Trumpet parts in both B flat and E flat simplified piano part and a free CD including piano backing tracks and orchestral performance extracts.Johann Nepomuk Hummel (1778-1837) composed this concerto in 1803 for the keyed trumpet which had been developed by Anton Weidinger (1767-1852). Weidinger gave its first performance on New Year's Day 1804. Originally composed in the key of E it is more commonly played in Eb. The keyed trumpet was the first type of trumpet which could play chromatically but the invention was not a huge success: it suffered from a poor quality of sound. In the early 19th century the invention of the valve rendered the keyed trumpetobsolete.This edition is intended to be more user-friendly than the others currently available: there is a much easier (and dare I say more stylistic) piano accompaniment - any doubling of the solo part has been removed voicing simplified and my premise has been to imagine what it might have been before it was orchestrated rather than trying to cram in every last piece of orchestral detail.Suggested cuts in the piano part have been indicated giving a short introduction to each movement perfect for auditions recitals or exams. However the bar numbers still tally with the longer original versions which are included should they be required. The dynamics and articulation which I have added incorporate the weight of opinion in current editions and recordings offering more guidance than 'scholarly' editions without being overprescriptive.There is an appendix with suggested interpretation of trills and ornaments. Listening to as many different recordings as possible is the best way to assimilate good trills.The accompanying CD provides piano accompaniments and observes the suggested cuts. See page 38 for full track listing. There is free software available online (eg. speedshifter on the ABRSM website) which enables you to change the speed of a CD should you wish to practise slower or indeed faster.The Hummel

arranged for Trumpet and Piano-Classical Highlights presents the best known and most popular pieces from the classical repertoire in arrangements for solo instrument with Piano accompaniment. This wide-ranging selection of music provides an introduction to classical masterpieces by Handel and Bach to Schubert Mendelssohn Schumann and Wagner and then to Faure Elgar Debussy and Satie. Anyone looking for additional material for advanced instrumental tuition for audition pieces or encores to play at concerts will find this a treasure trove of highlights from the classical repertoire.

Ausgewählte Werke für den Junior- und D1-Bereich. Par RAE / GEORG PHILIPP TELEMANN / HOOK / JOHANN SEBAS. Starke Töne ist eine Sammlung, die in Zusammenarbeit mit der Bläserjugend des Bundes Deutscher Blasmusikverbände (BDB) entstanden ist. Die Sammlung enthält eine Auswahl der beliebtesten Titel aus den Literaturlisten zum Jungmusiker-Leistungsabzeichen Bronze (D1) bzw. Junior. Die Vorteile liegen dabei klar auf der Hand: Die Instrumentalisten sparen mit diesem Buch nicht nur wertvolle Vorbereitungszeit, sondern auch bares Geld, denn wer fruüher mehrere Hefte anschaffen musste, hat mit Starke Töne bereits das Beste in einem Band versammelt. Somit befriedigt diese Ausgabe eine lang bestehende Nachfrage. In jeder Ausgabe ist jedes Stuück mit einerKlavierbegleitung notiert; urspruüngliche Solostuücke wurden eigens mit einer neu komponierten Begleitung versehen. Der Klavierpart ist in der Regel einfach bis mittelschwer, sodass die Begleitung auch von fortgeschrittenen Klavierschuülern uübernommen werden kann. Ein großer Vorteil fuür die Vorbereitung auf die praktischen Leistungspruüfungen ist die jedem Heft beiliegende CD, welche die auf einem echten Konzertfluügel aufgenommenen Klavierbegleitungen enthält. Neben Einspielungen im Originaltempo sind die meisten Stuücke zum leichteren Einstudieren auch in einer weiteren Version im langsameren Tempo zu hören. Mit Starke Töne ist in Zusammenarbeit mit dem BDB eine wertvolle Sammlung fuür alle Blasinstrumente und Klavier sowie fuür Schlagzeug entstanden, die selbstverständlich auch unabhängig von den Leistungsabzeichen das Unterrichts- und Vortragsrepertoire fuür jede dieser Besetzungen bereichert. / Niveau : Facile / Recueil / Trompette et Piano

Now Trumpet players can enjoy the popular mix of imaginative and idiomatic arrangements and original pieces with a new collection of repertoire for grade 4–6 level players edited selected and arranged by Deborah Calland. Concert Repertoire For Trumpet includes dances such as Danse Bacchanale (Saint-Saens) classics such as Nimrod from Elgar’s Enigma Variations and the theme from Gershwin’s Rhapsody in Blue - there's something here for every occasion.

12 Famous Operatic Melodies-Deborah Calland composer of Top Brass has chosen twelve classic opera tunes and skilfully arranged them for Trumpet and Piano to make Onstage Brass. Styles and moods vary from the serenity of Gluck's Che farò senza Euridice to the impassioned Toreador's Song by Bizet. With Mozart Verdi and Wagner well represented this anthology will prove a must for all Trumpet players especially those at intermediate level and pianists who are of comparable standard.

For Trumpet and Orchestra - Piano Reduction-Alexander Arutiunian's Theme And Variations for Trumpet and Orchestra. Piano reduction.'Born on September 23 1920 in Yerevan Armenia Alexander Arutiunian (Harutunyan) graduated from theKomitas Conservatory in Yerevan with degrees in both composition and Piano. He later continued his studies at the House of Armenian Culture (Moscow 1946-48) under Litinksy Peyko and Tsukkerman.His music has been awardednumerous prizes including the Armenian state prize the Alexandrov Gold Medal and the State Prize of the USSR. In 1970 Arutiunian was made a People's Artist of the USSR and in 1983 because of the success of his music in theUnited States he was awarded the 'Orpheus' diploma.Arutiunian's music covers a wide range of styles and idioms including opera numerous vocal works and a large body of instrumental compositions. Much of his music is verylyrical in nature influenced by folksongs and peasant music. One of his better known instrumental compositions the Concerto in Ab (1950) for Trumpet and Orchestra has long been a standard in the solo Trumpet repertoire.' -Alan H. Siebert

Georg Philipp Telemann's Trumpet Concerto In D arranged here for Trumpet with Piano accompaniment. Edited by Karl Grebe.

For Trumpet And Piano-This Sonata by John McCabe was commissioned by Simon Debruslais and derives its underlying material from William Byrd’s motet 'Haec Dies' from his 1591 collection of Cantiones Sacrae. An outline of the motet is “hidden” within the texture of the music but never stated directly. The Sonata employs that beautiful instrument the Flugelhorn (beloved of Vaughan Williams and Miles Davis) for the first two main sections switching to D Trumpet (familiar from Baroque music) for the final part which is faster than the earlier ones. The first section is moderately-paced and obsessively circles around particular intervals notably parallel ornear-parallel fifths (possibly my revenge on the academic world). The middle part of the work is slow framed by very brief scherzando trio-like sections. The piece lasts about 17 minutes.