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Wee Man
Viola, Piano
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Pièces De Concours Vol.2
Viola, Piano
Schott
A real treasure trove in the scarce Romantic viola literature: Vol. 1 (Schott, E...
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A real treasure trove in the scarce Romantic viola literature: Vol. 1 (Schott, ED 22254) of the popular Pièces des concours series are now followed by Vol. 2 (ED 22255) and Vol. 3 (ED 22256).The pieces were performed in final examinations at the famous Conservatoire de Paris between 1897 and 1969. The publication is based on the first editions. In order to make it easier to approach the works, 'modern' fingerings and common bowing instructions were added to the pieces so that they can be played at sight.Vol. 2 contains pieces by Stan Golestan, Eugène Cools, Philippe Gaubert, and Gabriel Grovlez.Further pieces:Vol. 1 with pieces by Charles-Edouard Lefebvre, Paul Rougnon, Henri Marteau, and Léon HonnoréVol. 3 with works by Hans Sitt, Heinrich Arends and Léon Firket / Alto Et Piano
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Philipp Maintz: Thränenbenezt For Viola and Piano: Viola: Instrumental Work
Viola, Piano
[Sheet music]
Barenreiter
Philipp Maintz was born in Aachen Germany in 1977. He received his first compo...
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Philipp Maintz was born in Aachen Germany in 1977. He received his first composition lessons from Michael Reudenbach. He studied composition with Robert HP Platz in Maastricht from 1997-2003 graduating with distinction followed by a further degree in composition and electronic music with Karlheinz Essl at the Bruckner Conservatory in Linz. He has received scholarships and invitations from institutions including the Electronic Studio at the University of Liège the International Summer Courses for New Music in Darmstadt IRCAM Paris and the North Rhine-Westphalia Ministry of Culture an Artist?s Scholarship from Lower Saxony for the Künstlerhof Schreyahn and otherhonours: the Supportive Prize from the Ernst von Siemens Music Foundation in 2005 a scholarship from the Wilfried Steinbrenner Foundation in 2006 and a German Government Scholarship to study at the Cité Internationale des Arts Paris in 2007 Scholarship awarded by the German Minister of Culture for a one-year stay at the German Academy Rome Villa Massimo (2010). His compositions have been performed at festivals including the International Gaudeamus Music Week Amsterdam agora-festival Paris ars nova (SWR) International Summer Courses for New Music in Darmstadt Wittener Tage für Neue Kammermusik musica (Strasbourg) Wien Modern Hear&Now London and the Salzburg Festival.
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Johannes Brahms: Sonatas In F Minor And E-Flat For Viola: Viola: Instrumental
Viola, Piano
Barenreiter
for Viola and Piano-Brahms had already announced his 'retirement' from compositi...
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for Viola and Piano-Brahms had already announced his 'retirement' from composition when in the spring of 1894 he played chamber music with the cellist Robert Hausmann and the clarinettist Richard Mühlfeld. This encounter apparently renewed his enthusiasm for Mühlfeld?s much admired playing and inspired him to write two Clarinet sonatas in the summer of the same year. It remains unclear when exactly Brahms drafted Viola parts to his two sonatas. In any case the Viola and Clarinet versions of the works were first published by Simrock at the same time in 1895. Today there is no doubt about Brahms? authorship of the Viola parts. They include important differences fromthe Clarinet original in order to do justice to this string instrument.An important part of this edition is the extensive preface. Firstly it informs about the sonatas? origins their compositional process pre-publication performances their publication history as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors start from the premise that already a few decades after Brahms' death a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. On the basis of manifold sources which include memoirs by pupils and chamber music partners treatises and essays early instructive editions and historical recordings the editors deal with key issues in understanding Brahms' notation. By a section-by-section analysis of rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding Piano arpeggiation and dislocation string instrument fingering string instrument harmonics and vibrato the editors provide an indispensable assistance for a historically informed interpretation of the works.At the same time the edition offers an exciting and often surprising insight into musical interpretation of the German Romantic Era in general.A pioneering Urtext editionWith an unmarked Urtext partWith a second part including fingering and bowing based on the practices of contemporaries of BrahmsWith an extensive Performance Practice
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César Franck: Sonata: Viola: Instrumental Work
Viola, Piano
Barenreiter
arranged for Piano and Viola-Cesar Franck’s Sonata for Piano and Violin i...
