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Viola, Piano
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
XYLOPHONE
ZITHER
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Children choir, Piano (28)
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Guitare ou Luth (26)
4 Parties Mixtes (26)
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Recorder, Piano (25)
Vocal duet, Piano (25)
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Flute Trio: 3 flutes (23)
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Flexible Instrumentation (22)
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Flute ensemble (22)
2 Violons, Alto, Violoncelle e… (21)
4 Guitars (Quartet) (21)
Clarinette et Quatuor à Corde… (21)
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Clarinet Quartet: 4 clarinets (21)
Piano, Guitar (duet) (21)
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2 Violons, Alto et Violoncelle… (20)
Flûte Traversière, Clarinett… (20)
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Dulcimer (20)
Choral Unison (20)
Accessoire (20)
Soprano voice (20)
Trio (19)
Choeur SATB, 2 Flûtes Travers… (19)
Solistes SB, Choeur SATB, 2 Ha… (19)
Solistes SATBB, Choeur SATB, 2… (19)
Treble (Alto) Recorder, Piano (19)
Harpsichord and Strings (19)
Piano, Guitar (Chords) (19)
Flute, Clarinet (duet) (19)
Petit Choeur AT, 2 Flûtes Tra… (18)
Flute, Cello, Piano (trio) (18)
Oboe, Organ (18)
Choeur SATB, 2 Trompettes, 2 T… (18)
Voix et Orchestre (18)
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Oboe and Orchestra (18)
Trio à Cordes (18)
Big Note Piano (18)
Quatuor (18)
Alto (Partie séparée) (18)
Trio de Pianos, Salon Ensemble… (18)
DVD concert (18)
Musical Awakening (18)
Solistes STBB, Choeur SATTBB, … (17)
Solo S, 2 Flûtes Traversière… (17)
Solistes ST, Choeur SSAATB, 2 … (17)
High voice (17)
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Flute, Basso continuo (17)
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2 Flutes, Piano (16)
Ensemble Mixte (16)
Instruments Cuivre (16)
Tenor voice (16)
Snare drums (16)
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Solistes SATB, Choeur SATB, 2 … (15)
Solistes SA, Choeur SATB, 3 Tr… (15)
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Solistes TB, Choeur SATB, 2 Co… (15)
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Choeur SATTB et Basse Continue… (15)
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Recorder Ensemble (15)
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Chant et Guitare (14)
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Solistes SATB, Choeur SATB, Tr… (13)
Quintette à vent (13)
Solistes SSTB, Choeur SATB, 2 … (13)
Violoncelle (Partie Séparée)… (13)
Solistes SSATB, Choeur SATB, 3… (13)
Solistes AT, Choeur SATB, Trom… (13)
Choeur SATB/SATB, (8 Instrumen… (13)
Solistes ST, Choeur SSATB, 3 T… (13)
Solistes SATB, Choeur SATB, (C… (13)
Solistes, Choeur d'Enfants, 3 … (13)
String Quartet : 4 violas (13)
Choeur d'Enfants et Ensemble (13)
Solistes SATB, Choeur SATB, 2 … (13)
Trompette ou Bugle ou Cornet o… (13)
Solistes SB, Choeur SATB, 2 Tr… (13)
Woodwind Quintet (13)
Clarinet Ensemble (13)
Marimba (13)
Chorale (13)
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Solistes SATB, Choeur SATB, Fl… (12)
Catalogue des Oeuvres (12)
Choeur SSATB, Basson, 2 Trompe… (12)
Violoncelle et Quatuor à Cord… (12)
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Solistes, Div. Instruments à … (12)
Trompette ou Cornet, Trombone … (12)
Bass Clarinet (12)
Solistes, Choeur d'Enfants, Fl… (12)
Choeur SATTB, (5 Instruments, … (12)
Flûte Traversière, Clarinett… (12)
Double bass, Orchestra (12)
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Flute, Oboe, Clarinet, Bassoon… (12)
Choeur SATB/SATB, (Contrebasse… (12)
Saxhorn en Sib (12)
Hautbois, Basson et Piano ou O… (12)
Soli and Orchestra (12)
Choeur d'Enfants, Flûte Trave… (12)
String quintet (12)
Saxophone Baryton (12)
Fanfare Band (12)
Harp, Flute (duet) (12)
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Clarinette, Saxophone, Trompet… (12)
Choeur (SATB) et Brass Band (12)
SATB et Orchestre (12)
Choeur, Parties Solo, Narrateu… (12)
Violin, Guitar (duet) (12)
Choeur d'Enfants (12)
4 Cellos (12)
Contrebasse (Partie séparée)… (12)
Choeur SSATTB, (6 Instruments,… (11)
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Solo S, Choeur SATB, 2 Trompet… (11)
Solistes SATB (Solo T, Auswahl… (11)
Choral, Orchestra (11)
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Choeur Mixte et Orchestre (11)
Trumpet, Trombone (duet) (11)
Solistes SATB, Choeur SATB, 3 … (11)
2 Violas (duet) (11)
4 Euphoniums (11)
Choeur SSATB, 2 Hautbois, 3 Vi… (11)
Bass Clarinet, Piano (11)
Baritone voice (11)
Solistes ATB, Choeur SATB, 2 H… (11)
6 Parties Mixtes (11)
Solo B, Trompette, Violon, Alt… (11)
Scores (11)
Solo B, Choeur SATB, 2 Hautboi… (11)
