SKU: JK.09172
Children's hymn arrangement for string quartet. Perfect for Mother's Day. Includes instrumental parts for violin 1, violin 2, viola, cello, and optional bass. (previously listed under #01217)Composer: Jeanne P. Lawler Arranger: Robert P. Manookin Lyricist: Transcribed by Richard William-Smith Difficulty: Medium.
SKU: AP.36-M240591
UPC: 660355031168. English.
An impressive and practical collection of wedding music arranged for string quartet. Contains the standard wedding favorites. Titles included: 1. Wedding March (Mendelssohn) 2. March (Mozart) 3. Air in F (Handel) 4. Sheep May Safely Graze (Bach) 5. Adagio (Mozart) 6. Greensleeves 7.Panis Angelicus (Franck) 8. Prayer (Wolf).
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: HL.14030965
ISBN 9788759861448. English.
Version for String Quartet. Score available: KP00510 The composer writes: 'In February 1987 I saw in the Tate Gallery in London a painting by the Victorian English painter John William Waterhouse. The painting kept haunting my memory, and as I at the same time planned to write a piece for solo viola, my ideas for the music and the memory of the painting fused more and more. I decided, then, to let my piece borrow the title of Waterhouse's paint-ing: 'The Lady of Shalott'. The picture of a mad-like, pale, and perhaps singing woman alone in a boat without sculls, which calmly slips out from the rush growth of the river is an illustration for the ending of Alfred Tennyson's poem by the same title, which again plaits into the old English legends about King Arthur. My piece tries to meander - like the river at Camelot - among these sources. As suggested above the piece was originally written for viola solo. The version for string quartet is from 1993.'.
SKU: HL.14030964
ISBN 9788759861455. English.
The Composer writes: 'In February 1987 I saw in the Tate Gallery in London a painting by the Victorian English painter John William Waterhouse. The painting kept haunting my memory, and as I at the same time planned to write a piece for solo Viola, my ideas for the music and the memory of the painting fused more and more. I decided, then, to let my piece borrow the title of Waterhouse's painting: The Lady Of Shalott. The picture of a mad-like, pale, and perhaps singing woman alone in a boat without sculls, which calmly slips out from the rush growth of the river is an illustration for the ending of Alfred Tennyson's poem by the same title, which again plaits into the old English legends about King Arthur. My piece tries to meander - like the river at Camelot - among these sources.' As suggested above the piece was originally written for Viola solo. This version for String Quartet is from 1993.
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