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Op
Viola, Piano
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
XYLOPHONE
ZITHER
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Pop Romance (SCHMITZ MANFRED)
Viola, Piano
-
Intermediate
AMA Verlag
Par SCHMITZ MANFRED. Have fun learning through the combination of classical play...
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Par SCHMITZ MANFRED. Have fun learning through the combination of classical playing technique and pop sound! Separated into different levels of difficulty, in both these titles you’ll find an extensive repertoire of pieces for solo instruments with piano accompaniment. Working together with experienced instrumental pedagogues, Manfred Schmitz has specifically arranged these pieces for violin, viola, cello and flute respectively. Ideal for students and teachers: all components (the piano accompaniment book, the instrumental part books and a play-along CD that contains the piano accompaniments) can all be purchased separately. / Niveau : Intermédiaire / Contemporary - Solos / Recueil / Alto et Piano
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Norton Christopher - Microjazz For Viola - Alto Et Piano
Viola, Piano
Boosey and Hawkes
Easy pieces in popular styles such as jazz, blues, rock 'n' roll and reggae. Thi...
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Easy pieces in popular styles such as jazz, blues, rock 'n' roll and reggae. This collection contains all the pieces formerly contained in Microjazz for Violin, plus brand new pieces too. The edition is part of the Trinity syllabus 2007 (grade 4). Content : A Calming Influence A Dramatic Episode A Minor Tribute A Sad Tale A Touch of Spain Face in the Crowd Mean Streets Out West Rough Justice Scene from the Summit Song of the Isles Stamping Ground Steering Wheel Blues
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Leopold Josef Beer: Concertino In E Minor Op. 47: Viola: Instrumental Work
Viola, Piano
Bosworth
For Viola and Piano-Leopold J. Beer (1865-1956) was a composer arranger and edi...
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For Viola and Piano-Leopold J. Beer (1865-1956) was a composer arranger and editor who is best known for his many pedagogical publications including the highly successful Leipzig range of Piano music. His Concertino in E Minor (Op. 47) is scored for Viola and Piano. It is the earlier of his two compositions in the Easy Concertos and Concertinos series.
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Ludwig van Beethoven: 2 Romances Op. 40 & Op. 50 - Viola & Piano: Viola:
Viola, Piano
[Score and Parts]
Peters
Ludwig van Beethoven's Romances in G & F; Opp.40 50 transcribed for Viola and ...
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Ludwig van Beethoven's Romances in G & F; Opp.40 50 transcribed for Viola and Piano.
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Intermezzo Op. 117 No 1
Français
Viola, Piano
Billaudot
Avec les opus 116 et 117 de Brahms nous sommes dans les quatre derniers opus pou...
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Avec les opus 116 et 117 de Brahms nous sommes dans les quatre derniers opus pour piano seul composés à Ischl en 1892, de même que pour les opus 118 et 119 en 1893. Brahms a abandonné l'écriture symphonique dont la dernière oeuvre fut le double concerto pour violon et violoncelle et plus tardivement celle qui concerne la musique de chambre.Cherchant une oeuvre inédite pour alto et piano représentative de la fin de la période romantique, mon choix s'est porté sur l'opus 117 #1 car il convenait parfaitement à un arrangement pour piano et alto, la partie mélodique étant de ce registre.A ce propos, n'oublions pas l'admirable oeuvre vocale du compositeur ainsi que les opus symphoniques antérieurs, mais également ceux de musique de chambre et pianistiques où la mélodie est confiée de manière épisodique à une ' voix intermédiaire ' que Brahms affectionnait particulièrement.L'opus 117 #1 est un paysage d'automne en demi-teinte, en clair-obscur cher au Brahms des dernières années dont il cite deux vers en exergue, extraits d'une berceuse écossaise. Dans ses derniers opus pour piano, Brahms retourne complètement à ses origines, avec une inspiration nordique affirmée. Sur la fin de sa vie le compositeur s'abandonne progressivement à un état d'esprit mélancolique qui reflète le sentiment de ses contemporains allemands en cette fin de XIXème siècle.Ce sentiment confus, ce ' Weltschmerz ' traduisant cette ' vague douleur du monde ' incita Brahms à surnommer certaines de ces pièces ' berceuses de ma douleur ' dont l'opus 117 #1 pourrait être un exemple. Ces ultimes opus s'inscrivent dans les quatre grands cycles de rêveries et de méditations pianistiques du célèbre compositeur. / Alto Et Piano
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Hugh Wood: Variations Op. 1: Viola: Instrumental Work
Viola, Piano
[Sheet music]
Chester
For Viola and Piano this is the composer's first opused work. Premiered at the ...
