding professionals as well as at Offenbach fans of every shade and colour, providing repertoire pieces for recitals, studies or private music-making.
SKU: HL.49009075
ISBN 9790001090919. UPC: 884088087227. 9.0x12.0x0.051 inches. German - Italian.
For soprano voice and piano. Text by Ludwig Andersen. German and Italian language. Edition Schott.
SKU: HL.49008582
ISBN 9790001087438. UPC: 884088060831. 9.0x12.0x0.013 inches.
For soprano voice and piano.
SKU: HL.50606683
UPC: 196288163947.
The 27 art songs for soprano collected together in the present volume make up part of the Canzoniere op. 17 by Ermanno Wolf-Ferrari,which, after the first edition of 1936, Ricordi’s re-published with a preface by the soprano Gemma Bertagnolli. This work bears witness to the quality of Italian chamber compositions in the first half of the twentieth century and, besides enlarging the concertrepertoire for singers, will be found an invaluable didactic work – in particular for courses in music for voice and piano – in music schools and academies.
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