SKU: BT.DHP-1125253-070
9x12 inches. International.
Tre Volti (Three Faces) has been commissioned by the renowned ââ¬ÅNew Trombone Collectiveââ¬Â, exclusively existing of top-trombonists from the Dutch symphony orchestras. The world première was given by the commissioners and took place in ââ¬ÅDe Doelenââ¬Â in Rotterdam on april 16th 2011 - during the ââ¬ÅSlide Factoryââ¬Â - European Trombone Festival.The composer aimed to illustrate 3 different aspects of the instrument in as many movements. Effetti e Tecniche (Effects and Techniques) displays a large amount of specific spectacular and acrobatic possibilities and also various colors and sounds by using different mutes. It contains many ââ¬Åglissandiââ¬Â as well as clusters with semi tones andquarter tones, all being ââ¬Åtypicalââ¬Â for the trombone indeed. The Lamento Lirico (Lyrical Lamento) combines the rather serious and noble voice of the trombone with an aspect which not automatically is connected to that instrument: the melodical character. The overall atmosphere of this movement is somewhat sad and strained and refers to the many beautiful but rather dark passages in the orchestral and opera literature where the trombone section as such is used ...The final movement is called Sonata Antica (Antique Sonata) and is directly inspired by two ââ¬Åsonatasââ¬Â for 3 and 4 trombones by Daniel Speer (1636 - 1707). It illustrates the ââ¬Åhistoricalââ¬Â dimension of the trombone: indeed it was the only brass instrument being able to play chromatically - many centuries before all other brass instruments - thanks to the unique slide system which even during the Middle Ages was applicable already. The antiphonal position, the dialoguing motives and the ââ¬Åneo-early-baroqueââ¬Â idiom really pay homage to Daniel Speer: he composed a certain number of pieces for brass instruments indeed and the composer used thematic material from his Sonatas in d and a in various ways, thus concluding this varied composition in a festive way. Een driedelige - uitdagende - suite voor trombone ensemble.Tre Volti (zu deutsch: Drei Gesichter) - In drei deutlich kontrastierenden Bewegungen versucht der Komponist, ebenso viele Facetten der Posaune zu beleuchten. Der erste Teil EFFETTI E TECNICHE präsentiert eine Reihe akrobatischer und spektakulärer Effekte, die auf diesem vielseitigen Instrument möglich sind, sowie einige Klangfarben (letztere mit einem Dämpfer gespielt). Das LAMENTO LIRICO enthält die eher ernsten Töne, welche die Posaune in der Regel spielt und kombiniert diese mit einem Aspekt, der doch eher ungewöhnlich für dieses Instrument ist: einem melodischen Charakter. Der dritte Satz - SONATA ANTICA - wurde unmittelbar von zwei der bekanntesten Sonaten vonDaniel Speer (1636-1701) inspiriert. Hier geht es um die historische Dimension der Posaune: Tatsächlich war sie das erste Blechblasinstrument, auf dem man - Jahrhunderte vor allen anderen - schon chromatisch spielen konnte. Tre Volti (Trois Visages) est une commande du prestigieux New Trombone Collective, composé des meilleurs trombonistes des orchestres symphoniques néerlandais. La première mondiale, assurée par la formation dédicataire, a eu lieu le 16 avril 2011 au Doelen de Rotterdam dans le cadre du ââ¬ÅSlide Factoryââ¬Â, le festival européen consacré aux trombones.Le compositeur souhaitait illustrer trois aspects de lââ¬â¢instrument en trois mouvements. Effetti e Tecniche (Effets et Techniques) évoque les nombreuses possibilités acrobatiques du trombone, ainsi que lââ¬â¢emploi de sourdines pour obtenir différents timbres et couleurs. Ce mouvement développe de nombreux glissandi ainsi quedes mesures avec des demi-tons et quart de tons, des effets ââ¬Åtypiquesââ¬Â du trombone. Le Lamento Lirico (Complainte Lyrique) tisse une trame lââ¬â¢empreinte mélodique et aux motifs plutôt nobles et sérieux, mettant en évidence lââ¬â¢une des caractéristiques que lââ¬â¢on nââ¬â¢associe pas toujours avec cet instrument. Le climat général de ce mouvement, quelque peu triste et tendu, fait référence aux nombreuses oeuvres orchestrales et opératiques où les trombones se voient attribuer des passages sombres et mélancoliques.Le dernier mouvement, intitulé Sonata Antica, sââ¬â¢inspire directement de deux sonates de Daniel Speer (1636-1707) pour trois et quatre trombones respectivement. Il illustre la dimension historique du trombone, qui était dââ¬â¢ailleurs, au Moyen ge, le seul cuivre capable de jouer chromatiquement gr ce au système de coulisse, et ce plusieurs siècles avant les autres cuivres. La forme antiphonale, les motifs de dialogue et lââ¬â¢idiome ââ¬Åancien néo-baroqueââ¬Â rendent hommage Daniel Speer. Le compositeur de Tre Volti a emprunté, sa manière, plusieurs thèmes des sonates en Ré et en La pour conclure joyeusement cette composition aux multiples facettes.
