Hans Ulrich Staeps' 'Tonfiguren? or 'Note Patterns? has been used by recorder teachers all over the world for decades and is firmly established as part of the teaching canon. It complements his well-known book, 'The Daily Lesson? and provides exercises to explore the full chromatic range of the alto recorder as well as improve techniques in rhythms and fingering combinations. This new edition makes no unnecessary corrections to Staeps' music or advice but uses modern graphics and printing techniques to offer an old favourite in a smart new format. / Flûte A Bec Alto

Ãœben wie noch nie! Das Workout For one and more alto recorders Difficulty: 2-4 Edition type: music CD Ausgabeinfo: Mix and match lines with other instruments if used with an ensemble, or play the solo line when used as a solo book. The accompanying CD contains both full and play-along versions.

23 Works for Alto Recorder with Piano Accompaniment-This anthology presents pieces by 17th and 18th century composers in a variety of different styles providing an informed introduction to the musical forms of the Baroque period. The volume contains works by major composers such as Bach Handel and Telemann as well as lesser known composers including Caix d’Hervelois and Marcello. Insightful teaching notes and composer biographies accompany the works as well as a CD of the pieces performed by Gudrun Heyens and Wolfgang Kostujak.Ideal for players and teachers looking to explore the repertoire for their instrument further this collection provides pieces suitable for concerts festivals and competitions.Suitable for students with 8 or more years playing experience (grades 7-8).Content - Handel: Andante (from Sonata in D minor) - Handel: A Tempo di Menuet (from Sonata in D minor) - Valentine: Adagio (from Sonata in G minor) - Valentine: Corrente (from Sonata in G minor) - Valentine: Adagio (from Sonata in G minor) - Valentine: Giga (from Sonata in G minor) - Parcham: Solo - Danican-Philidor: Le Tombeau (from Sixieme Ensemble de Pieces) - Danican-Philidor: Air tendre (from Sixieme Ensemble de Pieces) - Danican-Philidor: Le Badin (from Sixieme Ensemble de Pieces) - Marcello: Ciaconna (from Sonata No.12 in F major) - Graun: Adagio (from Sonata in C major) - Graun: Allegro (from Sonata in C major) - d'Hervelois: Muzette (from the Premiere Suite) - d'Hervelois: Marche du Czar (from the Premiere Suite) - Barsanti: Adagio (from Sonata in G minor) - Barsanti: Allegro (from Sonata in G minor)- Gavotta: Adagio (from Sonata in G minor) - Teleman: Air a L'Italien - Wassenaer: Grave (from Sonata Prima in F major) - Wassenaer: Allegro (from Sonata Prima in F major) - J.S. Bach: Giga (from BWV 997) - J.S. Bach: Double (from BWV 997)

German baroque composer Georg Philipp Telemann (1681-1767) was a self-taught multi-instrumentalist becoming a composer against his family's wishes. However his musical career saw him hold important positions and to this day he remains a major composer. His sublime 12 Fantasies for Flute is superbly arranged for Recorder by Jean-Claude Veilhan. Telemann composed his 12 Fantasies for solo Flute in 1732-33 in Hamburg. During this time he composed a wealth of solo instrumental music including those for Harpsichord and Violin. Veilhan's arrangement for Recorder of Telemann's12 Fantasies includes adaptions for the instrument such as key signatures and performance directions. Vailhan's rearrangement for the Recorder of Telemann's popular 12 Fantasies makes the popular genre more accessible and versatile.

Markus Zahnhausen’s Lux Aeterna belongs to a very special category in my repertoire. The tender and dangerous beauty of his music has fascinated me for years. In a contemporary musical language Zahnhausen has managed to bring theinstrument back to what it once was: flauto - the flute! His expressive music never takes the instrument beyond its limits thus avoiding the trap of many a modern work. There is a perfect balance between form content andidiomatic writing that places both his music and the recorder where they belong: in the hearts of the listeners! I have had a tremendous time when studying Lux Aeterna. I sometimes wondered whether I played the piece or the piecewas playing me ... Dan Laurin

Tune Book 1-This Method for Alto Recorder which is a continuation of the three volumes for soprano recorder will continue to place great importance on developing musicianship breathing technique sound production rhythmic security and the introduction of music theory. At the heart of this method lies a seamless crossover from soprano to alto recorder whilst maintaining and developing the student's soprano recorder playing. The first volumes of Fun and Games with the Recorder for soprano recorder are intended for use with children from about six years of age. This method for alto recorder is therefore aimed at children of around 10-12 years. As in the previous books in this series weaddress the child directly and provide carefully planned and precisely formulated exercises.This method is suitable for use both in group and individual lessons. The accompanying Tune Books offer a broad range of solo and ensemble music which is graded to match the technical and musical progression of the Tutor Books.

