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Soprano voice, Piano
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
XYLOPHONE
ZITHER
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Wolfgang Amadeus Mozart: Great Mozart Arias For Soprano: Voice: Artist Songbook
Soprano voice, Piano
Dover Publications
This compilataion of thirty-six arias from Mozart's seven theatrical masterpiece...
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This compilataion of thirty-six arias from Mozart's seven theatrical masterpieces moves from the youthful exuberance of 'The abduction from the Seragli' to the complex enchanting moral allegory of 'The Magic Flute' complete shortly before the composer's death in 1791. Together with all of the great soprano arias from these works are classic pieces from 'Idomeneo' 'The Marriage of Figaro' 'Don Giovanni' 'Cosi fan tutte' and 'La Clemenza di Tito'.
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Mozart, Wolfgang Amadeus : Arias for Soprano
Soprano voice, Piano
[Sheet music + CD]
Hal Leonard
10 airs classiques de Mozart dont `Welche, Wonne, Welche Lust` (Die Entfuhrung A...
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10 airs classiques de Mozart dont `Welche, Wonne, Welche Lust` (Die Entfuhrung Aus Dem Serail), `Vedrai, Carino` (Don Giovanni) et `Ach, Ich Fuhl's`(Die Zauberflote). CD inclus avec accompagnements au piano. / Classique / Partition CD /
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Operatic Anthology Vol. 1 - Soprano Et Piano
Soprano voice, Piano
-
Intermediate/advanced
Schirmer
Contents : Verdi: Rittorna vincitor! (Aida) - Oh patria mia (Aida) - Tu che le v...
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Contents : Verdi: Rittorna vincitor! (Aida) - Oh patria mia (Aida) - Tu che le vanita (Don Carlo) - Ernani, involami (Ernani) - Madre, pietosa Vergine (La Forza del Destino) - Pace, pace Mio Dio (La Forza del Destino) - Salce, Salce and Ave Maria (Otello) - Come in quest' ora bruna (Simon Boccanegra) - Tacea la Notte placida (Il Trovatore) - D'amor sull'ali rosee (Il Trovatore) - Gluck: Divinites du Styx (Alceste) - Smetana: Marenka's Aria (The Bartered Bride) - Puccini: Mi chiamano Mimì (La Bohème) - In quelle trine morbide (Manon Lescaut) - Bizet: Je dis que rien ne m'epouvante (Carmen) - Massenet: Pleurez! pleurez, mes yeux! (Le Cid) - Il est doux, il est bon (Herodiade) - Obeissons quand leur voix appelle (Manon) - Offenbach: Elle a fui, la tourterelle (Les Contes D'Hoffmann) - Mozart: Come scoglio (Così fan tutte) - Non mi dir (Don Giovanni) - Deh vieni, non tardar (Le Nozze di Figaro) - Porgi, amor, qualche ristoro (Le Nozze di Figaro) - Ach, ich fühl's (Die Zauberflöte) - Tchaikovsky: Tatiana's Letter Scene (Eugene Onegin) - Gounod: The King of Thule and the Jewel Song (Faust) - Beethoven: Abscheulicher! wo eilst du hin? (Fidelio) - J. Strauss: Klange der Heimat (Die Fledermaus) - Mein Herr Marquis (Adele's Laughing Song) (Die Fledermaus) - Wagner: Traft ihr das Schiff? (Der Fliegender Hollander) - Einsam in truben Tagen (Lohengrin) - Euch Luften (Lohengrin) - Dich, theure Halle (Tannhäuser) - Allmacht'ge Jungfrau (Tannhäuser) - Mild und leise (Tristan und Isolde) - Der Manner Sippe (Die Walkure) - C.M. von Weber: Und ob die Wolke (Der Freischütz) - Wie nahte mir der Schlummer (Der Freischütz) - Ozean! du Ungeheuer (Oberon) - Meyerbeer: Parmi les pleurs (Les Huguenots) - Leoncavallo: Stridono lassu (Pagliacci) - Monsigny: Il regardait mon bouquet (Le Roi et le Fermier).
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Cantolopera: Arie per Soprano Volume 2: Opera: Vocal Album
Soprano voice, Piano
[Sheet music + CD]
Ricordi
This unique and exciting series gives you the chance to learn some of the greate...