SKU: CY.CC2939
ISBN 9790530057599.
The final opera of Wagner's immense work of genius, his Ring Cycle is Götterdämmerung. The Immolation Scene occurs in the final part of Act 3, where Brunnhilde lights a pyre and the ensuing flames bring down the Hall of the Gods, consuming all within it as the curtain falls.Randy Malmstrom is never shy about attempting big arrangements and he has once again done a superb job.For 8-part Trombone Ensemble (octet) of advanced performers and about 3 minutes in length.
SKU: CY.CC2704
--Ottorino Respighi's Pines of Rome is one of the most colorful orchestral canvases. --The final movement of the 4-movement tone poem, Pines of the Appian Way, depicts an ancient Roman army in all their glory marching down the famed tree-lined road.--Randall Malmstrom has brilliantly scored this masterpiece for 10-part Trombone ensemble and Timpani. --For advanced performers.
SKU: CY.CC2828
Entrance of the Gladiators is a military march composed in 1897 and soon after was also subtitled Thunder and Blazes. It has become a legendary screamer march for circuses to introduce the clowns.The march is in three sections with some very lyrical moments followed by the chromatic break section featuring the low brass. The final trio section is also lyrical and chromatic at the same time. When played as a screamer the tempo is often taken to extremes.Wes Ballenger has done an amazing job of arranging this famous march for a virtuosic Trombone quintet.
SKU: CY.CC3087
ISBN 9790530110645. 8.5 x 11 in inches.
Hill Country Miniatures for 8-part Trombone Ensemble was written by Richard J. Lawn in 2002 for the Trombone Choir at the University of Texas and its director Nathaniel Brickens. The work is dedicated to Donald Knaub its former director. It has become a staple in the American Trombone Ensemble repertoire since its original release. Mr. Lawn explains in the notes, his deep emotional connection to the Hill Country land and to his days at the Eastman School of Music, hearing the legendary Trombone Choir led by Emory Remington and following through to his days at the University of Texas with Knaub and Brickens, all of which inspired him to compose this work. This music is about 15 minutes in length and is for advanced performers. The four movements of the work are: Hickory Cove - September 2001 - a lyrical, somber and solemn introductory movement. Smithwick - a jaunty piece reflecting the Scottish and English heritage of this tiny Texas spot. The Narrows - As part of the Colorado River narrows, it twists and turns its way through the Texas Hill Country. You can hear the gentle waters winding through the cliffs and slopes. Blue Bonnet Boogie - The springtime brings a profusion of the Blue Bonnet, the Texas state flower. A sea of these swaying in the breeze brings out the good old down-home boogie-woogie! A jazz solo featuring Bass Trombone (written for Bill Reichenbach in mind) with solo written out or improvised using chord symbols adds a festive finish. Cherry Classics is proud to be the new distributor of this great work.
SKU: CY.CC2712
The Paris premiere of the Firebird ballet in June 1910 propelled Stravinsky onto the international stage and forever changed the world of music. An orchestral suite of the highlights of the ballet is the most performed of all of his works and the final two movements, Berceuse and Finale have been arranged by Randall Malmstrom for 8-part Trombone ensemble comprised of advanced performers. This arrangement performed at your concert will bring your audience to its feet.
SKU: CY.CC3161
ISBN 9790530111307. 8.5 x 11 in inches.
Jesu, meine Freude was composed sometime between 1723 and 1727, most likely for the St. Thomas Church in Leipzig. It is the longest and most musically complex of Bach's six motets, originally for 5-part choir comprising eleven movements. Mr. Sauer has done a magnificent job transcribing all six of Bach's choral motets BWV 225-230 for 8-part Trombone Ensemble. This is a major undertaking. All are very worthy additions to the Trombone Ensemble repertoire. This work for 8-part Trombone ensemble of eleven movements is about 19 minutes in length. Because of its length, it is possible to divide the music into three sections and perform each section separately. This music is appropriate for advanced performers. The top two voices have parts supplied in both alto and tenor clef.
