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Viola, Piano
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
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BOUZOUKI
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CHORAL - VOCAL - CHOIR
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CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
XYLOPHONE
ZITHER
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O Shenandoah! (Viola And Piano) (WATERFIELD POLLY / BEACH L)
Viola, Piano
[Sheet music]
-
Easy
Faber Music Limited
Par WATERFIELD POLLY / BEACH L.. This is a celebration of music from the time th...
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Par WATERFIELD POLLY / BEACH L.. This is a celebration of music from the time the pioneers explored the vast reaches of North America. A presentation of eleven imaginative and idiomatic arrangements for elementary Viola (Grade 1-3) with Piano. Helpful background notes help players to understand the style and spirit of the music. The book is also compatible with the Cello and Violin editions, giving an opportunity for young players to experience ensemble playing at quite an early stage. / Niveau : Facile / Date parution : 2003-10-16/ Recueil / Alto et Piano
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EDITIONS DELATOUR FRANCE DE VIENNE BERNARD - INTIME - ALTO and PIANO
Français
Viola, Piano
Delatour France
Cette oeuvre a été écrite pour remercier la pianiste Tran Ngoc Nguyen Trinh d...
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Cette oeuvre a été écrite pour remercier la pianiste Tran Ngoc Nguyen Trinh de son investissement hors du commun lors de la création de mon Poème lyrique Kim Vân Kiêu dans sa version pour cinq voix, récitant et piano (création à Paris en décembre 2017).
Le titre porte en lui-même un projet esthétique : comment traduire ce qui est intime, tendre, infime, sensible, l'émotion à fleur de peau , la relation entre les êtres, faite de fragments de mémoire, de convergences et divergences.
Cette musique assez épurée et simple, au caractère léger, si ce n'est gai, est à jouer avec précision et finesse. La forme est constituée de diverses motifs aux caractères très différenciés qui se succèdent rapidement, s'entremêlent et échangent leurs caractéristiques. Les instrumentistes devront veiller à rechercher dans les plus infimes détails, les couleurs sonores, les articulations, les nuances, etc. les plus diversifiées possibles et changer de mode de jeu instantanément dès une nouvelle indication.
Bien que l'oeuvre soit à jouer sans interruption, dans un cadre d'étude, chaque partie peut se jouer seule. La partie centrale (écrite en 2001) est éditée à part aux Éditions François Dhalmann dans sa version alto seul sous le titre Esquisse. / Partitions classique / Cordes / Alto / EDITIONS DELATOUR FRANCE
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4 Pieces (Viola And Piano) (BRIDGE FRANK)
Viola, Piano
[Sheet music]
Faber Music Limited
Par BRIDGE FRANK. These four pieces were written separately between 1901 and 191...
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Par BRIDGE FRANK. These four pieces were written separately between 1901 and 1910 for cello and piano. They subsequently appeared in print in different versions, ranging from piano solo to full orchestra. The composer was himself a fine viola player, and, it is hoped, would have welcomed these transcriptions for viola and piano, published here for the first time./ Répertoire / Alto et Piano
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3 Pièces Pour Alto Et Piano (BOULANGER NADIA)
Viola, Piano
Leduc, Alphonse
Par BOULANGER NADIA. Nadia Boulanger's Three Pieces for Viola and Piano Poster...
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Par BOULANGER NADIA. Nadia Boulanger's Three Pieces for Viola and Piano Posterity has retained of Nadia Boulanger only her gifts as a virtuoso of the piano and organ, her skill as a conductor (of vocal ensemble and orchestra) and most of all, her incredible charisma as a teacher. For nearly sixty years, 'Mademoiselle' made the most of her famous Wednesdays, bringing rigour and passion to the training of several generations of musicians: among so many others, Aaron Copland, Leonard Bernstein, Igor Markevitch, Michel Legrand, Witold Lutoslawski, Astor Piazzolla, Quincy Jones and John-Eliot Gardiner have all kept unforgettable memories of these times. Was Nadia Boulanger wrong to let teaching music take precedence over her composing, as Gabriel Fauré, the great master she venerated, believed? The publication of Three Pieces for Viola and Piano, raises the question. This transcription of Three Pieces for cello and piano was composed between 1911 and 1913 and published by Heugel. The two initial pieces were originally written for organ: the first, in E flat minor, brings a moderate tempo to a melancholy cantilena with Romantic accents, while the second, in A minor, exudes warmth and tenderness. The third piece (C sharp minor), most likely originally titled Danse espagnole, heralds the Roaring Twenties with its restlessness and festive crackle. Together they emit a charm that is difficult to resist./ Répertoire / Alto et Piano
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Miriam's Song (Band 2)
Viola, Piano
Furore Verlag
Sarah Feigin *1928: Reflections on a Niggun (1999) (6:05') Helene Liebmann 1795-...