Saxhorn and Piano (11)
Solo instrument and Organ (11)
Organ, Trumpet (duet) (11)
Ocarina (11)
Guitar Ensemble (11)
Cornet and Piano (11)
Electric bass, Drums (10)
Solistes STB (SB/TB/SATB), Cho… (10)
Solistes SA, Choeur SATB, 2 Ha… (10)
String Quintet: 2 violins, 2 v… (10)
Choeur D'Hommes (TTBB) A Cappe… (10)
Gemischter Chor (SATB) und Orc… (10)
Choeur SATB, 2 Violons et Bass… (10)
Concert Band ou Harmonie et Ba… (10)
2 Violins and Basso (10)
Orgue et Musique de Chambre (10)
Guitare et Voix (10)
Choeur SSATB, 2 Violons et Bas… (10)
Solistes SAB, Choeur SATB, 4 F… (10)
Solistes, 1-2stg Choeur d'Enfa… (10)
Solistes SSATB, Choeur SATB, 2… (10)
Solistes STBarB, Choeur SATB, … (10)
Orgue, 2 Violons, 2 Altos, 2 V… (10)
Solistes SATB, Choeur SATB, 2 … (10)
Solistes SATB, Choeur SATB, Or… (10)
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Orchestre Scolaire (2 Flûtes … (10)
Voice, Organ (10)
4 Instruments Cuivre (Trompett… (10)
Choeur SATB, Paroisse, 2 Hautb… (10)
Percussion Ensemble (10)
School Ensemble (10)
Ensemble Instrumental et Petit… (10)
Mezzo-Soprano voice (10)
Nursery rhyme (10)
Cello, Guitar (duet) (10)
Viola and orchestra (10)
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Choeur Mixte (Unisson) Avec Or… (9)
Solistes SAB, Choeur SATB, 2 H… (9)
Solistes SATB, Choeur SSATTB, … (9)
Oboe, Violin, Viola and Violon… (9)
Solo S, Flûte Traversière, H… (9)
2 Violons Solo, 2 Violons, Alt… (9)
Soli (SATB), Choeur Mixte (SAT… (9)
Soli (SATB, Soprano Aussi Chor… (9)
Solistes SSATTB, 2 Trompettes,… (9)
Solo SATB, Choeur SATB, 2 Flû… (9)
Solistes SATB, Choeur SATB, 3 … (9)
Choeur SATB, 2 Trompettes, 2 T… (9)
Choeur D'Enfants (SMezA) Avec … (9)
8 Instruments (9)
Choeur Mixte (SATB) Avec Solis… (9)
Euphonium or Saxhorn and Piano… (9)
Organ, Piano (duet) (9)
Violoncelle ou Contrebasse (Pa… (9)
Harmonie (9)
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Solistes SATB, Choeur SATB, Ba… (9)
Quintette à Cordes (9)
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Choeur SATB, (4 Instruments, C… (9)
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Solistes SATB, Choeur SATB, 2 … (9)
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Cordes, Basse Continue, Partie… (9)
Choeur SATB, 2 Hautbois, 2 Vio… (9)
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2 Euphoniums et Piano ou Orgue… (9)
3 Clarinets (trio) (9)
Choeur SSATTB, 4 Trombones, 4 … (9)
Alto et Orchestre (9)
Oboe, Clarinet, Bassoon (trio)… (9)
Flûte Traversière, Hautbois … (9)
Choeur SATB et Basse Continue (9)
2 Clarinets, Piano (9)
Diverses Formations (9)
2 Bassoons (duet) (9)
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String Trio: 3 violins (8)
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Solistes, Div. Instruments à … (8)
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Saxophone Alto, 2 Trombones, T… (8)
Solistes ou AuswahlChoeur SATB… (8)
Quintette avec Piano (8)
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2 Violons et Cordes (8)
Voix et Orchestre à vent (8)
Défilé et parade (8)
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Clarinette, Basson, Violon, Vi… (8)
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Hautbois, 2 Flûtes Traversiè… (8)
2 Flûtes Traversières, 2 Hau… (8)
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SATB, (4 InstrumentS Basse et … (8)
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Solistes STB, Choeur SATB, 2 H… (8)
Flûte à Bec et Piano (8)
Solistes SATB, Choeur SATB, 2 … (8)
4 Parties Mixtes (Ou 3 Parties… (8)
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Trompette en Sib (8)
Horn Ensemble (8)
Choeur d'Enfants (SMez) avec I… (8)
Hautbois, Clarinette et Basson… (8)
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Solistes SSA, Choeur SATB, 2 F… (8)
5 Instruments (Instruments à … (8)
SATB, 4 Parties Mixtes, 2 Viol… (8)
5 Instruments à Vent (8)
Flûte Traversière Hautbois, … (8)
Clarinette, Quatuor Pour Instr… (8)
Choeur De Jeunes (Ou De Femmes… (8)
Instruments A Vent (8)
Choeur Mixte et Basse Continue… (8)
Cor en Mib (8)
Choeur SSATB, 2 Hautbois, 2 Vi… (8)
Solo Baryton, Choeur SSAAB, 2 … (8)
Solistes SSTTAB (SATTB), Choeu… (8)
Choeur SATB/SATB, 2 Trompettes… (8)
Solistes SATTBarB, Choeur SATB… (8)
Solistes SSAATTBar, Choeur SSA… (8)
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Petit Orchestre: Récitant, So… (8)
Gemischter Chor (SSATB/SSATB/S… (8)
Choeur SSATB, 2 Violons, 2 Alt… (8)
Carte Postale (8)
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Guitare Tablatures Electrique (8)
Cello Ensemble (8)
Flûte Traversière et Orchest… (8)
Dobro (8)
Piccolo (8)
Guitare Flatpick et Plectre (7)
Choeur SATB, Cor, 2 Violons, V… (7)
3 Violons, Instruments à Cord… (7)
Choeur SATB, 2 Violons, 2 Alto… (7)
Solo S, Choeur SATB, 2 Hautboi… (7)
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Solo T, Trombone Alto ou Alto,… (7)