SKU: CY.CC2603
Joshua F'it de Battle of Jericho is a well-known African-American spiritual, most likely composed by slaves in the early 19th century. Early versions used the word f'it for fought. The words harken to the biblical story of the Battle of Jericho, where Joshua led the Israelites to victory against Canaanite armies.Put into perspective, Joshua's battle is really against slavery and the desire for freedom, like the themes of so many other spirituals from that era.This rousing arrangement in swing-style for 8-part Trombone ensemble by James Markey is about two minutes in length, featuring the 1st and 8th parts and is for advanced performers.The mp3 sound clip is taken from Mr. Markey's solo Bass Trombone album, on base, and includes star performers including Joseph Alessi, David Finlayson and Lisa Albrecht.
SKU: CY.CC3167
ISBN 9790530111376. 8.5 x 11 in inches.
Motet Komm, Jesu, komm, BWV 229, for double choir, was most likely composed for a funeral written in Leipzig and first performed in 1731-32. It's biblical text was written as a poem by Paul Thymich. Mr. Sauer has done a magnificent job transcribing all six of Bach's choral motets BWV 225-230 for 8-part Trombone Ensemble. This is a major undertaking. All are very worthy additions to the Trombone Ensemble repertoire. This work for 8-part Trombone ensemble is in two movements and about 7 1/2 minutes in length. This music is appropriate for advanced performers. The top two voices have parts supplied in both alto and tenor clef.
SKU: CY.CC3143
ISBN 9790530111116. 8.5 x 11 in inches.
Here is a description of this beautiful work by the composer: Reflection and Celebration for 8-part Trombone Ensemble is a musical homage to a man who was revered for his mentorship, musical intellect and delightful humor. The work opens with a somber melodic solo, capturing the noble spirit of this great mentor. Several repetitive 5-note ascending motives follow which is a symbolic reference to students learning and accomplishing under Conklin's mentorship. The bold fanfare style (in measure 32) is presented to capture the presence and tall stature of Conklin. Finally, Conklin's down-to-earth personality and his infectious humor is referenced (in measure 83). Even the fanfare theme returns in a faster tempo, thus highlighting the frivolity, lightheartedness, and wisdom of this adored music teacher. The music is about 6 1/2 minutes in length and is appropriate for moderately advanced performers.
SKU: CY.CC2647
Pachelbel's grand Chorale Partita with Seven Variations in G is based on the 17th Century Protestant German hymn tune Alle Menschen mussen sterben (All of Mankind is Mortal) by Jakob Hintze. The original form of the work was in C major with eight variations, composed for Organ. Bach, being greatly influenced by Pachelbel, later took up the melody for use in one of his Cantatas.Keith Terrett has done a great job arranging these elaborate variations of about 6 minutes in length for a Trombone quintet of advanced performers.
SKU: CY.CC2580
Stephansdom is a new composition, descriptive of the iconic St. Stephan's Cathedral in central Vienna. Ryan Diefendorfer wrote this work for the Indiana University Trombone Ensemble for Bass Trombone solo and Trombone Choir (6-part) to be performed by Carl Lenthe at the 2012 Eastern Music Festival. Ryan's work was awarded the winner of the 2012 Eastern Trombone Workshop National Composition Competition.St. Stephen's Cathedral, also known as Stephansdom, is one of Vienna's most remarkable city icons. Dating back to 1137, Stephandsom towers above the rest of Vienna's skyline and has been a constant presence in the lives of the Viennese for nearly one thousand years. Among the buildings that the Viennese find closest to their hearts, Stephansdom is certainly one of themI. GroundbreakingThe first movement depicts the troubles that St. Stephen's Cathedral had in getting its groundbreaking as a church. The opening of the piece marks the celebration of the Viennese when St. Stephen's was first constructed in 1137, during the Romanesque era. However, the church faced many issues—from being destroyed by the Babenberg Empire to being decimated by a fire—before the church began its construction in the Gothic style in 1307. The first movement depicts these struggles before resolving to an open chord.II. StefflSteffl, the nickname for Stephansdom's soaring north tower, is one of the characteristics of the cathedral that the Viennese find so endearing. This movement is very upbeat and is meant to portray the excitement shared by the Viennese for this beautiful addition to Stephansdom, which was completed in 1433. Stephansdom's north tower is the tallest structure in Vienna, and distinctly stands out within Vienna's skyline.III. 1945As World War II was coming to a close in 1945, Stephansdom's roof caught fire from a neighboring building, destroying large portions of the church. One climax occurs at m.30, which depicts Stephansdom's great bell, the Pummerin, crashing down to the ground. This movement depicts the chaotic nature of the raging fire of 1945.IV. Anton PilgrimAnton Pilgrim was the last, and perhaps most beloved, architect who worked on St. Stephen's Cathedral in the Gothic style. One of his most famous projects was the St. Stephen's organ loft, which is depicted by an opening organ-like canon. The final movement to the piece ends in a chorale-like fashion, demonstrating the Viennese's love for Anton Pilgrim, as well as Stephansdom, one of Vienna's most iconic sights.This work of 12 minutes in length is appropriate for advanced performers.
