Le chant tendre et nostalgique du début apparaît dans une atmosphère profondément paisible et lumineuse. Ce thème unique et omniprésent dans l'oeuvre, porté par des harmonies chaleureuses, ne cesse de s'élever, désespéré, jusqu'à atteindre un poignant climax.Les portes d'une musique céleste s'ouvrent alors, les instruments restent suspendus dans le registre aigu tandis qu'un violon (ou le piano dans la présente réduction), Ange consolateur, s'introduit dans le discours.Le chant se tend ensuite et évolue dans une ambiance tragique et noire. Les tempi s'accélèrent, la trompette s'anime nerveusement jusqu'à ce que le chant, éclatant et victorieux, s'énonce en valeurs longues. Le Chant de l'âme se réduit alors à un simple glas, évoquant une trompette marine, et abandonne à l'orchestre l'énoncé ultime du thème.Loeuvre se clôt dans un climat de félicité qui contraste avec l'atmosphère précédente afin de dissiper les sentiments et les éléments musicaux. / Trompette Et Orchestre

Par FAURE GABRIEL. The Trumpet?s powers of expression are not limited to the pompous accents and ringing tones of the Triumphal March of Verdi?s Aida. To all doubters, we strongly recommend opening Volume 2 ofMélodies Et Pièces Diverses by Gabriel Fauré, transcribed for Trumpet and Piano by internationally acclaimed soloist Guy Touvron. In this volume,gentleness and express­iveness prevail. With its slow tempo and dolce opening indication, the well-known melody Après un rêve floats a legato song that goes straight to the heart, asdoesTristesse with its fluid, subtle melodic gesture. While Le Papillon et la Fleur still bow to the aesthetics of the romance, the Absent (also based on Hugo?s verse) erects a vast dramaticnarrative with very simple means. Au Cimetière completes this selection of melodies that is enhanced by two originally instrumental pieces, the Berceuse Op. 16 for Violin and Piano and the Romance sansparoles No. 3 for Piano. Faithful to the Faurian spirit as defined by Jankelevitch, these transcriptions ?whisper into the ear of those who deserve to hear?. / Date parution : 2022-02-26/ Recueil / Trompette et Piano

Par HOOK JAMES. Une contribution pour rendre la musique de la période classique accessible à la trompette : Les pièces et sonates de James Hook (1746-1827) de difficulté moyenne, arrangées par Kristin Thielemann, sont particulièrement adaptées aux leçons ainsi qu'aux représentations et aux concours tels que 'Jugend musiziert'. Certaines des chansons de Hook ont été arrangées comme pièces instrumentales et peuvent servir d'introduction à ce répertoire. Les joueurs plus avancés peuvent se lancer dans les sonates. En plus de la Sonate op. 99/3, souvent jouée, des sonates moins connues deviennent intéressantes pour la trompette en choisissant des tonalités bien placées. Toutes les pièces ont été enregistrées par Prof. Reinhold Friedrich (trompette) et Eriko Takezawa (piano) en version intégrale et en version playback. / Niveau : Facile à Intermédiaire / Recueil / Trompette en Sib et Piano

Trumpet and Piano with Online Accompaniments (Score and Solo Part). 12 songs from from the beloved musical arranged for solo instrumentalists with online accompaniments available for download or streaming. Selections include: At the End of the Day · Bring Him Home · Castle on a Cloud · Do You Hear the People Sing? · Drink With Me (To Days Gone By) · Empty Chairs at Empty Tables · I Dreamed a Dream · A Little Fall of Rain · On My Own · Stars · The Thénardier Waltz of Treachery · Who Am I?

Hummel who early in his career became well-known in Vienna as a brilliant pianist studied with Mozart Albrechtsberger Salieri and Haydn and soon earned a high reputation as a composer. His style of composition derived from the classical precepts of his teachers: Mozart's influence is clearly discernible even in his later years. However as time progressed Hummel adopted elements from the emerging romanticism of the day and increasingly turned to a highly figurative style with a level of virtuosity which though appealing in its brilliance often served as an end in itself. Historically his piano music bridges the gap between that of Mozart and Chopin forming a transitionbetween the classical tradition and the fashionable style of the musical salon.The Concerto For Trumpet And Orchestra dates from quite an early period in Hummel's career and was composed in 1803. In its three-movement design its formal layout and its melodic and harmonic workmanship the work still lies fully within the bounds of the classical tradition. This edition for Trumpet and Piano has been arranged by Martin Focke and the Solo Trumpet part which is also included on a separate insert has been edited by Joachim Pliquett.Note that the original key is in E major and that this version has been transposed down a half-tone as to make the piece performable on a B-flat trumpet.