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For Viola and Piano this is the composer's first opused work. Premiered at the Wigmore Hall in July 1959 by Cecil Aronowitz and Margaret Kitchen.Wood: In 1957 I knew I had newly discovered the music of Schoenberg and hispupils and I knew at once that they were to show me the way forward for my music; as indeed they have ever since. The revelation was primarily an emotional experience for me and however imperfectly their influence wasreceived it was obviously reflected in the all-out chromaticism (new for me then) in the many chains of twelve notes or lesser chromatic formations (which do not here amount to serial working and have only rarely done sosince) in the characteristic harmonic and rhythmic formations the wide and sometimes angular intervals of the melodies and in general the introverted romanticism. Anyway I knew then that this was the sort of music that Ihenceforth would want to write and so I called these Variations my Opus One.The declamatory Introduction leads into the Theme heard on the viola. Six Variations follow of which No.3 is the most violent and No.4 the mostsustainedly lyrical. The recitative-like sixth variation leads into the Finale a more extended movement. The Theme returning on the piano leads to a climax at which there is a citation from Beethoven’s C minor Variations forpiano. Then their characteristics sequence of chords is heard on the piano as an accompaniment to the final statement of my own theme on the viola in the closing bars of the work.
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BEER LEOPOLD J. - CONCERTINO IN E MINOR OP.47 - ALTO and PIANO
Viola, Piano
Bosworth
Leopold J. Beer (1865-1956) was a composer, arranger and editor, who is best kno...
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Leopold J. Beer (1865-1956) was a composer, arranger and editor, who is best known for his many pedagogical publications, including the highly successful Leipzig range of Piano music. His Concertino inE Minor (Op. 47) is scored for Viola and Piano. It is the earlier of his two compositions in the Easy Concertos and Concertinos series. / Partitions classique / Cordes / Alto / BOSWORTH
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Max Reger: Klarinettensonate Opus 107: Viola: Instrumental Work
Viola, Piano
G. Henle
Clarinet Sonata op. 107-Just as Johannes Brahms had done with his Opus 120 Rege...
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Clarinet Sonata op. 107-Just as Johannes Brahms had done with his Opus 120 Reger also provided parts for two alternative solo instruments for his Sonata op. 107: 'I will also arrange the clarinet part for viola so that the work can also be played thus'(letter to his publisher). He by no means wanted to leave the arrangement of the viola part to the publisher as slurs had to be changed here and there as well as octave transpositions had to be made - 'only I can do this work!'The viola’s sonorous mid range comes close to that of the clarinet but lends the work its own timbre. Viola players will also value this Urtext edition on account of the practical fingerings and bowing marks.
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Erik Satie: Gymnopédie No. 1: Viola: Score
Viola, Piano
Schott
The music scene took notice of Erik Satie (1866-1925) all of a sudden: The world...
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The music scene took notice of Erik Satie (1866-1925) all of a sudden: The world premiere of his ballet Parade on 18 May 1917 caused quite a scandal. The production which involved Sergey Diaghilev with his 'Ballets Russes' Pablo Picasso (scenery and costumes) Jean Cocteau (story) as well as Léonide Massine (choreography) divided the music scene of Paris yet made the composer widely known. Satie who hardly had had any solid musical training and lived in Paris for almost all his life developed a new musical style in deliberate rejection of the 'Wagnérisme' of his time. Classical form models new harmonies stylistic ease meditative and clownish elements amalgamated in an original way the perfect example being his 3 Gymnopédies of 1888 the first of which was here arranged for a solo instrument with Piano accompaniment: Thus it is now possible even for non-pianists to play this famous miniature by Satie. Thanks to its easy playability it can also be used for educational purposes.
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Henri Vieuxtemps: Sonate B-dur Opus 36 für Klavier und Viola: Viola:
Viola, Piano
G. Henle
Sonata in B flat major op. 36 for Piano and Viola-Henry Vieuxtemps' Viola Sonata...
