Four movements for trumpet and organ after Marc Chagall-Windows.Four movements for Trumpet and Organ after Marc Chagall.Fine art has always been a prominent source of inspiration for Petr Eben (1929-2007). Chagall's stained-glass windows for the synagogue in Jerusalem gave an impulse for the four movements for Trumpet and Organ commissioned by the city gallery in the West Bohemian town of Cheb. The author commented on his choice of instruments: 'The solemnity of the large panes of stained glass made me imagine the sound of the Organ and the intensity and brilliance of the sheaves of bright colours called for the shrill tone of the Trumpet.'Eben combines the two instruments in anoriginal manner: both parts retain a great deal of independence progressing in their own rhythmic patterns intersecting in places. The modal composition typical of Eben's method is confronted here with atonality enabling the final unison of the two instruments to sound with a monumental effect.Since its origin in 1976 Windows has been one of the most frequently performed pieces by the composer. The individual movements of the cycle are named after colours: The Blue Window The Green Window The Red Window and The Golden Window. The Organ part was revised by Milan Slechta the Trumpet part by Ladislav Kozderka.

Canadian Brass Solo Performing Edition. These new Canadian Brass Solo Performing Editions feature trumpet parts piano reduction accompaniment and a fantastic CD featuring two tracks: a full recording by Canadian Brass trumpeterRyan Anthony plus an accompaniment-only track for play-along practice. Includes two score inserts for the trumpet part: one for E-flat trumpet the other for B-flat trumpet.

Music Minus One Trumpet-This volume 3 of the Signature Series will lean towards a jazzier concept than the previous volumes and to set that tone I chose Lullaby of Birdland as the first song! And who better to place in that #1 position than Mel Torme as the singer associated with George Shearing's jazz classic! I had the pleasure of playing with the Velvet Fog in a very memorable jazzy setting. It was in the 1960s and Mel did a two week engagement at NYC's Basin Street East with the Marty Paich Dektette Band. Let's go forward to the 21st century to my play-along version and a few guidelines on how to approach it. There are actually three approaches. First as the trumpet soloist then playing the unisonline with the horns and finally as a lead player on top of the little big band. Our next song When I Fall in Love was one of Nat Cole's many huge hits. It's a song I play often on my jazz gigs. Here's a very lush arrangement for you to explore the low and high register of the hrons meaning flugelhorn for the first chorus and trumpet for the out chorus. Notice that I hug the melody only adding ornaments here and there and a modest amount of embellishments. Please focus on the subtleties and nuances in phrasing which can't be complete captured with notation. Listening with the intention of acquiring these skills is the proper mind-set. -Bob Zottola. This edition includes: a high-quality engraved printed edition of the transcribed note-for-note trumpet solo part printed on easy-to-read paper a compact disc containing the complete perofrmance of each piece in digital stereo followed by a second digital stereo version minus the soloist. Songs include: Days of Wine and Roses Ev'ry Time We Say Goodbye God Bless the Child Lullaby of Birdland Steppin' Out with My Baby When I Fall in Love Why Don't You Do Right? You Don't Know Me.

(2008 2012) Playing scoreFor trumpet in B-flat or CThe composer writes about his trumpet piece: ?Shining Forth? is a reference to a work created by Barnett Newman in 1961. It is a very strict graphically inspired picture with economical black lines on untreated canvas. It is a homage an 'obituary' a requiem for Barnett Newman's brother whose Hebrew first name is Zerach which means 'to rise' (of the sun). In recent years the trumpet has taken on a special role and importance for me both in chamber music and in orchestral works or in a double concerto for two trumpets. It was time to create a solo piece for this instrument. The music is very introspective in places almoston the edge of tonelessness and lapsing into silence a shrill (out)cry picks out the theme of the loss of a loved family member.'