Christopher Norton's acclaimed Microjazz has won worldwide popularity with teachers and players alike for its stimulating blend of contemporary popular genres and classical values. The Microjazz Trumpet Collection 1 is a set of brand-new easy pieces in popular styles such as jazz, blues, rock and reggae, arranged in progressive order of difficulty. Microjazz is the world famous series of pieces based on classical technique yet using popular contemporary styles. Microjazz helps you develop musicianship and technique through the familiar sounds and styles of popular music. It is this unique combination of modern genres with traditional technique that has made Microjazz an international success with teachers and players, and one of the most widely used educational series ever published. New technology brings Microjazz alive and adds an exciting interactive dimension to practice and performance. Based on classical technique, Microjazz is great way to introduce rhythm and develop co-ordination skills whilst being fun for all ages and standards. A great motivator for the reluctant student, the pieces are equally effective on acoustic or electronic instruments. Content : Simple Pleasures Regretfully Yours Bold as Brass Argentina and Back Football Game Simplicity Itself For the King Trumpet Blues Rainy Day Steady State Straighten Your Tie Metal Instrument A Cheery Wave Five-a-Side -Eating Alone Marching Together Trumpet Serenade Changing Times The Beat Goes On Enterprise Culture

Medium / Slightly Difficult. This colourful collection of pieces draws its inspirations from a variety of art works ranging from a gentle Parisian waltz Ball at the Moulin de la Galette inspired by the artist Renoir; an atmospheric night piece Nocturne in Blue and Gold by Whistler; a bright dazzling Winter Landscape with Skaters by the Dutch painter Avercamp; the Baroque brilliance of A Choir of Angels by the 15th Century painter Marmion; and two cool jazzy works Marilyn Diptych by pop artist Andy Warhol and Walking Man a powerful elongated sculpture by Giacometti which is in five time.The final and most challenging pieceOvercoming Red is inspired by the abstract artist Rodchenko who asserted in 1921 that the 'end of painting' was imminent; an appropriate choice for the concluding work of the picture gallery. Something for all tastes and abilities.

Trumpet parts in both B flat and E flat simplified piano part and a free CD including piano backing tracks and orchestral performance extracts.Johann Nepomuk Hummel (1778-1837) composed this concerto in 1803 for the keyed trumpet which had been developed by Anton Weidinger (1767-1852). Weidinger gave its first performance on New Year's Day 1804. Originally composed in the key of E it is more commonly played in Eb. The keyed trumpet was the first type of trumpet which could play chromatically but the invention was not a huge success: it suffered from a poor quality of sound. In the early 19th century the invention of the valve rendered the keyed trumpetobsolete.This edition is intended to be more user-friendly than the others currently available: there is a much easier (and dare I say more stylistic) piano accompaniment - any doubling of the solo part has been removed voicing simplified and my premise has been to imagine what it might have been before it was orchestrated rather than trying to cram in every last piece of orchestral detail.Suggested cuts in the piano part have been indicated giving a short introduction to each movement perfect for auditions recitals or exams. However the bar numbers still tally with the longer original versions which are included should they be required. The dynamics and articulation which I have added incorporate the weight of opinion in current editions and recordings offering more guidance than 'scholarly' editions without being overprescriptive.There is an appendix with suggested interpretation of trills and ornaments. Listening to as many different recordings as possible is the best way to assimilate good trills.The accompanying CD provides piano accompaniments and observes the suggested cuts. See page 38 for full track listing. There is free software available online (eg. speedshifter on the ABRSM website) which enables you to change the speed of a CD should you wish to practise slower or indeed faster.The Hummel

There is a dearth of short romantic Trumpet pieces of intermediate grade that challenge and inspire players who already feel secure both in their technique and powers of interpretation. The reissue of Legend by R. Orlando Morgan (1865 1956) will therefore be greatly welcomed as music enriched by the passionate harmonies of Tchaikovsky and even of Wagner in an idiom that is graceful and sure. Though largely forgotten the composer was one of many whose artful command of classical styles earned them respect in their lifetimes neglect thereafter on account of changing fashions and now with yet another swing of the pendulum of taste the chance forre-evaluation today.