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Sarah Feigin *1928: Reflections on a Niggun (1999) (6:05') Helene Liebmann 1795-nach 1835: Andante con Variation (7:06'). 3. Satz der Sonate op. 11 Die zweibändige Ausgabe unter dem Titel ?Miriam's Song' (Das Lied der Mirjam) ist jüdischen Komponistinnen des 19. und 20. Jahrhunderts gewidmet. Sie beinhaltet Viola-Bearbeitungen der Werke von Fanny Hensel geb. Mendelssohn, Vally Weigl, Lena Stein-Schneider und Ruth Schonthal (Band 1). Das von Schonthal aufgenommene Allegro moderato ist eine Originalkomposition für Viola und Klavier. Im 2. Band begegnen wir den Komponistinnen Helene Liebmann und Sarah Feigin. Der Titel der Ausgabe bezieht sich auf die Rolle der Prophetin Mirjam, der älteren Schwester von Mose und Aaron. Beim Auszug des israelischen Volkes aus Ägypten führte sie nach der Durchquerung des Schilfmeeres den Freudentanz und Gesang der Frauen an (2. Buch Mose 15,20-21). Bezeichnenderweise hat der Berliner Maler Wilhelm Hensel im 19. Jahrhundert seine Frau, die Komponistin Fanny Hensel geb. Mendelssohn, als Mirjam porträtiert.Das Repertoire romantischer Konzertliteratur für Viola ist recht begrenzt. Den Herausgebern ist es ein Anliegen, den im Original für Violine, Violoncello oder Klarinette geschriebenen Werken durch die Bearbeitung zu größerer Verbreitung zu verhelfen.'Revue Musicale Suisse / Schweizer MusikzeitungApril 2012 Seite 39, Walter Amadeus Ammann: Kompositionen jüdischer Frauen :Die Prophetin Mirjam, Schwester von Moses und Aaron, führte die Frauen beim Auszug aus Ägypten bei Tanz und Gesang an. Das Motto der zwei Hefte Miriam's Song deckt sich mit dem Schicksal der sechs Komponistinnen, die hier mit Stücken von drei bis sieben Minuten Dauer vertreten sind. Fanny Hensel traute sich nicht, ihre Werke zu publizieren, Vally Weigl und Ruth Schonthal mussten wegen der Nazis emigrieren, Lena Stein wurde durch eine Schweizer Delegation aus Theresienstadt befreit, Helene Liebmann änderte 1820 in Berlin wegen antisemitischer Repressalien ihren Namen auf Liebelt und Sarah Feigin wanderte 1972 von Lettland nach Israel aus.Die für Violine, Violoncello oder Klarinette mit Klavier geschriebenen Stücke in mäßiger Schwierigkeit eignen sich vorzüglich für die Bratsche. Gefühlvoll: Adagio von Hensel und Nocturno von Stein. Kurzweilig: Old Time Burlesque von Weigl und Reflection on a Niggun von Feigin. Oder Sätze aus Sonaten: Das fließende Allegro moderato von Schonthal und die anspruchsvollen Variationen über la ci darem la mano von Liebmann. Die zwei Sonaten sind in der Furore Edition auch vollständig sowohl für Violoncello als auch für Bratsche und Klavier erhältlich.Miriam's Song, Werke von jüdischen Komponistinnen für Viola und Klavier, Band 1 und 2, hg. von Bella und Semjon Kalinowsky, fue10050/10064, ? 18.00/16.00, Furore Edition, Kassel 2011' / Alto Et Piano
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Sonatas In F Minor And E-Flat Major For Viola And Piano Op. 120
Viola, Piano
Barenreiter
Brahms had already announced his ?retirement' from composition when in the sprin...
