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There There
Viola, Piano
INSTRUMENTS
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Miriam's Song (Band 2)
Viola, Piano
Furore Verlag
Sarah Feigin *1928: Reflections on a Niggun (1999) (6:05') Helene Liebmann 1795-...
(+)
Sarah Feigin *1928: Reflections on a Niggun (1999) (6:05') Helene Liebmann 1795-nach 1835: Andante con Variation (7:06'). 3. Satz der Sonate op. 11 Die zweibändige Ausgabe unter dem Titel ?Miriam's Song' (Das Lied der Mirjam) ist jüdischen Komponistinnen des 19. und 20. Jahrhunderts gewidmet. Sie beinhaltet Viola-Bearbeitungen der Werke von Fanny Hensel geb. Mendelssohn, Vally Weigl, Lena Stein-Schneider und Ruth Schonthal (Band 1). Das von Schonthal aufgenommene Allegro moderato ist eine Originalkomposition für Viola und Klavier. Im 2. Band begegnen wir den Komponistinnen Helene Liebmann und Sarah Feigin. Der Titel der Ausgabe bezieht sich auf die Rolle der Prophetin Mirjam, der älteren Schwester von Mose und Aaron. Beim Auszug des israelischen Volkes aus Ägypten führte sie nach der Durchquerung des Schilfmeeres den Freudentanz und Gesang der Frauen an (2. Buch Mose 15,20-21). Bezeichnenderweise hat der Berliner Maler Wilhelm Hensel im 19. Jahrhundert seine Frau, die Komponistin Fanny Hensel geb. Mendelssohn, als Mirjam porträtiert.Das Repertoire romantischer Konzertliteratur für Viola ist recht begrenzt. Den Herausgebern ist es ein Anliegen, den im Original für Violine, Violoncello oder Klarinette geschriebenen Werken durch die Bearbeitung zu größerer Verbreitung zu verhelfen.'Revue Musicale Suisse / Schweizer MusikzeitungApril 2012 Seite 39, Walter Amadeus Ammann: Kompositionen jüdischer Frauen :Die Prophetin Mirjam, Schwester von Moses und Aaron, führte die Frauen beim Auszug aus Ägypten bei Tanz und Gesang an. Das Motto der zwei Hefte Miriam's Song deckt sich mit dem Schicksal der sechs Komponistinnen, die hier mit Stücken von drei bis sieben Minuten Dauer vertreten sind. Fanny Hensel traute sich nicht, ihre Werke zu publizieren, Vally Weigl und Ruth Schonthal mussten wegen der Nazis emigrieren, Lena Stein wurde durch eine Schweizer Delegation aus Theresienstadt befreit, Helene Liebmann änderte 1820 in Berlin wegen antisemitischer Repressalien ihren Namen auf Liebelt und Sarah Feigin wanderte 1972 von Lettland nach Israel aus.Die für Violine, Violoncello oder Klarinette mit Klavier geschriebenen Stücke in mäßiger Schwierigkeit eignen sich vorzüglich für die Bratsche. Gefühlvoll: Adagio von Hensel und Nocturno von Stein. Kurzweilig: Old Time Burlesque von Weigl und Reflection on a Niggun von Feigin. Oder Sätze aus Sonaten: Das fließende Allegro moderato von Schonthal und die anspruchsvollen Variationen über la ci darem la mano von Liebmann. Die zwei Sonaten sind in der Furore Edition auch vollständig sowohl für Violoncello als auch für Bratsche und Klavier erhältlich.Miriam's Song, Werke von jüdischen Komponistinnen für Viola und Klavier, Band 1 und 2, hg. von Bella und Semjon Kalinowsky, fue10050/10064, ? 18.00/16.00, Furore Edition, Kassel 2011' / Alto Et Piano
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Rêverie (WIENIAWSKI / KAMASA)
Viola, Piano
[Sheet music]
PWM (Polskie Wydawnictwo Muzyczne)
Par WIENIAWSKI / KAMASA. In addition to the numerous violin pieces in H. Wieniaw...