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Sonata in B flat major op. 36 for Piano and Viola-Henry Vieuxtemps' Viola Sonata In B Flat Op.36. Urtext edition.Following a concert by the 14-year old 'wunderkind' Henry Vieuxtemps in 1834 none other than Robert Schumann said 'WithHenri one can safely close one’s eyes. His playing is like a flower at the same time both fragrant and bright'. Vieuxtemps is nowadays considered to be the foremost exponent of the Franco-Belgian Violin school.The composer was however an excellent Viola player and wrote several compositions for the instrument. Sonata Op.36 published in 1862 is one of the gems of Viola literature with its oscillation betweenexpressive maestoso elegiac barcarola and scherzando passages. This edition by Henle is the first Urtext version of the work to be published.
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AntonÃn Dvo?ák: Romantic Pieces for Viola and Piano op. 75: Viola: Score and
Viola, Piano
Barenreiter
Arrangement for Viola and Piano-?Sooner or later the ?Romantic Pieces? will pave...
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Arrangement for Viola and Piano-?Sooner or later the ?Romantic Pieces? will pave their way through all the salons?: thus the periodical Dalibor predicted when the ?Romantic Pieces? op. 75 were first issued by the publisher Simrock in 1887. Since then they have become some of Dvorák?s most popular works for violin and piano. Now they are being made available for violists also.Bella and Semjon Kalinowsky have arranged the four pieces on the basis of the ?Complete Edition of the Works of Anton n Dvorák?. The piano part of the original version remains while the violin part has been adapted for viola; it has been transcribed into the alto clef and includes fingering and bowing marks.With theirentrancing melodies and poetry these pieces pose few technical challenges and are thus easy to play.
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Aaron Copland: Copland for Viola: Viola: Instrumental Album
Viola, Piano
Boosey and Hawkes
Copland 2000 separate part - viola (piano accompaniment available separately = ...
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Copland 2000 separate part - viola (piano accompaniment available separately = BHI102644)-Aaron Copland's music is characteristically and recognisably American. Copland's untiring efforts to ensure that his works would speak to the average citizen as well as to his fellow artists made him one of the most honoured cultural figures in United States history. Among countless awards and honours Copland received the Pulitzer Prize and the Presidential Medal of Freedom. This exciting series of arrangements offers soloists the opportunity to experience some of Copland's pioneering musical achievements in the establishment of a uniquely American idiom.
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Scott Joplin: Three Ragtimes: Viola: Instrumental Album
Viola, Piano
Schott
Who would have thought that ragtime would enjoy another renaissance! But more th...
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Who would have thought that ragtime would enjoy another renaissance! But more than 50 years after the death of its main representative Scott Joplin the film 'The Sting' has made this once popular style well-known and fashionable again. This small selection of Joplin rags is of course not complete without 'The Entertainer'. In comparison 'Easy Winners' and 'Rag-Time Dance' are no less fun to play particularly since in the latter the performer not only has to play but also stomp his foot. Excellent music providing entertainment for many occasions!
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Jongen: Allegro Appassionato Op79: Viola: Score
Viola, Piano
[Sheet music]
Leduc, Alphonse
Belgian organist composer and teacher Joseph Jongen (1873-1953) was admitted t...
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Belgian organist composer and teacher Joseph Jongen (1873-1953) was admitted to the Liège Conservatoire at the mere age of seven years old. Published in 1925 Allegro Appassionato is an extraordinary addition to the Viola repertoire. Jongen won many awards during his sixteen years of musical education including the Belgain Prix de Rome in 1897. He began composing at age 13 and therefore has an exhaustive catalogue of works to his name. Allegro Appassionato is a virtuosic work for the Viola addressing aspects such as harmonics exploited tonality chromaticism double stops flourishingsemiquavers complex rhythms articulation and a significant amount if performance directions and dynamics among other elements. For all advanced violists Jongen's Allegro Appassionato is essential to a varied repertoire.
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Sonata Op. 39 (1997)
Viola, Piano
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Intermediate
Ricordi
Per Viola E Pianoforte. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Ros...
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Per Viola E Pianoforte. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligaris’s composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composer’s personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire / Date parution : 1905-06-19/ Répertoire / Alto et Piano
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Darius Milhaud: Quatre Visages Op.238 No.1 - La Californienne: Viola:
Français
Viola, Piano
[Sheet music]
Heugel
First of the series of “Quatre Visages” by Darius Milhaud  I - La C...
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First of the series of “Quatre Visages” by Darius Milhaud  I - La Californienne is a short piece for Viola and Piano. With some difficulties it requires some intermediate technique of the instrument and some theory knowledge to read in different keys. The book includes the score for Viola and Piano and the part for Viola only. The music has moderate tempo and is quite expressive. It is supposed to represent an American girl from California. She is part of the four faces with: II. The Wisconsonian III. La Bruxelloise and IV. La Parisienne. Darius Milhaud (1892-1974) was a French modernistcomposer and a teacher. He was also part of Les Six and was strongly influenced by Jazz. His opus list ended at 443.
