SKU: HL.48188351
UPC: 888680859756. 9x12 inches. English.
Johann Sebastian Bach: Recorder Obligato Solos from Bach's Cantatas.
SKU: HL.49047094
ISBN 9783795728069. UPC: 196288120711. 9.25x12.0x0.428 inches.
Movements from Christmas concerts by Corelli and Manfredini or Bach chorales are among the classics in the Christmas concert and should not be missing from this anthology. In addition, many other interesting pieces are collected, from Christmas settings from the Renaissance to other baroque movements, variations, songs to modern new compositions. As an alternative to some movements, organmovements are also available for free download. Based on the treble recorder method by Barbara Hintermeier (ED 21280) or can be usedseparately.
SKU: HL.48184059
As one of the great Baroque composers, Antonio Vivaldi's (1678-1741) compositions remain hugely popular to this day. The Four Seasons is his best-known work and therefore, Jean-Claude Veilhan's transcription for Recorder was well-received for making the highly acclaimed work more accessible. Vivaldi's Four Seasons were originally published in 1725 as a Violin Concerto. Each movement's texture varies depending on which season it depicts. Veilhan's adaption for Recorder includes articulation, phrasing and performance directions necessary to the instrument. For all aspiring solo Recorder players of the Baroque genre, Veilhan's transcription of Vivaldi's Four Seasons cannot be missed..
SKU: HL.49003825
ISBN 9790001038317. UPC: 073999253450. 9.0x12.0x0.084 inches.
These little pieces for the most part come from Handel's Aylesforder Pieces which were published for the first time a few years ago. As almost all of them are written in two-voice versions, i.e. as melody with bass, they are ideal for performances with recorder and basso continuo (piano, harpsichord, spinet). In the original form, the pieces can also be performed as duets.
SKU: BT.DHP-1094790-400
ISBN 9789043132510. 9x12 inches. English-German-French-Dutch.
This exciting new book contains nine tanguitos (little tangos) and three milongas. Titles include: Tango Apasionado, Buenos Aires en la vida, Meditacion, Cafetin de Buenos Aires and many more. This book comes with a play-along CD containing complete performances and play-along tracks, all performed with a real South American feel. In Tango Time! zijn negen tanguitoâ??s (tangootjes) en drie milongaâ??s gebundeld. Ze zijn geschreven voor accordeonisten die al enkele jaren het instrument bespelen en de tango bevlogen willen uitvoeren. De wereldberoemde tangokomt van oorsprong uit Argentinië, hij verleidt je en neemt je mee naar het diepst van je ziel. Zijn sensualiteit zorgt voor eindeloos speelplezier - solistisch of samen met de begeleiding op de cd.Tango Time! zaubert südamerikanische Atmosphäre! In diesem Buch wurden neun Tanguitos (kleine Tangos) und drei Milongas (Vorgänger des Tangos) versammelt. Alle Stücke sind originale Kompositionen von Myriam Mees. Sie können solo oder zur Begleitung auf der CD gespielt werden. Auf der CD werden auÃ?erdem alle Stücke einmal als Beispiel für eigene Interpretationen vorgespielt. Câ??est en Argentine que naît le mondialement célèbre tango, une danse qui séduit et réussit pénétrer dans les profondeurs de lâ?? me. Sa sensualité épouse le parfum des danseurs tandis que lâ??éclat des grandes salles de bal côtoie lâ??atmosphère des bas-fonds et des vieux cafés dâ??Argentine. Le tango est une danse universelle. Tango Time! rassemble onze tanguitos (petits tangos) et trois milongas sâ??adressant aux fl tistes bec ayant plusieurs années de pratique instrumentale et sachant interpréter le tango avec verve et inspiration. Sa sensualité garantit un plaisir de jeu infini, que ce soit en soliste ou avec lâ??accompagnement sur disque compact.Tango Time! incanta con la sua atmosfera sudamericana. Il libro propone nove â??tanguitosâ? (piccoli tanghiâ?) e tre â??milongosâ? (antecedente il tango). Si tratta di brani originali di Myriam Mees. Lâ??incisione sul CD incluso nella pubblicazione propone due versioni per ogni brano: una completa di solista, per dar modo di conoscere lo stile, e lâ??altra col solo accompagnamento per dar modo al musicista di interpretare la linea del solo.
