Georg Philipp Telemann (1681 - 1767).Little Suite In D for 5-part String Orchestra.Score and parts available for sale.

Georg Philipp Telemann (1681 - 1767).Little Suite In D for 5-part String Orchestra.Score and parts available for sale.

Georg Philipp Telemann (1681 - 1767).Little Suite In D for 5-part String Orchestra.Score and parts available for sale.

Par HAENDEL GEORG FRIEDRICH. Jim Palmer's arrangement of Music for the Royal Fireworks is an exciting two-movement work that is perfect for your young string orchestra. The movements work together or are effective played on their own. Terraced dynamics and authentic articulations will help your students gain an understanding of music from the Baroque era. A perfect opener or closer to any concert. (3:15) / Date parution : 2022-10-12/ Répertoire / Orchestre à Cordes

für Trompete, 2 Oboen, Streicher, Basso Continuo. Par TELEMANN GEORG PHILIPP. / Répertoire / Orchestre à Cordes

Victoria Maesta. Par MUFFAT GEORG. Muffat, élève de Lully et Corelli, composé son concerto 'Victoria Maesta' ('victoire triste') en 1689, organiste et musicien de chambre à la Cour de l'archevêque de Salzbourg. Le titre fait référence à la prise de Belgrade au cours de laquelle le frère de l'archevêché a été tué en 1688 - donc la pièce commence avec une marche funèbre solennel en ut mineur, dans la technique du contrepoint élaborée et artistique dans le sens de type adagio de Corelli./ Répertoire / Orchestre à Cordes

Transponierte Studienfassung. Par TELEMANN GEORG PHILIPP. / Répertoire / Orchestre à Cordes

Par TELEMANN GEORG PHILIPP. Sechs Ausgewählte Ouvertüren. Urtext/ Répertoire / Cordes et Basse Continue

Robert Saxton's The Resurrection Of The Soldiers for String Orchestra.Composed and published 2016.Duration: c. 12 minutes.The Resurrection Of The Soldiers for String Orchestra was commissioned by George Vass to whom it is dedicated and the English Symphony Orchestra for the 2016 Presteigne Festival with funds generously provided by the John S. Cohen Foundation and the Arts Council of England. The title derives from the final panel of Stanley Spencer’s Sandham Chapel visionary series of paintings which were the result of Spencer’s experiencesin the British army in World War One and depicts soldiers emerging from their graves on the last day. The music is in three continuous sections: a slow sustained introduction which is in essence a descent from the note E by means of a prolation canon but which ascends to a rather intense climactic point before finally falling and giving way to an active fugue which after arriving at an anguished sustained climax is succeeded by a closing slow movement consisting of a rising melodic line which permeates the entire texture heterophonically leading to the closing E major triad. The work thus traces a cyclical pitch path which while tracing a cyclical path also develops expressively towards a sense of hope and resurrection. - Robert Saxton April 2016