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String Orchestra
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
XYLOPHONE
ZITHER
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Aus Holbergs Zeit Op. 40 (GRIEG EDVARD)
String Orchestra
[Score]
Barenreiter
Par GRIEG EDVARD. Grieg Holberg Suite (From Holberg\'s Time) Op.40 (Full Score) ...
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Par GRIEG EDVARD. Grieg Holberg Suite (From Holberg\'s Time) Op.40 (Full Score) Suite in the Olden Style for String Orchestra To celebrate the 200th birthday of the playwright Ludvig Holberg (1684-1754), a statue was erected in his honour in 1884. Edvard Grieg, who, like Holberg, was born in Bergen, was commissioned to write an open-air cantata for the ceremony. But he also refers to Holberg in his instrumental music. The result was a ?powdered wig piece? (as Grieg wrote to his publisher) that hearkens back to Holberg?s era ? a historicising suite of baroque dances for piano, ranging from an exhilarating prelude and several dance numbers to a Bachian ?air? and an impetuous ?rigaudon?. Later Grieg arranged his ?Suite in the Olden Style? for string orchestra. This version became one of his most popular compositions. For our new scholarly-critical edition Christoph Rinne-Schroeder has meticulously examined the original print and compared it with previously neglected performance material annotated by Grieg himself. - New Urtext edition of this popular work for string orchestra - Based on previously neglected sources by Grieg himself - String parts in a practical large format (25.5 cm x 32.5 cm) / Date parution : 2022-07-30/ Répertoire / Orchestre à Cordes
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Maja S.K. Ratkje: Tale Of Lead And Light: String Ensemble: Score and Parts
String Orchestra
[Score and Parts]
Wilhelm Hansen
String Quartet Version - Parts)-The composer writes: 'The backdrop for this comm...
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String Quartet Version - Parts)-The composer writes: 'The backdrop for this commission was to complement music by the great Ludwig van Beethoven. Beethoven’s scores for string quartet are cornucopias of techniques and musicality. They were certainly not meant for pure entertainment. Ending up with Beethoven’s quartet Op. 59 No. 1 as a reference for this piece I even used elements from this quartet in my own composition. Beethoven’s position as a free artist has been of great importance to all following composers. This is of equal inspiration as his music. As a free artist one has to reflect upon our own time and not be afraid of allowing reality affect our work. When I was in the middle of writingthis piece something horrible happened in my neighbourhood. A bomb exploded in Oslo and a killer shot teenagers on an island summer camp. My nation’s reputation as a peaceful country to live in was drastically and forever changed. It was hard to compose. Papers and online media were soon filled with horrible pictures from the events. The lead-coloured skies being a recurring sight. The ambiguity in the title reflects both hope and dread. Beethoven’s light shines through strong and full of life! The piece was commissioned by the Engegård Quartet in 2011 and appears the recording String Quartets vol IV: Schubert-Ratkje-Britten-Haydn. A later piece was composed for string orchestra: 'Tale of Lead and Frozen Light' (2014)'. The composer writes: 'The backdrop for this commission was to complement music by the great Ludwig van Beethoven. Beethoven’s scores for string quartet are cornucopias of techniques and musicality. They were certainly not meant for pure entertainment. Ending up with Beethoven’s quartet Op. 59 No. 1 as a reference for this piece I even used elements from this quartet in my own composition. Beethoven’s position as a free artist has been of great importance to all following composers. This is of equal inspiration as his music. As a free artist one has to reflect upon our own time and not be afraid of allowing reality affect our work. When I was in the middle of writingthis piece something horrible happened in my neighbourhood. A bomb exploded in Oslo and a killer shot teenagers on an island summer camp. My nation’s reputation as a peaceful country to live in was drastically and forever changed. It was hard to compose. Papers and online media were soon filled with horrible pictures from the events. The lead-coloured skies being a recurring sight. The ambiguity in the title reflects both hope and dread. Beethoven’s light shines through strong and full of life! The piece was commissioned by the Engegård Quartet in 2011 and appears the recording String Quartets vol IV: Schubert-Ratkje-Britten-Haydn. A later piece was composed for string orchestra: 'Tale of Lead and Frozen Light' (2014)'.