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Johann Nepomuk Hummel: Sonate für Klavier und Viola Es-dur Opus 5 Nr. 3: Viola:
Viola, Piano
[Sheet music]
G. Henle
Sonata for Piano and Viola in E flat major op. 5 no. 3-Edited by Ernst Herttrich...
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Sonata for Piano and Viola in E flat major op. 5 no. 3-Edited by Ernst Herttrich with fingering of the Piano part by Klaus Schilde and supplementary Viola part marked by Tabea Zimmermann.
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Darius Milhaud: Quatre Visages Op.238 No.2 - The Wisconsonian: Alto:
Viola, Piano
[Sheet music]
Heugel
Second of the series of “Four Faces” by Darius Milhaud II. The Wisc...
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Second of the series of “Four Faces” by Darius Milhaud II. The Wisconsonian is a short piece for Alto and Piano. Easy to play it requires some technique of the instrument and some theory knowledge to read in different keys. The book includes the parts for Viola and Piano and for Viola only. The music is cheerful and quite fast with the Viola part playing mainly semisquavers alternating up and down every two bars. It is supposed to represent an American girl coming from Wisconsin. She is part of the four faces with: I. The Californian girl II. The Wisconsonian and IV. The Parisian girl. Darius Milhaud(1892-1974) was a French modernist composer and a teacher. He was also part of the Les Six and was strongly influenced by Jazz. His opus list ended at 443.
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Alexei Janschinow: Concertino in Russian Style Opus 35: Viola: Instrumental Work
Viola, Piano
De Haske Publications
In Russian Style Opus 35-Ce concertino est basé sur le concept Study and Play ...
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In Russian Style Opus 35-Ce concertino est basé sur le concept Study and Play faisant de ce recueil un concept idéal pour développer votre jeu dans un environnement plaisant et solidement structuré. Le compact disc vous permet de jouer ce concertino tant dans le tempo normal que dans un tempo d?étude plus lent afin que vous puissiez vous concentrer plus amplement sur votre technique de jeu tout en ayant un meilleur aperçu de la structure de la pièce. Les accompagnements de piano insérés dans le recueil permettent de jouer avec un pianiste accompagnateur.
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Darius Milhaud: Quatre Visages Op.238 No.3 - La Bruxelloise: Viola: Instrumental
Viola, Piano
[Sheet music]
Heugel
Third of the series of “Quatre Visages” by Darius Milhaud III. La ...
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Third of the series of “Quatre Visages” by Darius Milhaud III. La Bruxelloise is a short piece for Alto and Piano. Easy to play it still requires some technique of the instrument and some theory knowledge to read in different keys. The book includes the parts for Viola and Piano and for Viola only. The music quite slow is really delicate and is supposed to represent a Belgian girl coming from Brussels. She is part of the four faces with: I. The Californian girl II. The Wisconsonian and IV. The Parisian girl. Darius Milhaud (1892-1974) was a French modernist composer and a teacher. Hewas also part of Les Six and was strongly influenced by Jazz. His opus list ended at 443.
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Darius Milhaud: Quatre Visages Op.238 No.4 - La Parisienne: Viola: Instrumental
Viola, Piano
[Sheet music]
Heugel
French composer and teacher Darius Milhaud (1892-1974) was a prolific composer ...
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French composer and teacher Darius Milhaud (1892-1974) was a prolific composer of the 20th Century as a member of 'Les Six'. His compositions remain highly regarded Four Faces being no exception. Milhaud's compositions are influenced by jazz and polytonality as exemplified in Four Faces. The fourth of Four Faces The Parisian Woman is an alternative exciting piece for advanced violists. Composed in 1943 Milhaud makes use of harmonics complex rhythms ornamentation altering time signatures and clefs double stops variation in dynamics and a wide tessitura among other aspects.Milhaud's Four Faces is essential to all aspiring violists.
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Sergei Rachmaninov: Vocalise Op.34 No.14: Viola: Instrumental Work
Viola, Piano
Boosey and Hawkes
Rachmaninov wrote the wordless Vocalise in 1912 originally for Voice and Piano....
