16 Famous Concert Pieces for Viola and Piano. Par . La collection 'Best of Viola Classics - 16 Famous Concert Pieces' pour alto et piano présentée par Schott contient une sélection d'œuvres qui peuvent accompagner chaque élève pendant de nombreuses années de cours d'alto. Le volume contient des compositions allant de l'époque de Georg Philipp Telemann (1681-1767) à celle de Volker David Kirchner (1942-2020), offrant ainsi un matériel de jeu allant de la période baroque au XXe siècle. La collection, qui comprend un répertoire connu et des pièces rares, est idéale pour les cours et les concours, ainsi que pour les récitals et les concerts. / Niveau : Moyen / Date parution : 2023-09-13/ Recueil / Alto et Piano

Jules Massenet was born in Montaud France May 12 1842. He was one of the best-respected French composers of his day and a member of the Academy and a professor of composition at the Paris Conservatoire. Massenet was very influential on other French composers in France. His students were also successful due to Massenet's tutelage. Though he was principally an opera composer he also wrote ballets orchestral works and several oratorios. Massenet died in Paris on August 13 1912.This is the Meditation from Massenet’s famous opera Thais and has been transcribed for solo Viola with Piano accompaniment by Alan Arnold.

Nadia Boulanger's Three Pieces for Viola and Piano transcribed from the original for Cello. Posterity has retained of Nadia Boulanger only her gifts as a virtuoso of the piano and organ her skill as a conductor (of vocal ensemble and orchestra) and most of all her incredible charisma as a teacher. For nearly sixty years 'Mademoiselle' made the most of her famous Wednesdays bringing rigour and passion to the training of several generations of musicians: among so many others Aaron Copland Leonard Bernstein Igor Markevitch Michel Legrand Witold Lutoslawski Astor Piazzolla Quincy Jones and John-Eliot Gardiner have all kept unforgettable memories of thesetimes.Was Nadia Boulanger wrong to let teaching music take precedence over her composing as Gabriel Fauré the great master she venerated believed? The publication of Three Pieces for Viola and Piano raises the question. This transcription of Three Pieces for cello and piano was composed between 1911 and 1913 and published by Heugel. The two initial pieces were originally written for organ: the first in E flat minor brings a moderate tempo to a melancholy cantilena with Romantic accents while the second in A minor exudes warmth and tenderness. The third piece (C sharp minor) most likely originally titled Danse espagnole heralds the Roaring Twenties with its restlessness and festive crackle. Together they emit a charm that is difficult to resist.

Per Viola E Pianoforte. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligaris’s composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composer’s personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire / Date parution : 1905-06-19/ Répertoire / Alto et Piano

13 easy pieces from the past-Timeless Treasures rassemble des trésors intemporels des siècles passés. Les 13 pièces de cet ouvrage sont enrichies d?un accompagnement de piano disponible à la fois sur compact disc et en version papier (intégrée dans le recueil). Sur le compact disc vous trouverez également une version intégrale de chaque pièce. Les accompagnements ont été réalisés avec soin de manière à contribuer au développement de vos acquis musicaux nécessaires pour le jeu en ensemble.

La référence R13174 de l'éditeur Billaudot dont l'auteur célèbre est Alkan Charles-Valentin, qui a pour titre SONATE DE CONCERT OPUS 47, a été écrite et composée pour Alto et plus particulièrement pour Alto Et Piano. Cette partition musicale appartient à la catégorie Classique. / Alto Et Piano / Partition

Cette partition CONSTELLATION DE LA COURONNE BOREALE de Connesson Guillaume a été éditée par les éditions Billaudot. La référence de cette partition de musique est GB8138. Cette oeuvre d'une durée de 00:08:00 est idéale pour les musiciens pratiquant Alto. Après quelques heures de pratique, cette partition n'aura plus de secret pour vous. / Alto Et Piano / Partition

titles selected by Valérie Bime-Apparailly. Par . Following the tremendous success achieved over the past two decades by her method 'Je débute l?alto' (HA 09740 and HA 09758), Valérie Bime-Apparailly presents an anthology of easy pieces for viola and piano, the interpretation of which requires only knowledge of the first position. Completed by a CD which includes the piano accompaniment of each piece as well as its complete version, this carefully designed selection displays a joyful diversity. / Date parution : 2022-02-03/ Recueil / Violon et Piano