18.99 GBP - Sold by Musicroom UK
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Irving Berlin: Irving Berlin: From Rags to Ritz: String Orchestra: Score & Parts
String Orchestra
Hal Leonard
String Pak (to accompany band/choir version)-Celebrate the 100th anniversary of ...
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String Pak (to accompany band/choir version)-Celebrate the 100th anniversary of Irving Berlin's classic Alexander's Ragtime Band with this medley of four of his all-time greatest hits arranged for choir band and strings! A fantastic closer or festival feature it includes:Alexander's Ragtime Band Play a Simple Melody Blue Skies Puttin' on the Ritz.
44.99 GBP - Sold by Musicroom UK
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Judith Weir: I Give You The End Of A Golden String: String Orchestra: Study
String Orchestra
Chester
I Give You The End Of A Golden String was commissioned in 2013 by the Royal Phi...
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I Give You The End Of A Golden String was commissioned in 2013 by the Royal Philharmonic Society/Britten-Pears Foundation to celebrate the centenary of the birth of Benjamin Brittenand the bicentenary of thefoundation of the Royal Philharmonic Society.The piece was first performed on 8th June 2013 by the Britten Sinfonia conducted by Ryan Wigglesworth.'My aim when I began this piece was to create a long length ofstring music out of a single strand of melody.While experimenting at the beginning shaping and extending a melody in many possible directions I cameacross William Blake???s lines???I give you the end of a goldenstring;Only wind it into a ball It will lead you in at Heaven???s gate Built in Jerusalem???s wall???and this became my working method winding a single tune around itself so that it gradually formed itselfinto amuch richer more complex texture. The process happens three times producing the equivalent of acontinuous three-movement concerto.The ???first movement??? is engendered by two solo violas (the melody at the beginning alreadyentwined witha slightly alternative version of itself). The ???slow movement??? (a more extended more decorated developmentof the opening tune) is introduced by a solo cello (soon winding itself into a quartet of celli). The fast???finale??? led by two solo violins focuses on decorations within the melody rolling out ribbons of (Britten-like') thirds.' - Judith WeirSuggested minimum strings: 8.6.4.4.2 players
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Irving Berlin: Irving Berlin's America (Medley): String Orchestra: Score & Parts
String Orchestra
Hal Leonard
String Pak-With a musical career spanning a century the 20th century was Irving...
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String Pak-With a musical career spanning a century the 20th century was Irving Berlin's own and his music was America's music. This spectacular choir band and optional string medley of some of Irving Berlin's classic songs offers avariety of entertaining performance options. Includes: Alexander's Ragtime Band There's No Business Like Show Business Puttin' on the Ritz Always Blue Skies God Bless America. Available: SATB SAB 2-Part Concert Band (Gr.3) String Pak ShowTrax CD. Performance Time: Approx. 7:00.
44.99 GBP - Sold by Musicroom UK
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Sailors Hornpipe, The (S/O)
String Orchestra
Alfred Publishing
Get ready to stamp your feet for fearless fun in this great piece for younger pl...
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Get ready to stamp your feet for fearless fun in this great piece for younger players. Everyone gets the line and each section can play fearlessly and with a sense of fun. Towards the end, don't be surprised if there is a quote from Tchaikovsky and a whiff of Brandenburg---it's all in the spirit of a good time! 'The Sailor's Hornpipe,' arranged by Sandra Dackow, is familiar to many listeners through its opening words, 'With a yo heave ho---and a slap upon the knee,' and it is easy to imagine foot stomps and slaps upon the knees of sailors accompanying their singing. This classic hornpipe will help your students with dexterity, playing in the lower half of the bow, and bow lifts! (2:25) / Orchestre A Cordes
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Dimitri Tiomkin: It's a Wonderful Life: String Ensemble: Score & Parts
String Orchestra
Hal Leonard
One of the most beloved films of all time has a memorable score from composer Di...
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One of the most beloved films of all time has a memorable score from composer Dimitri Tiomkin. Now available in this new edition for strings James Kazik's flexible format also includes optional SATB chorus.
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Wood's Bolero (WOOD MARK)
String Orchestra
[Score and Parts]
Alfred Publishing
with Optional Rock Rhythm Section. Par WOOD MARK. This multi-level piece include...