SKU: CY.CC3005
ISBN 9790530058251.
Verdi wrote his Requiem in 1874. It has been called one of the greatest operas ever because of its passion and lyricism. The exciting Sanctus movement is also an 8-part double fugue based on the inversion of the melody from Libera Me. Randall Malmstrom has done a wonderful job with his arrangement of this great piece for 8-part Trombone ensemble. The 2 1/2 minute movement is appropriate for advanced performers.
SKU: CY.CC3066
ISBN 9790530110430. 8.5 x 11 in inches.
Nuages (Clouds) is the first movement from the orchestral tryptych, Nocturnes written in 1899 and inspired by a series of impressionist paintings by the same name by James Abbot McNeill Whistler. The work is flowing and mysterious and uses the sky as the musical canvas with the slow motion of the clouds floating across with the tones of color from white to dark gray. Randall Malmstrom's unique arrangement for 8-part Trombone Ensemble uses a family of mutes (optional....straight, cup and bucket) to bring out the colors of Debussy's work of genius.
SKU: CY.CC2708
The Chorale from the Finale of Symphony No. 2 (Resurrection) by Gustav Mahler is taken from the fifth movement, lasting over an hour. The Chorale is actually a quote from the Dies Irae, which Mahler called the march of the dead. Also added in is the Resurrection theme which is almost a fanfare. This excerpt from the Symphony features the low brass which makes this arrangement by Randall Malmstrom so meaningful.For advanced performers, this work will add another dimension to your concert.
SKU: CY.CC3107
ISBN 9790530110843. 8.5 x 11 in inches.
Nimrod, the ninth variation from Elgar's masterpiece Op. 36, Enigma Variations (1898-99) is one of the most recognized works in the classical repertoire. There are so many adjectives to describe this piece of genius: stately, majestic, serious, solemn, moving, noble, languid, stoic, enduring and sublime. There are few works in the repertoire that bring forth such strong emotions as this work, which is often performed for funerals and for Memorial Day / Remembrance Day services. Mr. Malmstrom's beautifully lush arrangement is scored for 2 alto trombones (optional), 3 tenor trombones, 2 bass trombones and 1 contrabass trombone (optional). This arrangement of 3-4 minutes in length is appropriate for advanced performers.
SKU: CY.CC3111
ISBN 9790530110881. 8.5 x 11 in inches.
Symphonie Fantastique was written in 1830 as one of the first program symphonies in musical history. The March of the Scaffold is the fourth of five movements, telling the story of a drugged-induced dream where an artist who has murdered his lover is condemned to death and marched to the scaffold where he witnesses his head being chopped off by a guillotine. This arrangement for 8-part Trombone Ensemble of about 7 minutes in length by Randall Malmstrom is an arrangement of the full movement and is appropriate for advanced performers.
SKU: CY.CC3163
ISBN 9790530111338. 8.5 x 11 in inches.
Motet Furchte dich nicht, BWV 228 was certainly written for a funeral (the text comes from Isaiah), however the date of composition is not certain but likely written during his Weimar period. Mr. Sauer has done a magnificent job transcribing all six of Bach's choral motets BWV 225-230 for 8-part Trombone Ensemble. This is a major undertaking. All are very worthy additions to the Trombone Ensemble repertoire. This work for 8-part Trombone ensemble is in two movements and about 7 1/2 minutes in length. This music is appropriate for advanced performers. The top two voices have parts supplied in both alto and tenor clef.
SKU: CY.CC2710
Schubert's delightful lyrical and bouncy Scherzo from Symphony No. 9 (The Great C major) has been arranged for 8-part Trombone Ensemble by Randall Malmstrom. Arguably Schubert's greatest symphonic work, the Great C major is almost an hour in length, bursting with melody from every corner. Malmstrom's arrangement of the complete Scherzo movement really works and is appropriate for advanced performers. Be prepared for a joyous workout!
SKU: CY.CC3156
ISBN 9790530111239. 8.5 x 11 in inches.
