SKU: FG.55011-906-2
ISBN 9790550119062.
Harri Wessman's Summer Variations for viola and piano (1998) exploites the rich and romantic sound of the viola and enjoys the many shades of summer days. It is dedicated to violist Yuri Gandelsman, who premiered the suite with Risto Lauriala 15th June 1998.Duration: c. 11'Movements:1. Summer theme2. What is this?3. Pizzicato4. Con sordino5. Stile concitato ostinato6. Tango7. FinaleHarri Wessman (b. 1949) is interested in all aspects of music that may be expressive, without in any way ignoring the possibilities of melody. He himself describes his harmonic method as a kind of contrapuntally treated jazz harmony. Wessman is particularly preoccupied with the ability of music to express emotions, an interest which has led him to study the so-called doctrine of the affections and the musical rhetoric of the baroque era. His Eine kleine Figurenlehre for wind quartet and piano is a playful application of a set of baroque musical figures.His output is dominated by chamber and vocal music as well as a number of concertos for various instruments such as the Concerto for Trumpet and Orchestra and the Serenade for Piano and String Orchestra. During recent years pedagogic music has become a more and more central area in his output with an emphasis on creating repertoire for budding musicians, from beginners to young professionals. He has even tailored some solo and chamber works for young musicians that he personally knows: e.g. Five Trombone Pieces for Minna Kajander (1992), Five Horn Pieces for Jenni Kuronen (1993), Five Piano Etudes for Tiina Karakorpi, Five Trumpet Pieces for Alevtina Parland and Five Double Bass Pieces for Amanda Thieme. Other chamber and solo pieces include Pan and the Nymph Pitys (1979) for flute and guitar, Three Caprices for Konstantin Weitz (1994) for solo violin and Capriccio for wind ensemble (1989).
SKU: FL.FX072811
A collection of 11 classical masterpieces arranged for Viola and Piano: 1 - BACH - Gavotte from Suite No. 3 in D Major, 2 - TCHAIKOVSKI - Chanson Triste, 3 - BACH - Aria from Suite No. 3 in D Major, 4 - SCHUBERT - Ave Maria, 5 - VIVALDI - Winter - Extract from the Four Seasons, 6 - MENDELSSOHN - Wedding March, 7 - WAGNER - Wedding March from Lohengrin, 8 - MOZART - Romanza - A Little Night Music, 9 - MOZART - Allegro - A Little Night Music, 10 - GOUNOD - Ave Maria (with opt. Viola 2), 11 - PACHELBEL - Canon in D Major (2 Violas & piano) ; Instruments: 1 Viola 1 Piano; Difficuly Level: Grade 3.
SKU: BT.DHP-1175822-401
ISBN 9789043152921. English-German-French-Dutch.
A small, playful piece that revives the famous Twinkle, twinkle, little star in a dance version (a short tango). Composer Pascal Proust has many years of experience as a musician and music teacher. His work includes several hundred compositions for the most diverse instrumentations. He wrote La viola del niño for violists with an ability of approximately one year’s experience. He paid special attention to an easy-to-follow, attractive musical style. La viola del niño is an ideal performance or competition work for young musicians.Een kort, vrolijk werkje waarin Twinkel, Twinkel, little star is verwerkt als een dansbaar nummer (een korte tango). De componist Pascal Proust kan bogen op een jarenlange ervaring als muzikant en muziekdocent. Zijn oeuvre omvat honderden composities voor de meest diverse instrumentaties. Hij schreef La viola del niño voor altviolisten die ongeveer een jaar les hebben gehad, waarbij hij speciaal aandacht heeft besteed aan een makkelijk te volgen, aantrekkelijke muziekstijl. Daardoor is La viola del niño een ideaal voordrachts- of wedstrijdstuk voor jonge muzikanten.Ein kurzes spielerisches Stück, in dem das bekannte LiedAh! vous dirais-je, maman in einer tänzerischen Version (ein kleiner Tango) verwendet wird. Der Komponist Pascal Proust kann aus seiner langjährigen Erfahrung als Musiker und Musikpädagoge schöpfen, sein Oeuvre umfasst mehrere hundert Kompositionen für verschiedenste Besetzungen. Er schrieb La viola del niño für Bratscher mit ungefähr 1 Jahr Unterrichtserfahrung und legte besonderes Augenmerk auf einen leicht verständlichen, attraktiven musikalischen Stil. Dadurch eignet sich La viola del niño ideal als Vortrags- und Wettbewerbsstück für junge Musiker.Une petite pièce ludique reprenant le célèbre Ah! vous dirai-je, maman dans une version dansante (un petit tango). Le compositeur Pascal Proust puise volonté dans son immense expérience de musicien et professeur de musique - son catalogue d’œuvres englobe plusieurs centaines de compositions pour divers instruments. Il a notamment écrit La viola del niño pour altistes ayant environ une année de pratique, dans un style musical accessible et coloré. De ce fait, La viola del niño est la pièce idéale pour tout examen ou audition de jeunes musiciens.
SKU: HL.50560057
UPC: 073999668773. 9.5x12.5 inches.
SKU: BA.BA11058
ISBN 9790006558308. 30 x 21 cm inches.
The intimate atmosphere of the first of the “Trois Poèmes†op. 66 is evoked here in a purely instrumental form – technically easily accessible, with an expressive melodic and corresponding harmonic treatment.
SKU: SU.93010530
Instrumentation: Viola & Piano Duration: 6'30 Composed: 2015 Published by: Subito Music Publishing.
SKU: SU.92040330
Instrumentation: Viola & Piano Duration: 11' Composed: 2016 Published by: Subito Music Publishing.
SKU: MA.EMR-56855
Possible instrumentations:Viola & CD Play Back / Play AlongViola & Piano (+ CD Play Back / Play Along optional).
SKU: MA.EMR-56823
SKU: BT.SLB-02032701
230 X 305 inches. French-English-Italian.
Henri Casadesus was passionate about early instruments, as we know from a number of photographs showing him with viola d’amore, the subject of a manual he wrote entitled Tecnique de la viole d’amour. The Concerto en Ut mineur was first published in 1947 by Mica Salabert. The first edition gives the so-called “original†part for solo violocello together with the score which, according to the preface, has been adapted for viola or cello or violin by Casadesus. However, stylistic analysis of the piece, together with some musicological research carried out after the appearance of the first edition reveals that the “original†version for violoncello, on which the adaptation was supposed to be based, cannot be attributed to Johann Christian Bach, but is rather a work imitating his style written two centuries later. In spite of this, Concerto en Ut mineur encountered considerable success and continues to be studied and performed by both violinists and violoncellists today.Henri Gustave Casadesus nourrissait une profonde passion pour les instruments anciens, qu’illustrent notamment plusieurs photographies qui le représentent avec la viole d’amour, un instrument pour lequel il écrivit le traité Technique de la viole d’amour. Le Concerto en ut mineur fut publié pour la première fois en 1947 par Mica Salabert. Dans la première édition imprimée du Concerto en ut mineur, la partie du violoncelle soliste était qualifiée d’« originale » tandis que la partition, d’après la préface citée, est la version d’Henri Casadesus, réadaptée pour alto, violon ou violoncelle. Toutefois, d’après l’analyse du style de la pièce et des recherches musicologiques successives jamais contestées du reste par la famille Casadesus il apparaît que la version « originale » pour violoncelle, de laquelle découlerait l’adaptation, n’est pas attribuable non plus Johann Christian Bach, mais aurait été composée selon sa manière deux siècles après. En dépit de cela, ce concerto a connu une bonne fortune et est encore étudié et interprété aujourd’hui par les altistes et les violoncellistes.
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