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Rachmaninov wrote the wordless Vocalise in 1912 originally for Voice and Piano. It is probably one of his most popular Vocal works famous for its beautiful soaring melody. This popularity has led the work to be transcribed for several instruments. This edition is for Viola with Piano accompaniment.
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Valse Op. 64/3 (D'Après Chopin, Alto Et Piano)
Français
Viola, Piano
[Sheet music]
Fertile Plaine Editions
La référence FP 993 de l'éditeur Fertile Plaine dont l'auteur célèbre est M...
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La référence FP 993 de l'éditeur Fertile Plaine dont l'auteur célèbre est Mereaux F., qui a pour titre Valse op 64/3 ( d'après Chopin, alto et piano ), a été écrite et composée pour Alto et plus particulièrement pour Alto Et Piano. Cette partition musicale appartient à la catégorie Classique. / Alto Et Piano / Partition
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Easy Winners - 5 (JOPLIN SCOTT)
Viola, Piano
[Sheet music]
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Easy
Editions Marc Reift (Swiss import)
Percussion optional. Par JOPLIN SCOTT. / Niveau : Assez Facile / Répertoire /...
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Percussion optional. Par JOPLIN SCOTT. / Niveau : Assez Facile / Répertoire / Alto et Piano
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Johann Wenzel Kalliwoda: 6 Nocturnes Opus 186: Viola: Instrumental Album
Viola, Piano
[Sheet music]
Peters
Johannes Wenzelaus Kalliwoda: 6 Nocturnes Op.186 for Viola and Piano.
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Johannes Brahms: Clarinet Sonatas Op.120 Arranged For Viola: Viola: Instrumental
Viola, Piano
G. Henle
Version for Viola-In the later years of his life in the 1890s Johannes Brahms ...
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Version for Viola-In the later years of his life in the 1890s Johannes Brahms was inspired by the clarinettist Richard Mühlfeld to compose Trio Op.114 Quintet Op.115 and the Sonatas Op.120 – three gems inthe Clarinet chamber music repertoire. Brahms also provided a part for Viola as an alternative to the Clarinet. The revision of this Henle Urtext edition of the Viola version of Op.120 is based onthe musical text of the New Brahms Complete Edition and in many respects contains significant improvements: the original autograph was consulted for the first time the newly set Piano score now contains the Viola part and Violaplayers can benefit from fingerings and bowings by Tabea Zimmermann in the solo part.
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Scott Joplin: Solace For Viola And Piano: Viola: Instrumental Work
Viola, Piano
[Sheet music]
Viola World
Joplin Solace for viola and piano arranged by Alan Arnold.
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Scott Joplin: Maple Leaf Rag: Viola: Instrumental Work
Viola, Piano
[Sheet music]
-
Intermediate
Viola World
Scott Joplin's well-loved Maple Leaf Rag has been arranged for Viola with Piano ...
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Scott Joplin's well-loved Maple Leaf Rag has been arranged for Viola with Piano accompaniment by Alan Arnold.
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Frédéric Chopin: Nocturne: Viola: Instrumental Work
Viola, Piano
[Sheet music]
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Intermediate/advanced
Viola World
Frederic Chopin’s Nocturne is a fabulous example of the genre mysterious...
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Frederic Chopin’s Nocturne is a fabulous example of the genre mysterious and melancholic. It has been expertly and effectively arranged for Viola with Piano Accompaniment by Alan H. Arnold and edited by William Lincer. The rounded sound of the Viola is perfect for the late evening and evoking dusk and nightfall.The solo viola part is also included on a separate insert.
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Pièces De Concours Vol.2
Viola, Piano
Schott
A real treasure trove in the scarce Romantic viola literature: Vol. 1 (Schott, E...
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A real treasure trove in the scarce Romantic viola literature: Vol. 1 (Schott, ED 22254) of the popular Pièces des concours series are now followed by Vol. 2 (ED 22255) and Vol. 3 (ED 22256).The pieces were performed in final examinations at the famous Conservatoire de Paris between 1897 and 1969. The publication is based on the first editions. In order to make it easier to approach the works, 'modern' fingerings and common bowing instructions were added to the pieces so that they can be played at sight.Vol. 2 contains pieces by Stan Golestan, Eugène Cools, Philippe Gaubert, and Gabriel Grovlez.Further pieces:Vol. 1 with pieces by Charles-Edouard Lefebvre, Paul Rougnon, Henri Marteau, and Léon HonnoréVol. 3 with works by Hans Sitt, Heinrich Arends and Léon Firket / Alto Et Piano
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