SKU: XC.RSO2101FS
UPC: 812598037357. 9 x 12 inches.
Everything is a beautiful new work by composer Larry Clark. Featuring the Harp and utilizing wonderful soloistic sections with the Violin, Everything has ample opportunity to work on many techniques with your string orchestra. Inspired by the phrase Family is Everything, this work can be used for many occasions or just to strengthen bonds within the orchestra.
SKU: XC.RSO2101
UPC: 812598037654. 9 x 12 inches.
SKU: KN.9459
UPC: 822795094596.
This fun tune evokes classic spy dramas, full of intrigue and mystery with just a few easy sixteenth notes and accidentals along the way. Quick pizzicato, ties, and off-beat rhythms provide a challenging mission for developing players. Reinforce low-2 fingerings with alternating F-sharp and F-natural as the theme takes some unexpected melodic detours. Everyone but bass stay in 1st position throughout. Each set includes three copies of the 3rd Violin/Viola T.C. and piano parts. Duration 1:55.
SKU: KJ.SO307F
UPC: 8402702909.
For strings, guitar, and suspended cymbal. The guitar part can be played by a soloist or an ensemble. Thunder Dance is in ABA form with a sonorous middle section. The outer sections depict a dramatic thunderstorm with accented notes and sharp dynamic contrasts.
SKU: KJ.SO307C
UPC: 8402702908.
For strings, guitar, and suspended cymbal. The guitar part can be played by a soloist or a guitar ensemble. Thunder Dance is ABA form with a sonorous middle section. The outer sections depict a dramatic thunderstorm with accented notes and sharp dynamic contrasts. 3:18.
SKU: FG.042-08610-0
ISBN 979-0-042-08610-0.
Nordgren has had a close partnership with the Ostrobothnian Chamber Orchestra, and much of his work is in fact scored for string orchestra. Transe-choral for 15 strings proceeds from timbre textures via unison passages to thick webs that finally clarify to become beautiful major chords. This work is in two movements. In the first, the parallel stream of consciousness coexists uneasily and a group of violins with retuned open strings is used to produce a cyclic figure in bare timbres, like revolving crystal. The second movement develops the idea of a melismatically-decorated monody to which the orchestration gradually provides depth. lt is taken up by a solo violin which alternates with passionate cluster!like passages, ultimately reaching a paradisiacal F sharp major chord on which the work closes.
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