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arranged for Piano and Viola-Cesar Franck’s Sonata for Piano and Violin is one of the most treasured works in the Violin repertoire a masterpiece of cyclic form with a gracefulness and expressive force almost paradigmatic for the age of musical Romanticism. This work was composed in 1886 and was dedicated to the Belgian violinist and composer Eugène Ysaÿe.After Franck’s death in 1890 the original publisher of the Sonata the Parisian house Julien Hamelle announced an arrangement of the work for Viola but it has not been possible to locate any copy of this publication. The present arrangement for Viola is largely based on Jules Delsart’s arrangement for Piano and Cello the onlyversion of the Sonata which the composer authorized. However the Viola part here also adopts extensive passages in their original register or remains in the middle octave especially in those passages where the Cello lies two octaves beneath the Violin.Being set in the alto register the part thus lies between the other two string versions lending the Sonata a delightful hybrid hue beyond the brilliance of the Violin and the sonorousness of the Cello. The Piano part has been left intact and is thus identical to that of the original version.The edition is rounded off by an informative text on the genesis and reception history of the Sonata (Ger/Fr/Eng).
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Alexander Glazunov: Élégie op. 44 for Viola and Piano: Viola: Instrumental Work
Viola, Piano
G. Henle
Élégie op. 44 for Viola and Piano-A precious gem of romantic Viola literature ...
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Élégie op. 44 for Viola and Piano-A precious gem of romantic Viola literature is now available in Henle quality. Thanks to the publisher’s good connections to Russian archives we were able to assess Glazunov’s autograph for the first timefor this first Urtext edition and uncover the discrepancies between the autograph and the first print. Written in 1893 for the Danish violist Franz Hildebrand the ?l?gie is one of the few originalworks of the 19th century for Viola and thus a welcome enrichment of the repertoire. Since the piece does not make any particularly high technical demands on the soloist the ?l?gie is ideally suited forteaching as well – and Tabea Zimmermann’s fingerings guarantee the best possible support.
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Elizabeth Maconchy: Sonata For Viola And Piano: Viola: Instrumental Work
Viola, Piano
[Sheet music]
Chester
Elizabeth Maconchy composed her Sonata For Viola And Piano in 1937 which premie...
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Elizabeth Maconchy composed her Sonata For Viola And Piano in 1937 which premiered the following year in London. Included in this is the Score and Parts for Viola and Piano with the piece lasting around14 minutes. Elizabeth Maconchy enrolled at the Royal College of Music at the age of sixteen and while her String Quartets are often seen by many as the pinnacle of her musical achievements thisSonata For Viola And Piano is a beautiful interplay between the two instruments and must surely rank as one of the finest Viola sonatas ever composed.
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Nadia Boulanger: Three Pieces For Viola & Piano (Originally For Cello). Sheet Music for Viola Piano Accompaniment
Viola, Piano
Leduc, Alphonse
Nadia Boulanger's Three Pieces for Viola and Piano transcribed from the origina...
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Nadia Boulanger's Three Pieces for Viola and Piano transcribed from the original for Cello. Posterity has retained of Nadia Boulanger only her gifts as a virtuoso of the piano and organ her skill as a conductor (of vocal ensemble and orchestra) and most of all her incredible charisma as a teacher. For nearly sixty years 'Mademoiselle' made the most of her famous Wednesdays bringing rigour and passion to the training of several generations of musicians: among so many others Aaron Copland Leonard Bernstein Igor Markevitch Michel Legrand Witold Lutoslawski Astor Piazzolla Quincy Jones and John-Eliot Gardiner have all kept unforgettable memories of thesetimes.Was Nadia Boulanger wrong to let teaching music take precedence over her composing as Gabriel Fauré the great master she venerated believed? The publication of Three Pieces for Viola and Piano raises the question. This transcription of Three Pieces for cello and piano was composed between 1911 and 1913 and published by Heugel. The two initial pieces were originally written for organ: the first in E flat minor brings a moderate tempo to a melancholy cantilena with Romantic accents while the second in A minor exudes warmth and tenderness. The third piece (C sharp minor) most likely originally titled Danse espagnole heralds the Roaring Twenties with its restlessness and festive crackle. Together they emit a charm that is difficult to resist.
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