Soloist: Ryan Kisor, trumpet A new and exciting way for trumpet players to learn and practice basic jazz style. This book/CD set features 15 solo etudes based on blues and standard chord progressions, demonstrated by Ryan Kisor on trumpet along with a world-class rhythm section: Mike LeDonne, piano; Peter Washington, bass; and Kenny Washington, drums. The recording features two separate versions of each etude: one with the soloist and rhythm section and one with the rhythm section only. See and hear how the soloist phrases, play with or without the soloist on the CD and learn basic jazz style first-hand.

Bernard Fitzgerald's trumpet solos and transcriptions are standards in the trumpet repertory and are consistently performed at festivals, auditions and recitals throughout the world. This collection contains: Allegro (Vivaldi) * Aria (Bist du bei mir) (Bach) * Aria con Variazioni (Handel) * Bach Suite * Introduction and Fantasy (Fitzgerald) * Scarlatti Suite * Sonata VIII (Corelli). Graded for levels two through five.

Become the featured soloist on twenty specially recorded arrangements of some fantastic hit songs from past and present!Part of the hugely successful Take The Lead series this bumper edition gives you the opportunity to learn songs as diverse as Angels by Robbie Williams and Gershwin\'s Fascinating Rhythm arranged as accessible Trumpet solos with Guitar chord symbols. The music is complete with two CDs - a set of full professionally recorded backing tracks and a disc of demonstration performances that will help you learn the songs.Take The Lead is an integrated series for Alto Sax Clarinet Flute Trumpet and Piano. In eachedition all the songs are in the same concert pitch key so the different instruments can play together - ideal for school groups and ensembles.

Par POE LARA. The name of Lara Poe?s solo trumpet work Triton (2019) alludes both the sea god Triton and the shell named after him. The 6?30?? long piece is constructed of two types of material: the combination of a fanfare like trumpet call with a meandering line, and more undulating material. Have a look inside by clicking sample. This product is a folder with sheet music as loose pages. Lara Poe is a Finnish-American composer who is currently based in London. Her works have been performed across a wide range of venues throughout the US, Europe, and Asia. Her piece Kaamos, which she wrote for the Lahti Symphony Orchestra, was recently nominated for a Ivors Composer Award in the Large Scale Composition category. Kaamos also was selected by YLE Radio Finland to represent Finland at the International Rostrum of Composers 2021 in Belgrade, Serbia. Poe was the 2019 Tanglewood Music Patricia Plum Wilde Fellow and represented Finland at Ung Nordisk Musik 2019 in Piteå. She was also a 2018-2019 participant in the London Symphony Orchestra?s Panufnik Scheme, where she worked under the guidance of Colin Matthews and Christian Mason. / Date parution : 2022-05-31/ Répertoire / Trompette

Essential elements for playing in big band and jazz ensembles-?Blow the trumpets? are two very important volumes essential for playing in big band and jazz ensembles. With well-designed guides this series brings the young trumpet player through the styles and language of jazz with particular attention paid to interpretation and to the homogeneity within the section of a modern big band.

Essential elements for playing in big band and jazz ensembles-?Blow the trumpets? are two very important volumes essential for playing in big band and jazz ensembles. With well-designed guides this series brings the young trumpet player through the styles and language of jazz with particular attention paid to interpretation and to the homogeneity within the section of a modern big band.

The first movement of this work an Allegretto begins with a fanfare-like opening. After a number of other melody lines a reprise of the beginning follows which ends in a cadenza for the soloist. Movement two titled Rituel is characterized by interplay between the soloist and the band within a stately melody. In the final movement the theme of the first movement’s opening returns. As the indication ‘alla marcia’ of the last movement suggests this Allegro Giocoso contains march-like music that guarantees a lively conclusion.With Concertino Kees Schoonenbeek has written an appealing work that is very suitable for a beginner soloist. It is also available for trumpet andpiano.

Solo features with a live big band-Exciting solos for the intermediate Trumpet player celebrating the best of the modern Big Band sound complete with a spectacular-sounding CD of backing tracks.These six pieces by Johann Plomp along with his arrangements of two showstopping pop favourites will get your audiences dancing in the aisles to the magical sound of the Big Band. The CD contains demonstrations as well as backing tracks so your rehearsals will be as much fun as your performances!