Solistes SATB, Choeur SATB, (a… (7)
Solistes SATB, Choeur SATB, 2 … (7)
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Flûte Traversière Et Orchest… (7)
Solo B, Choeur SATB, 2 Violons… (7)
Solistes, Choeur d'Enfants à … (7)
Trombone or Euphonium (7)
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Songs (WEILL KURT)
Viola, Piano
[Sheet music + CD]
Universal Edition
Par WEILL KURT. 10 songs from three of Kurt Weill's most famous stage works are ...
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Par WEILL KURT. 10 songs from three of Kurt Weill's most famous stage works are presented in easy arrangements for viola and piano. The CD provides invaluable listening material and an alternative accompaniment in the absence of a pianist./ Recueil / Alto et Piano
42.80 EUR - Sold by LMI-partitions
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Play It Again
Viola, Piano
[Sheet music]
-
Easy
Faber Music Limited
Scott, Daniel (Arranger) - Hornby, Megan (Editor). Tired of the same old exam pi...
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Scott, Daniel (Arranger) - Hornby, Megan (Editor). Tired of the same old exam pieces? Need a little light relief? Then here's the answer to your problems. Play it Again is a lively collection of favourite tunes, both new and old, expertly arranged for easy viola with upbeat, but playable, piano accompaniments. All viola parts are written in first position so they are perfect for the absolute beginner, helping young players to gain confidence and learn basic technique in a fun and lively way. Both you and your teacher can really relax and have fun! The solo viola part is also included on a separate insert. / Niveau : 2 / Traditional, Popular, Children / Recueil / Alto et Piano
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Sonatina For Viola And Piano (WEBBER WILLIAM LLOYD)
Viola, Piano
[Sheet music]
Stainer and Bell
Par WEBBER WILLIAM LLOYD. The Viola Sonatina is reissued to coincide with the re...
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Par WEBBER WILLIAM LLOYD. The Viola Sonatina is reissued to coincide with the release of a major new recording on ASV CD DCA 961. Three terse yet atmospheric movements contain a wealth of soaring melody, displaying the many-sided character of the instrument./ Répertoire / Alto et Piano
13.30 EUR - Sold by LMI-partitions
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Elégie Op. 44
Viola, Piano
G. Henle
A precious gem of romantic viola literature is now available in Henle quality! T...
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A precious gem of romantic viola literature is now available in Henle quality! Thanks to the publisher's good connections to Russian archives, we were able to assess Glazunov's autograph for the first time for this first Urtext edition, and uncover the discrepancies between the autograph and the first print. Written in 1893 for the Danish violist Franz Hildebrand, the Elégie is one of the few original works of the 19th century for viola and thus a welcome enrichment of the repertoire. Since the piece does not make any particularly high technical demands on the soloist, the Elégie is ideally suited for teaching as well - and Tabea Zimmermann's fingerings guarantee the best possible support. / Alto Et Piano
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Aria (LUKASZEWSKI PAWEL)
Viola, Piano
[Sheet music]
PWM (Polskie Wydawnictwo Muzyczne)
Par LUKASZEWSKI PAWEL. In 2012, at the initiative of Pawel Wojciechowski, Pawel ...
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Par LUKASZEWSKI PAWEL. In 2012, at the initiative of Pawel Wojciechowski, Pawel Lukaszewski composed Aria for cello and piano. The work was soon published, and a few years later further versions appeared for other solo instruments: soprano saxophone, alto saxophone, viola and violin. The composer wrote the original version for cello with his son Wojtek in mind, who had just completed his fourth year at a primary school of music, but the emotional charge contained in this composition will satisfy the interpretative demands of mature musicians as well, particularly since the composer left performers considerable scope for individual expression. With its harmonies, venturing beyond tonality towards jazz-influenced chords, its simple accompaniment, built from repeated motifs that spill between the plans of the two hands, and its consistent narrative, Aria displays a character that is on one hand somewhat nostalgic, and on the other filled with anxiety and hidden drama. An insightful interpretation of this work may bring out that concealed diversity of expression./ Répertoire / Alto et Piano
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Miriam's Song (Band 2)
Viola, Piano
Furore Verlag
Sarah Feigin *1928: Reflections on a Niggun (1999) (6:05') Helene Liebmann 1795-...