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Par WIENIAWSKI / KAMASA. In addition to the numerous violin pieces in H. Wieniawski's compositional output there is only one piee for viola and piano, ''Reverie'', which is without opus number. The ''Dream'' ost probably comes from that period when Wieniawski stayed in London (1858-1859) and, apart from his regular concert activities, took part in chamber concerts, which were very popular at that time. During one of the Beethoven-Quartett-Society concerts a quartet of four outstanding virtuosos (Ernst, Joachim, Wieniawski and Piatti, the cellist) performed together. Wieniawski, who played the viola on that occasion, presumably concluded that there were too few original compositions for thisbeautiful instrument and decided to write a short viola piece himself. He endowed it with a lyrical character and the stamp of fervour, characteristic of his other compositions. (S. Kamasa) / Répertoire d'Examen / Répertoire / Alto et Piano
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Viola Recital Album, Vol.3
Viola, Piano
-
Easy
Barenreiter
The seven recital pieces in volume 3 of the 'Viola Recital Album? augment the re...
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The seven recital pieces in volume 3 of the 'Viola Recital Album? augment the repertoire in volumes 2 and 3 of the Sassmannshaus tutor 'Early Start on the Viola.? But other viola tutors will also benefit from these pieces, all of which are in first position.The editors have chosen a short series of delightful little pieces by such unknown composers as Septimus Winner ('The Last Rose of Summer?) or Martin Greenwald ('Arminta Waltz?).Each piece is accompanied by duo version in which the teacher or an advanced learner can play the second part. There is also a piano part that can be played by the teacher or parents.- New recital pieces for the proven viola tutor- Well-known traditionals- Every piece in first position- Second viola part for duo performance- Piano accompanimentAll the pieces in the four 'Viola Recital Albums? represent welcome additions to the already varied repertoire of Egon Sassmannhaus's viola tutor 'Early Start on the Viola?.Kurt Sassmannshaus is the editor of many string editions in the Bärenreiter catalogue. He continues in the tradition of 'Early Start on String Instruments? founded by his father, Egon Sassmannshaus. The new editions mentioned here were developed by Kurt Sassmannshaus in conjunction with his wife Melissa Lusk and his son Christoph Sassmannshaus. / Alto Et Piano (Ou 2 Altos)
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Viola School Vol.3 (SUZUKI SHINICHI)
Viola, Piano
[Sheet music]
-
Intermediate
Alfred Publishing
Par SUZUKI SHINICHI. FOR THE STUDENT This material is part of the worldwide Suzu...
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Par SUZUKI SHINICHI. FOR THE STUDENT This material is part of the worldwide Suzuki Method of teaching. Companion recordings should be used with these publications. In addition, there are viola part books that go along with this material. FOR THE TEACHER In order to be an effective Suzuki teacher, a great deal ongoing education is required. Your national Suzuki association provides this for its membership. Teachers are encouraged to become members of their national Suzuki associations and maintain a teacher training schedule, in order to remain current, via institutes, short-term programs and long-term programs. You are also encouraged to join the International SuzukiAssociation. FOR THE PARENT Credentials are essential for any teacher you choose. We recommend you to ask your teacher for his credentials, especially those relating to traning in the Suzuki Method. The Suzuki Method should be a positive one, where there exists a wonderful, fostering relationship between child, parent and teacher. So choosing the right teacher is of the utmost importance. / Niveau : Intermédiaire / Pédagogie / Méthode / Alto et Accompagnement Piano
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Viola Recital Album, Vol.4
Viola, Piano
-
Easy
Barenreiter
The pieces in volume 4 of the 'Viola Recital Album? begin at the level of those ...
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The pieces in volume 4 of the 'Viola Recital Album? begin at the level of those in volumes 2 and 3 of the viola tutor and raise it to create little challenges in lessons. They can also be played to good effect in recitals.This delightful selection adds many fresh colours to the learner's repertoire, including an almost exotic flair in 'Danse Espagnole? (Bénoni Lagye), 'Capriccio Polka? (Salvador Leonardi) or 'The Temple Bells? (Amy Woodforde-Finden).Each piece is accompanied by duo version in which the teacher or an advanced learner can play the second part. There is also a piano part that can be played by the teacher or parents.- New recital pieces for the proven viola tutor- Well-known traditionals- Every piece in first position- Second viola part for duo performance- Piano accompanimentAll the pieces in the four 'Viola Recital Albums? represent welcome additions to the already varied repertoire of Egon Sassmannhaus's viola tutor 'Early Start on the Viola?.Kurt Sassmannshaus is the editor of many string editions in the Bärenreiter catalogue. He continues in the tradition of 'Early Start on String Instruments? founded by his father, Egon Sassmannshaus. The new editions mentioned here were developed by Kurt Sassmannshaus in conjunction with his wife Melissa Lusk and his son Christoph Sassmannshaus. / Alto Et Piano (Ou 2 Altos)
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Viola Recital Album, Vol.1
Viola, Piano
-
Easy
Barenreiter
This first volume of the 'Viola Recital Album? contains nine pieces that learner...