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with Optional Rock Rhythm Section. Par WOOD MARK. This multi-level piece includes a full set of parts for grade 2 as well as a full set for grade 4 ensembles. Mix and match the parts as you need---perfect for mixed-ability ensembles! The traditional bolero is a moderately slow dance in triple meter which originated in late 18th century Spain. Since then it has spread to other countries and become transformed in the process. The Cuban bolero became a bit faster in tempo and duple in meter. In the U.S. it became a staple of competitive ballroom dancing, even faster and in 4/4 time. Maurice Ravel's Boléro for orchestra harkens back to the slower Spanish dance in three. Wood's Bolero by Mark Wood, on the other hand, focuses on the American version but maintains elements of the dance's origins and first iterations. For string orchestra with optional rock rhythm section parts. (4:30) / Date parution : 2023-06-01/ Répertoire / Orchestre à Cordes
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Stephen Bulla: Viola Hero: String Orchestra: Score & Parts
String Orchestra
Hal Leonard
Now it's time for those inner part specialists to have their moment in the spotl...
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Now it's time for those inner part specialists to have their moment in the spotlight featured here on a hard-driving groove that rocks the house. Stephen Bulla puts it right on the money for your orchestra's heroes. Dur: 2:30
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Irving Berlin: A Tribute to Irving Berlin: Orchestra: Score & Parts
String Orchestra
[Score and Parts]
Hal Leonard
Includes: Alexander's Ragtime Band; Always; Anything You Can Do; Blue Skies; How...
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Includes: Alexander's Ragtime Band; Always; Anything You Can Do; Blue Skies; How Deep Is the Ocean (How High Is the Sky); Puttin' on the Ritz; There's No Business Like Show Business
484.99 GBP - Sold by Musicroom UK
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David Shaffer: Ho Ho Hoedown: String Ensemble: Score and Parts
String Orchestra
[Sheet music]
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Easy
FJH
Jingle Bells with a western flair? You bet! The parallel fourths in the first me...
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Jingle Bells with a western flair? You bet! The parallel fourths in the first measure immediately signal the beginning of this holiday hoedown. An inventive middle section gives a select group of students (or the entire orchestra!) the opportunity to call the square dance. Exciting and entertaining on every level it’s time to Swing ol’ Santa ‘round and ‘round!
37.95 GBP - Sold by Musicroom UK
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Iphigenia In Aulis (S/O)
String Orchestra
Alfred Publishing
Hear the drama in the overture to Gluck's most popular opera, Iphigenia in Aulis...
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Hear the drama in the overture to Gluck's most popular opera, Iphigenia in Aulis, now abridged for string orchestra by Kirk Moss. The clearly marked bowings and fingerings will save precious rehearsal time and lead to a more sophisticated sound. (4:05) / Orchestre A Cordes
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Janet Zadow: Professor G. Scale's Amazing Time Machine: Piano Quintet: Score &
String Orchestra
De Haske Publications
A historical journey for beginner string ensemble-Cette charmante composition en...
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A historical journey for beginner string ensemble-Cette charmante composition en plusieurs tableaux s?adresse aux jeunes Ensembles à Cordes inexpérimentés. La narration qui accompagne la pièce permet d?en faire une véritable œuvre scénique. Un délicieux voyage dans le temps permet aux jeunes instrumentistes de travailler les notes de la gamme de Sol tout en se divertissant. Toutes les voix sont écrites en première position et ne nécessitent que l?utilisation des premier et deuxième schémas de doigts. La partie optionnelle pour violon 3 permet de remplacer la voix d?alto si nécessaire. L?accompagnement de piano inclus offre un soutien harmonique et rythmique. Un moyen plaisant pour progresser dans l?apprentissage!Instrumentation : 2 Violons 1 & 2 1 Alto (ou Violon 3) 1 Violoncelle (ou Contrebasse) 1 partie de Piano.
22.99 GBP - Sold by Musicroom UK
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Outi Tarkiainen: The Lustful Mother: String Orchestra: Score
String Orchestra
Wilhelm Hansen
Version with Piano and String Orchestra - Score)-A song cycle for baritone voice...