Bach's Motet Singet dem Herrn ein neues Lied (Sing unto the Lord a new song) BWV 225 was first performed in 1727 and the text is based on Psalms 149 and 150. It is written for eight voices of two four-part choirs. Mr. Sauer has done a magnificent job transcribing all six of Bach's choral motets BWV 225-230 for 8-part Trombone Ensemble. This is a major undertaking. All are very worthy additions to the Trombone Ensemble repertoire. This work of three movements is about 13 minutes in length and appropriate for advanced performers. Mr Sauer suggests, Since a complete performance of this Motet is about thirteen minutes in length, any of the three movements may be performed separately. The top voices in each choir have parts supplied in both alto and tenor clef.
SKU: CY.CC2756
Symphonie Fantastique was written in 1830 as one of the first program symphonies in musical history. The Witches' Sabbath is the fifth and final movement tells the story of the author himself amongst a hideous gathering of sorcerers, monsters and witches who have come together for his funeral. The original melody from the first movement is now a vulgar and grotesque dance. Berlioz also combines the Dies irae melody to strike even more fear into the listener.This arrangement of about 10 minutes in length by Randall Malmstrom is a full transcription of the movement and is appropriate for advanced performers.
SKU: CY.CC3158
ISBN 9790530111277. 8.5 x 11 in inches.
Bach's Motet Der Geist hilft unser Schwachheit auf (The Spirit gives aid to our weakness) BWV 226 was composed in 1729. The Motet was written for the funeral of the blessed rector Ernesti, Professor of poetry at Leipzig University. It is written for eight voices of two four-part choirs. Mr. Sauer has done a magnificent job transcribing all six of Bach's choral motets BWV 225-230 for 8-part Trombone Ensemble. This is a major undertaking. All are very worthy additions to the Trombone Ensemble repertoire. This work for double 4-part choir of three movements is about 7 1/2 minutes in length and appropriate for advanced performers. The top voices in each choir have parts supplied in both alto and tenor clef.
SKU: CY.CC2289
Sonic Mobile by Malcolm Forsyth is a 7 minute work written in 2003 for Trombone Choir in 4 parts with some divisi, so ideally one would wish to have at least 8 performers on the parts. There are no extreme ranges, so this work is suitable for intermedi.
SKU: CY.CC5006
ISBN 9790530111000. 8.5 x 11 in inches.
Nabucco is the opera which established Verdi's reputation as a great composer and even he realized its importance as he noted this is the opera with which my artistic career really begins. iTromboni alum Kenneth Pearce and Andrew Poirier have skillfully set the Overture to Nabucco to highlight the beautiful melodies and technical flare in their arrangement for trombone quintet (2 altos, 2 tenors, bass). As in the original, it all begins with a stately trombone chorale, hints at the big melody of Va, pensiero (the great chorus of the Hebrew slaves) and reaches its energetic conclusion full of gusto! This arrangement is suitable for advanced performers and can be heard on iTromboni's debut album: there goes the neighbourhood.
SKU: CY.CC3172
ISBN 9790530111420. 8.5 x 11 in inches.
Motet Lobet den Herrn, BWV 230, for four part chorus has no known date of composition and was first published in 1821. It has a different character from the previous motets in that it was not written for a funeral and has no chorale melody, but rather a joyous Hallelujah. Mr. Sauer has done a magnificent job transcribing all six of Bach's choral motets BWV 225-230 for 8-part Trombone Ensemble. This is a major undertaking. All are very worthy additions to the Trombone Ensemble repertoire. This work for 8-part Trombone ensemble is is inspired from text drawn from Psalm 117 and is about 6 1/2 minutes in length. This music is appropriate for advanced performers. The top two voices have parts supplied in both alto and tenor clef.
SKU: CY.CC2884
Mozart's Die Zauberflöte (Magic Flute) Opera was premiered in 1791, just two months before his untimely death. The Overture was composed after completion of the Opera and includes three Trombones, adding a rich timbre to the orchestral sound.Randall Malmstrom has once again done a brilliant job arranging this great music for an 8-part Trombone ensemble (octet) of advanced performers.
SKU: CY.CC2742
Liebestod (German for Love Death) is the title of the final, dramatic music from the 1859 opera Tristan and Isolde by Richard Wagner. The music is actually an aria that Isolde sings over Tristan's dead body before she herself is consumed in death. The music is lush, with rich harmonies and undulating rhythms as the agony of death is also meshed with the passion of love.Randall Malmstrom has scored this 7-minute work for Trombone octet of advanced performers.
SKU: CY.CC2772
Finlandia is the best known work of the composer, written in 1899 as a covert protest against Russia's increasing meddling in the affairs of Finland.The 7-8 minute work is stormy, rousing and patriotic in character with a magnificent climax at the ending.The arrangement for Trombone octet by Randall Malmstrom is appropriate for advanced performers.
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