Cette série historique, la première anthologie de aria multi-volume consacré entièrement au sujet, recueille convaincants, utiles, extraits chanteur-friendly du meilleur de la tradition musicale typiquement américain. Notes des parcelles et des informations de base sur chaque opéra sont inclus. Compositeurs d'opéras tels que Samuel Barber, William Bolcom, Douglas Moore, Virgil Thomson et Kurt Weill sont représentés. Les opéras de Gian Carlo Menotti sont particulièrement présentes, avec 26 airs d'opéras neuf dans la série. En outre, attrayant, arias exécutables sont inclus des oeuvres importantes comme Regina, A Streetcar Named Desire, The Ghosts of Versailles, The Great Gatsby, et Little Women. Stephen Sondheim a gentiment accepté de faire de nouvelles éditions de aria de deux morceaux de Sweeney Todd ('Le Concours' dans le volume de ténor et 'Epiphany' dans le volume de baryton / basse) pour cette série. Une majorité de la musique dans les quatre volumes n'a jamais été disponible en dehors des partitions vocales, un nombre important des airs ont été spécialement adaptés à cette édition. Quelques airs de la série n'ont jamais été imprimée à tous avant aujourd'hui. De nombreux airs sont appropriés pour les chanteurs d'étudiants de niveau collégial. / Tenor

A Christmas Carol is a work by composer Iain Bell a Chamber Opera in five staves for Dramatic Tenor and Chamber Ensemble. Featuring a libretto by Simon Callow the work is an adaptation of CharlesDickens' 1843 novella. Commissioned by Houston Grand Opera and first performed in their Cullen Theater the work lasts around 1 hour 40 minutes. This is the Vocal Score.

This all-in-one package includes the original Arias for Tenor book from the G. Schirmer Opera Anthology along with two accompaniment CDs AND the corresponding Diction Coach book/two CD set.Diction Coach includes recorded diction lessons IPA and word for word translations. In addition to piano accompaniments playable on both your CD player and computer the enhanced accompaniment CDs also includetempo adjustment software for CD-ROM computer use.

The ultimate R&H source for singers with a unique song list for each voice type. Each volume includes an introduction about each show and plot notes for each song plus a Rodgers & Hammerstein biography.The series represents 10 musicals: Oklahoma! Carousel State Fair Allegro South Pacific The King and I Me and Juliet Cinderella Flower Drum Song and The Sound of Music.These packages include two companion CDs one featuring full performances and the other Piano accompaniments. The CDs work in all CD players but are also enhanced CD-ROMs with tempo adjustment software that will work in all PCs and Macintosh computers.Tenoredition includes: The Big Black Giant; Do I Love You Because You're Beautiful?; Edelweiss; Geraniums In The Winder; I Have Dreamed; If I Loved You; Kansas City; Oh What A Beautiful Mornin'; The Surrey With The Fringe On Top; Ten Minutes Ago; That's The Way It Happens; You Are Beautiful; You Are Never Away; You've Got To Be Carefully Taught; Younger Than Springtime

Cyprise-In 1865 Dvorák firmly convinced of his love for one of the daughters of the ermáková family probably the older Josefina wrote his first song cycle Cypresses.Despite the popularity of Dvorák's arrangements for String Quartet the original version of this work has remained in manuscript form until now.This first ever Urtext edition is based on the original autograph as well as later versions. A printed collection of poems by Pfleger from 1862 were also drawn upon as sources. The musical text is accompanied by a detailed introduction in English German and Czech written by the Dvorák scholar DavidBeveridge. A critical commentary in English only is also included as are translations of the song texts in English and German.

Chanson de la côte (3') pour ténor (ou soprano) et piano (poème C. Cros). Par Aboulker aux éditions Leduc. Partition / Livre de chansons pour Piano et voix.

I Will Bow And Be Simple from 'Three Shaker Tunes' arranged by Betty Jacobson for SSA choir with Piano accompaniment.'The form of worship practiced by the Shakers in New England has been a subject of curiosity for more than a century and a half. The Shakers originated in the English Quaker Church and came to America in 1774 and settled in New England and in New York state. They still exist in some communities in these territories.The Shaker songs took on a lively spontaneity and a cross between Quaker orderliness and wild abandonment that characterised the rituals of the French prophets from whom the Shakers distantlystemmed.The Shakers exercised in dancing shaking and whirling until they went into trances and 'recieved songs as gifts.'The songs are derived from 'spirit manifestations' and all have individual types of rhythms and texts.' - Edward D. Andrews from 'Shaker Songs' The Musical Quarterly October 1937