Twelve Fantasias for treble Recorder solo based on the fantasias for flauto traverso solo TWV 40:2-13. This arrangement of Telemann’s “Twelve Fantasias” for treble Recorder is based on our edition for solo flute BA2971. With the exception of Nos 4 5 & 12 which were transposed up a fourth for the Recorder all other fantasias are transposed up a third following a technique often used in the 18th Century. The Fantasias for Flute without bass address themselves less to the virtuoso than to the amateur flutist who will find everything he wishes in these pieces. Although Telemann himself mayhave lost track of his works the many flutists who have perfected their technique and musical interpretation with the help of these lovely Fantasias will never forget them.

German baroque composer Georg Philipp Telemann (1681-1767) was a self-taught multi-instrumentalist becoming a composer against his family's wishes. However his musical career saw him hold important positions and to this day he remains a major composer. His sublime 12 Fantasies for Flute is superbly arranged for Recorder by Jean-Claude Veilhan. Telemann composed his 12 Fantasies for solo Flute in 1732-33 in Hamburg. During this time he composed a wealth of solo instrumental music including those for Harpsichord and Violin. Veilhan's arrangement for Recorder of Telemann's12 Fantasies includes adaptions for the instrument such as key signatures and performance directions. Vailhan's rearrangement for the Recorder of Telemann's popular 12 Fantasies makes the popular genre more accessible and versatile.

Twenty-four solos for alto (treble) recorder based on famous classic melodies by Beethoven Brahms Chopin Corelli Dvorak FaurÈ Grieg Mozart and others as well as several folk songs and original pieces by the author. Thismusic is specially arranged for the beginning-level pupil. Piano accompaniment included.

The second part of a two-volume anthology providing a graded selection of well-crafted and idiomatic arrangements for Treble/Alto Recorder and Piano. All the works ranging from 14th century Renaissance music to contemporary pieces have been selected and edited by Kathyrn Bennetts and Peter Bowman.

Bach's Partita For Solo Treble Recorder In C minor BWV 1013 after the Partita für Flauto traverso solo. Original Key A Minor.

23 Works for Alto Recorder with Piano Accompaniment-This anthology presents pieces by 17th and 18th century composers in a variety of different styles providing an informed introduction to the musical forms of the Baroque period. The volume contains works by major composers such as Bach Handel and Telemann as well as lesser known composers including Caix d’Hervelois and Marcello. Insightful teaching notes and composer biographies accompany the works as well as a CD of the pieces performed by Gudrun Heyens and Wolfgang Kostujak.Ideal for players and teachers looking to explore the repertoire for their instrument further this collection provides pieces suitable for concerts festivals and competitions.Suitable for students with 8 or more years playing experience (grades 7-8).Content - Handel: Andante (from Sonata in D minor) - Handel: A Tempo di Menuet (from Sonata in D minor) - Valentine: Adagio (from Sonata in G minor) - Valentine: Corrente (from Sonata in G minor) - Valentine: Adagio (from Sonata in G minor) - Valentine: Giga (from Sonata in G minor) - Parcham: Solo - Danican-Philidor: Le Tombeau (from Sixieme Ensemble de Pieces) - Danican-Philidor: Air tendre (from Sixieme Ensemble de Pieces) - Danican-Philidor: Le Badin (from Sixieme Ensemble de Pieces) - Marcello: Ciaconna (from Sonata No.12 in F major) - Graun: Adagio (from Sonata in C major) - Graun: Allegro (from Sonata in C major) - d'Hervelois: Muzette (from the Premiere Suite) - d'Hervelois: Marche du Czar (from the Premiere Suite) - Barsanti: Adagio (from Sonata in G minor) - Barsanti: Allegro (from Sonata in G minor)- Gavotta: Adagio (from Sonata in G minor) - Teleman: Air a L'Italien - Wassenaer: Grave (from Sonata Prima in F major) - Wassenaer: Allegro (from Sonata Prima in F major) - J.S. Bach: Giga (from BWV 997) - J.S. Bach: Double (from BWV 997)

Renaissance Recorder Anthology 4 Vol. 4. Peter Bowman and Kathryn Bennetts present the fourth and final volume in the Renaissance Recorder Anthology. Standard Renaissance works are included alongside lesser known works for treble (alto) recorder and piano (keyboard). The pieces are all of an intermediate to advanced level of difficulty (UKGrade 7-8 UK). Detailed information on the composers, dance forms and pieces is also included.

Listen Learn and Play-Tilmann Dehnhard the writer of the successful ?Jazz Studies for Flute? (UE 33703) now turns his expertise to the alto recorder. In ?Easy Jazz Studies for Recorder? he offers ten easy to intermediate compositions that help with melodic style and articulation as they relate to jazz. Some of the pieces are based on the same chord progressions as well known jazz standards and may therefore sound tantalizingly familiar!Useful hints on swing articulation and ornamentation are provided. The accompanying CD provides recordings at various tempos with the demonstrational soloist before the player is ready to take on the full solo role with the backing track. Suitable forgrades 2-5.

Band 1: Tonleitern und Arpeggien - Technische Studien für Altblockflöte. Par BRAUN GERHARD. Mit dem Band TONLEITERN UND ARPEGGIEN beginnt die Methodenreihe DIE BLOCKFLÖTE – ein Lehrwerk für Anfänger und Fortgeschrittene. Er stellt eine Sammlung täglicher Übungen dar, die vor allem die technischen Fähigkeiten und die Geläufigkeit verbessern. Die Tonleitern und Arpeggien liegen jeweils über eine Oktave, zwei Oktaven und über den Gesamtumfang vor, wodurch Übungsmaterial in verschiedenen Schwierigkeitsgraden zu finden ist. Der Band enthält eine Grifftabelle für die Altblockflöte für denBereich h“ bis d““. / Niveau : Facile à Intermédiaire / Méthode / Flûte à Bec Alto

Min Altblokfløjtebog 2 er en fortsættelse af Min Altblokfløjtebog 1 men kan naturligvis også bruges som fortsætterskole for elever der har anvendt andre blokfløjteskoler.Materialet er vanskeligere end i Min Altblokfløjtebog 1.Toneomfanget udvides gradvist og der stilles større krav til de tekniske færdigheder og det musikalske udtryk