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Brahms had already announced his ?retirement' from composition when in the spring of 1894 he played chamber music with the cellist Robert Hausmann and the clarinettist Richard Mühlfeld. This encounter apparently renewed his enthusiasm for Mühlfeld's much admired playing and inspired him to write two clarinet sonatas in the summer of the same year. It remains unclear when exactly Brahms drafted viola parts to his two sonatas. In any case the viola and clarinet versions of the works were first published by Simrock at the same time in 1895. Today there is no doubt about Brahms' authorship of the viola parts. They include important differences from the clarinet original in order to do justice to this string instrument.An important part of this edition is the extensive preface. Firstly it informs about the sonatas' origins, their compositional process, pre-publication performances, their publication history as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors start from the premise that already a few decades after Brahms' death, a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. On the basis of manifold sources which include memoirs by pupils and chamber music partners, treatises and essays, early instructive editions and historical recordings, the editors deal with key issues in understanding Brahms' notation. By a section-by-section analysis of rhythm and timing, dynamics and accentuation, dots and strokes, slurring and non legato, piano pedalling and overholding, piano arpeggiation and dislocation, string instrument fingering, string instrument harmonics and vibrato, the editors provide an indispensable assistance for a historically informed interpretation of the works.At the same time, the edition offers an exciting and often surprising insight into musical interpretation of the German Romantic Era in general.- A pioneering Urtext edition- With an unmarked Urtext part- With a second part including fingering and bowing based on the practices of contemporaries of Brahms- With an extensive Performance Practice Commentary- For further information on Romantic performance practice we recommend the text booklet: 'Performance Practices in Johannes Brahms' Chamber Music?, BA 9600 / Alto Et Piano
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Ragtime Favourites / Alto And Acc. De Piano
Viola, Piano
[Sheet music + CD]
Fentone Music
Scott Joplin est incontestablement le maître du ragtime et est aujourd'huiproba...
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Scott Joplin est incontestablement le maître du ragtime et est aujourd'huiprobablement le plus connu de tous les compositeurs de jazz. Ses guenilles accrocheur ontété utilisé à travers le monde comme des airs thème et pour la télévisionavec de nombreuses annonces étant immédiatement reconnaissable. Cet album contientsix de ses plus chiffons dont The Entertainer, Maple Leaf Raget le chrysanthème. Un livre piano, l'accompagnement est séparéedisponibles pour les concerts. / Alto Et Piano / 36 pages / Partition Cd
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Valse Sentimentale (TCHAIKOVSKI PIOTR ILITCH / ROUDON)
Viola, Piano
[Sheet music]
Hamelle
Par TCHAIKOVSKI PIOTR ILITCH / ROUDON. / Répertoire / Alto et Piano
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Fast Forward (COLLEDGE HUGH / COLLEDGE KATHERINE)
Viola, Piano
[Sheet music + Audio access]
Boosey and Hawkes
21 Pieces For Viola Players With Piano Accompaniment. Par COLLEDGE HUGH / COLLED...
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21 Pieces For Viola Players With Piano Accompaniment. Par COLLEDGE HUGH / COLLEDGE KATHERINE. La collection Easy String Music de Boosey and Hawkes, dirigée et composée par Katherine et Hugh Colledge, compte quatre volumes d'un répertoire pour cordes destiné aux instrumentistes débutants et en cours d'apprentissage. Ces titres sont très appréciés des professeurs comme de leurs étudiants en raison de leurs vertus pédagogiques : ils introduisent des techniques nouvelles et proposent doigtés, notes et rythmes conçus pour acquérir la maîtrise nécessaire et poser des fondations solides en vue de la suite de l'apprentissage. Chaque titre est disponible en deux versions : l'une est fournie avec un CD de démonstration et de pistes audio d'accompagnement - l'autre comprend un livret d'accompagnement au piano et l'accès à des ressources audio téléchargeables./ Recueil / Alto et Piano
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Fiddler Playalong Collection for Viola
Viola, Piano
[Sheet music + Audio access]
Boosey and Hawkes
Par . The full range of traditional fiddle repertoire is now at your fingertips!...
