By Marco Bordogni. Arranged by Alan Raph. Trombone and piano. Published by Carl Fischer.

Tenor Trombone and Piano - advanced

SKU: CY.CC2494

Composed by Alexander Scriabin. Arranged by Ralph Sauer. Romantic Russian. Solo part and piano score. Published by Cherry Classics (CY.CC2494).

Alexander Scriabin's music has been described as mystical, lyrical and idiosyncratic. He was a most innovative and controversial early modern Russian composer. His works were ignored for many years until recently and are now seen as sincere expression(s) of genius.

The Three Etudes for Trombone and Piano are early works of Scriabin, originally written for solo Piano. They show lyricism, passion, moodiness, chromatic harmonies and great expression.

Mr. Sauer has once again brought three wonderful new works for advanced performers who wish to explore this area, largely unknown to the Trombone world. Those who do will be richly rewarded with the depth of musicanship found in these works.

Trombone and Piano - advanced

SKU: CY.CC2805

Composed by Paul Dukas. Arranged by Ralph Sauer. 20th Century. Solo part and accompaniment. Published by Cherry Classics (CY.CC2805).

Vocalise-etude alla gitana (in a Gypsy style) by Paul Dukas is a seductive and lyrical work of about 4 minutes in length written in 1909 for Voice and Piano. It has been beautifully arranged by Ralph Sauer for advanced performers.

Trombone

SKU: HL.48181911

Composed by Marcel Poot. Leduc. Classical. Softcover. 4 pages. Alphonse Leduc #AL21932. Published by Alphonse Leduc (HL.48181911).

UPC: 888680852658. 10.5x13.5x0.064 inches.

Marcel Poot: Etude de Concert (Trombone & Piano).

Trombone and Piano - Advanced

SKU: CY.CC3136

Composed by John W. Ware. Classical. Score and Parts. Cherry Classics #CC3136. Published by Cherry Classics (CY.CC3136).

ISBN 9790530111055. 8.5 x 11 in inches.

This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.

Chamber Music & Piano Accompaniment 1 Trombone 1 Piano - Grade 4

SKU: FL.FX073814

Composed by Arnaud Meier. Original Composition. Classical, Educational. Score and Set of Parts. 8 (score); 1 (parts) pages. Duration 3 minutes. FLEX Editions #FX073814. Published by FLEX Editions (FL.FX073814).

This piece is written using rock/pop style. Playing on the double meaning of the word be, it describes the vicissitudes of personality research during teenage years. This piece can be played from 6/7 years of practice. ; Instruments: 1 Trombone 1 Piano; Difficuly Level: Grade 4.

Trombone, Piano - Grade 1

SKU: FL.FX071559

Composed by Alain Lopez. Classical, Educational. Score and Set of Parts. FLEX Editions #FX071559. Published by FLEX Editions (FL.FX071559).

Latin music divided into three parts of 32 mes. each: the first is for students with 1-2 years of experience (only long values and small chromatisms are used), the second is for those who have 2 or 3 (add dotted quarter / eighth notes and intervals of fourths), the third is for those at the end of the first cycle (flow from eighth in addition). This piece can follow the students for three years and / or allow 3 students with different levels to play together.

(20 Easy Solos with Piano Accompaniments). By Various. Arranged by Larry Clark, Sean O'Loughlin. For trombone and piano. First Festival Solos. Book and CD. 32 pages. Published by Carl Fischer

Chamber Music & Piano Accompaniment 1 Trombone 1 Piano - Grade 2

SKU: FL.FX072538

Composed by Pascal Proust. Original Composition. Classical, Educational. Score and Set of Parts. FLEX Editions #FX072538. Published by FLEX Editions (FL.FX072538).

A nice blue shark in calm waters for exams or auditions of young instrumentalists... - Pascal PROUST ;

A perfect Piece for exams or auditions - for students playing Trombone for 2 years onwards ; Instruments: 1 Trombone 1 Piano; Difficuly Level: Grade 2; Duration: 2 mn 35 s; Musical Style: Classical, Educational; Category: Original Composition; Composer: Pascal PROUST;.

Chamber Music & Piano Accompaniment 1 Trombone 1 Piano - Grade 4

SKU: FL.FX072768

Composed by Alain Lopez. Original Composition. Classical, Educational. Score and Set of Parts. Duration 4 minutes, 20 seconds. FLEX Editions #FX072768. Published by FLEX Editions (FL.FX072768).

Bright and colorful composition, with melodic lines based on a set of syncopes and provided with a cadence. It is intended for interpreters with technical and musical levels already confirmed. - Alain LOPEZ ;

A Piece for students from 7 years of instrument practice ; Instruments: 1 Trombone 1 Piano; Difficuly Level: Grade 4.