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Sarah Feigin *1928: Reflections on a Niggun (1999) (6:05') Helene Liebmann 1795-nach 1835: Andante con Variation (7:06'). 3. Satz der Sonate op. 11 Die zweibändige Ausgabe unter dem Titel ?Miriam's Song' (Das Lied der Mirjam) ist jüdischen Komponistinnen des 19. und 20. Jahrhunderts gewidmet. Sie beinhaltet Viola-Bearbeitungen der Werke von Fanny Hensel geb. Mendelssohn, Vally Weigl, Lena Stein-Schneider und Ruth Schonthal (Band 1). Das von Schonthal aufgenommene Allegro moderato ist eine Originalkomposition für Viola und Klavier. Im 2. Band begegnen wir den Komponistinnen Helene Liebmann und Sarah Feigin. Der Titel der Ausgabe bezieht sich auf die Rolle der Prophetin Mirjam, der älteren Schwester von Mose und Aaron. Beim Auszug des israelischen Volkes aus Ägypten führte sie nach der Durchquerung des Schilfmeeres den Freudentanz und Gesang der Frauen an (2. Buch Mose 15,20-21). Bezeichnenderweise hat der Berliner Maler Wilhelm Hensel im 19. Jahrhundert seine Frau, die Komponistin Fanny Hensel geb. Mendelssohn, als Mirjam porträtiert.Das Repertoire romantischer Konzertliteratur für Viola ist recht begrenzt. Den Herausgebern ist es ein Anliegen, den im Original für Violine, Violoncello oder Klarinette geschriebenen Werken durch die Bearbeitung zu größerer Verbreitung zu verhelfen.'Revue Musicale Suisse / Schweizer MusikzeitungApril 2012 Seite 39, Walter Amadeus Ammann: Kompositionen jüdischer Frauen :Die Prophetin Mirjam, Schwester von Moses und Aaron, führte die Frauen beim Auszug aus Ägypten bei Tanz und Gesang an. Das Motto der zwei Hefte Miriam's Song deckt sich mit dem Schicksal der sechs Komponistinnen, die hier mit Stücken von drei bis sieben Minuten Dauer vertreten sind. Fanny Hensel traute sich nicht, ihre Werke zu publizieren, Vally Weigl und Ruth Schonthal mussten wegen der Nazis emigrieren, Lena Stein wurde durch eine Schweizer Delegation aus Theresienstadt befreit, Helene Liebmann änderte 1820 in Berlin wegen antisemitischer Repressalien ihren Namen auf Liebelt und Sarah Feigin wanderte 1972 von Lettland nach Israel aus.Die für Violine, Violoncello oder Klarinette mit Klavier geschriebenen Stücke in mäßiger Schwierigkeit eignen sich vorzüglich für die Bratsche. Gefühlvoll: Adagio von Hensel und Nocturno von Stein. Kurzweilig: Old Time Burlesque von Weigl und Reflection on a Niggun von Feigin. Oder Sätze aus Sonaten: Das fließende Allegro moderato von Schonthal und die anspruchsvollen Variationen über la ci darem la mano von Liebmann. Die zwei Sonaten sind in der Furore Edition auch vollständig sowohl für Violoncello als auch für Bratsche und Klavier erhältlich.Miriam's Song, Werke von jüdischen Komponistinnen für Viola und Klavier, Band 1 und 2, hg. von Bella und Semjon Kalinowsky, fue10050/10064, ? 18.00/16.00, Furore Edition, Kassel 2011' / Alto Et Piano
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Sonatas In F Minor And E-Flat Major For Viola And Piano Op. 120
Viola, Piano
Barenreiter
Brahms had already announced his ?retirement' from composition when in the sprin...
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Brahms had already announced his ?retirement' from composition when in the spring of 1894 he played chamber music with the cellist Robert Hausmann and the clarinettist Richard Mühlfeld. This encounter apparently renewed his enthusiasm for Mühlfeld's much admired playing and inspired him to write two clarinet sonatas in the summer of the same year. It remains unclear when exactly Brahms drafted viola parts to his two sonatas. In any case the viola and clarinet versions of the works were first published by Simrock at the same time in 1895. Today there is no doubt about Brahms' authorship of the viola parts. They include important differences from the clarinet original in order to do justice to this string instrument.An important part of this edition is the extensive preface. Firstly it informs about the sonatas' origins, their compositional process, pre-publication performances, their publication history as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors start from the premise that already a few decades after Brahms' death, a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. On the basis of manifold sources which include memoirs by pupils and chamber music partners, treatises and essays, early instructive editions and historical recordings, the editors deal with key issues in understanding Brahms' notation. By a section-by-section analysis of rhythm and timing, dynamics and accentuation, dots and strokes, slurring and non legato, piano pedalling and overholding, piano arpeggiation and dislocation, string instrument fingering, string instrument harmonics and vibrato, the editors provide an indispensable assistance for a historically informed interpretation of the works.At the same time, the edition offers an exciting and often surprising insight into musical interpretation of the German Romantic Era in general.- A pioneering Urtext edition- With an unmarked Urtext part- With a second part including fingering and bowing based on the practices of contemporaries of Brahms- With an extensive Performance Practice Commentary- For further information on Romantic performance practice we recommend the text booklet: 'Performance Practices in Johannes Brahms' Chamber Music?, BA 9600 / Alto Et Piano
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Wesendonck-Lieder Wwv 91A (WAGNER RICHARD / HENZE HANS WERNER)
Viola, Piano
Schott
Par WAGNER RICHARD / HENZE HANS WERNER. After Poems By Mathilde Wesendonck/ Rép...
