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Aaron Copland
String Quartet: 2 violins, viola, cello
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Aaron Copland: 2 Pieces: String Quartet
String Quartet: 2 violins, viola, cello
Boosey and Hawkes
(Parts). Copland A
26.99 GBP - Sold by Musicroom UK
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Aaron Copland: Movement: String Quartet
String Quartet: 2 violins, viola, cello
Boosey and Hawkes
(Parts). Copland A
24.50 GBP - Sold by Musicroom UK
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Aaron Copland: Movement: String Quartet
String Quartet: 2 violins, viola, cello
Boosey and Hawkes
Hawkes Pocket Scores HPS 1126-Study Score - Hawkes Pocket Score 1126. Copland A
10.99 GBP - Sold by Musicroom UK
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Aaron Copland: Two Pieces: String Quartet
String Quartet: 2 violins, viola, cello
Boosey and Hawkes
Hawkes Pocket Scores HPS 37-Study Score - Hawkes Pocket Score 37. Copland A
19.50 GBP - Sold by Musicroom UK
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String Quartet No. 4 (LERDAHL FRED)
String Quartet: 2 violins, viola, cello
[Score and Parts]
Schott
Chaconne. Par LERDAHL FRED. Chaconne (2016), for string quartet, was commissione...
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Chaconne. Par LERDAHL FRED. Chaconne (2016), for string quartet, was commissioned by the Daedalus Quartet to celebrate its 15th anniversary. The commission was supported by New Music USA, made possible by annual program support and/or endowment gifts from Pennsylvania Council on the Arts, Helen F. Whitaker Fund, and Aaron Copland Fund for Music. My music has a substantial history with Daedalus. I composed the Third String Quartet (2008) for them, and subsequently they performed my three string quartets on several occasions and recorded them brilliantly on Bridge Records (Bridge 9352: Music of Fred Lerdahl, vol. 3). Chaconne is in one movement lasting 19 minutes. It is effectively my fourth string quartet. Quartets 1-3 form a unified cycle lasting 70 minutes. When I finished the cycle, I thought I would never write again for the medium; yet I could not resist the opportunity of working again with Daedalus. The issue was how to compose another string quartet unrelated to the earlier cycle. The solution came from my solo cello piece There and Back Again (2010), which was based on a four-bar variation pattern from a 17th-century chaconne. Unlike the asymmetrical phrases and expanding variations of much of my music, the chaconne form requires symmetrical phrases and strictly periodic variations. I wished to work again with these symmetries but on a larger scale. Chaconne also differs in character and expression from the three-quartet cycle. The cycle is inward and intense, a kind of psychological excavation. Chaconne is, for the most part, transparent and playful. Many of its textures emerge from little canons, not completely unlike the rounds that children sing. Any composer who writes in chaconne form (one thinks above all of the last movement of Bach’s D minor violin partita and the finale of Brahms’s Fourth Symphony) is confronted with the challenge of how to create a larger form out of a constantly repeating pattern. My Chaconne grows from paired antecedent-consequent phrases, each variation lasting eight bars. The 50 variations group into three large rotations, forming three arcs of tension and relaxation, with subtle parallel connections across the rotations. Notwithstanding my attraction to chaconne form, I purposefully disguised its symmetries and periodicities in order to build an overall dramatic shape. Fred Lerdahl/ Répertoire / Quatuor à Cordes
167.61 EUR - Sold by LMI-partitions
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Elliott Carter: String Quartet No. 3 (1971): String Quartet: Score
String Quartet: 2 violins, viola, cello
Associated
Score-String Quartet No. 3 was commissioned in 1971 by the Julliard School for t...
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Score-String Quartet No. 3 was commissioned in 1971 by the Julliard School for the Julliard String Quartet. It subdivides the ensemble into two duos which play contrasting movements both individually and at the same time exploring feelings of rivalry and cooperation. Elliott Carter (1908-2012) was a highly regarded American composer who continued writing innovative music into his 11th decade. His early influences included Charles Ives Gustav Holst Aaron Copland and Nadia Boulanger with whom he studied in Paris in the 1930s. He was known for always adapting and changing with the times and became more and more popular as his stature grew throughthe decades.
32.50 GBP - Sold by Musicroom UK
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