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Version with Piano and String Orchestra - Score)-A song cycle for baritone voice string orchestra and piano. The composer writes: 'Naarasäiti (The Lustful Mother) is about becoming a mother an experience in which sexuality combines in a natural way with the birth of a new life. The texts of the cycle are from the collections of poems Äitejä tyttäriä (Ãrbeeadni The Time of the Lustful Mother 2013) and Kylmä kumppani (Galbma rádna My Cold Companion 1999) by two contemporary Sámi poets Rauni Magga Lukkari and Rose-Marie Huuva. The poems’ primitive matriarchal beat is present throughout in the music: a dark earthy solo viola accompanies the baritone while the sizzling sparkling strings erupt at times in powerfultextures' A song cycle for baritone voice string orchestra and piano. The composer writes: 'Naarasäiti (The Lustful Mother) is about becoming a mother an experience in which sexuality combines in a natural way with the birth of a new life. The texts of the cycle are from the collections of poems Äitejä tyttäriä (Ãrbeeadni The Time of the Lustful Mother 2013) and Kylmä kumppani (Galbma rádna My Cold Companion 1999) by two contemporary Sámi poets Rauni Magga Lukkari and Rose-Marie Huuva. The poems’ primitive matriarchal beat is present throughout in the music: a dark earthy solo viola accompanies the baritone while the sizzling sparkling strings erupt at times in powerfultextures'
35.99 GBP - Sold by Musicroom UK
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Antonín Dvo?ák: Serenade for String Orchestra E major op. 22: String Orchestra:
String Orchestra
Barenreiter
Dvo ák?s Serenade In E Major for String Orchestra is one of his most popular an...
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Dvo ák?s Serenade In E Major for String Orchestra is one of his most popular and frequently played works. It was written in the spring of 1875 when he had just experienced his first successes at the conductor?s podium and had received a state arts scholarship. The score and parts were published by Bote & Bock Berlin in 1879.This Urtext edition is based on the composer?s autograph score. It corrects mistakes found in the first edition and so for the first time the editor incorporates omitted passages from the autograph marking them with Vi-de. This reconstruction makes it possible to clarify the piece?s structure. The author of theForeword Kate ina Nová is head of the Dvo ák Museum in Prague.Detailed Foreword by Kate ina Nová (Cz/Eng/Ger) and Critical Commentary by the editor (Eng)Including Vi-de passages from the autograph scoreFull score & parts (BA10423) available for sale
5.00 GBP - Sold by Musicroom UK
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Antonín Dvo?ák: Serenade for String Orchestra E major op. 22: String Orchestra:
String Orchestra
-
Intermediate/advanced
Barenreiter
Dvo ák?s Serenade In E Major for String Orchestra is one of his most popular an...
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Dvo ák?s Serenade In E Major for String Orchestra is one of his most popular and frequently played works. It was written in the spring of 1875 when he had just experienced his first successes at the conductor?s podium and had received a state arts scholarship. The score and parts were published by Bote & Bock Berlin in 1879.This Urtext edition is based on the composer?s autograph score. It corrects mistakes found in the first edition and so for the first time the editor incorporates omitted passages from the autograph marking them with Vi-de. This reconstruction makes it possible to clarify the piece?s structure. The author of theForeword Kate ina Nová is head of the Dvo ák Museum in Prague.Detailed Foreword by Kate ina Nová (Cz/Eng/Ger) and Critical Commentary by the editor (Eng)Including Vi-de passages from the autograph scoreFull score & parts (BA10423) available for sale
21.00 GBP - Sold by Musicroom UK
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John McCabe: Pilgrim String Sextet: String Ensemble: Score
String Orchestra
[Sheet music]
Novello & Co Ltd.
The composer writes:Pilgrim was inspired it will be no surprise to learn by re...