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Par WAGNER RICHARD / HENZE HANS WERNER. After Poems By Mathilde Wesendonck/ Répertoire / Alto et Orchestre de Chambre ou Piano
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Garland Judy - Wizard Of Oz + Cd - Viola And Piano
Viola, Piano
[Sheet music + CD]
-
Easy
Alfred Publishing
In celebration of the 70th Anniversary of The Wizard of Oz, this book features a...
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In celebration of the 70th Anniversary of The Wizard of Oz, this book features all of the classic songs by E.Y. Harburg and Harold Arlen arranged for viola with a fully orchestrated CD accompaniment. This book also contains dozens of original production stills, including four pages of colour, publicity photos, an essay on the story behind the songs and biographies of the composers. This book is compatible with others in the series. The CD includes a demo track of each song, with a live instrumental performance, and a playalong track. A separate, optional, piano accompaniment book is also available. It also includes a CD that features various instrument demo tracks. Over The Rainbow; Come Out, Come Out... ,It Really Was No Miracle; Ding Dong! The Witch Is Dead; The Lullaby League ,The Lollipop Guild ,We Welcome You To Munchkinland; Follow The Yellow Brick Road ,We're Off To See The Wizard; If I Only Had A Brain; Optimistic Voices; The Merry Old Land Of Oz; The Jitterbug; If I Were King Of The Forest.
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Hindemith Paul - Sonata - Viola And Piano
Viola, Piano
Schott
Edited after: Paul Hindemith, Complete Works, Vol. V/7 Instrument : viola and p...
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Edited after: Paul Hindemith, Complete Works, Vol. V/7 Instrument : viola and piano Nombre de Pages : 64 The genesis of the viola sonata reflects the eventful life of Hindemith in the winter of 1938/39 and owes its completion to Hindemith's ability to compose even while travelling, especially on trains. Hindemith himself said about his viola sonata: '... It is a powerful, well-fed piece with durable lining for cold weather. Second movement with a tricky rhythm to which one has to creep up carefully in order to master it. In the last movement which consists of two variations on an already fully developed rondo movement...' Hindemith shows again the wide range of his compositional and formal brilliance. New edition based on the text of the Hindemith Complete Edition.
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Singer's Library 1
Viola, Piano
[Sheet music]
Alfred Publishing
35 Chansons de la scène de Broadway. Un trésor de chansons de théâtre musica...
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35 Chansons de la scène de Broadway. Un trésor de chansons de théâtre musical dans leurs clés originales, sélectionnés par la voix. Pour les chanteurs aspirants et professionnels qui aiment à Broadway, bibliothèque de théâtre du chanteur d'Alfred Musical présente un élégant collectiohe plus aimés du théâtre musical chansons dans leurs clés originales, authentiquement transcrits de leurs scores vocales originales. Parfaite pour l'étude et aussi propice pour les auditions de la plus importantes et plus encore...Ensorcelés, dérangés et perplexe (de Pal (Rodgers and Hart) - proviennent de mon jardin (le Jardin Secret) (Simon and Norman) - Falling in Love with Love (à partir de The Boys from Syracuse) (Rodgers and Hart) - quarante jours (à partir de Passion) (Stephen Sondheim) - vert Finch et Linney Bird (à partir de Sweeney Toddphen Sondheim) - Hangin ' autour de vous (à partir de Strike Up the Band) (George and Ira Gershwin) - comment pourrais jamais savoir (du Jardin Secret) (Simon and Norman) - le coeur humain (à partir de jadis sur cette île) (Flaherty and Ahrens) - Je ne peux pas Faire du soleil (à partir de b/ Recueil / Alto et Piano
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Sonatas Op. 120 For Clarinet And Piano
Viola, Piano
G. Henle
We owe a debt of gratitude to the clarinettist Richard Mühlfeld for making the ...
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We owe a debt of gratitude to the clarinettist Richard Mühlfeld for making the elderly Brahms so interested in his instrument. In the 1890s the composer wrote the Trio op. 114, the Quintet op. 115 and the Sonatas op. 120 - three gems in the clarinet chamber music repertoire. Brahms also provided a part for viola as an alternative to the clarinet. The revision of our edition of the viola version of opus 120 is based on the musical text of the New Brahms Complete Edition and in many respects contains significant improvements: we were able to consult the autograph for the first time - the newly set piano score now contains the viola part - and viola players can benefit from fingerings and bowings by Tabea Zimmermann in the solo part. / Alto Et Piano
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Andante And Rondo Ongarese Op. 35 (WEBER CARL MARIA VON)
Viola, Piano
[Score]
IMC (International Music Co.)
