Mezzo-Soprano Book Only. 32 Chansons de la scène de Broadway. Un trésor de chansons de théâtre musical dans leurs clés originales, sélectionnés par la voix. Pour les chanteurs aspirants et professionnels qui aiment à Broadway, bibliothèque de théâtre du chanteur d'Alfred Musical présente un élégant collectiohe plus aimés du théâtre musical chansons dans leurs clés originales, authentiquement transcrits de leurs scores vocales originales. Parfait pour l'étude et aussi propice pour les auditions de la plus importantes et plus encore.../ Recueil / Alto et Piano

Per Viola E Pianoforte. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligaris’s composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composer’s personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire / Date parution : 1905-06-19/ Répertoire / Alto et Piano

Six Pieces Klavierauszug mit Solostimme - VA/KL - viola and orchestra composer: Goehr, Alexander Éditeur: Schott Music Ltd., London pages: 122 A suite of six pieces, rather than a concerto, Schlussgesang - endsong in English - was sketched in a few weeks in Jerusalem in 1993, interrupted for the composition of Arianna and then taken up again and completed in 1996. Schlussgesang is written for a medium-sized orchestra accompanying the soloist. It was commissioned by the BBC. First performance by Tabea Zimmermann and the BBC Symphony Orchestra conducted by Oliver Knussen at the 1997 Aldeburgh Festival. Contenu - I Prelude - II Intermezzo Es blendet uns die Mondnacht... - III Introduzione Aber unter allem ist das Feuer... - IV Weinender Trapezkünstler - V ...kein Gedanke, nur ruhiger Schlaf (in Memoriam Oliver Messiaen) - VI Wir wurden aus dem Paradies vertrieben, aber zerstört wurde es nicht.

The peripatetic life and career of the Belgian composer Henry Vieuxtemps anticipated the European concept almost prophetically in the 19th century. The best example is his Elégie of 1848: written in St. Petersburg, it celebrated its greatest triumphs in Paris, was printed in Offenbach am Main, and enthusiastically reviewed in London. Critics were quick to note the expressive contrasts as well as the bravura style of the coda, which was 'elegant and at the same time brilliant?. Following the publication of the Sonata op. 36 (HN 577), the Elégie op. 30 now takes its place among Vieuxtemps' viola works for the first time in an Urtext edition. Tabea Zimmermann was once again entrusted with the bowings- the preface was written by the Vieuxtemps specialist Marie Cornaz. / Alto Et Piano

Par HORNER JAMES. Cet album, pour alto et piano, arrangements facile de caractéristiques des sélections instrumentales de la bande originale de blockbuster de 1997 de James Cameron sur le naufrage du Titanic, qui avait Leonardo DiCaprio et Kate Winslet comme les personnages de fiction Jack Dawson et Rose DeWitt Bukater - deux membres de différentes classes sociales qui tombent amoureux à bord de l'infortuné voyage inaugural de 1912 du navire. La sélection comprend My Heart Will Go On, le thème de l'amour du film. / Date parution : 2005-06-27/ Recueil / Alto et Piano