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The composer writes:Pilgrim was inspired it will be no surprise to learn by reading Bunyan's Pilgrim's Progress - Vaughan Williams's great opera on the subject had fascinated me from its first performance yet it was a long time before I caught up with this essential item in any well-stocked library of English classics. It made a great impression not least because of its theme of a journey of self-discovery and a rediscovery or renewal of faith. These are ideas which have a strong interest for me not in religious terms but in their application to every aspect of human life (including great journeys) and this piece reflects my response in musical terms to this concern. The tempo of the whole piece which lasts about 18 minutes is basically slow. There are two quick episodes but these act somewhat like the trio sections of a classical scherzo save that the tempo relationships are inverted (the classical trios would have been slower not quicker) and the canvas is much larger being that of a single substantial slow movement. The form of the whole is perhaps fantasia-like rather than having any relationship to classical forms such as sonata or rondo - some motifs and themes are varied as the work develops and the opening chords are of primary importance throughout the work. There has been no attempt to convey any pictorial elements deriving from Bunyan's great book. There is however one feature which upon completion of the score struck me with some force which is that almost all the thematic material is essentially striving upwards - there is a constant upward movement (sometimes over a lengthy period) throughout the work. Pilgrim was commissioned by the Luton Music Club for the Raphael Ensemble with funds provided by the Eastern Arts Board and Bedfordshire County Council and is dedicated to the Luton Music Club. The first performance was given in Luton on February 10th 1997 and followed as part of a joint scheme by performances in the same week at the Music Clubs of Bedford and Leighton Buzzard.
19.99 GBP - Sold by Musicroom UK
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King Henrys Choice (S/O)
String Orchestra
Alfred Publishing
In the style of medieval dance, this authentic setting transports all to the tim...
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In the style of medieval dance, this authentic setting transports all to the time of Henry VIII. Though his court was infamous as well as lavish, music and dance were a central part of courtly life. With many opportunities for technical development, all parts remain in 1st position. (3:20) / Orchestre A Cordes
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John McCabe: Pilgrim Sextet For Strings (Parts): String Ensemble: Instrumental
String Orchestra
[Sheet music]
Novello & Co Ltd.
The composer writes:Pilgrim was inspired it will be no surprise to learn by re...
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The composer writes:Pilgrim was inspired it will be no surprise to learn by reading Bunyan's Pilgrim's Progress - Vaughan Williams's great opera on the subject had fascinated me from its first performance yet it was a long time before I caught up with this essential item in any well-stocked library of English classics. It made a great impression not least because of its theme of a journey of self-discovery and a rediscovery or renewal of faith. These are ideas which have a strong interest for me not in religious terms but in their application to every aspect of human life (including great journeys) and this piece reflects my response in musical terms to this concern. The tempo of the whole piece which lasts about 18 minutes is basically slow. There are two quick episodes but these act somewhat like the trio sections of a classical scherzo save that the tempo relationships are inverted (the classical trios would have been slower not quicker) and the canvas is much larger being that of a single substantial slow movement. The form of the whole is perhaps fantasia-like rather than having any relationship to classical forms such as sonata or rondo - some motifs and themes are varied as the work develops and the opening chords are of primary importance throughout the work. There has been no attempt to convey any pictorial elements deriving from Bunyan's great book. There is however one feature which upon completion of the score struck me with some force which is that almost all the thematic material is essentially striving upwards - there is a constant upward movement (sometimes over a lengthy period) throughout the work. Pilgrim was commissioned by the Luton Music Club for the Raphael Ensemble with funds provided by the Eastern Arts Board and Bedfordshire County Council and is dedicated to the Luton Music Club. The first performance was given in Luton on February 10th 1997 and followed as part of a joint scheme by performances in the same week at the Music Clubs of Bedford and Leighton Buzzard.
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Robert Jager: Esprit de Corps: Orchestra: Score & Parts
String Orchestra
Edward B. Marks Music Company
Esprit de Corps was originally commissioned by the United States Marine Band of ...
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Esprit de Corps was originally commissioned by the United States Marine Band of Washington D.C. Col. John R. Bourgeois conductor. Based upon “The Marine's Hymn ” Esprit de Corps is a kind offantasy-march that serves as a tribute to the Marine Corps as well as to the Marine Band.Composed immediately after the 1983 bombing of the Marine barracks in Beirut Lebanon the composer chose to forego an elegy-typetribute in favor of a work that reflects the positive spirit of the Corps full of energy and dynamism. Even the tempo marking “Tempo di Bourgeois ” reflects the dramatic and spirited conducting of Col. John R.Bourgeois who was conductor of the Marine Band at the time of composing.
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Barcarolle (S/O)
String Orchestra
Alfred Publishing
This easy arrangement of the famous gondola boat song from Offenbach's 1881 oper...