Par WEBER CARL MARIA VON. / Répertoire / Alto et Piano
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Viola Recital Album, Vol.1
Viola, Piano
-
Easy
Barenreiter
This first volume of the 'Viola Recital Album? contains nine pieces that learner...
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This first volume of the 'Viola Recital Album? contains nine pieces that learners are especially fond of playing. They are based on English folk songs (such as 'Baa Baa Black Sheep?), familiar German nursery rhymes ('Hänschen Klein?) and less well-known but judiciously selected little compositions, e.g. by Moritz Hauptmann or Benjamin Cutter. The pieces can be interspersed in lessons at the teacher's discretion to enliven the repertoire.Each piece is accompanied by duo version in which the teacher or an advanced learner can play the second part. There is also a piano part that can be played by the teacher or parents.- New recital pieces for the proven viola tutor- Well-known traditionals- Every piece in first position- Second viola part for duo performance- Piano accompanimentAll the pieces in the four 'Viola Recital Albums? represent welcome additions to the already varied repertoire of Egon Sassmannhaus's viola tutor 'Early Start on the Viola.?Kurt Sassmannshaus is the editor of many string editions in the Bärenreiter catalogue. He continues in the tradition of 'Early Start on String Instruments? founded by his father, Egon Sassmannshaus. The new editions mentioned here were developed by Kurt Sassmannshaus in conjunction with his wife Melissa Lusk and his son Christoph Sassmannshaus. / Alto Et Piano (Ou 2 Altos)
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Viola Recital Album, Vol.3
Viola, Piano
-
Easy
Barenreiter
The seven recital pieces in volume 3 of the 'Viola Recital Album? augment the re...
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The seven recital pieces in volume 3 of the 'Viola Recital Album? augment the repertoire in volumes 2 and 3 of the Sassmannshaus tutor 'Early Start on the Viola.? But other viola tutors will also benefit from these pieces, all of which are in first position.The editors have chosen a short series of delightful little pieces by such unknown composers as Septimus Winner ('The Last Rose of Summer?) or Martin Greenwald ('Arminta Waltz?).Each piece is accompanied by duo version in which the teacher or an advanced learner can play the second part. There is also a piano part that can be played by the teacher or parents.- New recital pieces for the proven viola tutor- Well-known traditionals- Every piece in first position- Second viola part for duo performance- Piano accompanimentAll the pieces in the four 'Viola Recital Albums? represent welcome additions to the already varied repertoire of Egon Sassmannhaus's viola tutor 'Early Start on the Viola?.Kurt Sassmannshaus is the editor of many string editions in the Bärenreiter catalogue. He continues in the tradition of 'Early Start on String Instruments? founded by his father, Egon Sassmannshaus. The new editions mentioned here were developed by Kurt Sassmannshaus in conjunction with his wife Melissa Lusk and his son Christoph Sassmannshaus. / Alto Et Piano (Ou 2 Altos)
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Viola Recital Album, Vol.4
Viola, Piano
-
Easy
Barenreiter
The pieces in volume 4 of the 'Viola Recital Album? begin at the level of those ...
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The pieces in volume 4 of the 'Viola Recital Album? begin at the level of those in volumes 2 and 3 of the viola tutor and raise it to create little challenges in lessons. They can also be played to good effect in recitals.This delightful selection adds many fresh colours to the learner's repertoire, including an almost exotic flair in 'Danse Espagnole? (Bénoni Lagye), 'Capriccio Polka? (Salvador Leonardi) or 'The Temple Bells? (Amy Woodforde-Finden).Each piece is accompanied by duo version in which the teacher or an advanced learner can play the second part. There is also a piano part that can be played by the teacher or parents.- New recital pieces for the proven viola tutor- Well-known traditionals- Every piece in first position- Second viola part for duo performance- Piano accompanimentAll the pieces in the four 'Viola Recital Albums? represent welcome additions to the already varied repertoire of Egon Sassmannhaus's viola tutor 'Early Start on the Viola?.Kurt Sassmannshaus is the editor of many string editions in the Bärenreiter catalogue. He continues in the tradition of 'Early Start on String Instruments? founded by his father, Egon Sassmannshaus. The new editions mentioned here were developed by Kurt Sassmannshaus in conjunction with his wife Melissa Lusk and his son Christoph Sassmannshaus. / Alto Et Piano (Ou 2 Altos)
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Thränenbenezt For Viola Et Piano (MAINTZ PHILIPP)
Viola, Piano
Barenreiter
Par MAINTZ PHILIPP. Philipp Maintz was born in Aachen, Germany, in 1977. He rece...