(+)
This unique and exciting series gives you the chance to learn some of the greatest arias of the Opera tradition with full orchestral backing tracks! A selection of operatic showstoppers have been presented in full notation with concert accompaniments for Piano. Furthermore a professionally recorded CD is included that features the full-scale orchestral arrangement of each aria so you can experience the power and magic of a grand-scale performance. There's even a version of each featuring an established singer so you can hear the piece in full. An excellent rehearsal tool or the ideal way to introduce your voice to the wonders and rigours of the Opera.
22.50 GBP - Sold by Musicroom UK
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Gaetano Donizetti: Cantolopera: Donizetti Arie Per Soprano: Opera
Soprano voice, Piano
[Sheet music + CD]
Ricordi
Piano Vocal Score and CD with instrumental and vocal versions-The edition includ...
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Piano Vocal Score and CD with instrumental and vocal versions-The edition includes vocal scores and a CD containing for each number a complete version and the respective orchestral accompaniment. It contains also the text to be sung in both Italian and English accompanied by a note on their context as wellas information on the performers and the Compagnia d???Opera Italiana with its orchestra of over 130 instrumentalists.
20.99 GBP - Sold by Musicroom UK
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Vassilieva Elena - Vocalises Minute - Soprano and Piano
Français
Soprano voice, Piano
Lemoine, Henry
Présentation Ces vocalises sont faites pour trouver la virtuosité de sa voix,...
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Présentation Ces vocalises sont faites pour trouver la virtuosité de sa voix, et sa fluidité dans une écriture d'aujourd'hui. Vous y trouverez quelques fondamentaux comme les grands intervalles, la longue tessiture, pour toutes les voix, le chromatisme, le tempo rapide vocalisé, les slanci ou glissati, les quarts de tons, les nuances ainsi que les tenuti pianissimi ou encore le decrescendo finissant sur un fil di voce. La valeur ajoutée sur le plan rythmique habituera le chanteur à combiner les textes sur une pulsation interne permanente malgré l'exécution de la mélodie étudiée. Les tenuti ouvriront l'imaginaire du chanteur en y plaçant le texte, ad libitum. Les respirations inaudibles pour certains textes - proches de la mélodie ou du récitatif - côtoieront quelques inspirations et expirations audibles, ou sons-bruits fantômes. J'accorde beaucoup d'importance à l'articulation du texte en bouche, et à la place des lèvres dans l'acoustique du son. En effet, le chanteur transporte son propre théâtre à l'italienne partout et son palais devient alors le fin connaisseur de la place des aigus et sur-aigus. Le chanteur est un gourmet de sa bouche et de tout son appareil phonatoire et respiratoire. Le sprechgesang aura une large part dans ces vocalises. Quelques nouvelles idées d'écritures apparaissent comme celles des agrégats ou arpèges, les pleurs, les rires, la main devant la bouche, le rauco, les sons soufflés, le bruit des lèvres, la langue sortie roulée sur la lèvre supérieure, les claquements de langue, le vibrato glottique. La présence du chanteur sera indispensable pour donner du sens aux textes empruntés au répertoire des opéras classiques choisis. Ces Airs connus par coeur par chaque chanteur, que ce soit Carmen, Adolar, Méphistophélès, Mab, Pédrillo, Marina, Anna Bolena, Lucrezia, Philippe II, Urbain, La Reine de la nuit, Vulcain, Sarastro ou Erda, pour n'en citer que quelques-uns, glisseront peu à peu dans des traitements - stylistiques et vocaux - déformés par tout ce que j'ai cité plus haut : à savoir que la virtuosité prend le pas sur la texture du texte et de la voix : des phonèmes en lien avec la compréhension du texte, ou non, agrémenteront la réactivité du chanteur, vers une attitude ludique, inventive et drôle, bien que précise et technique. La sûreté des attaques sera appréciée, comme l'apprentissage des différents effets vocaux (une vingtaine, en tout) et de leurs cryptogrammes respectifs. Si cette collection s'adresse à des chanteurs expérimentés et sûrs de leur technique globale, elle provoquera certainement des prises de conscience sur le couple