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This easy arrangement of the famous gondola boat song from Offenbach's 1881 opera The Tales of Hoffman is the perfect way to strengthen your young orchestra's legato playing skills. Slurs, crescendos, diminuendos, and a 3/4 time signature all add to the learning opportunities in this selection, making it a great 'change of pace' piece for contest, festival, or any concert. (2:10) Correlates to String Explorer Book 1, Unit 12. / Orchestre A Cordes
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Allegro Molto (S/O)
String Orchestra
[Score and Parts]
Alfred Publishing
The familiar uplifting themes of the first movement of Mozart's tuneful Gran Par...
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The familiar uplifting themes of the first movement of Mozart's tuneful Gran Partita, K361, written for 13 wind instruments, can now be heard in this delightful first-time arrangement for string orchestra. This is a true showpiece for your players with many teaching opportunities, and a solid audience pleaser---a perfect choice for concert or contest. (7:50) / Orchestre A Cordes
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Festival Rondo, A (S/O)
String Orchestra
Alfred Publishing
This work features all of your school district's string orchestras at once and w...
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This work features all of your school district's string orchestras at once and was written to celebrate the 150th anniversary of the Freeport, Illinois orchestra program. The piece combines elementary, middle school, and high school string orchestras each playing age-appropriate material, making for the perfect closer to an 'All-City,' multi-level concert. During the course of this energetic rondo, each group is featured on their own melody. As the piece unfolds, the melodies are creatively combined, keeping all the players 'on their toes' and active at all times. Grade levels for the three groups are: Elementary - Grade 1.5 - Middle school - Grade 2.5 - High school - Grade 3.5. (4:45) / Orchestre A Cordes
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Alexander Zemlinsky: Streichquartett Nr. 2 Opus 15: String Ensemble: Parts
String Orchestra
G. Henle
String Quartet no. 2 op. 15-Alexander Zemlinsky?s music was long unjustly oversh...
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String Quartet no. 2 op. 15-Alexander Zemlinsky?s music was long unjustly overshadowed by what was regarded as the more progressive? Second Viennese School. Although Zemlinsky was close friends with its protagonist Arnold Schönberg he never did take the latter?s radical step into dodecaphony. At the same time he composed works that were no less original or fully fledged. Composed between 1913 and 1915 his Second String Quartet in particular pushed the contemporaneous understanding of form and tonality to its limits. With just one movement but spanning over 1 200 measures this multi-faceted work numbers among the most significant contributions to the genre of the time and has long merited acritical new edition. The Urtext edition by G. Henle Publishers corrects many errors and inaccuracies in the first edition that came to light after careful comparison with the autograph sources in Vienna and Washington. For the first time too the metronome markings that survive only in one of Zemlinsky?s letters have been incorporated. Editorial work was kindly supported by the Alexander Zemlinsky Endowment Fund in Vienna.
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Alexander Zemlinsky: Streichquartett Nr. 2 Opus 15: String Ensemble: Study Score
String Orchestra
[Study Score / Miniature]
G. Henle
String Quartet no. 2 op. 15-Alexander Zemlinsky?s music was long unjustly oversh...
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String Quartet no. 2 op. 15-Alexander Zemlinsky?s music was long unjustly overshadowed by what was regarded as the more progressive? Second Viennese School. Although Zemlinsky was close friends with its protagonist Arnold Schönberg he never did take the latter?s radical step into dodecaphony. At the same time he composed works that were no less original or fully fledged. Composed between 1913 and 1915 his Second String Quartet in particular pushed the contemporaneous understanding of form and tonality to its limits. With just one movement but spanning over 1 200 measures this multi-faceted work numbers among the most significant contributions to the genre of the time and has long merited acritical new edition. The Urtext edition by G. Henle Publishers corrects many errors and inaccuracies in the first edition that came to light after careful comparison with the autograph sources in Vienna and Washington. For the first time too the metronome markings that survive only in one of Zemlinsky?s letters have been incorporated. Editorial work was kindly supported by the Alexander Zemlinsky Endowment Fund in Vienna.
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George Jackson Thomas E. Jones III: Old Time Rock & Roll: String Ensemble: Score
String Orchestra
Hal Leonard
Bob Seger's signature song has become a rock and roll icon with its bluesy melod...
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Bob Seger's signature song has become a rock and roll icon with its bluesy melody and driving rock groove. Larry Moore's solid arrangement makes it fun and playable for your string players' pop performances.
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