for String Orchestra-Stuart Carlson's Carols of Christmas album for string quartet features seven creative intermediate to advanced arrangements that sparkle with the holiday season. This new series for string orchestra captures the same Yuletide magic with settings geared toward the abilities of middle and high school ensembles. Most passages throughout are playable in first position and bowings are generously placed with an emphasis on musical phrasing and ensemble sound. Among the highlights in this series is Carlson's original composition Christmas Sinfonietta inspired by the festive spirit of Christmas Day itself.

for String Orchestra-Stuart Carlson's Carols of Christmas album for string quartet features seven creative intermediate to advanced arrangements that sparkle with the holiday season. This new series for string orchestra captures the same Yuletide magic with settings geared toward the abilities of middle and high school ensembles. Most passages throughout are playable in first position and bowings are generously placed with an emphasis on musical phrasing and ensemble sound. Among the highlights in this series is Carlson's original composition Christmas Sinfonietta inspired by the festive spirit of Christmas Day itself.

for String Orchestra-Stuart Carlson's Carols of Christmas album for string quartet features seven creative intermediate to advanced arrangements that sparkle with the holiday season. This new series for string orchestra captures the same Yuletide magic with settings geared toward the abilities of middle and high school ensembles. Most passages throughout are playable in first position and bowings are generously placed with an emphasis on musical phrasing and ensemble sound. Among the highlights in this series is Carlson's original composition Christmas Sinfonietta inspired by the festive spirit of Christmas Day itself.

for String Orchestra-Stuart Carlson's Carols of Christmas album for string quartet features seven creative intermediate to advanced arrangements that sparkle with the holiday season. This new series for string orchestra captures the same Yuletide magic with settings geared toward the abilities of middle and high school ensembles. Most passages throughout are playable in first position and bowings are generously placed with an emphasis on musical phrasing and ensemble sound. Among the highlights in this series is Carlson's original composition Christmas Sinfonietta inspired by the festive spirit of Christmas Day itself.

Concerto for String Orchestra - the magnum opus of Grayna Bacewicz (1909-1969) the outstanding composer and violinist - was composed in 1948 and at once became one of the most frequently performed works of this Polish artist. This masterpieceof neoclassicism fascinates as much by its invention and virtuosic briliance as its harmonious combination of formal elements of a traditional nature with new tonal ideas. The form of the three-movement Concerto oscillates between that of the baroqueconcerto grosso and the early classical sonata cycle. The neoclassical tendency is evident above all in the articulation of the musical structure in keeping with the rigours of periodicity and the manner of developing thematic threads derived fromthem while the concertato character of particular movements and the generally linear texture indicate baroque connections. The first movement (Allegro) - in the form of an early classical sonata allegro - begins with a subject with energeticfigurations emblematic for the whole piece and based on a constant pendulum-like semiquaver movement anchored securely on D. It is precisely because of the nature of this subject that Bacewiczs work has been compared to the Brandenburg Concertosby Jan Sebastian Bach The second movement (Andante) while retaining its concertato charakter is at the same time an example of the composers ability to create emotionally serene lyrical moods and her sense of cantilena derived from the spiritof romantic song (a motto-subject presented at the beginning by cello solo). In this movement it is both the process of evolution and the instrumental colouring which constitute the constructional agents forming here a self-containedvalue. In thethird movement (Vivo) the composer returns to her favourite type of music understood as an expression of pure motion in the form of figural motives with infinite transformational possibilities. The spontaneity of the music the constant mutabilityof the tonal situations and the sophisticated acerbic harmonies - as Witold Lutosawski described them - form a colourful mosaic built in the structural skeleton of a sonata rondo. Concerto for String Orchestra is not only proof of thestylizing tendency of the composer but also of an unerring intuition concerning the technical and expressive possibilities inherent in a string instruments ensemble. [Magorzata Gsiorowska translated by Ewa Cholewka]

Par . This rousing traditional sea chanty from New Zealand has benefitted from the recent resurgence of interest in sea chanties in general. Robert Longfield\'s arrangement in B minor for string orchestra gives all the sections a chance at the melody, and provides interestingtextural changes, as well. For added energy, get the audience to stomp along! / Date parution : 2022-07-28/ Répertoire / Orchestre à Cordes

The two existing manuscripts (1915 and 1926) of these extracts 'arranged' by Falla himself correspond to the very beginning and end of a long period during which El Amor Brujo can be seen in a series of different states.They demonstrate the care which the composer generally brought to the task of instrumentation and more particularly the aptness and validity of this piece in his own eyes as chamber music. It is clear that Falla's art oforchestration (and notably his feeling for instrumental idiom) gives his score a profound sense of balance. String parts only. Piano player reads from full score available separately.

From the comic opera filled with pirates Turkish princes kidnapping and daring rescues Mozart's The Abduction from the Seraglio is the piece of music that generated the (possibly fictional) ?too many notes?story. It is written in the Turkish ?janissary? style a style of music that fascinated Europe at the time. In this arrangement the right hand of the piano is frequently written 8va to help recreate the piccolothat figured prominently in the original.

In 3/4, this moving piece provides a great opportunity for the use of slow bow strokes and cross-curricular study. The victory over the British forces at Yorktown, Virginia by the American Continental Army in 1781 signaled the end of the Revolutionary War. This original work by Todd Parrish remembers the heroic efforts of General Washington and the brave soldiers he commanded to forge a new nation founded on freedom. (2:30) / Orchestre A Cordes

A new film with huge box office success and the Star Trek phenomena continues with a whole new generation of fans. Michael Giacchinos power-packed score has new themes combined with the familiar Star Trek TV theme and makes aterrific showcase foryour pops programming.