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Par MAINTZ PHILIPP. Philipp Maintz was born in Aachen, Germany, in 1977. He received his first composition lessons from Michael Reudenbach. He studied composition with Robert HP Platz in Maastricht from 1997-2003, graduating with distinction, followed by a further degree in composition and electronic music with Karlheinz Essl at the Bruckner Conservatory in Linz. He has received scholarships and invitations from institutions including the Electronic Studio at the University of Liège, the International Summer Courses for New Music in Darmstadt, IRCAM Paris and the North Rhine-Westphalia Ministry of Culture, an Artist’s Scholarship from Lower Saxony for the Künstlerhof Schreyahn and otherhonours: the Supportive Prize from the Ernst von Siemens Music Foundation in 2005, a scholarship from the Wilfried Steinbrenner Foundation in 2006 and a German Government Scholarship to study at the Cité Internationale des Arts, Paris in 2007, Scholarship awarded by the German Minister of Culture for a one-year stay at the German Academy Rome, Villa Massimo (2010). His compositions have been performed at festivals including the International Gaudeamus Music Week Amsterdam, agora-festival, Paris, ars nova (SWR), International Summer Courses for New Music in Darmstadt, Wittener Tage für Neue Kammermusik, musica (Strasbourg), Wien Modern, Hear&Now London and the Salzburg Festival./ Répertoire / Alto et Piano
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Charles Dancla : 5Eme Air Varié Sur Un Thème De Weigl Op. 89 #5
Français
Viola, Piano
[Score and Parts]
Billaudot
Partition parue en mars 2012, cet ouvrage référencé sous le code GB8951 intit...
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Partition parue en mars 2012, cet ouvrage référencé sous le code GB8951 intitulé Charles Dancla : 5ème air varié sur un thème de Weigl Opus 89 no 5 et écrit par Dancla Charles est destiné à un public pratiquant Alto. / Alto Et Piano / 8 pages / Partition
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Sonata In G Minor Op. 106 (SCHARWENKA PHILIPP)
Viola, Piano
Amadeus Verlag
Par SCHARWENKA PHILIPP. / Répertoire / Alto et Piano
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Sonata #1 (ROSLAWEZ NIKOLAJ ANDREJEWITSCH)
Viola, Piano
[Sheet music]
Schott
Par ROSLAWEZ NIKOLAJ ANDREJEWITSCH. Erstausgabe/ Répertoire / Alto et Piano
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3 Pièces Pour Alto Et Piano (BOULANGER NADIA)
Viola, Piano
Leduc, Alphonse
Par BOULANGER NADIA. Nadia Boulanger's Three Pieces for Viola and Piano Poster...
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Par BOULANGER NADIA. Nadia Boulanger's Three Pieces for Viola and Piano Posterity has retained of Nadia Boulanger only her gifts as a virtuoso of the piano and organ, her skill as a conductor (of vocal ensemble and orchestra) and most of all, her incredible charisma as a teacher. For nearly sixty years, 'Mademoiselle' made the most of her famous Wednesdays, bringing rigour and passion to the training of several generations of musicians: among so many others, Aaron Copland, Leonard Bernstein, Igor Markevitch, Michel Legrand, Witold Lutoslawski, Astor Piazzolla, Quincy Jones and John-Eliot Gardiner have all kept unforgettable memories of these times. Was Nadia Boulanger wrong to let teaching music take precedence over her composing, as Gabriel Fauré, the great master she venerated, believed? The publication of Three Pieces for Viola and Piano, raises the question. This transcription of Three Pieces for cello and piano was composed between 1911 and 1913 and published by Heugel. The two initial pieces were originally written for organ: the first, in E flat minor, brings a moderate tempo to a melancholy cantilena with Romantic accents, while the second, in A minor, exudes warmth and tenderness. The third piece (C sharp minor), most likely originally titled Danse espagnole, heralds the Roaring Twenties with its restlessness and festive crackle. Together they emit a charm that is difficult to resist./ Répertoire / Alto et Piano
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4 Pieces (Viola And Piano) (BRIDGE FRANK)
Viola, Piano
[Sheet music]
Faber Music Limited
Par BRIDGE FRANK. These four pieces were written separately between 1901 and 191...
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Par BRIDGE FRANK. These four pieces were written separately between 1901 and 1910 for cello and piano. They subsequently appeared in print in different versions, ranging from piano solo to full orchestra. The composer was himself a fine viola player, and, it is hoped, would have welcomed these transcriptions for viola and piano, published here for the first time./ Répertoire / Alto et Piano
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Bridge Frank - Four Pieces - Viola And Piano
Viola, Piano
Faber Music Limited
These four pieces were written separately between 1901 and 1910 for cello and pi...
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These four pieces were written separately between 1901 and 1910 for cello and piano. They subsequently appeared in print in different versions, ranging from piano solo to full orchestra. The composer was himself a fine viola player, and, it is hoped, would have welcomed these transcriptions for viola and piano, published here for the first time.
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Viola School Vol.3 (SUZUKI SHINICHI)
Viola, Piano
[Sheet music]
-
Intermediate
Alfred Publishing
Par SUZUKI SHINICHI. FOR THE STUDENT This material is part of the worldwide Suzu...
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Par SUZUKI SHINICHI. FOR THE STUDENT This material is part of the worldwide Suzuki Method of teaching. Companion recordings should be used with these publications. In addition, there are viola part books that go along with this material. FOR THE TEACHER In order to be an effective Suzuki teacher, a great deal ongoing education is required. Your national Suzuki association provides this for its membership. Teachers are encouraged to become members of their national Suzuki associations and maintain a teacher training schedule, in order to remain current, via institutes, short-term programs and long-term programs. You are also encouraged to join the International SuzukiAssociation. FOR THE PARENT Credentials are essential for any teacher you choose. We recommend you to ask your teacher for his credentials, especially those relating to traning in the Suzuki Method. The Suzuki Method should be a positive one, where there exists a wonderful, fostering relationship between child, parent and teacher. So choosing the right teacher is of the utmost importance. / Niveau : Intermédiaire / Pédagogie / Méthode / Alto et Accompagnement Piano
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Sonata
Viola, Piano
Barenreiter
César Franck's Sonata for Piano and Violin is one of the most treasured works i...