voix et répertoire, peu évident à mettre en place chez de jeunes artistes, appelés à mûrir, à expérimenter, donc à évoluer dans leur répertoire, et leur confort d'émission. La beauté de l'instrument est indispensable pour défendre le cadre scénique de chaque vocalise : j'invite les jeunes chanteurs à croiser la voix, sa technique avec le jeu, l'amusement et sa virtuosité. La soif et le bonheur de chanter se mesureront à la discipline de l'apprentissage. Jeunes artistes doués et patients, devenez ces êtres-bouches à la fois chanteurs-conteurs-hypnotiseurs et connaisseurs alchimiques du pouvoir colossal de la voix humaine. Ouvrez vos cerveaux et vos bouches : le monde vous réclame ! La préoccupation qui fut la mienne concernant les voix de contre-ténors et hautes-contre est de montrer l'exceptionnelle capacité de ces voix, autant esthétiques que techniques, voire pyrotechniques. Je reste frappée par la curiosité doublée du sens du risque que possède la plupart de ces artistes, avec un A majuscule. En effet, pour chanter de la musique d'aujourd'hui, le contre-ténor et la haute-contre doivent être des excellents émetteurs de sons classiques avec tout l'éventail des non vibrati et des ornements baroques avec, en plus, une soif de gourmets vocaux. Seules cette soif, cette vivacité d'esprit et cette prise de risque ouvriront la voie aux effets vocaux précis, au service de la dramaturgie sonore, sans geste. C'est pourquoi j'ai écrit des textes où la voix chante en solo, sans accompagnement. La voix est seule à bord, suave peut-être, mais technique, sûre et exigeant une grande présence. Or, cette présence semble attachée à cette tessiture rare, servant à la fois l'époque baroque et le répertoire contemporain. Les langues utilisées ici sont l'allemand, le latin, l'italien et le français. Il y aura aussi des vocalises avec piano, sur des modes vocaux et stylistiques connus où le chanteur issu du baroque se retrouvera aisément, malgré l'écriture contemporaine qui filtre peu à peu, avec son chapelet de cryptogrammes et d'effets. Ces vocalises seront en anglais, italien et français. Messieurs, débutants et professionnels, restez ces torches vivantes, enthousiastes. La variété de votre ambitus fait aussi partie de votre singularité et de l'hypnose que vous exercez auprès du public. De nombreux compositeurs d'aujourd'hui sont attirés par vos facettes et écrivent pour vos instruments : sollicitez-les ! Contenu I. O solitude - II. Erbarme dich - III. Sweet nightingale - IV. Infirmata, vulnerata - V. Nacht und Träume - VI. Eternita - VII. Puisque j'ai mis ma lèvre - VIII. Bella amorosa - IX. Artabano - X. Alto giove
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Anthony Payne: Adlestrop for Soprano and Piano (A4 Score): Soprano: Instrumental
Soprano voice, Piano
[Sheet music]
Chester
Edward Thomas was born in Lambeth on 3rd March 1878 and spent most of his chil...
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Edward Thomas was born in Lambeth on 3rd March 1878 and spent most of his childhood in London. His holidays however were spent with relatives in Swindon and it was there that he developed his abiding love of all things rural.He was educated at St Paul's Hammersmith and was encouraged in his creative writing by James Ashcroft Noble whose daughter he secretly married after her father's death and to the great disapproval of her family. Despitegrowing anxiety over poverty ill health and literary discouragement which exacerbated a natural tendency to depression Thomas worked unstintingly as a reviewer and wrote and published over 30 books between 1897 and 1917.'Adlestrop' was written with four other poems between 7th and 9th June 1915. He enlisted in 1915 at the age of 37 and was called to the Front in 1917. He arrived at Arras on 9th February 1917 and was killed on the 9th April Easter Monday by a shell blast in the opening minutes of the offensive.This work for Soprano and Piano was premiered by Jane Manning and Dominic Saunders at the Aldeburgh Festival in 1989. Text by Edward Thomas. A3 ScoreAvailable: SOS03574
7.99 GBP - Sold by Musicroom UK
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The Second Book Of Soprano Solos - Soprano
Soprano voice, Piano
[Sheet music]
-
Intermediate
Schirmer
Description The Second Book Of Soprano Solos The songs in this collection rep...
