Trumpet Play-Along Volume 6-With the Trumpet Play-Along Series you can learn to play your favourite songs on the Trumpet quickly and easily. Just follow the printed music listen to the included sound-alike recordings and hear how the Trumpet should sound and then play along using the separate backing tracks. This volume includes 8 Miles Davis favourites: Airegin Bye Bye Blackbird Doxy E.S.P. Half Nelson Move So What and Summertime.

The music featured in this folio part of a continuing series of books covering the music of the legendary trumpet player/composer consists of original Davis compositions from three different periods. Miles was signed to the Prestige label in the '50s and many of the recordings he made for that label were recorded after Miles had already signed a contract with Columbia Records. There were a number of marathon sessions made to finish out the Prestige agreement. Most of the resulting recordings are regarded as classics today and such tunes as 'Green Haze' and 'Tune Up' are favorites among jazz musicians young and old. Davis' Columbia recordings of 1958-59are prized for the excellence of the material the solos of Cannonball Adderley John Coltrane Wynton Kelly and Bill Evans and the beauty of the recording quality. Kind of Blue included such gems as 'Blue in Green' 'So What' and 'Freddie Freeloader'. Not only is Kind of Blue one of the best-selling albums of all time it kick-started the new jazz shich stressed modes and scales rather than chords. Miles led another legendary quartet in the early '60s with Wayne Shorter Herbie Hancock Ron Carter and Tony Williams. 'Circle' and 'Agitation' became part of the group's active repertoire. The level of soling was consistently excellent and the quartet's appearances at clubs and concert halls were usually sold out.

The Trumpet Omnibook features transcriptions of solos as played by some of the world's leading jazz artists, including Dizzy Gillespie, Nat Adderley, Clifford Brown, Freddie Hubbard, Arturo Sandoval and others. Hi-Fly (Nat Adderley)Work Song (Nat Adderley)Rise (Herb Alpert)La Vie En Rose (Take Me To Your Heart) (Louis Armstrong)West End Blues (Louis Armstrong)Willow Weep for Me (Louis Armstrong)Comin' On (Chet Baker)There Will Never Be Another You (Chet Baker)Riverboat Shuffle (Bix Beiderbecke)Royal Garden Blues (Bix Beiderbecke)Falling in Love with Love (Randy Brecker)Cherokee (Indian Love Song) (Clifford Brown)Parisian Thoroughfare (Clifford Brown)Pent Up Horses (Clifford Brown)Seven Steps to Heaven (Miles Davis)So What (Miles Davis)After You've Gone (Roy Eldridge)Rockin' Chair (Roy Eldridge)Whisper Not (Art Farmer)Birdland (Maynard Ferguson)Cruisin' for a Bluesin' (Maynard Ferguson)A Night in Tunisia (Dizzy Gillespie)Salt Peanuts (Dizzy Gillespie)A String of Pearls (Bobby Hackett)Dewey Square (Roy Hargrove)The Nearness of You (Roy Hargrove)Strasburg St. Denis (Roy Hargrove)Invitation (Tom Harrell)When the Saints Go Marching In (Al Hirt)Byrd Like (Freddie Hubbard)Cantelope Island (Freddie Hubbard)Witch Hunt (Freddie Hubbard)Concerto for Trumpet (Harry James)Donna Lee (Ryan Kisor)Take the ?A? Train (Ryan Kisor)Feels So Good (Chuck Mangione)Delfeayo's Dilemma (Wynton Marsalis)What Is This Thing Called Love? (Wynton Marsalis)Ceora (Lee Morgan)Locomotion (Lee Morgan)Eb Pob (Fats Navarro)Nostalgia (Fats Navarro)Weather Bird (Nicholas Payton)Hot House (Arturo Sandoval)It's Only a Paper Moon (Jack Sheldon)Wild Man Blues (Rex Stewart)Mack the Knife (Clark Terry) / Trompette / Hal Leonard

