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Still, Still, Still - Saxophone Quartet
String Quartet: 2 violins, viola, cello
INSTRUMENTS
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CHORAL - VOCAL - CHOIR
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DIDGERIDOO
DJ GEAR
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FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
XYLOPHONE
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String Quartet: 2 violins, vio… (143)
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Pelle Gudmundsen-Holmgreen: All In One: String Quartet: Score
String Quartet: 2 violins, viola, cello
[Sheet music]
-
Advanced
Wilhelm Hansen
All In One for 3 String Quartets was composed by Pelle Gudmundsen-Holmgreen in 2...
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All In One for 3 String Quartets was composed by Pelle Gudmundsen-Holmgreen in 2013 (String Quartet No.12 13 and 14 played simultaneously). Gudmundsen-Holmgreen has written a collection of three new string quartets: String Quartet no. 12 ‘Each in Each’; String Quartet no. 13 ‘Mutual Ordering’ and String Quartet no. 14 ‘Well-Tuned Sounds’. Each quartet can be played on its own; they can also played simultaneously in any combination. When all three quartets are played together as they are tonight the combined work is titled All in One. About this collection Gudmundsen-Holmgreenwrites: 'Some years ago Kronos and the vocal group Theatre of Voices performed three new pieces which I had written for the two groups: one for Theatre of Voices (Green) and two for Kronos (New Ground and No Ground). They were played and sung by each group independently – but also both groups together concurrently on top of each other as a final gesture. The combined pieces were called New Ground Green and No Ground Green. 'David liked the idea (and the result) of pairs of quartets that could be played both independently and simultaneously and asked me if the vocal quartet could be transformed into a string quartet. It could not. He then asked me to repeat the whole set-up with a new pair of quartets adding also some percussion instruments as was the case with Green for Theatre of Voices. Of course this was tempting. Furthermore David asked me to make one of the two new quartets a little easier to play. 'I began to work. The Kronos part of the pair of quartets turned out to be tough to play as David puts it. Unfortunately the ‘easier’ one was tough to play also! So I had to write one more which was then a little easier still (but still not easy). 'The three new works can be played separately and on top of each other in many different combinations resulting in different kinds of
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Karl Aage Rasmussen: Still - String Quartet No.4: String Quartet: Score
String Quartet: 2 violins, viola, cello
Wilhelm Hansen
Score for Still - String Quartet No.4 by Karl Aage Rasmussen.
57.50 GBP - Sold by Musicroom UK
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String Quartet No. 6 (JALBERT PIERRE)
String Quartet: 2 violins, viola, cello
[Score and Parts]
-
Advanced
Schott
Canticle. Par JALBERT PIERRE. Canticle (String Quartet No. 6) was commissioned b...
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Canticle. Par JALBERT PIERRE. Canticle (String Quartet No. 6) was commissioned by the Chiara String Quartet. It consists of seven movements, highly contrasting in character, with movements I and VII serving as similar bookends to the overall arch of the work. The piece opens with the quartet members striking various crotales, producing bell sounds that eventually blend with the string quartet – evoking the title, Canticle. The faster, pulse-oriented music requires the players to use glass rods on their instruments and at one point quickly moves back and forth between alternating rhythmic subdivisions, producing extremely rapid metric modulations. The last movement blends the string quartet with the bowing of the crotales to produce an ethereal, other-worldly finale to the canticle. Pierre Jalbert / Niveau : Avancé / Répertoire / Quatuor à Cordes
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Four Still: String Quartet: Score and Parts
String Quartet: 2 violins, viola, cello
Schott Helicon Music Corporation
for string quartet
54.50 GBP - Sold by Musicroom UK
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Franz Joseph Haydn: String Quartets Volume III op. 17: String Quartet: Score
String Quartet: 2 violins, viola, cello
[Set of Parts]
G. Henle
String Quartets Book III op. 17-The autograph score of the Quartets op. 17 was i...
(+)
String Quartets Book III op. 17-The autograph score of the Quartets op. 17 was in the possession of the imperial police chief Johann Nepomuk Neuwirth whose widow gave it to the Wiener Gesellschaft der Musikfreunde in 1875. It is said thatHaydn ?used to play the viola in quartet rehearsals? at the Neuwirth?s house. Whether the Quartets op. 17 were composed for these gatherings can no longer be ascertained. However even today they stillhave a fixed place amongst the music of all chamber music friends and in particular nos. 4 5 and 6 which are very different to the divertimento style of the early quartets are played again and again.
45.99 GBP - Sold by Musicroom UK
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Ballads of Britain: String Quartet: Instrumental Album
String Quartet: 2 violins, viola, cello
-
Intermediate/advanced
Spartan Press
A selection of folk ballads from England Ireland Scotland and Wales.A ballad ...
