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String Quartet: 2 violins, viola, cello
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
XYLOPHONE
ZITHER
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Composition Op. 43 (WYSCHNEGRADSKY IVAN ALEXANDROWITSCH)
String Quartet: 2 violins, viola, cello
[Sheet music]
Belaieff
For String Quartet In Quarter-Tone System. Par WYSCHNEGRADSKY IVAN ALEXANDROWITS...
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For String Quartet In Quarter-Tone System. Par WYSCHNEGRADSKY IVAN ALEXANDROWITSCH. / Répertoire / Quatuor à Cordes
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John Tavener: Ikon Of Joy/Sorrow: String Quartet: Score and Parts
String Quartet: 2 violins, viola, cello
Chester
Ikon of Joy/Sorrow is for 2 Violins Viola and Cello. Composed in 1999 when Tav...
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Ikon of Joy/Sorrow is for 2 Violins Viola and Cello. Composed in 1999 when Tavener was around 55 years old this short 2 minute long piece was premiered by the Brodsky Quartet.
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String Quartet In G Op. 25 (TROWELL ARNOLD)
String Quartet: 2 violins, viola, cello
[Set of Parts]
Kevin Mayhew
Par TROWELL ARNOLD. / Répertoire / Quatuor à Cordes
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Bent Sørensen: Lady Of Shalott: String Quartet: Instrumental Work
String Quartet: 2 violins, viola, cello
Wilhelm Hansen
Version for String Quartet.Score available: KP00510The composer writes: 'In Febr...
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Version for String Quartet.Score available: KP00510The composer writes: 'In February 1987 I saw in the Tate Gallery in London a painting by the Victorian English painter John William Waterhouse. The painting kept haunting my memory and as I at the same time planned to write a piece for solo viola my ideas for the music and the memory of the painting fused more and more. I decided then to let my piece borrow the title of Waterhouse’s paint-ing: 'The Lady of Shalott'. The picture of a mad-like pale and perhaps singing woman alone in a boat without sculls which calmly slips out from the rush growth of the river is an illustration for the ending of Alfred Tennyson’s poemby the same title which again plaits into the old English legends about King Arthur. My piece tries to meander - like the river at Camelot - among these sources. As suggested above the piece was originally written for viola solo. The version for string quartet is from 1993.'
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Bent Sørensen: The Lady Of Shalott: String Quartet: Score
String Quartet: 2 violins, viola, cello
Wilhelm Hansen
The Composer writes: 'In February 1987 I saw in the Tate Gallery in London a pai...
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The Composer writes: 'In February 1987 I saw in the Tate Gallery in London a painting by the Victorian English painter John William Waterhouse. The painting kept haunting my memory and as I at the same time planned to write a piece for solo Viola my ideas for the music and the memory of the painting fused more and more. I decided then to let my piece borrow the title of Waterhouse’s painting: The Lady Of Shalott. The picture of a mad-like pale and perhaps singing woman alone in a boat without sculls which calmly slips out from the rush growth of the river is an illustration for the ending of Alfred Tennyson’s poem by the same title which again plaits into theold English legends about King Arthur. My piece tries to meander - like the river at Camelot - among these sources.' As suggested above the piece was originally written for Viola solo. This version for String Quartet is from 1993.
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Laurent Duvillier-Wable: Sonater IV: String Quartet: Score
String Quartet: 2 violins, viola, cello
Leduc, Alphonse
Pour Quator á Cordes-Born in 1947 Laurent Duvillier-Wable trained under pianis...
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Pour Quator á Cordes-Born in 1947 Laurent Duvillier-Wable trained under pianist Suzanne Joly and studied composition with Michel Puig. The latter a student of Ren? Leibowitz introduced him to the mysteries of Sch?nberg and Webern's twelve-note composition. To create a coherent œuvre Duvillier-Wable drew on the array of possibilities offered by chamber music in his series of six Sonatas composed between 1992 and 2007. Sonata IV For String Quartet was written in 1994 the year his father – painter Ren? Duvillier a friend of Charles Estienne and Andr? Breton – fell gravely ill. Divided into four movements thecomposition contains two beautifully expressive musical references: the Lamento religioso refers to Bach's Passion according to Saint Matthew by quoting the choral 'Was ist die Ursache aller solcher Plagen' (No.19: What is the cause of all this suffering?) when Jesus distressed by his imminent agony asks his disciples to watch over him. The Agitato final borrows the inexorable 'Must it be? It must!' theme from Beethoven's Quartet No.16 in F that crowns this poignant work.
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Laurent Duvillier-Wable: Sonater IV: String Quartet: Parts
String Quartet: 2 violins, viola, cello
[Sheet music]
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Advanced
Leduc, Alphonse
Pour Quator á Cordes-Born in 1947 Laurent Duvillier-Wable trained under pianis...