As playing funk styles is a passion of Andrew?s he has written this instructional book ?100 Ultimate Soul Funk and R&B Grooves? based on the influences of the great Funk Soul and R&B artists such as: James Brown Herbie Hancock The Crusaders Average White Band Marvin Gaye Miles Davis Stevie Wonder Parliament Ramsey Lewis Booker T and The MG?s MFSB Billy Preston etc. Besides the afore-mentioned styles Andrew has also added a few grooves that are Afro-Caribbean such as: Latin Reggae and Calypso. Each of the 100 grooves have been recorded with the Trumpet part playing along with a rhythm section of guitar bass drums keyboards and in many of the grooves percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks. Percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.percussion. There is also a three mi

Trumpet Edition. Par CHRISTIANSEN COREY. Saxophonist John Coltrane was one of the most innovative, creative, and influential jazz artists of the 20th Century. Both stylistically and harmonically, he opened doors for others to follow. This book will focus on the first period of Coltrane's career, when he was with Miles Davis, and the jazz vocabulary he used. First, to help the student better understand Coltrane's bebop style of improvising, the authors discuss the use of guide tones, bebop scales, three to flat nine, targeting, and other techniques. Then the text presents numerous one-, two-, and three-measure jazz lines in Coltrane's style grouped by the harmony over which they can be used. The accompanying play-along CD provides the rhythm parts for each section, including a track for each section that modulates through the cycle of fourths, helping you master the phrases in all keys. By combining various lines, musicians will be able to mix and match numerous combinations of these lines to play over ii-V-I progressions, turnarounds, and other harmonic situations. Incorporate these essential jazz lines into your vocabulary and you will be able to create your own lines in the style of John Coltrane. / Niveau : Intermédiaire / Jazz - Improvisation / Recueil / Trompette

Trumpet Edition-Saxophonist John Coltrane was one of the most innovative creative and influential jazz artists of the 20th Century. Both stylistically and harmonically he opened doors for others to follow. This book will focus onthe first period of Coltrane's career when he was with Miles Davis and the jazz vocabulary he used. First to help the student better understand Coltrane's bebop style of improvising the authors discuss theuse of guide tones bebop scales three to flat nine targeting and other techniques.Then the text presents numerous one- two- and three-measure jazz lines in Coltrane's style grouped by the harmony over whichthey can be used.The accompanying play-along CD provides the rhythm parts for each section including a track for each section that modulates through the cycle of fourths helping you master the phrases in all keys. Bycombining various lines musicians will be able to mix and match numerous combinations of these lines to play over ii-V-I progressions turnarounds and other harmonic situations. Incorporate these essential jazz lines into yourvocabulary and you will be able to create your own lines in the style of John Coltrane.

10 great studies in the style and language of bebop. Par SNIDERO JIM. The Essence of Bebop est la nouvelle série du saxophoniste new-yorkais Jim Snidero, acclamé par la critique. The Essence of Bebop révèle le c?ur et l'âme de ce style de jazz révolutionnaire et constitue le premier véritable « manuel » pour maîtriser le bebop. Les 10 études bien jouables sont inspirées de Miles Davis, Charlie Parker, Hank Mobley, Horace Silver, Dizzy Gillespie et bien d'autres et offrent une base unique d'étude et d'analyse. Des aperçus historiques ainsi que des recommandations d'écoute et de lecture font de cette édition un élément indispensable de la formation en jazz./ Etude / Trompette

Les Giants de série Jazz est conçu pour fournir une méthode pour étudier, d'analyser, en imitant et en assimilant les aspects idiosyncrasiques et générales des styles différents géants du jazz. Le livre Davis offre de nombreuses transcriptions, plus discographie, des données biographiques, la liste des innovations, généalogie, bibliographie et commentaires. / Trompette

This series of graded albums providing a wealth of jazz repertoire. It contains well-known tunes in accessible arrangements and new pieces specially commissioned from top jazz musicians and educators. The CD with each album provides 'minus-one' backing tracks as well as recordings of full performances.