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César Franck's Sonata for Piano and Violin is one of the most treasured works in the violin repertoire, a masterpiece of cyclic form with a gracefulness and expressive force almost paradigmatic for the age of musical Romanticism. This work was composed in 1886 and was dedicated to the Belgian violinist and composer Eugene Ysaye.After Franck's death in 1890 the original publisher of the Sonata, the Parisian house Julien Hamelle, announced an arrangement of the work for viola, but it has not been possible to locate any copy of this publication. The present arrangement for viola is largely based on Jules Delsart's arrangement for piano and cello, the only version of the Sonata which the composer authorized. However, the viola part here also adopts extensive passages in their original register or remains in the middle octave, especially in those passages where the cello lies two octaves beneath the violin. Being set in the alto register, the part thus lies between the other two string versions, lending the Sonata a delightful hybrid hue beyond the brilliance of the violin and the sonorousness of the cello. The piano part has been left intact and is thus identical to that of the original version. / Alto Et Piano
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Elégie Op. 30 For Viola And Piano
Viola, Piano
G. Henle
The peripatetic life and career of the Belgian composer Henry Vieuxtemps anticip...
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The peripatetic life and career of the Belgian composer Henry Vieuxtemps anticipated the European concept almost prophetically in the 19th century. The best example is his Elégie of 1848: written in St. Petersburg, it celebrated its greatest triumphs in Paris, was printed in Offenbach am Main, and enthusiastically reviewed in London. Critics were quick to note the expressive contrasts as well as the bravura style of the coda, which was 'elegant and at the same time brilliant?. Following the publication of the Sonata op. 36 (HN 577), the Elégie op. 30 now takes its place among Vieuxtemps' viola works for the first time in an Urtext edition. Tabea Zimmermann was once again entrusted with the bowings- the preface was written by the Vieuxtemps specialist Marie Cornaz. / Alto Et Piano
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Viola Sonata In B Flat Major Op. 36
Viola, Piano
G. Henle
Vieuxtemps is nowadays considered to be the foremost exponent of the Franco-Belg...
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Vieuxtemps is nowadays considered to be the foremost exponent of the Franco-Belgian violin school. Following a concert by the 14-year old 'wunderkind? in 1834, none other than Robert Schumann said: 'With Henri one can safely close one's eyes. His playing is like a flower, at the same time both fragrant and bright.? Vieuxtemps was also an excellent viola player and alongside numerous works for violin, also wrote several compositions for its relative. The Sonata op. 36, published in 1862, is one of the gems of viola literature with its oscillation between expressive maestoso, elegiac barcarola and scherzando passages. Our edition is the first ever Urtext edition. / Alto
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Goehr Alexander - Endsong Op.61 - Viola And Piano
Viola, Piano
Schott
Six Pieces Klavierauszug mit Solostimme - VA/KL - viola and orchestra composer:...
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Six Pieces Klavierauszug mit Solostimme - VA/KL - viola and orchestra composer: Goehr, Alexander Éditeur: Schott Music Ltd., London pages: 122 A suite of six pieces, rather than a concerto, Schlussgesang - endsong in English - was sketched in a few weeks in Jerusalem in 1993, interrupted for the composition of Arianna and then taken up again and completed in 1996. Schlussgesang is written for a medium-sized orchestra accompanying the soloist. It was commissioned by the BBC. First performance by Tabea Zimmermann and the BBC Symphony Orchestra conducted by Oliver Knussen at the 1997 Aldeburgh Festival. Contenu - I Prelude - II Intermezzo Es blendet uns die Mondnacht... - III Introduzione Aber unter allem ist das Feuer... - IV Weinender Trapezkünstler - V ...kein Gedanke, nur ruhiger Schlaf (in Memoriam Oliver Messiaen) - VI Wir wurden aus dem Paradies vertrieben, aber zerstört wurde es nicht.
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Pièces De Concours Vol.2
Viola, Piano
Schott
A real treasure trove in the scarce Romantic viola literature: Vol. 1 (Schott, E...
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A real treasure trove in the scarce Romantic viola literature: Vol. 1 (Schott, ED 22254) of the popular Pièces des concours series are now followed by Vol. 2 (ED 22255) and Vol. 3 (ED 22256).The pieces were performed in final examinations at the famous Conservatoire de Paris between 1897 and 1969. The publication is based on the first editions. In order to make it easier to approach the works, 'modern' fingerings and common bowing instructions were added to the pieces so that they can be played at sight.Vol. 2 contains pieces by Stan Golestan, Eugène Cools, Philippe Gaubert, and Gabriel Grovlez.Further pieces:Vol. 1 with pieces by Charles-Edouard Lefebvre, Paul Rougnon, Henri Marteau, and Léon HonnoréVol. 3 with works by Hans Sitt, Heinrich Arends and Léon Firket / Alto Et Piano
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