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This first volume of the 'Viola Recital Album? contains nine pieces that learners are especially fond of playing. They are based on English folk songs (such as 'Baa Baa Black Sheep?), familiar German nursery rhymes ('Hänschen Klein?) and less well-known but judiciously selected little compositions, e.g. by Moritz Hauptmann or Benjamin Cutter. The pieces can be interspersed in lessons at the teacher's discretion to enliven the repertoire.Each piece is accompanied by duo version in which the teacher or an advanced learner can play the second part. There is also a piano part that can be played by the teacher or parents.- New recital pieces for the proven viola tutor- Well-known traditionals- Every piece in first position- Second viola part for duo performance- Piano accompanimentAll the pieces in the four 'Viola Recital Albums? represent welcome additions to the already varied repertoire of Egon Sassmannhaus's viola tutor 'Early Start on the Viola.?Kurt Sassmannshaus is the editor of many string editions in the Bärenreiter catalogue. He continues in the tradition of 'Early Start on String Instruments? founded by his father, Egon Sassmannshaus. The new editions mentioned here were developed by Kurt Sassmannshaus in conjunction with his wife Melissa Lusk and his son Christoph Sassmannshaus. / Alto Et Piano (Ou 2 Altos)
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Sonatas In F Minor And E-Flat Major For Viola And Piano Op. 120
Viola, Piano
Barenreiter
Brahms had already announced his ?retirement' from composition when in the sprin...
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Brahms had already announced his ?retirement' from composition when in the spring of 1894 he played chamber music with the cellist Robert Hausmann and the clarinettist Richard Mühlfeld. This encounter apparently renewed his enthusiasm for Mühlfeld's much admired playing and inspired him to write two clarinet sonatas in the summer of the same year. It remains unclear when exactly Brahms drafted viola parts to his two sonatas. In any case the viola and clarinet versions of the works were first published by Simrock at the same time in 1895. Today there is no doubt about Brahms' authorship of the viola parts. They include important differences from the clarinet original in order to do justice to this string instrument.An important part of this edition is the extensive preface. Firstly it informs about the sonatas' origins, their compositional process, pre-publication performances, their publication history as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors start from the premise that already a few decades after Brahms' death, a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. On the basis of manifold sources which include memoirs by pupils and chamber music partners, treatises and essays, early instructive editions and historical recordings, the editors deal with key issues in understanding Brahms' notation. By a section-by-section analysis of rhythm and timing, dynamics and accentuation, dots and strokes, slurring and non legato, piano pedalling and overholding, piano arpeggiation and dislocation, string instrument fingering, string instrument harmonics and vibrato, the editors provide an indispensable assistance for a historically informed interpretation of the works.At the same time, the edition offers an exciting and often surprising insight into musical interpretation of the German Romantic Era in general.- A pioneering Urtext edition- With an unmarked Urtext part- With a second part including fingering and bowing based on the practices of contemporaries of Brahms- With an extensive Performance Practice Commentary- For further information on Romantic performance practice we recommend the text booklet: 'Performance Practices in Johannes Brahms' Chamber Music?, BA 9600 / Alto Et Piano
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Konzert Für Viola Und Orchester C-Dur
Viola, Piano
Barenreiter
The Bohemian composer Jan Krtitel Vanhal/Johann Baptist Vanhal (1739-1813) settl...
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The Bohemian composer Jan Krtitel Vanhal/Johann Baptist Vanhal (1739-1813) settled in Vienna around 1763. There he wrote several concertos for various instruments, of which two for viola have survived. Both are evidently not original compositions, but arrangements by Vanhal of some of his own works, a common practice of that time. The Viola Concerto in C major is based on Vanhal's cello concerto in the same key.Our new revised edition makes this Concerto available once again. The solo part contains cadenzas for each movement. - Popular repertoire piece from the Viennese classical period - Idiomatic piano reduction - Solo part revised by Jan Plichta - New trilingual Foreword by Phillip Schmidt (Ger/Cz/Eng) / Alto Et Orchestre
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Santa's Helper
Viola, Piano
[Sheet music + CD]
Santorella Publications
Remember fighting off the Sandman, desperately struggling to stay awake at the c...
