Par MITCHELL HAROLD. Mitchell on Trumpet is revered by educators around the globe and stands unequalled by any other published approach for trumpet. This proven curriculum will guide any ambitious student on a path towards performance excellence. It takes you from the beginning to the extreme limits of the horn through a gradual progression of 82 balanced lessons developing your range from low F-sharp to G above high C. Mitchell on Trumpet - Book 2 continues this exciting journey with Lesson 27 and introduces many advanced concepts while extending the student's range to High C. The exercises and studies cover all phases of playing with the ultimate goal of acquiring and maintaining a strong flexible embouchure. Los Angeles studio pro, Chris Tedesco, will guide you through selected excerpts from all 19 lessons (#27 through #45) by playing, demonstrating, and encouraging the student from start to finish on the included audio CD. Pappy often said, 'Perfect practice makes perfect, careless practice makes mediocrity, and no practice makes nothing.' Since every individual has their own unique set of strengths and challenges, the time necessary to devote to studying this method will vary from student to student. The important thing is to establish a structured schedule that is appropriate for you. There are countless professionals, educators, and performers who claim that Mitchell on Trumpet is the most complete trumpet method ever written. The student who completes Mitchell's Method will be among a select few who possess the endurance, technique, and flexibility needed to conquer any obstacle that they may encounter in any musical passage ever written for trumpet. This Book 2 and all that follow are dedicated to Harold's son, Ollie Mitchell for his tireless pursuit to see his Pappy's work available for many future generations of aspiring trumpet players. Ollie touched so many lives, but sadly, was peacefully reunited with his Pappy when he passed away at home surrounded by family and friends on May 11, 2013. Harold Mitchell lived during a time when musicians played a vital role in popular entertainment. It was a nostalgic era of live performances in music & theater. Mitchell on Trumpet is the culmination of Pappy's life's work and still remains today as the only complete course ever written for learning to play the trumpet./ Méthode / Trompette

The John Wilbraham Method-ISBN 0 85249 860 8Probably the most important book on the subject to have appeared in recent years Sound the Trumpet encapsulates the musical philosophy of John Wilbraham one of the 20th-century???s most eminent and colourful trumpet players and teachers. Matthew Booth himself a former student explains how knowledge of Wilbraham???s unique insights into the art and craft of playing the instrument can benefit all performers whether beginners or professionals. Drawing his teacher???s witty sayings and pithy technical analyses into a comprehensive system he has produced a complete and indispensable guide to mastery of the trumpet amounting to nothing less thanthe 'Wilbraham Method???.

very easy arranged-This collection of the most beautiful spirituals and gospels leaves nothing to be desired. All melodies are set in very easy arrangements for beginners and can be played on various occasions be it at home at school or in an ensemble. The arrangements can also be played with an additional second part.Content: Down by the Riverside Glory Hallelujah Go down Moses O happy day Rock my soul He’s got the whole world in his hands Nobody knows the trouble I’ve seen Swing low and many more.

Level: easy / advanced Format: English / French / German Embouchure building Studies Elementary Intermediate Advanced High register training In the 17th century there were no studies in the modern sense of the word. Of J. S. Bach, however, we know that he wrote pieces of a study nature for his pupils, indeed he made them spend months, and in his own words preferably years, practising exercises for touch at the keyboard, that is, daily finger exercises, on the principle: There is little point in getting fit if you do nothing to stay fit. From this point of view, relating it to our instrument and to the lips, you ought to look at the following embouchure-building studies. They are not intended as warm-ups, although that term is quite appropriate for some of these exercises. Taken together they serve to build the muscles, rather like an athlete's training. Like him, we too must increase our capacity gradually. The muscles and organs involved adapt to the greater workload, but only if the increase proceeds systematically and rationally. Try to complete the full distance of each study, gradually reducing the time, like a long-distance runner. Adding one exercise, or at most three, according to the difficulty, to your daily workload will be enough. You should only start further exercises when you have fully mastered the preceding ones according to the directions in my embouchure method and have reached a satisfactory standard in rhythm and sound. The deliberately simple fingerings make it easier to check the actions of the diaphragm, the lips, and the tongue inside the mouth cavity. Form a mental picture of their movements and compare yourself constantly to an artist whose principle is: There are no secrets, at best some small tricks, which can be learned.

Une collection unique de quatre-vingt-huit les meilleures chansons jazz jamais rassemblés en un seul volume arrangé pour la ligne de la mélodie et le piano avec boîtes de corde de guitare. Inclut Ain't Misbehavine, fille d'Ipanema du corps et âme, une journée brumeuse, toutes les choses vous êtes, Birdland, que Rainy Day Voici, The Lady est un clochard et beaucoup plus. / Trompette Et Piano

Instrumental Play-Along-This unique collection features twelve songs for solo instrumentalists from the legendary hard-hitting metal band.Now many instrumentalists can play their favourite Metallica songs. Each soloist is supported by great backing tracks.

Par WEDGWOOD OLIVER. Junior Songscape: Children's Favourites is the perfect resource for infant and lower primary school singing, carefully selected and arranged by Lin Marsh. A timeless collection of 20 best-loved children's songs. Includes suggestions for adding movement, by experienced choreographer Wendy Cook. Ideal for bringing confidence and fun to classroom singing, with vocal ranged carefully considered for Key Stage 1 (Scottish P1-2) voices. Keyboard accompaniments are well within the grasp of Pianists of moderate ability. 2 CDs include complete performances of all the songs, plus backings ideal for rehearsals orperformance. Lyrics included on enhanced CD for easy printing/projection./ Recueil / Trompette