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Description The Second Book Of Soprano Solos The songs in this collection represent various periods of music history as well as selected sacred solos. Compiled by Joan Frey Boytim. Songlist A Pastoral [Veracini, Francesco Maria] A Spring Morning [Carey, Henry] Art Is Calling For Me [Herbert, Victor] Bescheidebne Liebe [Wolf, Hugo] Das Verlassene Magdlein [Wolf, Hugo] Die Nacht [Strauss, Richard] Down In The Forest [Ronald, Landon] Fiocca La Neve [Cimara, Pietro] Hark! The Echoing Air [Purcell, Henry] Hear My Prayer, O Lord [Dvorak, Antonin] La Zingara [Donizetti, Gaetano] Les Cloches [Debussy, Claude] Love's Philosophy [Quilter, Roger] Mein Glaubiges Herze (My Heart Ever Faithful) [Bach, Johann Sebastian] My Heart Is Like A Singing Bird [Parry, Hubert] O Divine Redeemer [Gounod, Charles] Oh! Had I Jubal's Lyre [Handel, George Frideric] Shepherd! Thy Demeanour Vary [Brown, Thomas] Sleep, Gentle Cherub, Sleep Descend [Arne, Thomas] Song Of The Blackbird [Quilter, Roger] Take O Take Those Lips Away [Beach, Amy] The Sun Shall Be No More Thy Light [Greene, Maurice] The Sun Whose Rays Are All Ablaze (The Mikado) [Sullivan, Arthur] These Are They Which Came [Gaul, Alfred Robert] To The Birds (A Des Oiseaux) [Hue, Georges] Un Moto Di Gioja [Mozart, Wolfgang Amadeus] Vergebliches Standchen Op.84 No.4 [Brahms, Johannes] Vieille Chanson [Bizet, Georges] Villanelle (I Saw The Swift Swallow Flying) [Dell'acqua, Eva]
19.50 EUR - Sold by Woodbrass
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Cantolopera: Arie Per Soprano Vol. 1: Opera: Vocal Album
Soprano voice, Piano
[Sheet music + CD]
Ricordi
This unique and exciting series gives you the chance to learn some of the greate...
(+)
This unique and exciting series gives you the chance to learn some of the greatest arias of the Opera tradition with full orchestral backing tracks. 8 operatic showstoppers have been selected from works as diverse as Madama Butterfly Don Giovanni and Marriage Of Figaro presented in full notation with concert accompaniments for Piano. Furthermore a professionally recorded CD is included that features the full-scale orchestral arrangement of each aria so you can experience the power and magic of a grand-scale performance. There's even a version of each featuring an established singer so you can hear the piece in full.An excellent rehearsal tool orthe ideal way to introduce your voice to the wonders and rigors of the Opera.
22.50 GBP - Sold by Musicroom UK
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Chansons de Verlaine (CASKEN JOHN)
Soprano voice, Piano
Schott
for soprano and piano. Par CASKEN JOHN. Chansons de Verlaine were completed in 2...
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for soprano and piano. Par CASKEN JOHN. Chansons de Verlaine were completed in 2006. The third song, Colloque sentimental, was written in 2003 for Alison Smart and Katharine Durran’s New French Song project. It was as a result of having written one short song to words by Verlaine that I subsequently decided to set two further poems to make a group of three. All three were also set by Debussy: L’ombre des arbres and Chevaux de bois appear in Ariettes Oubliées, while Colloque sentimental belongs to Debussy’s second set of Fêtes Galantes. The poems I have grouped together are linked by the idea of three different landscapes. In the first, Verlaine precedes the words of his own sad, pale landscape with words from Cyrano de Bergerac about a nightingale who fears himself about to fall into a river and drown. In the second poem the landscape has been occupied by a fairground where men, women and children watch as the hobby-horses go round and round before night falls and the church tolls a passing-bell. The third poem takes us into an old park where two ghosts recall their past. The one wonders if the other remembers the happy days of their past lives, but the other doesn’t want to remember, barely acknowledging the closeness they once shared, seeing only that ‘hope has fled, defeated, towards the dark sky.’ I am very grateful to Roger Nichols and Dominique Mols for their advice with the setting of the French texts and with the translations. John Casken Colloque sentimental was first performed by Alison Smart and Katherine Durran at the Purcell Room in London on 13 July 2004/ Répertoire / Soprano et Piano
24.97 EUR - Sold by LMI-partitions
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Opera Anthology - Chant Et Piano - Soprano Coloratura Lirico
Soprano voice, Piano
Ricordi
Ricordi continues to offer important contributions to the history of music publi...