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A selection of folk ballads from England Ireland Scotland and Wales.A ballad is the blending of words the beauty of melody tone rhythm and expression. They reflect the history of a people their legends religion love and work. British ballads are renouned for their verse melodic construction and for the enormous range of expression.1 The Lass of Richmond Hill is a poem by Leonard McNally a barrister about a lass who became his wife in 1787. The music is by James Hook (1746 1827).2 Sally in our Alley. The words are by Henry Carey who also wrote the original music but this was replaced by the tune we now know an English traditionalmelody in 1790.3 Caller Herrin'. The poem is by Lady Nairne (1766 1845). Nathaniel Gow the famous Scottish violinist wrote the music in 1798 as a harpsichord piece combining the traditional Edinburgh fish wives cry Caller Herrin' with the bells of St Andrew's Church Edinburgh.4 Men of Harlech. The music is traditionally Welsh and the ballad probably originated from North Wales where the native princes had ruled the longest.5 David of the White Rock (Dafydd y Garres Wen). Sir Walter Scott (1771-1832) wrote the words to this ballad The Dying Bard. David Owen the Welsh bard of the ballad composed the tune on his death-bed on awakening from a trance in which be believed himself to have heard the tune in heaven.6 Oft in the Stilly Night. The words describe an old man's memories of the smiles the tears of boyhood years. The eyes that shone now dimmed and gone and how oft in the stilly night he remembers other days. The ballad is by the Irish poet Thomas Moore (1779 1852) who set the words to a traditional air.7- The Meeting of the Waters. Written by Thomas Moore music Irish traditional.The Meeting of the Waters is the confluence of the rivers Avonmore and Avonberg in a beautiful valley near Avoca County Wicklow.8 Oh! Charlie is my Darlin'. The
6.95 GBP - Sold by Musicroom UK
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Franz Joseph Haydn: Fruhe Streichquartette: String Quartet: Study Score
String Quartet: 2 violins, viola, cello
[Study Score / Miniature]
G. Henle
Early String Quartets-The Weinzierl castle in Lower Austria which still stands ...
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Early String Quartets-The Weinzierl castle in Lower Austria which still stands today can be considered to be the birthplace of a chamber music genre which is firmly established in our present-day repertoire. The young Haydn was invited to spend sometime at this place by a wealthy musical friend and often met up with the steward at the castle the castle priest and the cellist Anton Albrechtsberger to make music. Although his first two works for '2 violins viola and bass'still have five movements their musical value establishes the success of the string quartet in its own right.Also available as part of a 12 part set including all Haydn's works for String Quartet Cat. No. HN9216
25.99 GBP - Sold by Musicroom UK
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Franz Joseph Haydn: String Quartets Volume III Op.17: String Quartet: Study
String Quartet: 2 violins, viola, cello
G. Henle
String Quartets Book III op. 17-The autograph score of the Quartets op. 17 was i...
(+)
String Quartets Book III op. 17-The autograph score of the Quartets op. 17 was in the possession of the imperial police chief Johann Nepomuk Neuwirth whose widow gave it to the Wiener Gesellschaft der Musikfreunde in 1875. It is said that Haydn ?used to playthe viola in quartet rehearsals? at the Neuwirth?s house. Whether the Quartets op. 17 were composed for these gatherings can no longer be ascertained. However even today they still have a fixed place amongst the music of allchamber music friends and in particular nos. 4 5 and 6 which are very different to the divertimento style of the early quartets are played again and again.
22.25 GBP - Sold by Musicroom UK
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Hans Abrahamsen: String Quartet No.2: String Quartet: Score
String Quartet: 2 violins, viola, cello
[Sheet music]
-
Intermediate/advanced
Wilhelm Hansen
String Quartet No.2 was composed by Hans Abrahamsen in 1981. Programme note: Han...
(+)
String Quartet No.2 was composed by Hans Abrahamsen in 1981. Programme note: Hans Abrahamsens's second string quartet was commissioned by the Lerchenborg music-week of 1981 during which it was first performed by the Gaudeamus Quartet. In Hans Abrahamsen's second quartet it is the continuous alternation of soberness and drama that first catches the listner's ears: the lyrical/gestural tradition as we know it from Arnold Schoenberg and Alban Berg pitched - not against - but around the 'sober barbarism' which is characteristic of rhytmic neo-classicism. Both the first and the last movement of th is quartet are emotional at manylevels: sad - and still seething with life and always unpredictable in their development it is night twilight and white-hot light. Sparkling diamonds set off by scarlett velvet. The two middle movements link the contrasts without cushioning: the second movement a gruelling stripped rhythmical drill followed by a hushed far-off dance in triple meter which shifts and hesitates all the time though. There is an ambience of the classics glimpsed through many veils. The second quartet is music which is fraught with danger in its ambiguous relation to tradition: the past emerges as a most relevant and living ghost. The Beauty and the Beast as musical drama.
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