SKU: BT.DHP-1196090-070
ISBN 9789043157674. English-German-French-Dutch.
Cinema has always aimed to do one thing above all else: arouse emotions. Yet however exciting, entertaining or fascinating a story might be, its full impact is really only felt with the help of the right music. While most original soundtracks demand a large orchestra, a much smaller ensemble is sufficient: Anthony Gröger has taken ten of the all-time most beautiful film scores and created stunning arrangements for string quartet. In keeping with the Pops for String Quartet series, this volume also includes an optional third violin part in case a viola is not available. This is an indispensable collection for any occasion!Van oudsher is de film bovenal bedoeld geweest om emotie op te roepen. Maar hoe spannend, vermakelijk of boeiend een verhaal ook is, pas met de ondersteuning van de juiste muziek komt het volledig tot zijn recht. Hoewel de meeste originele soundtracks een orkest met een grote bezetting vereisen, voldoet in dit geval een kleiner ensemble. Anthony Gröger heeft tien van de mooiste filmmuziektitels verzameld en er prachtige arrangementen voor strijkkwartet van gemaakt. Net als bij de andere uitgaven in de serie Pops for String Quartet bevat ook deze bundel een optionele derde vioolpartij, voor het geval er geen altviool beschikbaar is. Een fraaie collectie met nummers voordiverse gelegenheden! Seit jeher möchte Kino vor allem eines: Emotionen wecken. Doch wie spannend, lustig, interessant eine Story auch immer sein mag erst mit Hilfe der passenden Filmmusik kann sie ihre volle Wirkung entfalten. Während die meisten Soundtracks im Original ein groß besetztes Orchester erfordern, genügt hier bereits eine viel kleinere Besetzung: Anthony Gröger hat sich zehn der schönsten Filmmusik-Titel aller Zeiten vorgenommen und wirkungsvoll für Streichquartett bearbeitet. Eine unverzichtbare Sammlung für Anlässe jeder Art, bei denen ein Streichquartett gefragt ist. Wie in der Serie Pops for String Quartet üblich, enthält das Set auch eine optionale dritteViolinstimme für den Fall, dass keine Bratsche zur Verfügung steht. Le cinéma a toujours cherché, par-dessus tout, éveiller des émotions. Cependant, aussi passionnante, émouvante ou envo tante que soit une histoire, son impact n’est ressenti pleinement que si elle est accompagnée d’une musique appropriée. Bien que la plupart des bandes sonores exigent un grand orchestre, un ensemble beaucoup plus modeste suffit. Anthony Gröger a pris dix des plus belles musiques de films de tous les temps et produit de splendides arrangements pour quatuor cordes. Comme les autres volumes de la série Pops for String Quartet, le présent ouvrage comprend une troisième partie facultative pour violon au cas où un alto ne serait pas disponible. Voiciune collection indispensable pour toutes les occasions !
SKU: GH.GE-11160
ISBN 979-0-070-11160-7. A4 inches.
No. 1 from the songbook O Mistress Mine in version for string quartet.
SKU: AP.36-52703013
ISBN 9781628761054. UPC: 746241229717. English.
Six more Christmas favorites for string quartet: Still, Still, Still; Pat a Pan; What Child is This?; Coventry Carol/Break Forth, O Beauteous Heavenly Light; O Holy Night and God Rest Ye Merry, Gentlemen/Carol of the Bells.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: BR.EB-9259
World premiere: Stockholm (Festival O/MODERNT), June 19, 2017
ISBN 9790004185599. 9 x 12 inches.
When Hugo Ticciati asked me to write a new piece for his quartet, I was immediately enthusiastic about this project. I love how Hugo and his O/MODERNT String Quartet unite old and new music in a completely natural way. So, I was absolutely excited about Hugo`s idea of having my piece based on two of my idols, Bach and Beethoven, deconstructing the one and constructing the other. With all my respect for these great composers I gave to the piece a very personal inner part consisting of my own music that influenced and inspired the other parts. For the whole piece I felt very close to Beethoven, who said: To make a fugue is not art, which [is something] I have made dozens of times in my study. But the imagination will assert its rights and must come today, in light of the old traditional form, to another truly poetic element. De/Con is a travel into different centuries with different sound-languages. For me, it was like having a wonderful constructive discussion with Johann Sebastian Bach and Ludwig van Beethoven, each of us trying to speak our own language, approaching the others step by step. The piece could be defined as a Love Letter to two of the greatest composers ever. De/Con could be preceded by (parts of) Johann Sebastian Bach's Die Kunst der Fuge (The Art of the Fugue) and succeeded by Ludwig van Beethoven's Grosse Fuge (Great Fugue). Ideally, then, all parts should be played attacca. It could, but it hasn't to be played with these two pieces. (Manuela Kerer)World premiere: Stockholm (Festival O/MODERNT), June 19, 2017.
SKU: BR.EB-9260
ISBN 9790004185605. 9 x 12 inches.