4 little pieces-The composer music teacher and Orff pupil Hermann Regner born in 1928 is particularly active in the field of easy-to-play teaching literature. Using simple means of new music he wants to stimulate the players' imagination.These four little pieces (Andante - Con moto - Allegro - Andante) give the soloist the opportunity to make full use of the instrument's mobility. The piano accompaniment adds a bit of spice to the tonal language pushes on and carries the melodies of the flute. This collection is perfect for pupils' auditions and competitions.

Der erste Band dieser Altblockflötenschule umfasst 68 durchwegs farbig illustrierte Seiten mit abwechslungsreichen Liedern und Spielstücken sowie umfangreiches Arbeitsmaterial für die Bereiche Technik Theorie und Notenkenntnisse.Bedeutenden Raum nehmen auch die Improvisationen ein die sich durch den ganzen Lehrgang hindurchziehen.Jedes Heft enthält zudem 3 Mitspiel-CD's auf denen alle Spielstücke mit Blockflöte und Begleitung eingespielt sind.An wen richtet sich diese Schule?An Kinder ab ca. 10 Jahren aber auch an Erwachsene mit und ohne Vorkenntnisse aufder SopranblockflöteWas zeichnet diese Schule aus? Grosse stilistische Vielfalt in den Spielstücken Übersichtlicher Aufbau mit klaren grafischen Symbolen 3 Mitspiel-CD's live eingespielt auf akustischen Instrumenten zahlreiche farbige Illustrationen Improvisationen zu Akkordmustern Zum Inhalt Spielstücke Kompositionen von Daniel Hellbach: Diese Kompositionen sind jeweils exakt auf die betreffenden Lernschritte zugeschnitten. Volkslieder: Der Lehrgang enthält eine breite Palette an Volkslieder aus aller Welt u.a. irische Volksmusik und Stücke aus Südamerika. Alte MusikDie Schule enthält einige Stücke aus Mittelalter Renaissance und Barock auf den CD's eingespielt auf Originalsintrumenten Pop/Rock-Musik:Unser Lehrgang enthält auch einige bekannte Titel aus der Pop/Rockmusik u.a. 'A Groovy Kind of Love' (Phil Collins) oder 'All my Loving' (Beatles) Es ist uns wichtig dass die Schüler alle unterschiedlichen Musikstile in authentischen Aufnahmen hören. Die 2 CD's wurden daher live mit akustischen Instrumenten in unterschiedlichen Besetzungen eingespielt: . Fidel Pommer Drehleier Perkussion - Streichquartett Klarinette Oboe Klavier - Irische Folkgruppe - Rockband.Die meisten Stücke sind in zwei verschiedenen Tempi

Min Altblokfløjtebog 2 er en fortsættelse af Min Altblokfløjtebog 1 men kan naturligvis også bruges som fortsætterskole for elever der har anvendt andre blokfløjteskoler.Materialet er vanskeligere end i Min Altblokfløjtebog 1.Toneomfanget udvides gradvist og der stilles større krav til de tekniske færdigheder og det musikalske udtryk

The edition is part of the ABRSM Treble Recorder 2014-2017 syllabus (Grades 3 & 4)

La partition PANORAMA FLUTE A BEC ALTO VOLUME 1 a été composée pour Flûte à bec Alto. Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Billaudot. Cette oeuvre musicale fait partie intégrante des oeuvres de style Classique. / Flûte A Bec Alto / Partition

Six Suites - Vol. 1 for Alto Recorder is the first volume of a series of two by J. S. Bach. Initially composed for Cello between 1717 and 1723 it was transcribed by Jean-Claude Veilhan and features the Suites I II and III. The transcription keeps the original key and only some passages have to be played one octave higher than in the original sheet. The first suite BWV 1007 is in G major and contains a Prelude an Allemande a Courante a Sarabande two Minuets and a Guigue. Its Prelude is the most famous movement of the whole set of Suites consisting mainly of only arpeggiated chords. It can be heard in manyfilms and is highly recognisable. The second one BWV1008 is in D minor and held the same movements' organisation. Its prelude in two parts features a cadenza which leads to other cadenzas in the Allemande. The Minuet part is quite technical to play. Finally the third one BWV 1009 in C major sees the Minuets being replaced by Bourrées which are often played together as a solo material. The second Bourrée only has a partial signature and the Allemande has a rhythm quite unique for the piece as it includes three semiquavers instead of one. These suites also exist arranged for Piano for Trombone and for many other instruments.