A set of string accompaniments for this choral showpiece featuring the greatest melodies and songs of Andrew Lloyd Webber arranged as a celebratory medley. Songs including The Phantom Of The Opera and Don't Cry For Me Argentina have been specially assembled into this choral spectacular that will be the centrepiece of any performance. All arrangements include a full Piano accompaniment and parts are also available for Concert Band (Catalogue No.AM949179).Choral arrangements are available for SATB chorus (Catalogue No.AM930370) SAB chorus (Catalogue No.AM930853) and 2-Part Choir (Catalogue No.AM930864).

Showcasing the story of Frankie Valli and the Four Seasons the hit musical Jersey Boys is a nostalgic look at some of the most popular songs of the 1960s. This well-paced medley includes Big Girls Don't Cry Rag Doll Walk Like a Man and Can't Take My Eyes Off of You.

Composed in 1915 in memory of the victims of the sinking of the Lusitania this is the full score of Bridge's Lament for string orchestra. First performed in London 15 Sep 1915.

This year's favorite film for all ages has a wonderful orchestral score to accompany the adventures of its lovable ogre character Shrek and his hilarious sidekick Donkey. This medley includes the Fairy Tale Theme Transformation and The End from the film's soundtrack.

Avec cette série animée, la musique hongroise-enseignant et élève de Kodaly créent une pièce très en-s-tructive. Etant donné que toutes les parties ont des tâches d'indépendance aux-ent mélodique et sont très souvent opposés les uns aux autres, seul ou en couple, la suite est particulièrement adaptée pour le travail avec les parties de la chaîne individuels et pour la formation de l'ensemble jouer. Les mouvements : Wettlauf - Der kleine Trotzkopf - Bär und Mäuschen - Abendlied - Soldatenspiel - Thema mit variations / Orchestre A Cordes

Avec cette série animée, la musique hongroise-enseignant et élève de Kodaly créent une pièce très en-s-tructive. Etant donné que toutes les parties ont des tâches d'indépendance aux-ent mélodique et sont très souvent opposés les uns aux autres, seul ou en couple, la suite est particulièrement adaptée pour le travail avec les parties de la chaîne individuels et pour la formation de l'ensemble jouer. / Orchestre A Cordes

Originally for violin and piano Robert D. McCashin has done an outstanding job of making the Largo and Allegro from Telemann’s Sonata in G accessible to string orchestras. The opening movement offers beautiful and lush harmonic content with solo lines trading between the upper and lower string voices. The Allegro includes interesting and independent lines for all instruments providing a substantive musical experience for each member of the ensemble. (4:00)

Via Della Fortuna by Sadie Harrison. Written in 2013 especially for the St. Christopher Chamber Orchestra and Donatus Katkus.6; for String OrchestraWorld premiere: 25th April 2013 St. Katharine'sChurch Vilnius St. Christopher Chamber Orchestra conducted by Donatus Katkus.UK premiere: 10th May 2013 Cardiff Millennium Centre Vale of Glamorgan Festival.I - Casa di Caccia Antica (The House of the AncientHunt)II - Casa degli Amorini Dorati (The House of the Golden Cupids)III - Casa del poeta tragico (The House of the tragic poet)IV - Return to the Casa di Caccia Antica and northwards to Lithuania and the Amber Road(Gintaro Kelias)The piece is in four short movements each taking its title from one of the houses that line the main streets in Pompeii. Borrowing Mussorgsky's 'Promenade' from Pictures at an Exhibition the piece has twowalkers (violas) who take the listener with them onto the Via Della Fortuna then lead them from house to house. Several amber objects were found within the houses linking Pompeii with Lithuania. The lastmovement returns to the House of the Ancient Hunt then heads northwards along the Gintaro Kelias. The jubilant closing music refers to an earlier work (Geda's Weavings) based on Lithuanian folksongs.

This work for string ensemble was commissioned by the BT Scottish Ensemble and was first performed in June 1996 at the Hellenic Centre London by the BT Scottish Ensemble with Clio Gould (violin).Quoting Tavener: Tears ofthe Angels should be played at the extreme breaking point of 'tenderness'. In other words totally beyond our compassion and beyond our comprehension. Wrapped in a depth of inner silence of which we have no idea a stateof being not an emotion a tender light piercing the agonising darkness of the world. Also a humility of which we have no idea because it is not rooted in a hypocritcal or contrived deprecation of self but in the blindingvision of God Himself.Since we are 'human' and not angels the music can only be 'imagined' by us. All th strings are muted throughout except for the part marked solo violin. The solo violin is 'the chief among theAngels' and the whole piece must sound 'serene' and 'seemless'.Duration c. 17mins.

Includes: Angels We Have Heard on High O Little Town of Bethlehem and Ding Dong! Merrily on High.

For solo Cello Timpani and Strings.Popule Meus was commissioned through the Magnum Opus project: Kathryn Gould founding patron and commissioner and Meet the Composer project manager.It was first performed on 6thFebruary 2010 by Yuri Hooker (cello) and the Winnipeg Symphony Orchestra conducted by Alexander Micklethwate. Composer's Notes 'Popule Meus is a meditation on the Judaic and Christian text ?O my People whathave I done to you?? but itis also a Universalist contemplation of the wholesale rejection of God by modern man. However much manrejects God he cannot escape Him and indeed he is condemned to the supernatural by his deiformnature. InHindu terms he is the Absolute Ayam Atma Brahma (The Self is the Absolute).In this work the solo cello is the All-Compassionate One while the timpani represent man in his vain andpointless rejection. Although the solocello and strings and the timpani share the same material (four ideas aregradually revealed and they revolve four times during the piece) the timpani music is violent and becomesincreasingly frenzied and contracted while thecello and strings remain still and serene.So even in winning the Darkness loses and even in losing the Light wins. Passion Resurrection andRedemption; or in Hindu terms Atma (The Absolute) alone is real Maya (The Relative) ismerely illusion.'

Get ready to stamp your feet for fearless fun in this great piece for younger players. Everyone gets the line and each section can play fearlessly and with a sense of fun. Towards the end, don't be surprised if there is a quote from Tchaikovsky and a whiff of Brandenburg---it's all in the spirit of a good time! 'The Sailor's Hornpipe,' arranged by Sandra Dackow, is familiar to many listeners through its opening words, 'With a yo heave ho---and a slap upon the knee,' and it is easy to imagine foot stomps and slaps upon the knees of sailors accompanying their singing. This classic hornpipe will help your students with dexterity, playing in the lower half of the bow, and bow lifts! (2:25) / Orchestre A Cordes

Par MIRANDA LIN-MANUEL. Your orchestra (and audience!) will love the catchy music from Disney's big hit featuring Latin rhythms. / Date parution : 2022-05-17/ Recueil / Ensemble de Cordes