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Par . The full range of traditional fiddle repertoire is now at your fingertips! Using these generous collections, you can create your own ceilidh, barn dance, jazz club or Sarajevo street-café. Some of this music is familiar, some more exotic, but all of it is absolutely authentic, faithfully arranged and, above all, hugely enjoyable. / Date parution : 2022-02-26/ Recueil / Alto
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Intermezzo Op. 117 No 1
Français
Viola, Piano
Billaudot
Avec les opus 116 et 117 de Brahms nous sommes dans les quatre derniers opus pou...
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Avec les opus 116 et 117 de Brahms nous sommes dans les quatre derniers opus pour piano seul composés à Ischl en 1892, de même que pour les opus 118 et 119 en 1893. Brahms a abandonné l'écriture symphonique dont la dernière oeuvre fut le double concerto pour violon et violoncelle et plus tardivement celle qui concerne la musique de chambre.Cherchant une oeuvre inédite pour alto et piano représentative de la fin de la période romantique, mon choix s'est porté sur l'opus 117 #1 car il convenait parfaitement à un arrangement pour piano et alto, la partie mélodique étant de ce registre.A ce propos, n'oublions pas l'admirable oeuvre vocale du compositeur ainsi que les opus symphoniques antérieurs, mais également ceux de musique de chambre et pianistiques où la mélodie est confiée de manière épisodique à une ' voix intermédiaire ' que Brahms affectionnait particulièrement.L'opus 117 #1 est un paysage d'automne en demi-teinte, en clair-obscur cher au Brahms des dernières années dont il cite deux vers en exergue, extraits d'une berceuse écossaise. Dans ses derniers opus pour piano, Brahms retourne complètement à ses origines, avec une inspiration nordique affirmée. Sur la fin de sa vie le compositeur s'abandonne progressivement à un état d'esprit mélancolique qui reflète le sentiment de ses contemporains allemands en cette fin de XIXème siècle.Ce sentiment confus, ce ' Weltschmerz ' traduisant cette ' vague douleur du monde ' incita Brahms à surnommer certaines de ces pièces ' berceuses de ma douleur ' dont l'opus 117 #1 pourrait être un exemple. Ces ultimes opus s'inscrivent dans les quatre grands cycles de rêveries et de méditations pianistiques du célèbre compositeur. / Alto Et Piano
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Bond James 007 Collection
Viola, Piano
[Sheet music + CD]
Alfred Publishing
Tous des airs de l'agent secret ultime du grand thème, organisé intermédiaire...
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Tous des airs de l'agent secret ultime du grand thème, organisé intermédiaires Viola. Comprend les thèmes et les chansons à partir de 20 films de James Bond, ainsi que 'James Bond Theme' classique. Les pièces peuvent être soit réalisé en solo avec le CD d'accompagnements enregistrés, ou comme un ensemble avec les autres membres de cet ensemble ensemble à cordes. / Alto
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Golliwogg's Cakewalk
Viola, Piano
Schott
The famous Golliwogg's Cakewalk is the final piece from Debussy's cycle Children...
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The famous Golliwogg's Cakewalk is the final piece from Debussy's cycle Children's Corner which consists of 6 miniatures for piano, written for his daughter in the years 1906-1908.The style corresponds to that of ragtime, a dance which was in vogue around the turn of the century. In the middle section, he parodies several times the beginning of the opera Tristan and Isolde by Richard Wagner with whom Debussy had a rather ambiguous relationship.The present arrangement now allows musicians to play the popular movement in a version for melodic instrument with accompaniment. / Alto Et Piano
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Konzert Für Viola Und Orchester C-Dur
Viola, Piano
Barenreiter
The Bohemian composer Jan Krtitel Vanhal/Johann Baptist Vanhal (1739-1813) settl...