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Remember fighting off the Sandman, desperately struggling to stay awake at the chance that you might catch a glimpse of Saint Nick. Every rustle or bump made you jolt from your quilted pod and race to the living room where the lit tree posed, draped in soft light. Still no Santa! It took all your energy to climb back into bed with your eyelids drawn and your body heavy. Tucked back in as best as you could with the sheets and pillows slightly disheveled, you dozed off while musical thoughts fill your groggy head. A wide, animated grin filled your face as you dreamt of chilly nights of caroling and warm, fire-lit sing-a-longs. Music has always been an integral part of the holiday season. As everyone knows, there is no better way to celebrate than with a song. Re-live your childhood memories and share your love of music this holiday season with Santa's Little Helper published by Santorella Publications. Santa's Little Helper for Viola is also written as solos or duets in accommodating keys for Violin, Cello and Bass. This best selling Santorella Publication includes a piano accompaniment CD with lyrics, so the whole family can sing along. The Piano Accompaniment book for this Stringed Instrument Edition is sold separately. Santorella's Horn Edition is also available for trumpet, clarinet, flute, alto sax and trombone../ Recueil / Alto et Piano
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Jurassic Blue (Viola And Piano) (WEDGWOOD PAM / LUMSDEN C)
Viola, Piano
[Sheet music]
-
Beginner
Faber Music Limited
Par WEDGWOOD PAM / LUMSDEN C.. If you thought dinosaurs were creatures of the pa...
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Par WEDGWOOD PAM / LUMSDEN C.. If you thought dinosaurs were creatures of the past, you'd better think again! Velociraptors, Iguanadons and pterodactyls are brought back to life in Jurassic Blue, a colourful collection of pieces with a jazzy twist. Following on from Jackaroo this book begins with a revision of the first finger and then moves on to second, third and fourth fingers. Each piece introduces a new rhythmic or technical point, with useful suggestion boxes for the teacher. There's also the chance to create you own dinosaurs too, inspired by Drew Hillier's wacky illustrations, plus pictures to colour in. With Pam Wedgwood's lively accompaniments and the addition of words, you can even sing along to Triceratops Rocks! / Niveau : Débutant / Date parution : 2002-11-13/ Recueil / Alto et Piano
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Got Those Position Blues? (HUWS JONES EDWARD)
Viola, Piano
[Sheet music]
Faber Music Limited
Par HUWS JONES EDWARD. These nine jazzy pieces have been specially written to he...
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Par HUWS JONES EDWARD. These nine jazzy pieces have been specially written to help students work through technical difficulties with position changes in a fun and exciting way. Not only are they an excellent way to learn, there perfect for end of term concerts too. / Methods & Tutors / Etude / Alto et Piano
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Solos For The Viola Player
Viola, Piano
[Sheet music + CD]
-
Intermediate/advanced
Hal Leonard
Ce livre / CD Pack propose la partition de piano complète, ainsi que l'arrachem...
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Ce livre / CD Pack propose la partition de piano complète, ainsi que l'arrachement partie solo. Le CD est jouable à la fois sur votre lecteur de CD et l'ordinateur. Elle est rehaussée de telle sorte que lorsqu'il est utilisé dans les ordinateurs qu'il dispose d'un logiciel de réglage du tempo à l'aide dans la pratique. / Alto Et Piano / 70 pages / niveau : Intermédiaire / Avancé / Partition + Cd
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Menuet-Sarabande
Français
Viola, Piano
[Sheet music]
Billaudot
La référence EFM1686 1 de l'éditeur Billaudot dont l'auteur célèbre est Lov...
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La référence EFM1686 1 de l'éditeur Billaudot dont l'auteur célèbre est Lovreglio Eleuthère, qui a pour titre MENUET-SARABANDE, a été écrite et composée pour Alto et plus particulièrement pour Alto Et Piano. Cette partition musicale appartient à la catégorie Classique. / Alto Et Piano / Partition
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Instrumental Solos
Viola, Piano
[Sheet music + CD]
Alfred Publishing
/ Alto Et Piano
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Sacred Alto Arias
Viola, Piano
Kevin Mayhew
/ Alto Et Piano
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