18 Leichte Stücke Für Den Frühen Beginn. Par RAE JAMES. Child's Play by James Rae provides the simplest possible little performance pieces for trumpet, almost from a pupil's first lesson. These pieces couldn't be easier and still have a tune, yet the clever piano accompaniments provide support and interest and make them great fun to perform. Mostly original pieces, sprinkled with some old favourites, they introduce new notes, one at a time, in the same order as will be found in most standard teaching methods. The very youngest pupils can download cartoons to colour in (as a reward for practising, of course!) and, when this book is finished, James' Debut Series awaits them, with more fun tunes and the chance of playing duets with their friends./ Méthode / Trompette et Piano

26 songs from 15 Ghibli cinemas arranged for solo trumpet and piano.
1. Nausicaa of the Valley of Wind - Opening Theme
2. The Girl Who Fell From the Sky
3. Doves and the Boy
4. My Neighbor Totoro
5. Hey Let's Go
6. Cat Bus
7. The Path of the Win
8. A Town with an Ocean View
9. on a Clear Day
10. Departure
11. Starting the Job
12. The Theme of Marco and Gina
13. Le Temps des cerises
14. Princess Mononoke
15. The Legend of Ashitaka
16. Ashitaka and San
17. Always with Me
18. Reprise
19. Merry-Go-Round of Life
20. Therru's Song
21. Ponyo on the Cliff by the Sea
22. Arrietty?s Song
23. Summer of Farewells - From Up On Poppy Hill
24. Hikoukigumo(Vapor Trail) 25
25. Fine on the Outside
/ Partitions variété - pop - rock / Musique films - comédies musicales / / ZEN-ON

Elgar Howarth’s Concerto for Trumpet and Orchestra has been arranged for Trumpet with Piano accompaniment by Martin Harvey. The new Piano reduction cleverly compensates for the extendedpassages of untuned percussion in the original accompaniment adding yet another dimension to this exciting and volatile work. Elgar Howarth (b. 1935) is one of the foremost Brass musicians in Britain today; highlyregarded as a performer conductor composer and teacher. He was born into the northern Brass Band heritage and studied at the Royal Manchester College of Music (now the RNCM). He played the Trumpet at the Royal Opera House andthe Royal Philharmonic Orchestra while also conducting and composing for several Brass Bands most notably the Grimethorpe Colliery Band. He has since written extensively for solo Brass instruments and continues to teach theTrumpet at the Royal Academy of Music.

Finished in 1948 the Concerto for Trumpet and Orchestra was composed by the French composer conductor and the 1927 winner of the Grand Prix de Rome Henri Tomasi (1901-1971) and lasts approximately 14 minutes. Dedicated to the Trumpeter Ludovic Vaillant soloist at the National Orchestra the Concerto for Trumpet and Orchestra was premiered in Paris in 1949. The first part which lasts 7 minutes Allegro and Cadenza begins with a trumpet cadenza and a quiet snare drum background. The Nocturne follows as the second part of this Concerto and the Finale the shortest part of the concerto ends up with acheerful cartoon-music theme. Henri Tomasi also composed a variety of concerti for Alto Saxophone and for Trombone as well as some ballades.

'Play Ballads' offers the intermediate trumpeter the inspirations of some of the greatest exponents of the ballad form. It includes great arrangements of popular classics such as Elton John's 'Your Song' Lionel Ritchie's 'Hello' alongside original compositions by John Kember. This volume gives young trumpet players the opportunity to play well known tunes at a reletively early stage. These are perfect pieces to play for end of term concerts or just for fun.

Joby Talbot's Trumpet Concerto Desolation Wilderness was commissioned by the Turku Philharmonic Orchestra and the Royal Liverpool Philharmonic Orchestra. First performed on 28th October 2006 by the Royal LiverpoolPhilharmonic Orchestra at The Philharmonic Hall Liverpool with Alison Balsom (to whom the work is dedicated) as soloist and JoAnn Falletta conductor. The Turku Philharmonic Orchestra gave the Finnish premiére performances on23rd and 24th November 2006.The Piano reduction of Desolation Wilderness includes Trumpet parts in B flat and C. (Suitable for advanced players).'In Early November 2005 my family and some friends visited thehigh Sierra Nevada in Northern California. As on former trips to the area I was struck by the strange and disarming contrast between the bright sunshine perfect blue sky and warm mountain air of the Sierran autumn; and theoccasional icy chill - sudden drops of temperature when the sun vanished behind the mountains momentary glimpses through the trees of distant snow clouds over the highest peaks. Nowhere was this dichotomy more apparent than inthe vast area of forests lakes and mountains known as Desolation Wilderness. Here the twisted shapes of the aspens are testament to the destructive power of winter. Sure enough that night the first snows fell and the highmountain passes we'd just crossed were closed till spring.