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The Bohemian composer Jan Krtitel Vanhal/Johann Baptist Vanhal (1739-1813) settled in Vienna around 1763. There he wrote several concertos for various instruments, of which two for viola have survived. Both are evidently not original compositions, but arrangements by Vanhal of some of his own works, a common practice of that time. The Viola Concerto in C major is based on Vanhal's cello concerto in the same key.Our new revised edition makes this Concerto available once again. The solo part contains cadenzas for each movement. - Popular repertoire piece from the Viennese classical period - Idiomatic piano reduction - Solo part revised by Jan Plichta - New trilingual Foreword by Phillip Schmidt (Ger/Cz/Eng) / Alto Et Orchestre
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Elégie Op. 44
Viola, Piano
G. Henle
A precious gem of romantic viola literature is now available in Henle quality! T...
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A precious gem of romantic viola literature is now available in Henle quality! Thanks to the publisher's good connections to Russian archives, we were able to assess Glazunov's autograph for the first time for this first Urtext edition, and uncover the discrepancies between the autograph and the first print. Written in 1893 for the Danish violist Franz Hildebrand, the Elégie is one of the few original works of the 19th century for viola and thus a welcome enrichment of the repertoire. Since the piece does not make any particularly high technical demands on the soloist, the Elégie is ideally suited for teaching as well - and Tabea Zimmermann's fingerings guarantee the best possible support. / Alto Et Piano
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Rêverie (WIENIAWSKI / KAMASA)
Viola, Piano
[Sheet music]
PWM (Polskie Wydawnictwo Muzyczne)
Par WIENIAWSKI / KAMASA. In addition to the numerous violin pieces in H. Wieniaw...
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Par WIENIAWSKI / KAMASA. In addition to the numerous violin pieces in H. Wieniawski's compositional output there is only one piee for viola and piano, ''Reverie'', which is without opus number. The ''Dream'' ost probably comes from that period when Wieniawski stayed in London (1858-1859) and, apart from his regular concert activities, took part in chamber concerts, which were very popular at that time. During one of the Beethoven-Quartett-Society concerts a quartet of four outstanding virtuosos (Ernst, Joachim, Wieniawski and Piatti, the cellist) performed together. Wieniawski, who played the viola on that occasion, presumably concluded that there were too few original compositions for thisbeautiful instrument and decided to write a short viola piece himself. He endowed it with a lyrical character and the stamp of fervour, characteristic of his other compositions. (S. Kamasa) / Répertoire d'Examen / Répertoire / Alto et Piano
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4 Visages N04 La Parisienne Alto Et Piano (MILHAUD DARIUS)
Viola, Piano
[Sheet music]
Heugel
Par MILHAUD DARIUS. French composer and teacher, Darius Milhaud (1892-1974) was ...
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Par MILHAUD DARIUS. French composer and teacher, Darius Milhaud (1892-1974) was a prolific composer of the 20th Century as a member of 'Les Six'. His compositions remain highly regarded, Four Faces being no exception. Milhaud 's compositions are influenced by jazz and polytonality, as exemplified in Four Faces. The fourth of Four Faces, The Parisian Woman, is an alternative, exciting piece for advanced violists. Composed in 1943, Milhaud makes use of harmonics, complex rhythms, ornamentation, altering time signatures and clefs, double stops, variation in dynamics and a wide tessitura, among other aspects. Milhaud 's Four Faces is essential to all aspiring violists. / Répertoire d'Examen / Répertoire / Alto et Piano
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Viola Sonata In B Flat Major Op. 36
Viola, Piano
G. Henle
Vieuxtemps is nowadays considered to be the foremost exponent of the Franco-Belg...
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Vieuxtemps is nowadays considered to be the foremost exponent of the Franco-Belgian violin school. Following a concert by the 14-year old 'wunderkind? in 1834, none other than Robert Schumann said: 'With Henri one can safely close one's eyes. His playing is like a flower, at the same time both fragrant and bright.? Vieuxtemps was also an excellent viola player and alongside numerous works for violin, also wrote several compositions for its relative. The Sonata op. 36, published in 1862, is one of the gems of viola literature with its oscillation between expressive maestoso, elegiac barcarola and scherzando passages. Our edition is the first ever Urtext edition. / Alto
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Details
Ragtime, Sérénade And Rumba
Viola, Piano
Musicland
A Viola and Piano version of the popular quartet. (see M 1010) / Alto Et Piano
10.80 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
3-10 days - In Stock Supplier
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