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Pour Quator á Cordes-Born in 1947 Laurent Duvillier-Wable trained under pianist Suzanne Joly and studied composition with Michel Puig. The latter a student of Ren? Leibowitz introduced him to the mysteries of Sch?nberg and Webern's twelve-note composition. To create a coherent œuvre Duvillier-Wable drew on the array of possibilities offered by chamber music in his series of six Sonatas composed between 1992 and 2007. Sonata IV For String Quartet was written in 1994 the year his father – painter Ren? Duvillier a friend of Charles Estienne and Andr? Breton – fell gravely ill. Divided into four movements thecomposition contains two beautifully expressive musical references: the Lamento religioso refers to Bach's Passion according to Saint Matthew by quoting the choral 'Was ist die Ursache aller solcher Plagen' (No.19: What is the cause of all this suffering?) when Jesus distressed by his imminent agony asks his disciples to watch over him. The Agitato final borrows the inexorable 'Must it be? It must!' theme from Beethoven's Quartet No.16 in F that crowns this poignant work.
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Michael Nyman: String Quartet No. 1 Score: String Quartet: Score
String Quartet: 2 violins, viola, cello
[Sheet music]
Chester
Dedicated to Thurston Dart Michael Nyman?s professor at King?s College London ...
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Dedicated to Thurston Dart Michael Nyman?s professor at King?s College London much of String Quartet No. 1 borrows and is inspired by the works of seventeenth century composer John Bull whosecomplete keyboard works Dart gave Nyman as a birthday present. The other main source of inspiration was Schöneberg?s Second String Quartet from the early 20th century.In his introduction to the piece Nymandescribes his two background ideas when composing the work: first to make an almost ?orchestral? chamber music and second to exorcise the impressive and oppressive history of the String quartet by making his work a compendium ofquotations from the quartet repertoire. Commissioned by the Arditti Quartet and first performed by them in 1985 String Quartet No. 1 has a duration of 25:44 minutes.Michael Nyman is an Englishcomposer of minimalist music pianist librettist and musicologist known for numerous film and his multi-platinum soundtrack album to ?The Piano?. He has additionally written a number of operas six concerti four stringquartets and many other chamber works.
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Michael Nyman: String Quartet No.3: String Orchestra: Score
String Quartet: 2 violins, viola, cello
[Sheet music]
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Intermediate/advanced
Chester
The composer made this arrangement of the Third String Quartet for string orches...
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The composer made this arrangement of the Third String Quartet for string orchestra in March 2003. The first performance was given by the Eos Orchestra New York conducted by Ken Selden in the Concert Hall Ethical CulturalSociety New York City on 24 April 2003.Quoting composer: In the summer of 1989 I composed a choral work Out of the Ruins for Agnieszka Piotrowska’s BBC2 documentary which dealt with the physical and emotional responsesof some of the inhabitants of Leninakhan to the earthquake which devastated Armenia the previous December. When he heard the recording of the work that I made with the Holy Echmiadzin Chorus under the fervent conducting of KhorenMeykhanejian Alex Balanescu suggested turning Out of the Ruins into a string quartet. There seemed no reason or opportunity to do this until I felt the need to add to the intensity of my experiences in Armenia the no lessprofound experience of witnessing the images of the Romanian revolution on television during the latter part of December 1989.Just as the structure of my Third String Quartet (1990) may connect it with the First so they alsoshare a debt to Thurston Dart (my professor at King’s College London between 1961 and 1965). It was Dart who had the inspiration to send me to Romania in 1965 ostensibly to study folk music. The volumes of transcriptions that Ibrought back with me had remained unopened until with this proposed ‘celebratory’ string quartet (though at the time it was difficult to know quite what to celebrate in postrevolutionary Romania) an occasion arose where I coulduse this material in what seemed to me was a non-exploitative manner. The compositional procedure was as follows: to take Out of the Ruins as a template on which the Romanian vocal or instrumental music would besuperimposed quite often stretched into new intervallic shapes through the demands of the completely pre-formed harmonic structure.
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String Quartet 1 (LEWIS GEORGE)
String Quartet: 2 violins, viola, cello
Peters
Par LEWIS GEORGE. Although his Signifying Riffs (1998) for percussion and string...
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Par LEWIS GEORGE. Although his Signifying Riffs (1998) for percussion and strings is halfway there, String Quartet 1.5: Experiments in Living (2016) is the first proper string quartet by composer George Lewis. Borrowing its title from the writings of John Stuart Mill, Experiments in Living leads the performers through a series of idiosyncratic episodes featuring extremes of gesture and extended technique over the course of a single, 16-minute movement. Commissioned by the Fromm Foundation, String Quartet 1.5: Experiments in Living was composed for Spektral Quartet, who gave the premiere performance in October 2016 at Chicago\'s Harris Theater. This set of score and parts has been made available for sale by Edition Peters as part of the Peters Contemporary Chamber Series and includes full performance notes. Chopsticks and superball mallets are required to achieve some of the score\'s percussive playing techniques. / Date parution : 2022-09-07/ Répertoire / Quatuor à Cordes
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