SKU: CY.CC3167

ISBN 9790530111376. 8.5 x 11 in inches.

Motet Komm, Jesu, komm, BWV 229, for double choir, was most likely composed for a funeral written in Leipzig and first performed in 1731-32. It's biblical text was written as a poem by Paul Thymich. Mr. Sauer has done a magnificent job transcribing all six of Bach's choral motets BWV 225-230 for 8-part Trombone Ensemble. This is a major undertaking. All are very worthy additions to the Trombone Ensemble repertoire. This work for 8-part Trombone ensemble is in two movements and about 7 1/2 minutes in length. This music is appropriate for advanced performers. The top two voices have parts supplied in both alto and tenor clef.

SKU: SS.50001520

Partite is a continuous--that is, connected--set of variations on the chorale melody Herzliebster Jesu, was hast do verbrochen translated in some modern hymnals Ah Holy Jesus, how has Thou offended?. The basic form of the work is rather traditional--a theme played by bass trombone preceded by an introduction and followed by a series of variations. A more fundamental aspect, however, is the shape created by a succession of moods: the introduction is questioning, or perhaps questing; the statement of the theme is quiet but troubled; the three variations following become gradually more mocking and sarcastic, but are overcome by the serene and accepting final section, which incorporates one of J.S. Bach's most moving harmonizations of the chorale. Partite was commissioned by the University of Georgia Trombone Choir, Dr. Phillip Jameson, Director. It is dedicated to the memory of Mark A. Lea. Copyright 1987.