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Ricordi continues to offer important contributions to the history of music publishing, with the release of Ricordi Opera Anthology, a six-volume collection including some of the most important and well-known arias for voice and piano, compiled and edited by Ilaria Narici. These anthologies are available for a variety of voice types. Each aria includes a plot synopsis in Italian and English and contains lyrics in both the original language and English. Intended for students, singers and singing teachers, these volumes are the perfect resource for auditions. Some of the arias included have previously featured in best-selling Ricordi operatic repertoire, many of which are typically sung by student singers; however, these collections also contain many other significant arias to suit all voice-types.
29.99 EUR - Sold by Woodbrass
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Opera Anthology - Chant Et Piano - Soprano Lirico Drammatico
Soprano voice, Piano
Ricordi
Ricordi continues to offer important contributions to the history of music publi...
(+)
Ricordi continues to offer important contributions to the history of music publishing, with the release of Ricordi Opera Anthology, a six-volume collection including some of the most important and well-known arias for voice and piano, compiled and edited by Ilaria Narici. These anthologies are available for a variety of voice types. Each aria includes a plot synopsis in Italian and English and contains lyrics in both the original language and English. Intended for students, singers and singing teachers, these volumes are the perfect resource for auditions. Some of the arias included have previously featured in best-selling Ricordi operatic repertoire, many of which are typically sung by student singers; however, these collections also contain many other significant arias to suit all voice-types.
29.99 EUR - Sold by Woodbrass
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John Tavener: A Mini Song-Cycle For Gina: Soprano: Vocal Score
Soprano voice, Piano
[Sheet music]
Chester
POD-John Tavener's 1984 work A Mini Song-Cycle For Gina for Soprano and Piano wa...
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POD-John Tavener's 1984 work A Mini Song-Cycle For Gina for Soprano and Piano was written for Gina Cowen who gave the first performance along with Judith Ginsburg at St John's Church Ladbroke Grove London on 3rd April 1986. Text by W.B. Yeats.This is a special item which is made to order.
10.99 GBP - Sold by Musicroom UK
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Kaija Saariaho: Quatre Instants: Soprano: Vocal Work
Soprano voice, Piano
[Sheet music]
Chester
A setting by Kaija Saariaho of texts by Amin Maalouf for solo Soprano with Piano...
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A setting by Kaija Saariaho of texts by Amin Maalouf for solo Soprano with Piano. A joint commission between the Thé tre De Ch telet Paris and the Barbican Centre London the piece was first performed in Paris April 2003. Thetext features four short writings Attente Douleur Parfum De L'Instant and Résonances with a complex Piano part that bubbles with effervescent textures and glissandi.
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Brian Elias: Two Songs (Verlaine): Soprano: Vocal Work
Soprano voice, Piano
[Sheet music]
Chester
For Soprano and Piano.These songs to poems by Verlaine were written in July 1969...
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For Soprano and Piano.These songs to poems by Verlaine were written in July 1969 and first performed by Jane Manning and Susan Bradshaw at Conway Hall London on 14th October 1970. They were revised in August 2009.
8.99 GBP - Sold by Musicroom UK
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Great Soprano Arias Book 2
Soprano voice, Piano
Kevin Mayhew
/ Soprano Et Piano
21.93 EUR - Sold by LMI-partitions
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Great Soprano Arias Book 1
Soprano voice, Piano
Kevin Mayhew
/ Soprano Et Piano
21.93 EUR - Sold by LMI-partitions
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Vocal Audition Collection Book 2
Soprano voice, Piano
Kevin Mayhew
/ Soprano Et Piano
15.29 EUR - Sold by LMI-partitions
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40 Arias Vol.2 Sop.Vce Pft
Soprano voice, Piano
IMC (International Music Co.)
/ Soprano Et Piano
19.63 EUR - Sold by LMI-partitions
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Wesendonck Lieder 5 Poemes Soprano/Piano Fr/All
Français
Soprano voice, Piano
Durand
/ Voix Et Piano
14.78 EUR - Sold by LMI-partitions
(Seller in french langage)
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